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Spring 2010 - The Silhouette Literary and Art Magazine - emcvt

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<strong>Silhouette</strong><br />

<strong>Literary</strong> <strong>and</strong> <strong>Art</strong> <strong>Magazine</strong><br />

Volume 32, Issue 2 <strong>Spring</strong> <strong>2010</strong><br />

<strong>Silhouette</strong> Volume 32, Issue 2 was produced by the <strong>Silhouette</strong> staff <strong>and</strong> printed by Southern<br />

Printing, located in Blacksburg, VA. <strong>The</strong> paper is 80 lb. Porcelain with a 100 lb. Porcelain cover.<br />

<strong>The</strong> fonts used are Adobe Caslon Pro <strong>and</strong> Alte Haas Grotesk. <strong>Silhouette</strong> <strong>Literary</strong> <strong>and</strong> <strong>Art</strong><br />

<strong>Magazine</strong> is a division of the Educational Media Company at Virginia Tech, Inc. (EMCVT), a<br />

nonprofit organization that fosters student media at Virginia Tech. Please send all correspondence<br />

to 344 Squires Student Center, Blacksburg, VA 24061. All Virginia Tech students who are not part<br />

of the staff are invited to submit to the magazine. All rights revert to the artist upon publication.<br />

To become a subscriber to <strong>Silhouette</strong>, send a check for $10 for each year subscription (two<br />

magazines) to the address above, c/o Business Manager or visit EMCVT’s e-commerce Web site<br />

at www.collegemedia.com/shop. For more information visit our Web site at<br />

www.silhouette.collegemedia.com or call our office at (540) 231-4124.<br />

<strong>Silhouette</strong> <strong>Literary</strong> <strong>and</strong> <strong>Art</strong> <strong>Magazine</strong><br />

344 Squires Student Center<br />

Blacksburg, VA 24061<br />

silhouette@collegemedia.com<br />

www.silhouette.collegemedia.com


Table of Contents<br />

Chapter 1: Poetry<br />

<strong>The</strong> Floodgate ..........................................................................8<br />

Cornhusk Doll ...........................................................................9<br />

<strong>The</strong> Loving Reader .................................................................11<br />

Widow o’Flies .........................................................................12<br />

Apple <strong>and</strong> Cinnamon ..............................................................13<br />

Sliver .......................................................................................15<br />

Noture .....................................................................................16<br />

Forty-Three Years ...................................................................17<br />

Discretion ...............................................................................18<br />

Showing Herself Off ...............................................................19<br />

Black Woman Affair ................................................................20<br />

Holding Fortune ......................................................................21<br />

Chapter 3: Prose<br />

<strong>The</strong> Soloist........................................................................34-39<br />

Chapter 4: <strong>Art</strong><br />

Contemplation ........................................................................41<br />

Laurel ..................................................................................... 43<br />

Ceramic <strong>and</strong> Yarn .............................................................44-45<br />

Lazarus I ...........................................................................46-47<br />

Interior Design ..................................................................48-49<br />

Monk ..................................................................................... 50<br />

Girl ......................................................................................... 50<br />

Grisailles H<strong>and</strong>s .....................................................................51<br />

Chapter 2: Photography<br />

Fallen ..................................................................................... 23<br />

Overlook ................................................................................ 24<br />

<strong>The</strong> Transition ........................................................................ 25<br />

Isolation ................................................................................. 26<br />

Stealth & Silence ................................................................... 29<br />

Sometime Ago ....................................................................... 30<br />

Ancient History ...................................................................... 31<br />

Editor’s Choice<br />

4 5


Chapter 1<br />

Poetry<br />

6<br />

6 7<br />

7


<strong>The</strong> Floodgate<br />

Grace Cardwell<br />

Cornhusk Doll<br />

Leigh Anne Coble<br />

She was still, doing her crossword puzzle.<br />

On the TV in a distant room, there’s a muffled voice, calling for rain.<br />

Moving mechanically from the couch to the window seat<br />

<strong>and</strong> looking up —<br />

<strong>The</strong> sky had never seemed so low.<br />

<strong>The</strong>n all at once the clouds started screaming<br />

<strong>and</strong> tears of frustration were thrown at the earth.<br />

What sin so evil had the earth committed?<br />

<strong>The</strong> floodgate was broken, <strong>and</strong> though she was inside,<br />

she watched.<br />

And watched for an undetermined sect of time.<br />

<strong>The</strong> rain slamming onto the roof<br />

was pounding in her head.<br />

She hovered to the sink,<br />

<strong>and</strong> turns the h<strong>and</strong>le, <strong>and</strong> kept turning it<br />

