ToneLab SE Owner's manual - Vox

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MIC1 -10dBV MIC GAIN U 10 60 +10dB -40dB TRIM MIC2 BAL BAL OR OR UNBAL UNBAL LINE IN 1 LINE IN 2 LOW CUT LOW CUT 75Hz 75Hz 18dB/OCT 18dB/OCT U +15 U U +15 -15 +15 U -12 +12 U -15 +15 L R 1 MUTE ALT 3–4 AUX 1 MON/ EFX 2 EFX EQ HI 12kHz MID 2.5kHz LOW 80Hz PAN dB dB 10 10 SOLO 5 5 U U 5 5 10 10 20 20 30 30 40 40 50 50 60 60 -10dBV MIC GAIN U 10 60 +10dB -40dB TRIM U +15 U +15 U -15 +15 U -12 +12 U -15 +15 L R 2 MUTE ALT 3–4 AUX 1 MON/ EFX 2 EFX EQ HI 12kHz MID 2.5kHz LOW 80Hz MIC3 BAL OR UNBAL LINE IN 3 LOW CUT 75Hz 18dB/OCT -10dBV MIC GAIN -15 +15 U -12 +12 U -15 +15 MID 2.5kHz LOW 80Hz MIC4 BAL OR UNBAL LINE IN 4 LOW CUT 75Hz 18dB/OCT -10dBV MIC GAIN -12 +12 U -15 +15 MID 2.5kHz LOW 80Hz LINE IN 5 LOW CUT 75Hz 18dB/OCT -10dBV MIC GAIN -12 +12 U -15 STEREO AUX RETURNS AUX SEND TAPE TAPE MAIN OUTS MIC5 MIC6 1 1 INPUT OUTPUT L L MICRO SERIES 1402-VLZ 14-CHANNEL MIC/LINE MIXER 2 2 R R LEFT(1/MONO) RIGHT ALL BAL/UNBAL BAL/UNBAL BAL BAL OR OR MONO MONO MONO MONO UNBAL UNBAL L L L L LINE IN 6 BAL BAL BAL BAL LOW CUT OR OR OR OR 75Hz UNBAL UNBAL UNBAL UNBAL 18dB/OCT R R R R LEVEL LEVEL LEVEL LEVEL +4 +4 +4 +4 -10 -10 -10 -10 PHONES LINE IN 9-10 LINE IN 11-12 LINE IN 13-14 U AUX U AUX U AUX U U 1 1 1 MON/ MON/ MON/ EFX EFX EFX 1 +15 +15 +15 +10 +20 NORMALLED U U U AUX 1 MASTER U 2 2 2 2 PRE EFX EFX EFX POST AUX 1 EFX TO +15 +15 +15 SELECT MONITOR +20 U EQ U EQ U EQ SOURCE LEFT RIGHT HI HI HI MAIN +28 CLIP 12kHz 12kHz 12kHz MIX +10 -15 +15 -15 +15 -15 +15 U U U +7 ALT MID MID MID MID MID MID 3-4 +4 2.5kHz 2.5kHz 2.5kHz 2.5kHz 2.5kHz 2.5kHz +2 -12 +12 -12 +12 -12 +12 -12 +12 -12 +12 U U U U U TAPE 0 -2 LOW LOW LOW LOW LOW LOW 80Hz 80Hz 80Hz 80Hz 80Hz 80Hz -4 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -7 ASSIGN PAN PAN PAN PAN PAN PAN TO MAIN MIX -10 -20 NORMAL(AFL) LEVEL SET(PFL) -30 0dB=0dBu -10dBV MIC GAIN U U U U 10 60 10 60 10 60 10 60 +10dB -40dB +10dB -40dB +10dB -40dB +10dB -40dB TRIM TRIM TRIM TRIM LINE IN 7-8 U AUX U AUX U AUX U AUX U AUX 1 1 1 1 1 MON/ MON/ MON/ MON/ MON/ EFX EFX EFX EFX EFX +15 +15 +15 +15 +15 U U U U U 2 EFX 2 2 2 2 EFX EFX EFX EFX +15 +15 +15 +15 +15 U EQ U EQ U EQ U EQ U EQ HI HI HI HI HI 12kHz 12kHz 12kHz 12kHz 12kHz -15 +15 -15 +15 -15 +15 -15 +15 U U U U PAN PAN PAN L R L R L R L R L R L R L R L R SOLO MODE 3 4 5 6 7–8 9–10 11–12 13–14 MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE ALT 3–4 ALT 3–4 ALT 3–4 ALT 3–4 ALT 3–4 ALT 3–4 ALT 3–4 ALT 3–4 PHANTOM POWER RUDE SOLO LIGHT CONTROL ROOM / PHONES MAIN MIX dB dB dB dB dB dB dB dB dB dB 10 10 10 10 10 10 10 10 10 10 SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO 5 5 5 5 5 5 5 5 5 5 U U U U U U U U U U 5 5 5 5 5 5 5 5 5 5 10 10 10 10 10 10 10 10 10 10 20 20 20 20 20 20 20 20 20 20 30 30 30 30 30 30 30 30 30 30 30 40 40 40 40 40 40 40 40 40 40 40 50 50 50 50 50 50 50 50 50 50 50 60 60 60 60 60 60 60 60 60 60 60 AUX RETURNS 6. If you’ve connected ToneLabSE to a mixer/recorder, press the GLOBAL switch to access the OUT SEL menu, and use value knob 6 or the ▲, ▼ buttons to select “Ln” (LINE). If you’ve connected ToneLabSE to a guitar amp, select “AP” (AMP). 