Spring 2010 - The Silhouette Literary and Art Magazine - emcvt
Spring 2010 - The Silhouette Literary and Art Magazine - emcvt
Spring 2010 - The Silhouette Literary and Art Magazine - emcvt
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<strong>Silhouette</strong><br />
<strong>Literary</strong> <strong>and</strong> <strong>Art</strong> <strong>Magazine</strong><br />
Volume 32, Issue 2 <strong>Spring</strong> <strong>2010</strong><br />
<strong>Silhouette</strong> Volume 32, Issue 2 was produced by the <strong>Silhouette</strong> staff <strong>and</strong> printed by Southern<br />
Printing, located in Blacksburg, VA. <strong>The</strong> paper is 80 lb. Porcelain with a 100 lb. Porcelain cover.<br />
<strong>The</strong> fonts used are Adobe Caslon Pro <strong>and</strong> Alte Haas Grotesk. <strong>Silhouette</strong> <strong>Literary</strong> <strong>and</strong> <strong>Art</strong><br />
<strong>Magazine</strong> is a division of the Educational Media Company at Virginia Tech, Inc. (EMCVT), a<br />
nonprofit organization that fosters student media at Virginia Tech. Please send all correspondence<br />
to 344 Squires Student Center, Blacksburg, VA 24061. All Virginia Tech students who are not part<br />
of the staff are invited to submit to the magazine. All rights revert to the artist upon publication.<br />
To become a subscriber to <strong>Silhouette</strong>, send a check for $10 for each year subscription (two<br />
magazines) to the address above, c/o Business Manager or visit EMCVT’s e-commerce Web site<br />
at www.collegemedia.com/shop. For more information visit our Web site at<br />
www.silhouette.collegemedia.com or call our office at (540) 231-4124.<br />
<strong>Silhouette</strong> <strong>Literary</strong> <strong>and</strong> <strong>Art</strong> <strong>Magazine</strong><br />
344 Squires Student Center<br />
Blacksburg, VA 24061<br />
silhouette@collegemedia.com<br />
www.silhouette.collegemedia.com
Table of Contents<br />
Chapter 1: Poetry<br />
<strong>The</strong> Floodgate ..........................................................................8<br />
Cornhusk Doll ...........................................................................9<br />
<strong>The</strong> Loving Reader .................................................................11<br />
Widow o’Flies .........................................................................12<br />
Apple <strong>and</strong> Cinnamon ..............................................................13<br />
Sliver .......................................................................................15<br />
Noture .....................................................................................16<br />
Forty-Three Years ...................................................................17<br />
Discretion ...............................................................................18<br />
Showing Herself Off ...............................................................19<br />
Black Woman Affair ................................................................20<br />
Holding Fortune ......................................................................21<br />
Chapter 3: Prose<br />
<strong>The</strong> Soloist........................................................................34-39<br />
Chapter 4: <strong>Art</strong><br />
Contemplation ........................................................................41<br />
Laurel ..................................................................................... 43<br />
Ceramic <strong>and</strong> Yarn .............................................................44-45<br />
Lazarus I ...........................................................................46-47<br />
Interior Design ..................................................................48-49<br />
Monk ..................................................................................... 50<br />
Girl ......................................................................................... 50<br />
Grisailles H<strong>and</strong>s .....................................................................51<br />
Chapter 2: Photography<br />
Fallen ..................................................................................... 23<br />
Overlook ................................................................................ 24<br />
<strong>The</strong> Transition ........................................................................ 25<br />
Isolation ................................................................................. 26<br />
Stealth & Silence ................................................................... 29<br />
Sometime Ago ....................................................................... 30<br />
Ancient History ...................................................................... 31<br />
Editor’s Choice<br />
4 5
Chapter 1<br />
Poetry<br />
6<br />
6 7<br />
7
<strong>The</strong> Floodgate<br />
Grace Cardwell<br />
Cornhusk Doll<br />
Leigh Anne Coble<br />
She was still, doing her crossword puzzle.<br />
On the TV in a distant room, there’s a muffled voice, calling for rain.<br />
Moving mechanically from the couch to the window seat<br />
<strong>and</strong> looking up —<br />
<strong>The</strong> sky had never seemed so low.<br />
<strong>The</strong>n all at once the clouds started screaming<br />
<strong>and</strong> tears of frustration were thrown at the earth.<br />
What sin so evil had the earth committed?<br />
<strong>The</strong> floodgate was broken, <strong>and</strong> though she was inside,<br />
she watched.<br />
And watched for an undetermined sect of time.<br />
<strong>The</strong> rain slamming onto the roof<br />
was pounding in her head.<br />
She hovered to the sink,<br />
<strong>and</strong> turns the h<strong>and</strong>le, <strong>and</strong> kept turning it<br />