urgently, wanting to feel the surge of power<br />

of the rain.<br />

And the water hit the tub hard,<br />

<strong>and</strong> it splashed in her face,<br />

<strong>and</strong> the faucet shook <strong>and</strong> screeched,<br />

<strong>and</strong> it scared <strong>and</strong> amazed her,<br />

<strong>and</strong> it made her step back,<br />

but it wasn’t the rain.<br />

Carrie Mae’s house held that smell –<br />

of overcooked cauliflower,<br />

of carpets long since vacuumed.<br />

It was that smell,<br />

of the worn-down <strong>and</strong> the sickly,<br />

that made me cautious.<br />

Even at the age of turtleneck velour<br />

sweaters <strong>and</strong> lace-trimmed socks,<br />

I knew that the smell meant sickness <strong>and</strong> that sickness<br />

meant death.<br />

Oh, but her dolls were alive<br />

as if her life were being siphoned into theirs.<br />

Is that why Mom, in an urgent hush, warned:<br />

“Honey, don’t touch.”<br />

Is that why Carrie Mae’s h<strong>and</strong>s,<br />

whether from defiance or hard hearing,<br />

ignored my mother’s wishes <strong>and</strong> placed<br />

her most precious dolls in my arms?<br />

And is that why my mother came to me, gently,<br />

as if I were a porcelain doll, delicately painted,<br />

from Carrie Mae’s top cabinet shelf<br />

with words, once more hushed, but this time, soft:<br />

“Sweetie,<br />

Carrie Mae loved you very much...”<br />

I learned the meaning of a will:<br />

I could pick out one doll.<br />

Nestled to my chest – with its simplicity,<br />

its rough skin, <strong>and</strong> its ability to absorb<br />

the smell of the ages,<br />

the smell of my Carrie Mae –<br />

rested a cornhusk doll.<br />

8 9


Fiction Editor’s Choice<br />

<strong>The</strong> Loving Reader<br />

Zaki Barzinji<br />

Thoughts from Zaki<br />

“This piece was born out of complete frustration with my inability to say<br />

anything of meaning. I was on a plane home from Cairo (where I spent a<br />

semester) <strong>and</strong> trying to get back into the swing of writing for the coming<br />

semester of English courses. I felt (<strong>and</strong> still often feel) this unshakeable feeling<br />

that to truly succeed as a writer, there is this tremendous pressure to say<br />

something profound, witty, out of this world, just dripping with brilliance<br />

with every word. I couldn’t take it. I wrote the first lines of this poem, then<br />

wrote “I can never think how to begin/So caught am I in this race for wit/<br />

Twist some new cliché <strong>and</strong> polish/ Shiny new bowl for the same old shit”. As I<br />

threw my head back in exasperation, with babies crying left <strong>and</strong> right, choppy<br />

shouted Arabic pelting my ears, <strong>and</strong> Hannah Montana playing on the tiny<br />

screens before me, I shut my eyes to escape this strange, squawking, stupid, <strong>and</strong><br />

brilliant world called language. And then –cliché alert- all I saw was the face<br />

of the most beautiful woman I had just met in pyramid l<strong>and</strong>… <strong>and</strong> it wrote<br />

itself. That’s it, <strong>and</strong> that’s me.<br />

“<br />

How do you put feelings to words?<br />

Squeeze letters out of sunshine?<br />

Can seas of black ink ever begin to cover<br />

<strong>The</strong> blinding rainbow of joy that courses through life’s pen?<br />

So why try?<br />

Why reduce the infinite prism of the universe<br />

To the mere cracks of language?<br />

You may scribe a thous<strong>and</strong> delicious words,<br />

But paper shall forever have but one taste.<br />

A single scent.<br />

Fill it with every last wondrous sound rattling in the mind’s ear,<br />

And all it will ever sing is the gentle whip of a rustle.<br />

So. <strong>The</strong>n.<br />

You will be my language.<br />

Your eyes my adjectives, for lost in them do I see the world described.<br />

<strong>The</strong> sway of your hips, my cadence <strong>and</strong> meter.<br />

Moans <strong>and</strong> murmurs, my onomatopoeias <strong>and</strong> colloquialisms.<br />

And your voice... the quill, your heavenly song... the ink.<br />

<strong>The</strong> only calligraphy I ever want etched on my soul’s parchment.<br />

