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The first exhaustive book ever published to present the portrait of ...

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KENZO<br />

Established in 1970 by Kenzo Takada, who had arrived in Paris from Japan<br />

in 1965, KENZO is a singular house that responds <strong>to</strong> a prevailing uniformity<br />

with eclecticism and poetry. Its appeal corresponds <strong>to</strong> an audience who<br />

“proclaims <strong>the</strong>ir personality, celebrates <strong>the</strong>ir differences and affirms<br />

<strong>the</strong>ir style” and <strong>to</strong> a sensual and self-aware individual with a playful, free<br />

spirit; a model incarnated by <strong>the</strong> timeless messages “Kenzo, <strong>the</strong> world is<br />

beautiful”.<br />

Riding <strong>the</strong> counterculture wave, Kenzo Takada unveiled collections that broke<br />

completely with <strong>the</strong> past, boldly proclaiming that fashion could be at <strong>the</strong><br />

same time wildly, colourfully creative and designed for mass consumption.<br />

<strong>The</strong> precursor <strong>of</strong> mixing cultures and influences, <strong>the</strong> brand knew how <strong>to</strong><br />

evolve and enrich itself with a new exoticism in <strong>the</strong> colours <strong>of</strong> our times for<br />

30 years.<br />

Now under <strong>the</strong> artistic direc<strong>to</strong>rship <strong>of</strong> An<strong>to</strong>nio Marras, KENZO has once again<br />

achieved critical and popular acclaim, drawing from <strong>the</strong> rich KENZO his<strong>to</strong>ry<br />

while engaging <strong>the</strong> spirit <strong>of</strong> <strong>the</strong> new century. Armed with an unmatched<br />

vocabulary in prints and textiles, Marras mines both East and West, <strong>the</strong><br />

<strong>present</strong> and <strong>the</strong> past, <strong>to</strong> create a collection that deftly evokes, r<strong>ever</strong>es, and<br />

reinvents <strong>the</strong> intentions <strong>of</strong> its founder.<br />

<strong>The</strong> <strong>first</strong> monograph on KENZO, this lavish volume—an art object in and<br />

<strong>of</strong> itself—features details like <strong>the</strong> romantic textiles, and pop-ups for which<br />

<strong>the</strong> house’s fashion collection invitations are known. <strong>The</strong> monograph will<br />

be available in one deluxe version, with a fabric cover and complete with<br />

a patchwork bag (available in <strong>the</strong> KENZO flagship s<strong>to</strong>res only) and three<br />

different o<strong>the</strong>r fabric covers (available in a selection <strong>of</strong> <strong>book</strong>s<strong>to</strong>res).<br />

About <strong>the</strong> Contribu<strong>to</strong>rs<br />

An<strong>to</strong>nio Marras was appointed designer <strong>of</strong> KEnzo’s women’s ready-<strong>to</strong>wear<br />

collection in 2003, and in 2008 assumed artistic direc<strong>to</strong>rship <strong>of</strong> <strong>the</strong><br />

entire brand.<br />

Bartabas is a renowned equestrian and performer who currently directs<br />

<strong>the</strong> Academy <strong>of</strong> Equestrian Arts at Versailles.<br />

Ca<strong>the</strong>rine Ormen is a cura<strong>to</strong>r and has written s<strong>ever</strong>al <strong>book</strong>s on fashion.<br />

Olivier Saillard is a cura<strong>to</strong>r at <strong>the</strong> Museum <strong>of</strong> Decorative Arts in Paris and<br />

Direc<strong>to</strong>r <strong>of</strong> <strong>the</strong> Galliera Museum, <strong>the</strong> Paris Fashion Museum and writes on<br />

fashion.<br />

Bradley Quinn is an author and journalist with expertise in fashion,<br />

textiles, and design.<br />

Francesco Bonami is a cura<strong>to</strong>r, writer, and critic.<br />

Ryoko Sekiguchi is an award-winning poet who lives and teaches in<br />

Paris.<br />

Tamae Armand-Ejima is <strong>the</strong> author <strong>of</strong> <strong>the</strong> biography <strong>of</strong> Kenzo Takada.<br />

Patrick Cabasset is edi<strong>to</strong>r in chief <strong>of</strong> French L’Officiel magazine.

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