urgently, wanting to feel the surge of power<br />
of the rain.<br />
And the water hit the tub hard,<br />
<strong>and</strong> it splashed in her face,<br />
<strong>and</strong> the faucet shook <strong>and</strong> screeched,<br />
<strong>and</strong> it scared <strong>and</strong> amazed her,<br />
<strong>and</strong> it made her step back,<br />
but it wasn’t the rain.<br />
Carrie Mae’s house held that smell –<br />
of overcooked cauliflower,<br />
of carpets long since vacuumed.<br />
It was that smell,<br />
of the worn-down <strong>and</strong> the sickly,<br />
that made me cautious.<br />
Even at the age of turtleneck velour<br />
sweaters <strong>and</strong> lace-trimmed socks,<br />
I knew that the smell meant sickness <strong>and</strong> that sickness<br />
meant death.<br />
Oh, but her dolls were alive<br />
as if her life were being siphoned into theirs.<br />
Is that why Mom, in an urgent hush, warned:<br />
“Honey, don’t touch.”<br />
Is that why Carrie Mae’s h<strong>and</strong>s,<br />
whether from defiance or hard hearing,<br />
ignored my mother’s wishes <strong>and</strong> placed<br />
her most precious dolls in my arms?<br />
And is that why my mother came to me, gently,<br />
as if I were a porcelain doll, delicately painted,<br />
from Carrie Mae’s top cabinet shelf<br />
with words, once more hushed, but this time, soft:<br />
“Sweetie,<br />
Carrie Mae loved you very much...”<br />
I learned the meaning of a will:<br />
I could pick out one doll.<br />
Nestled to my chest – with its simplicity,<br />
its rough skin, <strong>and</strong> its ability to absorb<br />
the smell of the ages,<br />
the smell of my Carrie Mae –<br />
rested a cornhusk doll.<br />
8 9
Fiction Editor’s Choice<br />
<strong>The</strong> Loving Reader<br />
Zaki Barzinji<br />
Thoughts from Zaki<br />
“This piece was born out of complete frustration with my inability to say<br />
anything of meaning. I was on a plane home from Cairo (where I spent a<br />
semester) <strong>and</strong> trying to get back into the swing of writing for the coming<br />
semester of English courses. I felt (<strong>and</strong> still often feel) this unshakeable feeling<br />
that to truly succeed as a writer, there is this tremendous pressure to say<br />
something profound, witty, out of this world, just dripping with brilliance<br />
with every word. I couldn’t take it. I wrote the first lines of this poem, then<br />
wrote “I can never think how to begin/So caught am I in this race for wit/<br />
Twist some new cliché <strong>and</strong> polish/ Shiny new bowl for the same old shit”. As I<br />
threw my head back in exasperation, with babies crying left <strong>and</strong> right, choppy<br />
shouted Arabic pelting my ears, <strong>and</strong> Hannah Montana playing on the tiny<br />
screens before me, I shut my eyes to escape this strange, squawking, stupid, <strong>and</strong><br />
brilliant world called language. And then –cliché alert- all I saw was the face<br />
of the most beautiful woman I had just met in pyramid l<strong>and</strong>… <strong>and</strong> it wrote<br />
itself. That’s it, <strong>and</strong> that’s me.<br />
“<br />
How do you put feelings to words?<br />
Squeeze letters out of sunshine?<br />
Can seas of black ink ever begin to cover<br />
<strong>The</strong> blinding rainbow of joy that courses through life’s pen?<br />
So why try?<br />
Why reduce the infinite prism of the universe<br />
To the mere cracks of language?<br />
You may scribe a thous<strong>and</strong> delicious words,<br />
But paper shall forever have but one taste.<br />
A single scent.<br />
Fill it with every last wondrous sound rattling in the mind’s ear,<br />
And all it will ever sing is the gentle whip of a rustle.<br />
So. <strong>The</strong>n.<br />
You will be my language.<br />
Your eyes my adjectives, for lost in them do I see the world described.<br />
<strong>The</strong> sway of your hips, my cadence <strong>and</strong> meter.<br />
Moans <strong>and</strong> murmurs, my onomatopoeias <strong>and</strong> colloquialisms.<br />
And your voice... the quill, your heavenly song... the ink.<br />
<strong>The</strong> only calligraphy I ever want etched on my soul’s parchment.<br />
I only want to speak you,<br />
To turn each of your pages,<br />
Love every crinkle, smudge, rip, <strong>and</strong> tear,<br />
Because they mean<br />
You are.<br />
A pristine book whose spine has never been cracked,<br />
Just another done-up, pretty cover,<br />
Is not worth a single glance,<br />
From the loving reader.<br />
10<br />
11
Widow o’Flies<br />
Lauren White<br />
Come closer, love, draw nigh<br />
Along this veil of spindled water<br />
I’ll sit in the center, watch you come near<br />
Along the thin veins,<br />
<strong>The</strong> tangled web I weaved.<br />
This is my trap, devised by God of old<br />
A solution to loneliness <strong>and</strong> hunger<br />
Hungry eyes watching, caught each other in cross-gaze<br />
You’re so wary, I’m so ready<br />
Why don’t you move faster,<br />
Why let my hunger win?<br />
Flies around us struggle<br />
Bound too tight to move.<br />
God, I’d free them if I didn’t eat them.<br />
If they didn’t consume me.<br />
This den, my lovely picture silhouetted in the light<br />
You’re enraptured of my str<strong>and</strong>s of hair,<br />
<strong>The</strong> water drops hung there, softly glinting,<br />
Just so enticing. Won’t you give in?<br />
Eyes fed on sight, legs entwining tight<br />
Oh, how the flies surge, fin’ly break free<br />
I am one <strong>and</strong> you are so,<br />
And since you are I’ve captured you too.<br />
Turn this way, my lover, I’ll show you my sweet smile<br />
Come closer, lover, I’ll hold you dear.<br />
Ah, why did you move so slow? Why did you tempt me so?<br />