I only want to speak you,<br />

To turn each of your pages,<br />

Love every crinkle, smudge, rip, <strong>and</strong> tear,<br />

Because they mean<br />

You are.<br />

A pristine book whose spine has never been cracked,<br />

Just another done-up, pretty cover,<br />

Is not worth a single glance,<br />

From the loving reader.<br />

10<br />

11


Widow o’Flies<br />

Lauren White<br />

Come closer, love, draw nigh<br />

Along this veil of spindled water<br />

I’ll sit in the center, watch you come near<br />

Along the thin veins,<br />

<strong>The</strong> tangled web I weaved.<br />

This is my trap, devised by God of old<br />

A solution to loneliness <strong>and</strong> hunger<br />

Hungry eyes watching, caught each other in cross-gaze<br />

You’re so wary, I’m so ready<br />

Why don’t you move faster,<br />

Why let my hunger win?<br />

Flies around us struggle<br />

Bound too tight to move.<br />

God, I’d free them if I didn’t eat them.<br />

If they didn’t consume me.<br />

This den, my lovely picture silhouetted in the light<br />

You’re enraptured of my str<strong>and</strong>s of hair,<br />

<strong>The</strong> water drops hung there, softly glinting,<br />

Just so enticing. Won’t you give in?<br />

Eyes fed on sight, legs entwining tight<br />

Oh, how the flies surge, fin’ly break free<br />

I am one <strong>and</strong> you are so,<br />

And since you are I’ve captured you too.<br />

Turn this way, my lover, I’ll show you my sweet smile<br />

Come closer, lover, I’ll hold you dear.<br />

Ah, why did you move so slow? Why did you tempt me so?<br />

I will not resist you, fly that you are.<br />

So fast it’s done, my earth shakes<br />

It is stronger than steel but broken by whispering lies,<br />

Floating away in str<strong>and</strong>s of our struggle<br />

<strong>The</strong> flies settle, I wrap them up tight<br />

I’ll keep them safe<br />

For another you on a different night<br />

While with steady legs I weave that tangled web again.<br />

Apple <strong>and</strong> Cinnamon<br />

One day I<br />

promise to quit<br />

pretending that<br />

leaves are made<br />

of fire <strong>and</strong> sunrises,<br />

capable of bursting<br />

into stars at<br />

will.<br />

Maybe, in a year,<br />

in a day, I’ll trace<br />

their dead veins<br />

<strong>and</strong> not think of<br />

the crimson<br />

mortality in mine,<br />

ticking a fickle<br />

Judas heart, with<br />

no warning<br />

when it will finally<br />

stop.<br />

Like summer,<br />

where life is<br />

infectious <strong>and</strong><br />

hope a disease,<br />

some things are<br />

too good to last,<br />

not just for lack of<br />

Grace Hayes<br />

trying.<br />

12 13


Thoughts from Brooke<br />

“Last year as a freshman four of my new best friends <strong>and</strong> I borrowed a<br />

car <strong>and</strong> drove down to the New River to star gaze. Since it was only<br />

early spring we brought a ton of blankets to snuggle up in <strong>and</strong> stay<br />

warm. We stayed until early morning talking, laughing, <strong>and</strong> relishing<br />

our independence <strong>and</strong> friendship. This night was one of my very<br />

favorite memories of my freshman year, <strong>and</strong> I wanted to capture it in a<br />

poem so I could always remember it. I named the poem Sliver<br />

because the fingernail moon was only a sliver in the sky, <strong>and</strong> my friends<br />