7. To adjust the volume, turn up your amp or mixer and ToneLabSE’s rear panel LEVEL knob to a desired level (11.3). NOTE: Since ToneLabSE uses an actual valve (vacuum tube), it will produce no sound for several seconds until the valve warms up. This isn’t a malfunction – it’s just the nature of valves. Guitar to your MIDI sequencer/computer ToneLabSE Headphones PHONES to your mixer/recorder or guitar amp LINE/AMP External effect processor RETURN SEND OUTPUT L/MONO R AC/AC power supply to an ~AC9V AC outlet Monaural phone jack INPUT INPUT USING TONELABSE WITH A MIXER OR RECORDER EXAMPLE OF CONNECTIONS TO A MIXER OR RECORDER • When using ToneLabSE for direct-line recording, connect the OUTPUT L/ MONO and R jacks to the input jacks of your mixer or recorder. Press the GLO- BAL switch to access the OUT SEL menu, and use value knob 6 or the ▲, ▼ buttons to select “Ln” (LINE). HINT: If you’re using a mono connection, use the OUTPUT L/MONO jack only. HINT: If you’re using a stereo connection, pan the input channels of your mixer/ recorder to the far left and right respectively. Guitar OUTPUT L/MONO R LINE IN 1 PAN L Tape Send LINE IN 2 PAN R Tape Return Headphones ToneLabSE Monaural phone jack INPUT Mixer/recorder PHONES 14
USING TONELABSE WITH A GUITAR AMP(S) EXAMPLE OF CONNECTION TO A GUITAR AMP (OR AMPS) • If you are connecting ToneLabSE to one or more guitar amps, connect the OUT- PUT L/MONO and R jacks to the input jack of your guitar amp(s). If desired, you can also connect an external effect processor; connect SEND to the effect processor’s input, and RETURN to its output. Press the GLOBAL switch to access the OUT SEL menu, and use value knob 6 or the ▲, ▼ buttons to select “AP” (AMP). HINT: If ToneLabSE is connected immediately before a combo amp or amp head, set the tone controls of your guitar amp to their center positions and then adjust for taste. To avoid unintentional distortion, press and hold the FX ON/OFF (Effect On/ Off) pedal for 0.5 seconds to bypass ToneLabSE, and adjust the rear panel LEVEL knob so that the volume is the same as when your guitar is connected directly to the amp. HINT: If you’re connecting ToneLabSE to a guitar amp that has a jack allowing you to connect directly before the power amp (such as Return or Main In), set the OUT SEL menu item to “Ln” (LINE), and then connect ToneLabSE to that jack. If you want to take advantage of the tonal character of that amp (and cabinet), you may want to turn ToneLabSE’s CABINET setting “OFF.” HINT: When the program name is displayed, you can press and hold the EXIT switch for one second or longer to activate the Key Lock function; this disables operation