I will not resist you, fly that you are.<br />
So fast it’s done, my earth shakes<br />
It is stronger than steel but broken by whispering lies,<br />
Floating away in str<strong>and</strong>s of our struggle<br />
<strong>The</strong> flies settle, I wrap them up tight<br />
I’ll keep them safe<br />
For another you on a different night<br />
While with steady legs I weave that tangled web again.<br />
Apple <strong>and</strong> Cinnamon<br />
One day I<br />
promise to quit<br />
pretending that<br />
leaves are made<br />
of fire <strong>and</strong> sunrises,<br />
capable of bursting<br />
into stars at<br />
will.<br />
Maybe, in a year,<br />
in a day, I’ll trace<br />
their dead veins<br />
<strong>and</strong> not think of<br />
the crimson<br />
mortality in mine,<br />
ticking a fickle<br />
Judas heart, with<br />
no warning<br />
when it will finally<br />
stop.<br />
Like summer,<br />
where life is<br />
infectious <strong>and</strong><br />
hope a disease,<br />
some things are<br />
too good to last,<br />
not just for lack of<br />
Grace Hayes<br />
trying.<br />
12 13
Thoughts from Brooke<br />
“Last year as a freshman four of my new best friends <strong>and</strong> I borrowed a<br />
car <strong>and</strong> drove down to the New River to star gaze. Since it was only<br />
early spring we brought a ton of blankets to snuggle up in <strong>and</strong> stay<br />
warm. We stayed until early morning talking, laughing, <strong>and</strong> relishing<br />
our independence <strong>and</strong> friendship. This night was one of my very<br />
favorite memories of my freshman year, <strong>and</strong> I wanted to capture it in a<br />
poem so I could always remember it. I named the poem Sliver<br />
because the fingernail moon was only a sliver in the sky, <strong>and</strong> my friends<br />
<strong>and</strong> I felt like only a miniscule sliver in the universe.<br />
“<br />
Sliver<br />
Brooke Reynolds<br />
Sky stretched out before us<br />
like heaven’s art project,<br />
sprinkled with h<strong>and</strong>fuls of silver glitter<br />
<strong>and</strong> a pasted paper moon.<br />
Girls huddled together<br />
squirming, giggling, snuggling, teasing,<br />
<strong>and</strong> chattering on a blanket.<br />
River rushing by in too much of a hurry<br />
to stop <strong>and</strong> mingle, leaving us<br />
with only a passing gurgle of hello.<br />
<strong>Spring</strong> teasing<br />
the cool night air with soft breezes<br />
<strong>and</strong> playful pockets of warm currents<br />
embracing youthful skin.<br />
Backs to the grass, eyes to the stars,<br />
fingers intertwined like wisteria vines.<br />
Hearts <strong>and</strong> minds soaring up, floating<br />
until adrift among the palette of stars,<br />
which held secrets of life, ramblings<br />
of thoughts, <strong>and</strong> our energy,<br />
so fresh <strong>and</strong> raw that freshman year.<br />
Peaceful quiet settling<br />
over the night, hushing bodies<br />
into a quiet, rhythmic hum.<br />
Sending rays of contentment,<br />
simple <strong>and</strong> pure, echoing<br />
throughout the universe.<br />
Feeling smaller than ever before,<br />
yet never more empowered by the vastness<br />
of that sky.<br />
It was just us.<br />
Beneath the blankets,<br />
beneath the trees,<br />
beneath the stars.<br />
Five heads connecting<br />
in the middle of the fleece,<br />
forming<br />
our own earth-bound star.<br />
Poetry Editor’s Choice<br />
14<br />
15
Forty-Three Years<br />
Brooke Reynolds<br />
Noture<br />
Zaki Barzinji<br />
I would have relished the fresh<br />
crunch of crisp leaves,<br />
If not for the slimy smile of slugs beneath<br />
Would’ve salsa’d with the sun<br />
beaming from ear to ear of corn,<br />
But it’s the UVs, you see<br />
She couldn’t have been my mother, for my<br />
lips would touch no mossy bosom,<br />
And my father had already a mistress,<br />
I could converse with wind <strong>and</strong> trees<br />
if I troubled to learn woosh <strong>and</strong> bark,<br />
But why can’t they all just<br />
speak English? This is America.<br />
I’d live deep <strong>and</strong> suck out the<br />
marrow of life,<br />
But I’d rather save my tongue<br />
for tastier things<br />
In short, I’d bother to live in harmony<br />
with the earth <strong>and</strong> sing verses with the universe<br />
till the smiles smote all the swords <strong>and</strong><br />
weapons surrendered to the power of words,<br />
<strong>and</strong> beings loved outside their herds,<br />
<strong>and</strong> all of us flew with the birds,<br />
If it wasn’t so fuckin’ inconvenient.<br />
Summers, autumns, winters, <strong>and</strong> springs slipped<br />
by. Clustered together forming forty-three years<br />
since she moved to the beach.<br />
Waking to seagulls’ throaty cries,<br />
thick, salty air enveloping tan bodies,<br />
surfboards piled on wooden Volkswagens,<br />
s<strong>and</strong>y carpets, feet, <strong>and</strong> beds.<br />
Building her life at the sea<br />
out of dribble castles <strong>and</strong> empty<br />
bottles of sunscreen.<br />
Raising children<br />
then gr<strong>and</strong>children at the edge<br />
of the unbound Atlantic.<br />
Letting life ebb <strong>and</strong> flow<br />
with the changing tides, while sitting<br />
on a beach chair wearing Hollywood sunglasses,<br />
relaxing, soaking, being, knowing<br />
that the moon is in control.<br />
Forty-three years of pouring<br />
vinegar on jellyfish stings, studying<br />
the sunset as it airbrushed the sky, chewing<br />
on salt-water taffy. Living<br />
watching, listening, absorbing, blending<br />
into the ocean.<br />
Wrinkles, sun-browned skin,<br />
blonde-streaked hair,<br />
tough bare feet all year long.<br />
Keeping life<br />
beautifully simple. Moments<br />
became days, days became weeks,<br />
weeks became<br />
