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An original idea by Philippe di Méo.

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<strong>An</strong> <strong>original</strong> <strong>idea</strong> <strong>by</strong> <strong>Philippe</strong> <strong>di</strong> Méo.<br />

Les Liquides Imaginaires are scented symbolic eaux endowed with emotional power and something of the sacred.<br />

Beneficial, angelic, erotic or esoteric, they aromatize, fragrance, cleanse, or perfume.<br />

These olfactory messages are loaded ad infinitum into the imagination via liquid.<br />

...


- SACRED SCENT -<br />

The word perfume comes from the Latin per fumus meaning “through smoke“. Religious ceremonies evoked this reaction<br />

through the burning of incense and resins. Perfume played its first role in the sacred as an offering to the gods.<br />

Seduction and enchantment is its latest incarnation.<br />

From Egypt to Greece, the Romans to the Arabs, from Marseille to Grasse, perfume has continued travelling, evolving,<br />

expan<strong>di</strong>ng from the visual, the function, the scent and even the bottle. In perfume cellars that were reserved for the elite,<br />

perfume was a veritable luxury, an object encased in crystal, gold, or other precious materials.<br />

- PARFUM DE PARIS -<br />

Perfume was launched as a fashionable trend first in Paris and then France soon followed as its capital.<br />

Bottles, accessories and beauty products were all the rage and the sign of the times.<br />

The contents and the container were at that time sold separately.<br />

- UNIVERSAL EXPLOSION -<br />

Might a method be invented <strong>by</strong> the extraction of volatile solvents and synthetic components. Manufacturing became<br />

industrial and then quite rightly democratized. <strong>An</strong> olfactory pyramid was constructed allowing odour to evaporate<br />

at <strong>di</strong>fferent speeds. Perfumes for men became increasingly popular and French perfume reached its peak in the 1950s.<br />

- SIGN OF OUR TIMES -<br />

Perfumers and fashion designers as well as affectionately termed brand-new “noses” are constantly creating new smells,<br />

innovating, experimenting. Perfume has changed with the times and much less faithful to its origins. The market has<br />

established itself with a desire to entice the largest part of the world. The charm has left, the scent has lost its magic,<br />

and its imagination is no longer anything more than a base object of desire. It has left behind unforgettable trembling<br />

and mythical fragrance, but nowadays what has happened to one of its most fundamental factors: intoxication!<br />

...


- RETURN TO THE SACRED -<br />

The essence of perfume must be taken back to the olfactory capital in order to dream, to purify, to bewitch, to<br />

fantasize, to draw an imaginary scent of ephemera. Reinstalling ceremony, a ritual perfumed <strong>by</strong> developing new<br />

materials, other gestures. Creating an exceptional bottle that is a call to craftsmanship and that is in its own right<br />

precious. Contained within a mysterious object, an amphora, the archetype of all perfume.<br />

These were the reflections and thoughts that gave birth to <strong>Philippe</strong> <strong>di</strong> Meo’s Les LIQUIDES IMAGINAIRES,<br />

scented symbolic eaux endowed with emotional power and something of the sacred.<br />

Beneficial, angelic, erotic or esoteric, they aromatize, fragrance, cleanse, or perfume.<br />

These olfactory messages are charged into the imagination via liquid.<br />

“The passages of life are incarnated in tangible form: desires, beliefs, strengths, weaknesses.”<br />

- HUMAN WARMTH -<br />

To create these perfumes, one must look to the masters of scent, a human encounter and an exchange<br />

of expertise. This alchemy has been made with the complicity of Givaudan perfumers, experts in this domain.<br />

Perfumers have let their noses soar to encounter these ”imaginary liquids”, letting go of constraints<br />

and specifications in accepting the <strong>idea</strong> that a perfume might stain or even go up in smoke.<br />

- OLFACTORY CONFESSIONS -<br />

These fragrances are like puzzles, they are used to interpret thoughts, intentions, confessions.<br />

They memorize passages of life, desires, beliefs, strengths and weaknesses.<br />

Volatile bo<strong>di</strong>es that help leave the material world and cross into imaginary worlds, intimate spirit evaporates,<br />

other fields explored, new desires found.


