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Quality Worship in Smaller Churches

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PALCON WORSHOP 2010<br />

“<strong>Quality</strong> Corporate <strong>Worship</strong> <strong>in</strong> <strong>Smaller</strong> <strong>Churches</strong>”<br />

Introduction to Workshop ‐ The Small Church is the Today’s Church<br />

As a pastor have you ever been the only person who could preach the sermon and lead the<br />

congregational s<strong>in</strong>g<strong>in</strong>g all <strong>in</strong> the same service. In addition to this…your wife was the only one<br />

who could play the offertory, s<strong>in</strong>g the special, and teach the Sunday School Class. Then you are<br />

probably the pastor of a small church.<br />

<strong>Smaller</strong> congregations —whether they have 15 or 75 worshipers—have some <strong>in</strong>terest<strong>in</strong>g<br />

challenges. They also have wonderful strengths and opportunities. First, smaller congregations<br />

share a strong sense of community. Everyone knows everyone else. Years of hear<strong>in</strong>g one<br />

another’s joys and concerns through prayer and coffee-hour talk build a strong bond between<br />

members of the congregation. When regular attendees know each other, they notice visitors—<br />

and they can welcome and <strong>in</strong>clude them to the extent the visitors feel comfortable.<br />

Second, small congregations tend to run on lay <strong>in</strong>volvement. They don’t have large staffs. In<br />

order to keep th<strong>in</strong>gs runn<strong>in</strong>g, many members of the congregation need to be <strong>in</strong>volved. Whether<br />

that <strong>in</strong>volvement means greet<strong>in</strong>g at the door or lead<strong>in</strong>g worship, it feeds the sense of community<br />

and gets everyone <strong>in</strong>vested <strong>in</strong> the future of the church.<br />

Third, smaller congregations are characterized by a sense of authenticity. There’s not much to<br />

hide beh<strong>in</strong>d when worship<strong>in</strong>g <strong>in</strong> a group of 40 as opposed to 400. Emotions are more obvious—<br />

both happy and sad. Mistakes are more obvious too. The result<strong>in</strong>g worship tends to be open and<br />

honest. No one expects polished presentations <strong>in</strong> worship—they know how much is be<strong>in</strong>g done<br />

by lay people on a shoestr<strong>in</strong>g. This is not to say that smaller congregations can’t have excellent<br />

services with wonderful music and profound sermons—rather that the goal is not presentation<br />

but authenticity.<br />

Fourth, smaller congregations have the luxury of flexibility. There aren’t as many people to<br />

persuade when experiment<strong>in</strong>g with someth<strong>in</strong>g new. In addition, the comb<strong>in</strong>ed sense of<br />

community and authenticity often makes people will<strong>in</strong>g to try new th<strong>in</strong>gs—not all at once,<br />

perhaps, but still will<strong>in</strong>g. As my pastor says, it’s much easier to turn a small speedboat than a<br />

huge coal freighter—and then turn it back aga<strong>in</strong> if you need to.<br />

PLANNING THE WORSHIP SERVICE<br />

Keys to mak<strong>in</strong>g your service flow.<br />

Plann<strong>in</strong>g ahead is the key to creat<strong>in</strong>g better flow. (Short Term/Long Term)<br />

Themes are an option. (Can focus your service plann<strong>in</strong>g but not essential.)


Chang<strong>in</strong>g the service order up every week can be good and not so good.<br />

Understand the importance of ENGAGEMENT<br />

Allow room for the Holy Spirit to work <strong>in</strong> your service. (Large Church Struggle)<br />

Understand that the Senior Pastor is the permission giver.<br />

Th<strong>in</strong>k through when the congregation is go<strong>in</strong>g to be asked to sit.<br />

Try to visualize the flow of the service <strong>in</strong> your plann<strong>in</strong>g.<br />

Note if you have congregation stand<strong>in</strong>g for extended amounts of time<br />

Watch not to have congregation stand for long solos.<br />

Music plann<strong>in</strong>g and implementation <strong>in</strong> <strong>Worship</strong><br />

Take note of Keys - How many Stops, Key Changes, Rhythm Patterns<br />

Padd<strong>in</strong>g is an important part of atmosphere and flow<br />

Use soloist to start a song and then as congregation comes <strong>in</strong>..soloist cont<strong>in</strong>ues to adlib<br />

Layer your <strong>in</strong>struments….even if you only have one<br />

Use extended rhythm <strong>in</strong>struments.<br />

QUESTIONS IN REGARDS MUSIC IN WORSHIP<br />

How can I blend hymns and choruses together without be<strong>in</strong>g eclectic?<br />