forty-three years.<br />
16 17
Discretion<br />
Caty Gordon<br />
<strong>The</strong>re are no secrets,<br />
there is only privacy.<br />
And everyone has the right to privacy.<br />
But the linen dangles dripping in the backyard,<br />
little lies we hide forming clever puddles in the grass.<br />
<strong>The</strong>re are no secrets<br />
because the walls carry our confessions<br />
<strong>and</strong> the mirror will always recall<br />
the way nudity clings to you.<br />
<strong>The</strong> mortar will allow whispers to escape<br />
into the street <strong>and</strong> the neighbors, the nosy kind,<br />
will catch wind of how good the sex is.<br />
<strong>The</strong>re are no secrets because the yellow mug you left<br />
in my sink is cracked <strong>and</strong> the morning smile from<br />
your lips will slide down the drain,<br />
through the sewer <strong>and</strong> streams,<br />
<strong>and</strong> finally form a frothy ripple in a crescent wave<br />
of an open ocean.<br />
<strong>The</strong>re are no secrets, you see, because pieces of you will drip<br />
<strong>and</strong> carry <strong>and</strong> reflect <strong>and</strong> escape <strong>and</strong> slide away<br />
from my h<strong>and</strong>s.<br />
<strong>The</strong>re are no secrets,<br />
there is only privacy.<br />
And you have the right to privacy,<br />
just like I have the right<br />
to<br />
my<br />
own<br />
heart.<br />
I look damn good.<br />
Hell yeah.<br />
Ooh this old thing?<br />
You better believe it.<br />
This look works for me.<br />
But not for you honey,<br />
Not just for any young thing attempting to strut down that street,<br />
I own the street, it is my make believe stage.<br />
Closing my eyes, playing my role, I walk with the gradual swing of my hips,<br />
the quick swift but jolting pop to one lucky side,<br />
<strong>The</strong>y think I’m all that.<br />
All that... ha, a whole lot of nothing.<br />
Street stopping,<br />
maybe just to you.<br />
But who’s the girl hiding on the side,<br />
afraid to show herself to the real world?<br />
Showing myself off, it’s a lot different from showing myself.<br />
Take my bright blue sapphire sinful sparkling eyes<br />
“You like?”<br />
With a quick wink from my shadow pasted thick on top,<br />
never to smudge or fade,<br />
Combined with my luscious lustful red lips<br />
“Gorgeous?”<br />
I’ll give a quick smooch<br />
one quick pucker together,<br />
“Come <strong>and</strong> get it baby.”<br />
And smack — it’s all been done,<br />
But really<br />
in the end, it’s all a show.<br />
Now Presenting:<br />
Sophisticated<br />
Beautiful<br />
Envious<br />
Showing Herself Off<br />
Laura Jensen<br />
“Jealous?”<br />
I knew you would be.<br />
18 19
Black Woman Affair<br />
Thomas Beckworth<br />
Labeling her like she a file folder<br />
because she won’t let you degrade<br />
her body <strong>and</strong> insult her integrity,<br />
telling everyone she got attitude,<br />
she already peeped your game.<br />
She refuse to be placed in a cabinet<br />
or up on a shelf like other women<br />
you have dated <strong>and</strong> trashed like you were<br />
slam dunking a basketball. She’s strong,<br />
black, educated, won’t be barricaded<br />
in misery or have spells cast on her.<br />
You a pretentious brother —<br />
Arrogant, conniving <strong>and</strong> controlling.<br />
All your homeboys know, the only thing<br />
you trying to do is smash <strong>and</strong> play with her<br />
like you spinning the bottle. Too bad.<br />
She confident, sophisticated, <strong>and</strong> dedicated.<br />
If she get to know you, she might as well<br />
audition for Tyler Perry’s I Can Do Bad All By Myself.<br />
You shadowing her move, saying that black woman<br />
have an attitude.<br />
Did you forget your momma black?<br />
Knot your tongue, tape your mouth,<br />
freeze your brain, she don’t wanna<br />
talk to you <strong>and</strong> your attitude.<br />
Holding Fortune<br />
Hayley Dodd<br />
I knew I could love your h<strong>and</strong>s<br />
before I knew your last name<br />
or that I was dying.<br />
<strong>The</strong>y were big<br />
like old burly motorcycles<br />
<strong>and</strong> the thought of holding them<br />
made me feel safe,<br />
even without helmet.<br />
One of them could easily hold<br />
the responsibility<br />
of an entire basketball,<br />
which is far more voluminous than my head<br />
sans hair,<br />
which led me to believe<br />
you could love me bald.<br />
This is an important quality in a man,<br />
ever since the palm reader<br />
read the lines across my h<strong>and</strong>,<br />
like a foreign language laid down in Braille,<br />
like a net over my flesh.<br />
I remember laughing <strong>and</strong> gasping<br />
as your big<br />
<strong>and</strong> benign<br />
h<strong>and</strong>s held the tarot cards<br />
she gave us for free.<br />
We found amusement in the future<br />
before it found us<br />
in the bright room<br />
with 18 chairs, like the dentist’s,<br />
but my teeth were being cleaned by only vomit,<br />
And while my body was letting poison<br />
wash my organs<br />
My forehead rested<br />
in your big blanched h<strong>and</strong>s.<br />
20<br />
21
Chapter 2<br />
Photography<br />
Fallen<br />
Lesley Ann Stowe<br />
22<br />
23
<strong>The</strong> Transition<br />
Hanna Teachey<br />
Overlook<br />
Hussein Ahmed<br />
24 25
26 27<br />
Isolation<br />
Hanna Teachey
Photography Editor’s Choice<br />
Thoughts from Hussein<br />
““I took this photo at the Arizona-Sonora Desert Museum. I was amazed at how<br />
this snake looked so alert. I was fortunate enough to have the snake enclosed in an<br />
aquarium, but using a polarizing filter, zooming in, <strong>and</strong> using a wide aperture<br />
for the shallow depth of field, I was able to capture the beauty of that fearful<br />