<strong>and</strong> I felt like only a miniscule sliver in the universe.<br />

“<br />

Sliver<br />

Brooke Reynolds<br />

Sky stretched out before us<br />

like heaven’s art project,<br />

sprinkled with h<strong>and</strong>fuls of silver glitter<br />

<strong>and</strong> a pasted paper moon.<br />

Girls huddled together<br />

squirming, giggling, snuggling, teasing,<br />

<strong>and</strong> chattering on a blanket.<br />

River rushing by in too much of a hurry<br />

to stop <strong>and</strong> mingle, leaving us<br />

with only a passing gurgle of hello.<br />

<strong>Spring</strong> teasing<br />

the cool night air with soft breezes<br />

<strong>and</strong> playful pockets of warm currents<br />

embracing youthful skin.<br />

Backs to the grass, eyes to the stars,<br />

fingers intertwined like wisteria vines.<br />

Hearts <strong>and</strong> minds soaring up, floating<br />

until adrift among the palette of stars,<br />

which held secrets of life, ramblings<br />

of thoughts, <strong>and</strong> our energy,<br />

so fresh <strong>and</strong> raw that freshman year.<br />

Peaceful quiet settling<br />

over the night, hushing bodies<br />

into a quiet, rhythmic hum.<br />

Sending rays of contentment,<br />

simple <strong>and</strong> pure, echoing<br />

throughout the universe.<br />

Feeling smaller than ever before,<br />

yet never more empowered by the vastness<br />

of that sky.<br />

It was just us.<br />

Beneath the blankets,<br />

beneath the trees,<br />

beneath the stars.<br />

Five heads connecting<br />

in the middle of the fleece,<br />

forming<br />

our own earth-bound star.<br />

Poetry Editor’s Choice<br />

14<br />

15


Forty-Three Years<br />

Brooke Reynolds<br />

Noture<br />

Zaki Barzinji<br />

I would have relished the fresh<br />

crunch of crisp leaves,<br />

If not for the slimy smile of slugs beneath<br />

Would’ve salsa’d with the sun<br />

beaming from ear to ear of corn,<br />

But it’s the UVs, you see<br />

She couldn’t have been my mother, for my<br />

lips would touch no mossy bosom,<br />

And my father had already a mistress,<br />

I could converse with wind <strong>and</strong> trees<br />

if I troubled to learn woosh <strong>and</strong> bark,<br />

But why can’t they all just<br />

speak English? This is America.<br />

I’d live deep <strong>and</strong> suck out the<br />

marrow of life,<br />

But I’d rather save my tongue<br />

for tastier things<br />

In short, I’d bother to live in harmony<br />

with the earth <strong>and</strong> sing verses with the universe<br />

till the smiles smote all the swords <strong>and</strong><br />

weapons surrendered to the power of words,<br />

<strong>and</strong> beings loved outside their herds,<br />

<strong>and</strong> all of us flew with the birds,<br />

If it wasn’t so fuckin’ inconvenient.<br />

Summers, autumns, winters, <strong>and</strong> springs slipped<br />

by. Clustered together forming forty-three years<br />

since she moved to the beach.<br />

Waking to seagulls’ throaty cries,<br />

thick, salty air enveloping tan bodies,<br />

surfboards piled on wooden Volkswagens,<br />

s<strong>and</strong>y carpets, feet, <strong>and</strong> beds.<br />

Building her life at the sea<br />

out of dribble castles <strong>and</strong> empty<br />

bottles of sunscreen.<br />

Raising children<br />

then gr<strong>and</strong>children at the edge<br />

of the unbound Atlantic.<br />

Letting life ebb <strong>and</strong> flow<br />

with the changing tides, while sitting<br />

on a beach chair wearing Hollywood sunglasses,<br />

relaxing, soaking, being, knowing<br />

that the moon is in control.<br />

Forty-three years of pouring<br />

vinegar on jellyfish stings, studying<br />

the sunset as it airbrushed the sky, chewing<br />

on salt-water taffy. Living<br />

watching, listening, absorbing, blending<br />

into the ocean.<br />

Wrinkles, sun-browned skin,<br />

blonde-streaked hair,<br />

tough bare feet all year long.<br />

Keeping life<br />

beautifully simple. Moments<br />

became days, days became weeks,<br />

weeks became<br />

forty-three years.<br />

16 17


Discretion<br />

Caty Gordon<br />

<strong>The</strong>re are no secrets,<br />

there is only privacy.<br />

And everyone has the right to privacy.<br />

But the linen dangles dripping in the backyard,<br />

little lies we hide forming clever puddles in the grass.<br />

<strong>The</strong>re are no secrets<br />

because the walls carry our confessions<br />

<strong>and</strong> the mirror will always recall<br />

the way nudity clings to you.<br />

<strong>The</strong> mortar will allow whispers to escape<br />

into the street <strong>and</strong> the neighbors, the nosy kind,<br />

will catch wind of how good the sex is.<br />

<strong>The</strong>re are no secrets because the yellow mug you left<br />

in my sink is cracked <strong>and</strong> the morning smile from<br />

your lips will slide down the drain,<br />

through the sewer <strong>and</strong> streams,<br />

<strong>and</strong> finally form a frothy ripple in a crescent wave<br />

of an open ocean.<br />

<strong>The</strong>re are no secrets, you see, because pieces of you will drip<br />

<strong>and</strong> carry <strong>and</strong> reflect <strong>and</strong> escape <strong>and</strong> slide away<br />

from my h<strong>and</strong>s.<br />

<strong>The</strong>re are no secrets,<br />

there is only privacy.<br />

And you have the right to privacy,<br />

just like I have the right<br />

to<br />

my<br />

own<br />

heart.<br />

I look damn good.<br />

Hell yeah.<br />

Ooh this old thing?<br />

You better believe it.<br />

This look works for me.<br />

But not for you honey,<br />

Not just for any young thing attempting to strut down that street,<br />

I own the street, it is my make believe stage.<br />

Closing my eyes, playing my role, I walk with the gradual swing of my hips,<br />

the quick swift but jolting pop to one lucky side,<br />

<strong>The</strong>y think I’m all that.<br />

All that... ha, a whole lot of nothing.<br />

Street stopping,<br />

maybe just to you.<br />

But who’s the girl hiding on the side,<br />

afraid to show herself to the real world?<br />

Showing myself off, it’s a lot different from showing myself.<br />

Take my bright blue sapphire sinful sparkling eyes<br />

“You like?”<br />

With a quick wink from my shadow pasted thick on top,<br />

never to smudge or fade,<br />

Combined with my luscious lustful red lips<br />

“Gorgeous?”<br />

I’ll give a quick smooch<br />

one quick pucker together,<br />

“Come <strong>and</strong> get it baby.”<br />

And smack — it’s all been done,<br />

But really<br />

in the end, it’s all a show.<br />

Now Presenting:<br />

Sophisticated<br />

Beautiful<br />

Envious<br />

Showing Herself Off<br />

Laura Jensen<br />

“Jealous?”<br />

I knew you would be.<br />

18 19


Black Woman Affair<br />

Thomas Beckworth<br />

Labeling her like she a file folder<br />

because she won’t let you degrade<br />

her body <strong>and</strong> insult her integrity,<br />

telling everyone she got attitude,<br />

she already peeped your game.<br />

She refuse to be placed in a cabinet<br />

or up on a shelf like other women<br />

you have dated <strong>and</strong> trashed like you were<br />

slam dunking a basketball. She’s strong,<br />

black, educated, won’t be barricaded<br />

in misery or have spells cast on her.<br />

You a pretentious brother —<br />

Arrogant, conniving <strong>and</strong> controlling.<br />

All your homeboys know, the only thing<br />

you trying to do is smash <strong>and</strong> play with her<br />

like you spinning the bottle. Too bad.<br />

She confident, sophisticated, <strong>and</strong> dedicated.<br />

If she get to know you, she might as well<br />

audition for Tyler Perry’s I Can Do Bad All By Myself.<br />

You shadowing her move, saying that black woman<br />

have an attitude.<br />

Did you forget your momma black?<br />

Knot your tongue, tape your mouth,<br />

freeze your brain, she don’t wanna<br />

talk to you <strong>and</strong> your attitude.<br />

Holding Fortune<br />

Hayley Dodd<br />

I knew I could love your h<strong>and</strong>s<br />

before I knew your last name<br />

or that I was dying.<br />

<strong>The</strong>y were big<br />

like old burly motorcycles<br />

<strong>and</strong> the thought of holding them<br />

made me feel safe,<br />

even without helmet.<br />

One of them could easily hold<br />

the responsibility<br />

of an entire basketball,<br />

which is far more voluminous than my head<br />

sans hair,<br />

which led me to believe<br />

you could love me bald.<br />

This is an important quality in a man,<br />

ever since the palm reader<br />

read the lines across my h<strong>and</strong>,<br />

like a foreign language laid down in Braille,<br />

like a net over my flesh.<br />

I remember laughing <strong>and</strong> gasping<br />

as your big<br />

<strong>and</strong> benign<br />

h<strong>and</strong>s held the tarot cards<br />

she gave us for free.<br />

We found amusement in the future<br />

before it found us<br />

in the bright room<br />

with 18 chairs, like the dentist’s,<br />

but my teeth were being cleaned by only vomit,<br />

And while my body was letting poison<br />

wash my organs<br />

My forehead rested<br />

in your big blanched h<strong>and</strong>s.<br />

20<br />

21


Chapter 2<br />

Photography<br />

Fallen<br />

Lesley Ann Stowe<br />

22<br />

23


<strong>The</strong> Transition<br />

Hanna Teachey<br />

Overlook<br />

Hussein Ahmed<br />

24 25


26 27<br />

Isolation<br />

Hanna Teachey


Photography Editor’s Choice<br />

Thoughts from Hussein<br />

““I took this photo at the Arizona-Sonora Desert Museum. I was amazed at how<br />