- LES LIQUIDES IMAGINAIRES BY <strong>Philippe</strong> Di Méo -<br />

These dual eaux, potions or antidotes, symbolize good and evil, night and day, wisdom and insobriety... opposing yet inseparable.<br />

Contained in amphora bottles, the «reliquiae» are custom-made of pewter <strong>by</strong> the l’Orfèvrerie d’<strong>An</strong>jou.<br />

(12 limited e<strong>di</strong>tions, size 51 cm in height)


- Holy water or wellness -<br />

Wholesome relic<br />

Silent <strong>di</strong>sagreement<br />

Challenges revealed...<br />

esteemed breath<br />

Momentum of purification<br />

Thirsty light...<br />

Tears of Venus<br />

Pearls of insight<br />

Divine dew...<br />

Water, liquid purity and universal solvent,<br />

is the oldest symbol of purification.<br />

Holy Water is a sacred protection that<br />

has great healing powers.<br />

Sprinkled abundantly on the face,<br />

giving energy to see.<br />

…<br />

HEAVENLY SCENT<br />

perfumer : sonia constant<br />

© Daniel Sannwald


- Shadowed or dark water -<br />

Froth of the soul<br />

Pure water of the Phoenix<br />

Ink of luck...<br />

beginning of cleansing<br />

Blotting of the unpaired<br />

substance of voodoo...<br />

Film of shadow<br />

de<strong>di</strong>cation of incense<br />

...Dodge Mage<br />

Black ink, dark as smoke, burnt wood.<br />

Awash with flavours from the East,<br />

ever-imprinting its fragrance upon paper,<br />

fabric and other objects from home.<br />

This mysterious concoction delivers<br />

an indelible scent that renders<br />

home & place free of negativity.<br />

…<br />

PARFUM OF REINCARNATION<br />

perfumer : sonia constant<br />

© Daniel Sannwald


- Cloudy water or vaporous -<br />

Jewel-cased liquid...<br />

Bath of felt<br />

Lascivious wave<br />

...cloud of emotion<br />

fugitive connection<br />

Truce of modesty<br />

...nu<strong>di</strong>ty eclipsed<br />

body confesses<br />

hazy love<br />

Fresh emanation inviting nu<strong>di</strong>ty, warmth,<br />

and sexuality. This source, fragrance<br />

of well-being, relaxes tension and<br />

stimulates the body in letting go.<br />

Essential for a warm bath before<br />

surrendering to its enveloping fog.<br />

…<br />

PARFUM OF ABANDONMENT<br />

perfumer : jacques huclier<br />

© Daniel Sannwald


MEETINGS & COLLABORATIONS<br />

- IMAGINARY FILMS -<br />

O<strong>di</strong>lon Redon «king of the imaginary worlds» said:<br />

«The sense of mystery is to be always in doubt, double, triple aspects. Suspicion of aspects.»<br />

This quote reflects perfectly the artistic <strong>di</strong>rection I wanted to take in creating the visual atmosphere in film.<br />

Create images in the image, forms that take other forms in the mind of the observer, drawing on a series of dreams ... gentle hallucinations.<br />

- DANIEL SANNWALD -<br />

Daniel Sannwald, German photographer, lives in London. His strange and dreamlike world appeared as a revelation.<br />

Influenced <strong>by</strong> surrealism and expressionism, his visual imagination embo<strong>di</strong>es the spirit and symbolism of these three liquids,<br />

making the project his personal vision, his fantasy mixed with science fiction.<br />

Daniel thinks like a craftsman, with the need to see, to touch in a real image. Creation perfectly «hand» made and right before our eyes.<br />

At the time when the virtual and the postproduction remain to an extent unlimited, Daniel uses his material, live effects «no photoshop»<br />

as he says. Last-minute improvisation is one of its drivers and engenders surprise.<br />

Fire burns but the eye of the model appears through the flames as a chimera.<br />

A girl dances, but her figure is much more than an immaterial form made of light ra<strong>di</strong>ating and moving in the wind,<br />

ready to <strong>di</strong>sappear like a ghost, a photogenic mirage.<br />

Bo<strong>di</strong>es, obscured <strong>by</strong> a soft <strong>di</strong>stortion of antique glass, move in a kinetic wave creating a sensual fluid, a fuzzy and <strong>di</strong>sturbing reality.<br />