creature. With those great eyes, unique scales on the head, <strong>and</strong> the intricate scales<br />
overlapping like tiles with adjacent rows diagonally offset, this made for a great<br />
picture of a remarkably beautiful, yet horrific beast who eats his prey alive.<br />
“<br />
Stealth & Silence<br />
Hussein Ahmed<br />
28<br />
29
Ancient History<br />
Sarah Tanner<br />
Sometime Ago<br />
Hussein Ahmed<br />
30<br />
31
Chapter 3<br />
Prose<br />
32<br />
33
<strong>The</strong> Soloist<br />
Adrienne Rush<br />
<strong>The</strong> girl did not want to go to church. It wasn’t because she was sick, or<br />
because she had to sing a solo today. She simply thought that today, on this<br />
Sunday, of all the Sundays in her life, she should do something else. Take a<br />
walk maybe. Or perhaps finish the last few chapters of Cat’s Cradle. She liked<br />
Kurt Vonnegut. He was honest.<br />
She opened her bedroom door <strong>and</strong> then turned <strong>and</strong> sat on the edge of her<br />
bed, listening to her family run through their Sunday morning routines. Her<br />
father’s curses came careening down the hall as he tried in vain to coerce the<br />
skinny part of his tie into becoming shorter than the fat part. “Goddamn it!”<br />
he shouted. <strong>The</strong>n more quietly: “Ellen.” It wasn’t a comm<strong>and</strong> or a plea, but the<br />
familiar completion of a habit. “<strong>The</strong>re now,” soothed the mother’s voice after<br />
a minute, “don’t you look h<strong>and</strong>some.” <strong>The</strong> girl heard her mother walk across<br />
the room to her vanity to finish putting on her makeup, her shoes click-clacking<br />
against the wooden floor in measured steps. As the organist for their church,<br />
the girl’s mother couldn’t wear high heels while she played, but she insisted<br />
on wearing her three-inch pumps to <strong>and</strong> from the service, maintaining that<br />
without them the difference in height between her husb<strong>and</strong> <strong>and</strong> herself was<br />
simply unsightly.<br />
Thumph. Whap. <strong>The</strong> wall behind the girl’s bed vibrated as her brother John<br />
threw his basketball in an arc across his room so that it bounced off their<br />
shared wall <strong>and</strong> back into his waiting h<strong>and</strong>s. Thumph. Whap. <strong>The</strong> girl leaned<br />
back <strong>and</strong> closed her eyes against the familiar beat, trying to recall just how<br />
much of her life had been spent in gyms hearing that leathery slap against<br />
palms—warm, sweaty gyms that reeked of battle <strong>and</strong> echoed with the furious<br />
cries of indignant fathers. John was talented on the court, more talented than<br />
most boys his age, <strong>and</strong> his talent was a great source of pride to his father. Well,<br />
to his mother too, but then she’d be quick to tell you that she was proud of both<br />
of her children as long as they tried their best. <strong>The</strong> girl supposed she was proud<br />
as well, though she could have thought of other things to do with all of those<br />
weekends—weekends spent traveling up <strong>and</strong> down the East Coast to various<br />
tournaments, of sneakers squeaking <strong>and</strong> whistles blowing, of MVPs <strong>and</strong><br />
trophies, of high fives <strong>and</strong> grateful fingers pointed skyward in thanks. Thumph.<br />
Whap. Thumph. Wha—<br />
“What’s the matter with you?” <strong>The</strong> girl opened her eyes <strong>and</strong> looked up into<br />
her father’s face, his lips pulled down at the corners into an irritated frown.<br />
“Look at you—not even dressed yet,” he boomed. “<strong>The</strong> service starts in half<br />
an hour, your mother <strong>and</strong> brother are dressed <strong>and</strong> ready to go, <strong>and</strong> you’re laying<br />
here half asleep!”<br />
<strong>The</strong> girl said nothing. She looked up at her father <strong>and</strong> thought to herself that<br />
he had too much skin; the way it bunched up around his wrists <strong>and</strong> his neck<br />
in thick fleshy rings made him look rather like a hippopotamus. She wondered<br />
why it hadn’t occurred to her before, this resemblance, <strong>and</strong> decided that since<br />
he had maintained such an ample weight for as long as she could remember, she<br />
had just never taken the care to notice. He peered down at her.<br />
“Are you sick?” he asked, his voice tinged with confusion. She shook her<br />
head. He sighed impatiently. Suddenly, with a pleased look of realization, he<br />
leaned down to her. “Nervous about the solo, is that it?” he prompted, with<br />
a smile that pushed his cheeks up into round doughy balls. Again she said<br />
nothing, but her father’s chest puffed out in self-congratulation, like a pigeon’s<br />
after it has found a half-eaten c<strong>and</strong>y bar on the street. “It’ll be fine, sweetheart,”<br />
he said, slapping a meaty h<strong>and</strong> on her shoulder just as he’d do to his son after<br />
an impressive win on the court. “Mom’ll be right there, playing along just like<br />
at home,” he added. <strong>The</strong> girl smiled <strong>and</strong> nodded. “Right then, we’ll meet you<br />
downstairs.”<br />
For the first time they parked along Maple Ridge Drive, which was a few<br />
blocks from the St. James parking lot. <strong>The</strong> mother remarked that they’d never<br />
arrived to see the lot full but she supposed that that’s what happened if you<br />
were late. <strong>The</strong>y hurried through the great red doors <strong>and</strong> right into a crowd of<br />
people milling about, apparently awaiting the opening of the doors that led into<br />
the nave.<br />