this snake looked so alert. I was fortunate enough to have the snake enclosed in an<br />

aquarium, but using a polarizing filter, zooming in, <strong>and</strong> using a wide aperture<br />

for the shallow depth of field, I was able to capture the beauty of that fearful<br />

creature. With those great eyes, unique scales on the head, <strong>and</strong> the intricate scales<br />

overlapping like tiles with adjacent rows diagonally offset, this made for a great<br />

picture of a remarkably beautiful, yet horrific beast who eats his prey alive.<br />

“<br />

Stealth & Silence<br />

Hussein Ahmed<br />

28<br />

29


Ancient History<br />

Sarah Tanner<br />

Sometime Ago<br />

Hussein Ahmed<br />

30<br />

31


Chapter 3<br />

Prose<br />

32<br />

33


<strong>The</strong> Soloist<br />

Adrienne Rush<br />

<strong>The</strong> girl did not want to go to church. It wasn’t because she was sick, or<br />

because she had to sing a solo today. She simply thought that today, on this<br />

Sunday, of all the Sundays in her life, she should do something else. Take a<br />

walk maybe. Or perhaps finish the last few chapters of Cat’s Cradle. She liked<br />

Kurt Vonnegut. He was honest.<br />

She opened her bedroom door <strong>and</strong> then turned <strong>and</strong> sat on the edge of her<br />

bed, listening to her family run through their Sunday morning routines. Her<br />

father’s curses came careening down the hall as he tried in vain to coerce the<br />

skinny part of his tie into becoming shorter than the fat part. “Goddamn it!”<br />

he shouted. <strong>The</strong>n more quietly: “Ellen.” It wasn’t a comm<strong>and</strong> or a plea, but the<br />

familiar completion of a habit. “<strong>The</strong>re now,” soothed the mother’s voice after<br />

a minute, “don’t you look h<strong>and</strong>some.” <strong>The</strong> girl heard her mother walk across<br />

the room to her vanity to finish putting on her makeup, her shoes click-clacking<br />

against the wooden floor in measured steps. As the organist for their church,<br />

the girl’s mother couldn’t wear high heels while she played, but she insisted<br />

on wearing her three-inch pumps to <strong>and</strong> from the service, maintaining that<br />

without them the difference in height between her husb<strong>and</strong> <strong>and</strong> herself was<br />

simply unsightly.<br />

Thumph. Whap. <strong>The</strong> wall behind the girl’s bed vibrated as her brother John<br />

threw his basketball in an arc across his room so that it bounced off their<br />

shared wall <strong>and</strong> back into his waiting h<strong>and</strong>s. Thumph. Whap. <strong>The</strong> girl leaned<br />

back <strong>and</strong> closed her eyes against the familiar beat, trying to recall just how<br />

much of her life had been spent in gyms hearing that leathery slap against<br />

palms—warm, sweaty gyms that reeked of battle <strong>and</strong> echoed with the furious<br />

cries of indignant fathers. John was talented on the court, more talented than<br />

most boys his age, <strong>and</strong> his talent was a great source of pride to his father. Well,<br />

to his mother too, but then she’d be quick to tell you that she was proud of both<br />

of her children as long as they tried their best. <strong>The</strong> girl supposed she was proud<br />

as well, though she could have thought of other things to do with all of those<br />

weekends—weekends spent traveling up <strong>and</strong> down the East Coast to various<br />

tournaments, of sneakers squeaking <strong>and</strong> whistles blowing, of MVPs <strong>and</strong><br />

trophies, of high fives <strong>and</strong> grateful fingers pointed skyward in thanks. Thumph.<br />

Whap. Thumph. Wha—<br />

“What’s the matter with you?” <strong>The</strong> girl opened her eyes <strong>and</strong> looked up into<br />

her father’s face, his lips pulled down at the corners into an irritated frown.<br />

“Look at you—not even dressed yet,” he boomed. “<strong>The</strong> service starts in half<br />

an hour, your mother <strong>and</strong> brother are dressed <strong>and</strong> ready to go, <strong>and</strong> you’re laying<br />

here half asleep!”<br />

<strong>The</strong> girl said nothing. She looked up at her father <strong>and</strong> thought to herself that<br />

he had too much skin; the way it bunched up around his wrists <strong>and</strong> his neck<br />

in thick fleshy rings made him look rather like a hippopotamus. She wondered<br />

why it hadn’t occurred to her before, this resemblance, <strong>and</strong> decided that since<br />

he had maintained such an ample weight for as long as she could remember, she<br />

had just never taken the care to notice. He peered down at her.<br />

“Are you sick?” he asked, his voice tinged with confusion. She shook her<br />

head. He sighed impatiently. Suddenly, with a pleased look of realization, he<br />

leaned down to her. “Nervous about the solo, is that it?” he prompted, with<br />

a smile that pushed his cheeks up into round doughy balls. Again she said<br />

nothing, but her father’s chest puffed out in self-congratulation, like a pigeon’s<br />