Is there an easy way to teach my pianist how to pad dur<strong>in</strong>g prayer?<br />

What can I do if I really don’t have any good s<strong>in</strong>gers or <strong>in</strong>strumentalists?<br />

What is more important, the spirit of worship or the presentation of our worship music?<br />

When it comes to <strong>in</strong>strumental accompaniment, how should the melody of the song be treated?<br />

When it comes to play<strong>in</strong>g a prayer pad, how should the melody be treated?<br />

What are some ways I can more successfully work with my volunteer worship leader?<br />

As a volunteer worship leader, what are the keys to work<strong>in</strong>g with my senior pastor?<br />

How can I better connect and communicate with my worship leader?<br />

I don’t have a worship leader or anyone who can lead the congregation, so I have to do it. Do<br />

you have any suggestions for me?<br />

I feel our music is more geared toward my congregation as opposed to reach<strong>in</strong>g the<br />

unchurched. Can you help me with f<strong>in</strong>d<strong>in</strong>g a good balance here.


I actually have enough people who play <strong>in</strong>struments to have a small orchestra or band, but I<br />

don’t know where to go and get music for them. Can you direct me <strong>in</strong> this regard.<br />

Should we s<strong>in</strong>g only the songs that I like or should I learn the songs that really connect with my<br />

congregation?<br />

My church really likes the hymns. How can I <strong>in</strong>clude the hymns <strong>in</strong> a quality way.<br />

How important is it for everyone on the platform to be liv<strong>in</strong>g a lifestyle of worship?<br />

I have a drummer who comes to my church but is not a Christian. Should I <strong>in</strong>vite him to play<br />

even though he has not accepted Christ? Also, would you treat this situation different if we were<br />

talk<strong>in</strong>g about a vocal soloist or ensemble member?<br />

If I only have one person who plays an <strong>in</strong>strument other than piano, what are some ways I can<br />

use him <strong>in</strong> worship?<br />

How fast should I push the envelope <strong>in</strong> regards to contemporary music and what are some of the<br />

warn<strong>in</strong>g signs that I should be look<strong>in</strong>g for if I am push<strong>in</strong>g it too fast?<br />

IDEAS FOR HOLIDAYS AND SPECIAL EMPHASIS<br />

CHRISTMAS<br />

Totally Christmas (Come experience all the senses of Christmas.) - UNIVERSAL EVENT<br />

Simple Live Manger Scene (Possibly just Mary and Joseph)<br />

Charles Dickens S<strong>in</strong>gers<br />

Hot Cider on roll<strong>in</strong>g cart <strong>in</strong> park<strong>in</strong>g lot<br />

Hundreds of Homemade Cookies<br />

Scent of Christmas (C<strong>in</strong>namon Sticks <strong>in</strong> Crock Pots)<br />

Children’s Bell Choir<br />

Adult Bell Choir<br />

Guest Harpist on Platform (or other special <strong>in</strong>strumentalist) - Decorate this Stage<br />

Skits<br />

Short Christmas Videos<br />

Make Video of Personal Christmas Stories (Favorite Christmas)<br />

<strong>Worship</strong> Team or Choir - Red, White, Black<br />

Christmas Trees with Lights<br />

Large Gift/Manger Scene<br />

Christmas Slides on Screen as People Arrive<br />

Special Music


PATRIOTIC<br />

Salute to the Armed Forces (Honor Service Personnel)<br />

Reenact of Iwogima<br />

Red, White, Blue Background<br />

Memorial Flags<br />

Honor Police Department (Gifts/Introduce Individual)<br />

Color Guard or One Soldier to Br<strong>in</strong>g <strong>in</strong> Colors<br />

Honor a Wounded <strong>in</strong> Action Personnel<br />

Slide Show of Servicemen and Service ladies past and present (Offertory)<br />

Confetti Canons Grand F<strong>in</strong>ale<br />

EASTER<br />

Liv<strong>in</strong>g Cross<br />

Build<strong>in</strong>g Mounta<strong>in</strong>s for Pennies<br />

2” Mask<strong>in</strong>g Tape<br />

Grocery Bags<br />

Cheap Flat Black<br />

Scissors<br />

Entire Church Event<br />

Fake Greenery<br />

CARDBOARD TESTIMONIES<br />

RESOURCES TO CONSIDER<br />

Music Idea Kit – Volume 2<br />

Paul Baloche DVDs<br />

Spr<strong>in</strong>gdale CDs<br />

Liv<strong>in</strong>g Cross DVDs<br />

QUESTION AND ANSWER TIME

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