“Why look, there she is! Oh Ellen, Ellen!” <strong>The</strong>y turned to see Mr. <strong>and</strong> Mrs.<br />
Thomas approaching them, flanked on either side by their sons, Dave <strong>and</strong> Billy.<br />
<strong>The</strong> Thomas family all shared the same unfortunate hawkish nose <strong>and</strong> thin,<br />
spindly frame—the girl was often reminded of a flock of storks whenever she<br />
saw them all together. Dave <strong>and</strong> the girl’s brother performed a complicated<br />
h<strong>and</strong>shake routine <strong>and</strong> then disappeared into the crowd to find the rest of the<br />
basketball team.<br />
“We were wondering where you all were,” Mrs. Thomas exclaimed, “but<br />
I kept telling Bill that there must’ve been a problem that held you up.” She<br />
smiled expectantly at them. “Well? Is everything all right?”<br />
“Oh, just fine, just fine,” the girl’s mother answered. “Just running late, you<br />
know.” She smiled back, a broad shiny smile that looked as if it took more effort<br />
than it should, but was really quite easy for the mother. She wore it often. As<br />
34 35
she lifted a h<strong>and</strong> to adjust her necklace however, the girl noticed a trickle of<br />
sweat that ran down the side of her mother’s beige silk blouse. Odd, considering<br />
the cool autumn weather. Odder still, the fact that her mother hated to<br />
perspire <strong>and</strong> so rarely did.<br />
After exchanging a few pleasantries with the Thomas’, both of the girl’s<br />
parents went off to mingle <strong>and</strong> she was left alone in the middle of the crowd,<br />
surrounded by greetings <strong>and</strong> warm small talk. She felt a familiar hollowness;<br />
the words bounced around <strong>and</strong> over her as if she were an empty tureen<br />
forgotten in the middle of a dinner table during a lively meal—the talk friendly,<br />
of peas <strong>and</strong> tomato soup.<br />
“Megan, that skirt is gorgeous—you absolutely must tell me where you<br />
got it Oh you don’t think it’s too simple Oh no, it’s elegant you know, not too<br />
fancy but really just stunning Well, thank you, I bought it just last weekend at<br />
that new Talbots that opened over on King Street Oh yes, I know the one you<br />
mean, over by the Starbucks right That’s the one So Doug, whadya think bout<br />
that match-up tonight, huh It’s gonna be a real fight, I’ll tell ya Steve, that new<br />
quarterback they got outta Michigan State is gonna put up some big numbers<br />
Kid’s got a good arm, huh? It’s more than that though, he can really see the<br />
field, you know, can really st<strong>and</strong> big in the pocket, so we’ll see if the o-line<br />
can give him some support Oh, <strong>and</strong> Kathy, don’t forget about scrapbooking<br />
on Tuesday night, <strong>and</strong> remember you signed up to bring brownies I’ll be there,<br />
we’re meeting at Lori’s, right Frank, remind me to show you the new TV when<br />
you come over later for the barbeque I don’t even think I want to, I’ll bet I’m so<br />
jealous I can’t even st<strong>and</strong> it Heh, I can still hardly believe Jen let me get it, but<br />
you know, you only live once <strong>and</strong>--”<br />
“Oh, I’m sorry.”<br />
<strong>The</strong> girl raised her eyes to Missy Johnson, who was st<strong>and</strong>ing awkwardly in<br />
front of her, not quite sure what to do with her h<strong>and</strong>s. Missy was a tall girl,<br />
with a pinched face <strong>and</strong> drooping eyes that were expertly rimmed with heavy<br />
black eyeliner. “Didn’t even see you there, with all these people, you know?”<br />
Missy smiled at the girl. “Have you seen your brother? I haven’t been able to<br />
find him yet, <strong>and</strong> my parents were hoping he would sit with us for the service.”<br />
<strong>The</strong> girl studied her brother’s girlfriend, noting that her pointed features<br />
became even more pronounced when trying to convey a forced friendliness.<br />
Missy really was quite pretty, the girl thought—beneath the makeup <strong>and</strong><br />
the orange skin that clashed violently with her shiny bleached hair. She<br />
remembered how much like a child Missy had seemed last Friday afternoon,<br />
when the girl had caught her <strong>and</strong> John hurrying out of the Planned Parenthood<br />
over behind Fireworks Pizza. She hadn’t meant to catch them. She had simply<br />
“And the girl<br />
smiled back at the<br />
prodigal son.”<br />
slipped out after<br />
chorus class, through<br />
the door behind<br />
the gym, <strong>and</strong> found<br />
herself downtown<br />
with no real plan or a thing to do. W<strong>and</strong>ering past the antique stores <strong>and</strong><br />
banks, she happened across them exiting the building that they—as two officers<br />
in the Abstinence Club—had often picketed. Missy had been crying; her face<br />
was red <strong>and</strong> splotchy <strong>and</strong> the black from her makeup ran in little rivulets down<br />
her face, while snot collected in a small wet pool just above her mouth. None of<br />
the three had said anything at first; Missy wiped her face <strong>and</strong> searched for a lie.<br />
John gawked. And the girl smiled back at the prodigal son.<br />
“I swear to God,” he finally managed, “if you tell Mom or Dad!” <strong>The</strong>y both<br />
had stared horrified at the witness, resentment coloring their faces, as if she had<br />
intruded upon them in a moment of prayer.<br />
“Look,” he tried again, “it was an accident. You don’t know how— Please.”<br />
Please…<br />
“Please,” said Missy softly, her voice just barely carrying through the crowd’s<br />
buoyant chitchat. She touched the girl gently on the arm, then looked down at<br />
her h<strong>and</strong> <strong>and</strong> pulled it away nervously. “You didn’t say anything, right? I mean,<br />