after it has found a half-eaten c<strong>and</strong>y bar on the street. “It’ll be fine, sweetheart,”<br />

he said, slapping a meaty h<strong>and</strong> on her shoulder just as he’d do to his son after<br />

an impressive win on the court. “Mom’ll be right there, playing along just like<br />

at home,” he added. <strong>The</strong> girl smiled <strong>and</strong> nodded. “Right then, we’ll meet you<br />

downstairs.”<br />

For the first time they parked along Maple Ridge Drive, which was a few<br />

blocks from the St. James parking lot. <strong>The</strong> mother remarked that they’d never<br />

arrived to see the lot full but she supposed that that’s what happened if you<br />

were late. <strong>The</strong>y hurried through the great red doors <strong>and</strong> right into a crowd of<br />

people milling about, apparently awaiting the opening of the doors that led into<br />

the nave.<br />

“Why look, there she is! Oh Ellen, Ellen!” <strong>The</strong>y turned to see Mr. <strong>and</strong> Mrs.<br />

Thomas approaching them, flanked on either side by their sons, Dave <strong>and</strong> Billy.<br />

<strong>The</strong> Thomas family all shared the same unfortunate hawkish nose <strong>and</strong> thin,<br />

spindly frame—the girl was often reminded of a flock of storks whenever she<br />

saw them all together. Dave <strong>and</strong> the girl’s brother performed a complicated<br />

h<strong>and</strong>shake routine <strong>and</strong> then disappeared into the crowd to find the rest of the<br />

basketball team.<br />

“We were wondering where you all were,” Mrs. Thomas exclaimed, “but<br />

I kept telling Bill that there must’ve been a problem that held you up.” She<br />

smiled expectantly at them. “Well? Is everything all right?”<br />

“Oh, just fine, just fine,” the girl’s mother answered. “Just running late, you<br />

know.” She smiled back, a broad shiny smile that looked as if it took more effort<br />

than it should, but was really quite easy for the mother. She wore it often. As<br />

34 35


she lifted a h<strong>and</strong> to adjust her necklace however, the girl noticed a trickle of<br />

sweat that ran down the side of her mother’s beige silk blouse. Odd, considering<br />

the cool autumn weather. Odder still, the fact that her mother hated to<br />

perspire <strong>and</strong> so rarely did.<br />

After exchanging a few pleasantries with the Thomas’, both of the girl’s<br />

parents went off to mingle <strong>and</strong> she was left alone in the middle of the crowd,<br />

surrounded by greetings <strong>and</strong> warm small talk. She felt a familiar hollowness;<br />

the words bounced around <strong>and</strong> over her as if she were an empty tureen<br />

forgotten in the middle of a dinner table during a lively meal—the talk friendly,<br />

of peas <strong>and</strong> tomato soup.<br />

“Megan, that skirt is gorgeous—you absolutely must tell me where you<br />

got it Oh you don’t think it’s too simple Oh no, it’s elegant you know, not too<br />

fancy but really just stunning Well, thank you, I bought it just last weekend at<br />

that new Talbots that opened over on King Street Oh yes, I know the one you<br />

mean, over by the Starbucks right That’s the one So Doug, whadya think bout<br />

that match-up tonight, huh It’s gonna be a real fight, I’ll tell ya Steve, that new<br />

quarterback they got outta Michigan State is gonna put up some big numbers<br />

Kid’s got a good arm, huh? It’s more than that though, he can really see the<br />

field, you know, can really st<strong>and</strong> big in the pocket, so we’ll see if the o-line<br />

can give him some support Oh, <strong>and</strong> Kathy, don’t forget about scrapbooking<br />

on Tuesday night, <strong>and</strong> remember you signed up to bring brownies I’ll be there,<br />

we’re meeting at Lori’s, right Frank, remind me to show you the new TV when<br />

you come over later for the barbeque I don’t even think I want to, I’ll bet I’m so<br />

jealous I can’t even st<strong>and</strong> it Heh, I can still hardly believe Jen let me get it, but<br />

you know, you only live once <strong>and</strong>--”<br />

“Oh, I’m sorry.”<br />

<strong>The</strong> girl raised her eyes to Missy Johnson, who was st<strong>and</strong>ing awkwardly in<br />

front of her, not quite sure what to do with her h<strong>and</strong>s. Missy was a tall girl,<br />

with a pinched face <strong>and</strong> drooping eyes that were expertly rimmed with heavy<br />

black eyeliner. “Didn’t even see you there, with all these people, you know?”<br />

Missy smiled at the girl. “Have you seen your brother? I haven’t been able to<br />

find him yet, <strong>and</strong> my parents were hoping he would sit with us for the service.”<br />

<strong>The</strong> girl studied her brother’s girlfriend, noting that her pointed features<br />

became even more pronounced when trying to convey a forced friendliness.<br />

Missy really was quite pretty, the girl thought—beneath the makeup <strong>and</strong><br />

the orange skin that clashed violently with her shiny bleached hair. She<br />

remembered how much like a child Missy had seemed last Friday afternoon,<br />

when the girl had caught her <strong>and</strong> John hurrying out of the Planned Parenthood<br />

over behind Fireworks Pizza. She hadn’t meant to catch them. She had simply<br />

