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The 1950s<br />
By the end of the 1950s, world-renowned architect Marcel Breuer,<br />
a Hungarian-born Modernist who taught at the Bauhaus School in<br />
Germany, had updated the <strong>College</strong>’s Neo-Gothic architectural style<br />
by adding the Fine Arts Building (1959) and the following year,<br />
Shuster Hall. Both filled the undeveloped land that students<br />
called the “sunken garden” and adhered to Breuer’s Modernist<br />
aesthetic: clean lines, geometric shapes, and pre-fabricated<br />
material like flue-shaped terra cotta tiles, which originally<br />
adorned each building. Only Shuster Hall still retains this<br />
distinct “honeycomb” look, however; in 1980, the Fine Arts<br />
Building, which originally served as the <strong>College</strong>’s library, was<br />
outfitted with black glass and converted into a home for both<br />
the Art Department and the <strong>Lehman</strong> <strong>College</strong> Art Gallery.<br />
For urban students, the ability to escape to these greener<br />
pastures of the Bronx was a benefit that was worth the commute.<br />
“I much preferred going to the uptown campus, where it<br />
was like a private school,” recalled Marion Wylie (Hunter ’53)<br />
during the 1980s series of oral histories. “It had a wonderful<br />
location…and the spaciousness and the cleanliness of the<br />
whole place was just wonderful.”<br />
The lush green settings were part of the allure—and something<br />
that set it apart from Hunter’s downtown location. “What<br />
I remember was the North Lawn,” said Associate Professor<br />
of English Emerita Eileen Allman in those same oral histories.<br />
She graduated from Hunter in 1961 and later joined the<br />
English faculty. “As soon as spring came, everybody was out<br />
there reading. I make a lot of associations with that North<br />
Lawn and literature: I pick up Milton, I see green grass.”<br />
For alumna Marsha Ellis Jones, who graduated from <strong>Lehman</strong> in<br />
1971 (see her profile on page 27), the lawns and grassy knolls<br />
invoked the image of a private, elite college. “For those of us who<br />
lived in the city,” she said, “the campus was like an oasis; an education<br />
oasis.”<br />
“I got my B.A. in Latin, and I minored in Ancient Greek.<br />
We read The Iliad in the original Ancient Greek. I was<br />
fluent in Latin at one time, but if you don’t use it, you<br />
lose it. I still know some of it to this day.<br />
“I arrived at the Bronx campus in September 1942. I<br />
was only there for six months before the Navy took<br />
over the campus for the training of the WAVES. But<br />
the campus made a great impression on me. Going<br />
there was like going away to college. In those days, all they had were the<br />
four Gothic buildings—we called them ‘the castles.’ There were benches all<br />
along the path to the north end of the campus—you would sit there and do<br />
your homework or practice the language you were studying.<br />
“I remember that we didn’t have to buy books. You could rent books for<br />
a semester for $5. Then at the end of your class, you returned the books,<br />
and you would get your $5 back. Hunter-in-the-Bronx was the only school<br />
that did that, I’m not sure why. But I know that at Brooklyn and City<br />
<strong>College</strong> you had to buy books. It was well worth it for the education<br />
that I received.”<br />
— Anna (Budesa) Thompson, Hunter ‘46<br />
The campus also boasted clay tennis courts—the kind usually<br />
found only at a country club—that were open to the student body.<br />
“It was a great luxury for me to be able to play tennis on a clay<br />
court,” said Professor Emerita of History Ruth Zerner, who graduated<br />
from Hunter in 1956 and returned to teach in the History<br />
Department until her retirement in 2007. “It was the most beautiful<br />
campus in all of CUNY.”<br />
Leon Cooperman and<br />
Toby Alowitz Cooperman,<br />
Hunter Class of ’64<br />
When Leon Cooperman attended<br />
French class during his sophomore<br />
year at Hunter-in-the-Bronx, he knew<br />
one thing for certain: this wasn’t going<br />
to be an easy class. “I had difficulty<br />
with languages,” he admits.<br />
What he didn’t know was that he<br />
would find the love of his life in that class, his wife of forty-seven<br />
years, Toby (née Alowitz). “She helped with my French,” he says with<br />
a laugh. It wasn’t long before they were a couple: she was the junior<br />
class president; he was the vice president. Their first date was the<br />
junior prom.<br />
These days, Mr. Cooperman is the chairman and CEO of Omega<br />
Advisors, a hedge fund he created in 1991 after working at Goldman<br />
Sachs, where he eventually became a general partner. He<br />
holds an M.B.A. from Columbia University; in 1997, he received an<br />
honorary Doctorate of Finance from Roger Williams University in<br />
Rhode Island, and last year, an honorary Doctorate of Humane<br />
Letters from Hunter <strong>College</strong>.<br />
The couple split their time between homes in Short Hills, N.J.,<br />
and Boca Raton, Fla.<br />
Back in the fall of 1960, when they entered Hunter-in-the-Bronx,<br />
both lived with their families—he was born in the rough-and-tumble<br />
South Bronx, she lived near Yankee Stadium. By that time, though,<br />
Mr. Cooperman’s family had moved to the Fordham section of the<br />
borough. “On good weather days, I could walk to school,” he remembers.<br />
“I’m a guy who walked to high school and college.”<br />
24 <strong>Lehman</strong> Today/<strong>Spring</strong> <strong>2011</strong>