you won’t? John can’t deal with this now, with the State championships next<br />
week. He can’t have that stress, you know? For him, at least, okay?”<br />
<strong>The</strong> girl nodded. Missy smiled at her again, relief softening the sharp angles<br />
in her face. <strong>The</strong> smile almost reached Missy’s eyes, <strong>and</strong> then she sniffed once,<br />
turned, smoothed her dress with her h<strong>and</strong>s, <strong>and</strong> slipped back into the current of<br />
the crowd as it surged through the now open church doors.<br />
<strong>The</strong> girl’s eyes flitted to the leaf-strewn street outside <strong>and</strong> she considered<br />
making a run for it, but the crowd swept her up <strong>and</strong> minutes later she<br />
found herself wedged in between her father <strong>and</strong> the Jacobson family on an<br />
uncomfortably hard pew, the underside of her thighs sticking to the smooth<br />
wood. She tugged at her skirt <strong>and</strong> tried to shift her position slightly to relieve<br />
the discomfort, but her father’s bulk kept her pinned firmly against Mrs.<br />
Jacobson’s bony, polyester-covered hip. She let her head fall back, <strong>and</strong> she stared<br />
up at the dark wooden ceiling, curved like an upside-down boat. <strong>The</strong> stainedglass<br />
windows threw slants of colored light into the pews, <strong>and</strong> she could feel the<br />
dappled blue <strong>and</strong> red shapes rest warmly on her face.<br />
Just then her mother’s h<strong>and</strong>s banged out the first chord on the organ,<br />
signaling the service’s start, <strong>and</strong> the girl stood with the rest of them. She<br />
watched as her mother played with joy, a look of pure contentment resting on<br />
36 37
the woman’s slender face. With eyes closed, her fingers sought out the keys with<br />
ease <strong>and</strong> her feet flew over the pedals in a graceful dance. <strong>The</strong> girl reflected that<br />
she hardly ever saw her mother in such a state of bliss—in fact, she realized<br />
that the only time the woman was quite as peaceful was when she had her third<br />
after-dinner glass of wine, coupled with a Vicodin. She felt a sudden urge to<br />
hug her mother, this happy mother; she wanted to grab her <strong>and</strong> squeeze her<br />
tight, <strong>and</strong> give her a kiss. She found herself smiling at the thought, knowing<br />
how fussy her mother became at unnecessary displays of affection.<br />
After the congregation had re-seated themselves, the hundreds of bottoms<br />
hitting the pews like a rumble of thunder, the girl felt her father’s h<strong>and</strong> on her<br />
knee, giving an encouraging squeeze. She did not know what to make of this<br />
second touch of the day from him—he had not touched her for weeks, ever<br />
since she had found a big, jangly gold earring between the cushions of the<br />
living-room couch. Her mother did not wear big earrings—gaudy, she called<br />
them—<strong>and</strong> the girl herself did not have pierced ears. She had slipped it across<br />
the kitchen table to him the next morning, as the two of them enjoyed their<br />
usual school morning schedule of Raisin Bran <strong>and</strong> crossword puzzles. His face<br />
had paled just one barely noticeable shade, <strong>and</strong> with a savage grab he clutched<br />
the earring. <strong>The</strong> girl brought a spoonful of flakes to her mouth <strong>and</strong> munched<br />
on in silence. She had waited for a declaration of innocence, a hurried excuse,<br />
the explanation behind a silly misunderst<strong>and</strong>ing—but he had just stared at her,<br />
his eyes pleading.<br />
Please…<br />
Her father’s touch reminded her that it was time for her solo. She stood <strong>and</strong><br />
made her way along the spongy red carpet that stretched down the middle of<br />
the church, splitting the congregation in two. She took her place in the middle<br />
of the front line of the choir <strong>and</strong> smiled back at her mother’s childlike grin. <strong>The</strong><br />
church seemed cavernous then, a whale’s jaws stretched wide in front of her—<br />
threatening to swallow her whole. Everything was so still she thought a single<br />
sneeze might blow Mr. Seymour’s toupee right off of his head.<br />
As the first chord sang triumphantly from the massive pipes, the girl stepped<br />
forward, opened her mouth, <strong>and</strong> let out a scream. It was louder than any sound<br />
she had made in her life. It was so loud, <strong>and</strong> so long, she almost forgot it was<br />
hers. She heard the scream echo throughout the space; it ricocheted off the<br />
giant curved buttresses <strong>and</strong> grazed the twenty-foot-tall Jesus emblazoned<br />
on the stained glass window. As she ran out of breath, the end of the scream<br />
was coated in s<strong>and</strong>paper as it tore from her throat. She swallowed <strong>and</strong> tasted<br />
something hot <strong>and</strong> coppery—truth, she thought.<br />
<strong>The</strong> girl breathed heavily through her mouth, her eyes flashing, as she faced<br />
the sea of Os—wide <strong>and</strong> blinking, <strong>and</strong> pink <strong>and</strong> fleshy. She caught her mother’s<br />
horrified stare, her delicate skin flushed with shame. John gaped up at her with<br />
loose wet lips, like a deep sea bass just plucked from the water. <strong>The</strong> girl met her<br />
father’s gaze evenly. She couldn’t tell if he was trying not to cry or laugh. He<br />
simply sat there, <strong>and</strong> sweated profusely. No one moved.<br />
“Goddamnit!” she prompted. <strong>The</strong> church erupted, as women shushed their<br />
children <strong>and</strong> men shouted angrily. <strong>The</strong> girl watched the chaos unfold, strangely<br />