“And the girl<br />

smiled back at the<br />

prodigal son.”<br />

slipped out after<br />

chorus class, through<br />

the door behind<br />

the gym, <strong>and</strong> found<br />

herself downtown<br />

with no real plan or a thing to do. W<strong>and</strong>ering past the antique stores <strong>and</strong><br />

banks, she happened across them exiting the building that they—as two officers<br />

in the Abstinence Club—had often picketed. Missy had been crying; her face<br />

was red <strong>and</strong> splotchy <strong>and</strong> the black from her makeup ran in little rivulets down<br />

her face, while snot collected in a small wet pool just above her mouth. None of<br />

the three had said anything at first; Missy wiped her face <strong>and</strong> searched for a lie.<br />

John gawked. And the girl smiled back at the prodigal son.<br />

“I swear to God,” he finally managed, “if you tell Mom or Dad!” <strong>The</strong>y both<br />

had stared horrified at the witness, resentment coloring their faces, as if she had<br />

intruded upon them in a moment of prayer.<br />

“Look,” he tried again, “it was an accident. You don’t know how— Please.”<br />

Please…<br />

“Please,” said Missy softly, her voice just barely carrying through the crowd’s<br />

buoyant chitchat. She touched the girl gently on the arm, then looked down at<br />

her h<strong>and</strong> <strong>and</strong> pulled it away nervously. “You didn’t say anything, right? I mean,<br />

you won’t? John can’t deal with this now, with the State championships next<br />

week. He can’t have that stress, you know? For him, at least, okay?”<br />

<strong>The</strong> girl nodded. Missy smiled at her again, relief softening the sharp angles<br />

in her face. <strong>The</strong> smile almost reached Missy’s eyes, <strong>and</strong> then she sniffed once,<br />

turned, smoothed her dress with her h<strong>and</strong>s, <strong>and</strong> slipped back into the current of<br />

the crowd as it surged through the now open church doors.<br />

<strong>The</strong> girl’s eyes flitted to the leaf-strewn street outside <strong>and</strong> she considered<br />

making a run for it, but the crowd swept her up <strong>and</strong> minutes later she<br />

found herself wedged in between her father <strong>and</strong> the Jacobson family on an<br />

uncomfortably hard pew, the underside of her thighs sticking to the smooth<br />

wood. She tugged at her skirt <strong>and</strong> tried to shift her position slightly to relieve<br />

the discomfort, but her father’s bulk kept her pinned firmly against Mrs.<br />

Jacobson’s bony, polyester-covered hip. She let her head fall back, <strong>and</strong> she stared<br />

up at the dark wooden ceiling, curved like an upside-down boat. <strong>The</strong> stainedglass<br />

windows threw slants of colored light into the pews, <strong>and</strong> she could feel the<br />

dappled blue <strong>and</strong> red shapes rest warmly on her face.<br />

Just then her mother’s h<strong>and</strong>s banged out the first chord on the organ,<br />

signaling the service’s start, <strong>and</strong> the girl stood with the rest of them. She<br />

watched as her mother played with joy, a look of pure contentment resting on<br />

36 37


the woman’s slender face. With eyes closed, her fingers sought out the keys with<br />

ease <strong>and</strong> her feet flew over the pedals in a graceful dance. <strong>The</strong> girl reflected that<br />

she hardly ever saw her mother in such a state of bliss—in fact, she realized<br />

that the only time the woman was quite as peaceful was when she had her third<br />

after-dinner glass of wine, coupled with a Vicodin. She felt a sudden urge to<br />

hug her mother, this happy mother; she wanted to grab her <strong>and</strong> squeeze her<br />

tight, <strong>and</strong> give her a kiss. She found herself smiling at the thought, knowing<br />

how fussy her mother became at unnecessary displays of affection.<br />

After the congregation had re-seated themselves, the hundreds of bottoms<br />

hitting the pews like a rumble of thunder, the girl felt her father’s h<strong>and</strong> on her<br />

knee, giving an encouraging squeeze. She did not know what to make of this<br />

second touch of the day from him—he had not touched her for weeks, ever<br />

since she had found a big, jangly gold earring between the cushions of the<br />

living-room couch. Her mother did not wear big earrings—gaudy, she called<br />

them—<strong>and</strong> the girl herself did not have pierced ears. She had slipped it across<br />

the kitchen table to him the next morning, as the two of them enjoyed their<br />

usual school morning schedule of Raisin Bran <strong>and</strong> crossword puzzles. His face<br />

had paled just one barely noticeable shade, <strong>and</strong> with a savage grab he clutched<br />

the earring. <strong>The</strong> girl brought a spoonful of flakes to her mouth <strong>and</strong> munched<br />

on in silence. She had waited for a declaration of innocence, a hurried excuse,<br />

the explanation behind a silly misunderst<strong>and</strong>ing—but he had just stared at her,<br />

his eyes pleading.<br />

Please…<br />

Her father’s touch reminded her that it was time for her solo. She stood <strong>and</strong><br />

made her way along the spongy red carpet that stretched down the middle of<br />

the church, splitting the congregation in two. She took her place in the middle<br />

of the front line of the choir <strong>and</strong> smiled back at her mother’s childlike grin. <strong>The</strong><br />

church seemed cavernous then, a whale’s jaws stretched wide in front of her—<br />

threatening to swallow her whole. Everything was so still she thought a single<br />

sneeze might blow Mr. Seymour’s toupee right off of his head.<br />

As the first chord sang triumphantly from the massive pipes, the girl stepped<br />

forward, opened her mouth, <strong>and</strong> let out a scream. It was louder than any sound<br />

she had made in her life. It was so loud, <strong>and</strong> so long, she almost forgot it was<br />

hers. She heard the scream echo throughout the space; it ricocheted off the<br />