of the buttons, selectors, and knobs. (The name display will indicate KEY LOCK for one second, and the value knob LEDs will go dark.) To cancel the Key Lock function, press and hold the EXIT switch again for one second or longer. (The name display will indicate LOCK OFF for one second.) Introduction Panel Tour Setup Playing Creating and Storing Guitar OUTPUT L/MONO R INPUT Monaural phone jack INPUT Monaural phone jack ToneLabSE Monaural phone jack INPUT Guitar amp(s) USING TONELABSE WITH A MIDI DEVICE OR COMPUTER By using MIDI you can control ToneLabSE from a sequencer or control an external MIDI device from ToneLabSE. You can also save ToneLabSE programs on a sequencer or MIDI data filer that is able to transmit and receive MIDI exclusive data, and then load the program data back into ToneLabSE when desired. HINT: For details on MIDI connections refer to p.59. 15
Page 1 and 2: Owner's Manual E 1
Page 3 and 4: CE mark for European Harmonized Sta
Page 5 and 6: ▼ buttons to select “Ln” (LIN
Page 7 and 8: 15. ToneLabSE provides a PEDAL effe
Page 9 and 10: Program Select mode ...............
Page 11 and 12: Introduction WELCOME ABOARD! Many t
Page 13 and 14: Apart from the vital valve tone thi
Page 15 and 16: A Guitarist’s Guided Panel Tour H
Page 17 and 18: 2 1.9 REVERB selector This selects
Page 19 and 20: 3.8 Name display Displays program n
Page 21: REAR PANEL 10 11 POWER SUPPLY 10.1
Page 26 and 27: Playing ToneLabSE PROGRAM SELECT MO
Page 28 and 29: ACTIVATING OR DEACTIVATING THE KEY
Page 30 and 31: 6. Use the CABINET model selector t
Page 32 and 33: STORING A PROGRAM When your tweakin
Page 34 and 35: model. This time though, the “neu
Page 36 and 37: no feedback” emulation whenever A
Page 38 and 39: Original’s valve compliment: 5 x
Page 40 and 41: emains focused and well defined at
Page 42 and 43: B. CABINET MODELS Now let’s look
Page 44 and 45: It is renowned for its deep bass an
Page 46 and 47: [1] “SENS” 1.0...10.0 Adjusts t
Page 48 and 49: WARNING! Like all pedals of this ty
Page 50 and 51: 1. CLASSIC CHORUS (CL CHORUS) MONO
Page 52 and 53: [5] “MODE” S1, S2, P1, P2, P3 6
Page 54 and 55: 10. FILTRON STEREO IN/STEREO OUT 2
Page 56 and 57: 2. MULTI HEAD (MULTI HD) MONO IN/MO
Page 58 and 59: 10. HOLD DELAY (HOLD DLY) MONO IN/M
Page 60 and 61: 11. GATE MONO IN/STEREO OUT 1 This
Page 62 and 63: CALIBRATING THE TUNER When you swit
Page 64 and 65: SETTING THE EXPRESSION TARGET Here
Page 66 and 67: “EXP1INIT” lets you specify whe
Page 68 and 69: 5. Slowly advance the expression pe
Page 70 and 71: SETTING THE MIDI CHANNEL (GLOBAL
Page 72 and 73: 1. Press the GLOBAL button (3.4). 2
Page 74 and 75:
Restoring the Factory Preset Progra
Page 76 and 77:
4. You’re using the ACOUSTIC peda
Page 78 and 79:
Program list NAME PEDAL Ach-AMP Ach
Page 80 and 81:
TOP PANEL: 1.2 1.4 5 1.5 1.3 1.6 1.
Page 82:
Owner's Manual E 1 2003 VOX AMPLIFI
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