unsatisfied. <strong>The</strong> next thing she knew she was outside, sitting on the curb next<br />
to her father. He was looking off over her head, almost afraid of her. She didn’t<br />
like that.<br />
“Dad?”<br />
She reached out to comfort him. Just as her h<strong>and</strong> touched his arm, he<br />
grabbed her in a tight embrace, resting his cheek against the top of her head.<br />
Normally the girl didn’t like her father’s hugs—he was always so sweaty <strong>and</strong><br />
thick. But this time she didn’t mind his clammy h<strong>and</strong>s holding her close, <strong>and</strong><br />
she breathed in his salty smell. He didn’t try to underst<strong>and</strong> her in this moment,<br />
<strong>and</strong> she was glad. He pressed a kiss to her forehead <strong>and</strong> then stood <strong>and</strong> rejoined<br />
the rest of the girl’s family.<br />
She watched the three backs as they returned to the church without her,<br />
explanations <strong>and</strong> excuses already on their minds. Her mother’s shoulders were<br />
slumped, as if someone had struck her in the stomach <strong>and</strong> knocked the wind<br />
out of her. <strong>The</strong> girl felt a slight squeeze inside her chest; she didn’t like seeing<br />
her mother wounded like this, hurt <strong>and</strong> confused like a child. She watched<br />
with an odd sort of yearning as her mother smoothed her carefully highlighted<br />
hair back into place, <strong>and</strong> the family re-entered through the great red doors.<br />
38 39
Chapter 4<br />
<strong>Art</strong><br />
Contemplation<br />
Digital <strong>Art</strong><br />
Anthony Irwin<br />
40<br />
41
<strong>Art</strong> Editor’s Choice<br />
Thoughts from Christine<br />
“In this piece, I wanted to capture light <strong>and</strong> color on skintone<br />
<strong>and</strong> hair...the human figure in general. When I first<br />
started painting I used acrylics, but it doesn’t have the same<br />
luminosity as oils. I use a lot of layering techniques in my<br />
paintings <strong>and</strong> with oils, the layers show through much better.<br />
I used straight lines in the background to break up the color<br />
”<br />
field. <strong>The</strong> title of the piece is actually the name of the model,<br />
Laurel.<br />
Laurel<br />
Oil on Canvas<br />
Christine Munchak<br />
42<br />
43
Ceramic <strong>and</strong> Yarn<br />
Colleen Dolinger<br />
<strong>Spring</strong> Green on Bright Yellow<br />
Black on Bright Red<br />
44<br />
45<br />
Claret Fleck on Colonial White
Lazarus I<br />
Elise Birnbaum<br />
46 47<br />
Screen Print on Book Cover
Interior Design<br />
Computer Generated Perspectives<br />
Sibie Ohumay<br />
Eclectic Bedroom<br />
Eclectic Dining Room<br />
Contemporary Living Room<br />
48<br />
49
Monk<br />
Micron Pen<br />
<strong>and</strong> Color Pencil<br />
Anthony Irwin<br />
Girl<br />
Micron Pen<br />
Anthony Irwin<br />
Grisailles H<strong>and</strong>s<br />
Oil on Canvas<br />
Christine Munchak<br />
50<br />
51
<strong>Silhouette</strong> Staff<br />
Index<br />
Monica Alvano<br />
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Elise Chretien<br />
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Graphic Designer<br />
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Webmaster<br />
Ahmed, Hussein M. 24, 29, 30<br />
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Birnbaum, Elise 46<br />
Cardwell, Grace 8<br />
Coble, Leigh Anne 9<br />
Dodd, Hayley 21<br />
Dolinger, Colleen 44<br />
Gordon, Caty 18<br />
Ohumay, Sibie 48<br />
Reynolds, Brooke 15, 17<br />
Rush, Adrienne 34<br />
Stowe, Lesley Ann 23<br />
Tanner, Sarah 31<br />
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White, Lauren 12<br />
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Rachael Leon<br />
Mika Rivera<br />
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Hayes, Grace 13<br />
Irwin, Anthony 41, 50<br />
Jensen, Laura 19<br />
Munchak, Christine 43, 51<br />
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Letter from the Editor<br />
Dear Readers,<br />
Ever since I began as a general staff member of <strong>Silhouette</strong>, my goal has<br />
been to best showcase the creativity of the Virginia Tech student body.<br />
I am proud to say that this semester <strong>Silhouette</strong> has taken great strides<br />
towards this goal. This issue is the first full-color issue of <strong>Silhouette</strong>.<br />
Restructured into chapters, the magazine’s contents are now divided by<br />
media. Each Editor chose a favorite piece, <strong>and</strong> these are accompanied<br />
by thoughts from the artist as well as the artist’s silhouette. All of these<br />
changes were made to present creative work as it is meant to be seen,<br />
<strong>and</strong> to provide insight through its back-story.<br />
For this accomplishment I owe many thanks. To my family <strong>and</strong> friends,<br />
thank you for supporting me in every way. To EMCVT, thank you for your<br />
outst<strong>and</strong>ing contribution to our community. To Melissa Brice, who took<br />
big risks with this magazine, thank you for inspiring me to take a chance<br />
<strong>and</strong> run with it. To the entire <strong>Silhouette</strong> staff, thank you for taking that<br />
chance with me. And to our readers <strong>and</strong> contributors, <strong>Silhouette</strong> is all<br />
about you.<br />
It has been a privilege to serve as Editor-in-Chief for a short but sweet<br />
semester. Katie. you have been the best Business Manager ever <strong>and</strong> will<br />
be an amazing Editor-in-Chief.<br />
To our loyal readers, I hope you enjoy the change. For our new<br />
followers, this is only the beginning.<br />
With love,<br />
Monica Alvano<br />
Editor-in-Chief