Daniel brought out the human incarnation of the imaginary liquid hidden within my jars.<br />

w w w . l e s l i q u i d e s i m a g i n a i r e s . c o m


- GIVAUDAN FRAGRANCES -<br />

The development of this project has been the result of a creative exchange with the perfumers of Givaudan.<br />

Sonia Constant, Jacques Huclier <strong>di</strong>ved head-first into these waters.<br />

Givaudan plays a major role in the fragrance and flavour industry. A rich heritage dating back to 1796 and a global presence in over 100 countries,<br />

Givaudan was the first company to design and produce fragrances and flavors all over the world.<br />

Their fragrances and flavors account for many of the better known brands in the sectors of luxury goods, consumer products,<br />

as well as the beverage and food industry.<br />

By an unreserved commitment to invest continuously in research and development programs, Givaudan ensures its leadership position.<br />

By sharing its expertise, Givaudan shows how cutting-edge they are in going beyond simple demand, and showing their willingess in not only other<br />

creative sectors, but also with projects like Liquides Imaginaires, which, like Givaudan,<br />

is both unique and innovative in spirit and in understan<strong>di</strong>ng.<br />

- L’ORFEVRERIE D’ANJOU -<br />

The Amphorae «Reliquiae» are made to mesure in pewter <strong>by</strong> l’Orfèvrerie d’<strong>An</strong>jou.<br />

Pascal Blan<strong>di</strong>n, but also Léon, François et Franck, worked with a will on this exceptional bottles, searchingly engraved with a <strong>di</strong>amond cutter.<br />

When the metal is pure, we say that its brightness, which is used on the shields of the heroes of ancient Greece, was used to blind the enemy.<br />

It dazzles, and centuries later, the great French aristocracy, when Louis XIV decreed that metal, like silver, be in the homes of the wealthy.<br />

Noble, ecological, steel, tin becomes metal silverware in its own right. Heir to a long line of famous silversmiths born in the eighteenth century,<br />

L’Orfèvrerie d’<strong>An</strong>jou works today with the greatest creators in both the design world and the luxury industry.<br />

The design of these amphorae is obtained <strong>by</strong> a variety of techniques ranging from laser cutting, mirror polishing, satin finishing, a day of engraving<br />

<strong>by</strong> <strong>di</strong>amond-point, etc.<br />

- ATELIER NORLINE -<br />

Established since 1961, the Ateliers Norline specializes in manufacturing custom-made presentation cases for the cosmetic, perfume and<br />

spirits industry. With this savoir-faire, the amphorae are meticulously boxed within a case of <strong>di</strong>vine action.


Exhibition At LA MAISON DES CENTRALIENS<br />

September 15th to October 24th.<br />

The magnificient mansion located in the heart of the «Triangle d’or» just between les Champs-Élysées, l’Avenue Montaigne and le Grand Palais,<br />

was recently decorated <strong>by</strong> la MAISON MARTIN MARGIELA. This prestigious historical buil<strong>di</strong>ng erected in 1866,<br />

was the residence of Princesse d’Essling also stepdaughter of Maréchal Masséna. In 1919, the buil<strong>di</strong>ng became la Maison des Centraliens, since<br />

1990 an ad<strong>di</strong>tional buil<strong>di</strong>ng was added and renamed l’Hôtel La Maison - Champs Elysées in 2010.<br />

LA MAISON DES CENTRALIENS<br />

8, rue Jean Goujon _75008 Paris<br />

Tel. (+33)1/40746465<br />

http://www.lamaisonchampselysees.com<br />

The EXhibITION will ECHO to<br />

PARIS DESIGN WEEK, 15th to 18th september<br />

Les RIVES DE LA BEAUTÉ, september 28th to october 2nd<br />

FASHION WEEK «OFF», september 27th to 5th october<br />

FIAC «OFF», 20th to 23rd october<br />

CONTACT<br />

Press : Ismaël Goldsztejn-seck +33 (0)6 58 61 71 35<br />

ismagold@gmail.com<br />

Project : <strong>An</strong>ne-Caroline Paute +33 (0) 1 53 01 99 14<br />

ac.paute@resodesignband.com<br />

Photographie_Films Daniel Sannwald<br />

danielsannwald.com<br />

w w w . l e s l i q u i d e s i m a g i n a i r e s . c o m

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