ToneLab LE's manual - Vox
ToneLab LE's manual - Vox
ToneLab LE's manual - Vox
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
A Guitarist’s Guided Panel Tour<br />
Here we’re going to learn about the buttons and other controls on <strong>ToneLab</strong> LE’s top and rear<br />
panel.<br />
THE TOP PANEL<br />
2<br />
3<br />
4<br />
1<br />
5<br />
6<br />
1 MODEL SELECT SECTION<br />
Here you can select the model of amp, cabinet and effect models.<br />
1.2 1.4 1.5 1.3 1.6 1.7 1.8<br />
1.1<br />
1.1 MODEL select buttons<br />
Use these when selecting the effect category you want to edit with value knobs 1–6, and<br />
when switching effects on/off. If an effect you’re using is ON it will be lit (or blinking during<br />
editing), and if OFF it will be dark.<br />
Press a button once and its LED will blink; now you can use value knobs 1–6 to edit the<br />
parameters of that effect.<br />
If you want to turn off an effect that is currently on, press the model select button for the<br />
appropriate effect once (it blinks), and then press that model select button once again to<br />
turn it off (dark); the name display will indicate [--OFF--].<br />
The pedal effect is placed in front of the amp model and the modulation, delay, and reverb<br />
are placed after the cabinet model.<br />
NOTE: The reason that modulation, delay, and reverb effects are placed after the amp — rather than<br />
before it as a “stompbox” — is that they sound better and more realistic. For example, REVERB<br />
emulates the sound created by a room or hall. So, logic dictates that if we’re going to add it to<br />
our sound, the closer to the end of the signal chain we put it, the more “real” and natural it’s<br />
going to sound. The same is true for DELAY and MODULATION effects — they’re going to<br />
sound more natural if added near the end of your signal path, not at its beginning. Also, if you’re<br />
12