giant curved buttresses <strong>and</strong> grazed the twenty-foot-tall Jesus emblazoned<br />

on the stained glass window. As she ran out of breath, the end of the scream<br />

was coated in s<strong>and</strong>paper as it tore from her throat. She swallowed <strong>and</strong> tasted<br />

something hot <strong>and</strong> coppery—truth, she thought.<br />

<strong>The</strong> girl breathed heavily through her mouth, her eyes flashing, as she faced<br />

the sea of Os—wide <strong>and</strong> blinking, <strong>and</strong> pink <strong>and</strong> fleshy. She caught her mother’s<br />

horrified stare, her delicate skin flushed with shame. John gaped up at her with<br />

loose wet lips, like a deep sea bass just plucked from the water. <strong>The</strong> girl met her<br />

father’s gaze evenly. She couldn’t tell if he was trying not to cry or laugh. He<br />

simply sat there, <strong>and</strong> sweated profusely. No one moved.<br />

“Goddamnit!” she prompted. <strong>The</strong> church erupted, as women shushed their<br />

children <strong>and</strong> men shouted angrily. <strong>The</strong> girl watched the chaos unfold, strangely<br />

unsatisfied. <strong>The</strong> next thing she knew she was outside, sitting on the curb next<br />

to her father. He was looking off over her head, almost afraid of her. She didn’t<br />

like that.<br />

“Dad?”<br />

She reached out to comfort him. Just as her h<strong>and</strong> touched his arm, he<br />

grabbed her in a tight embrace, resting his cheek against the top of her head.<br />

Normally the girl didn’t like her father’s hugs—he was always so sweaty <strong>and</strong><br />

thick. But this time she didn’t mind his clammy h<strong>and</strong>s holding her close, <strong>and</strong><br />

she breathed in his salty smell. He didn’t try to underst<strong>and</strong> her in this moment,<br />

<strong>and</strong> she was glad. He pressed a kiss to her forehead <strong>and</strong> then stood <strong>and</strong> rejoined<br />

the rest of the girl’s family.<br />

She watched the three backs as they returned to the church without her,<br />

explanations <strong>and</strong> excuses already on their minds. Her mother’s shoulders were<br />

slumped, as if someone had struck her in the stomach <strong>and</strong> knocked the wind<br />

out of her. <strong>The</strong> girl felt a slight squeeze inside her chest; she didn’t like seeing<br />

her mother wounded like this, hurt <strong>and</strong> confused like a child. She watched<br />

with an odd sort of yearning as her mother smoothed her carefully highlighted<br />

hair back into place, <strong>and</strong> the family re-entered through the great red doors.<br />

38 39


Chapter 4<br />

<strong>Art</strong><br />

Contemplation<br />

Digital <strong>Art</strong><br />

Anthony Irwin<br />

40<br />

41


<strong>Art</strong> Editor’s Choice<br />

Thoughts from Christine<br />

“In this piece, I wanted to capture light <strong>and</strong> color on skintone<br />

<strong>and</strong> hair...the human figure in general. When I first<br />

started painting I used acrylics, but it doesn’t have the same<br />

luminosity as oils. I use a lot of layering techniques in my<br />

paintings <strong>and</strong> with oils, the layers show through much better.<br />

I used straight lines in the background to break up the color<br />

”<br />

field. <strong>The</strong> title of the piece is actually the name of the model,<br />

Laurel.<br />

Laurel<br />

Oil on Canvas<br />

Christine Munchak<br />

42<br />

43


Ceramic <strong>and</strong> Yarn<br />

Colleen Dolinger<br />

<strong>Spring</strong> Green on Bright Yellow<br />

Black on Bright Red<br />

44<br />

45<br />

Claret Fleck on Colonial White


Lazarus I<br />

Elise Birnbaum<br />

46 47<br />

Screen Print on Book Cover


Interior Design<br />

Computer Generated Perspectives<br />

Sibie Ohumay<br />

Eclectic Bedroom<br />

Eclectic Dining Room<br />

Contemporary Living Room<br />

48<br />

49


Monk<br />

Micron Pen<br />

<strong>and</strong> Color Pencil<br />

Anthony Irwin<br />

Girl<br />

Micron Pen<br />

Anthony Irwin<br />

Grisailles H<strong>and</strong>s<br />

Oil on Canvas<br />

Christine Munchak<br />

50<br />

51


<strong>Silhouette</strong> Staff<br />

Index<br />

Monica Alvano<br />

Editor-in-Chief<br />

Elise Chretien<br />

Photography Editor<br />

Alyssa Haak<br />

Fiction Editor<br />

Brian Ivasauskas<br />

Poetry Editor<br />

Brittney Trimmer<br />

<strong>Art</strong> Editor<br />

Katie Hagan<br />

Business Manager<br />

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Communications<br />

Director<br />

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Promotions Director<br />

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Distribution Manager<br />

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Public Relations<br />

Director<br />

Briana Bishop<br />

Production Manager<br />

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Assistant Production<br />

Manager<br />

Kayla Clements<br />

Graphic Designer<br />

Wei Hann<br />

Graphic Designer<br />

Darien Foster<br />

Webmaster<br />

Ahmed, Hussein M. 24, 29, 30<br />

Barzinji, Zaki 11,16<br />

Beckworth, Thomas 20<br />

Birnbaum, Elise 46<br />

Cardwell, Grace 8<br />

Coble, Leigh Anne 9<br />

Dodd, Hayley 21<br />

Dolinger, Colleen 44<br />

Gordon, Caty 18<br />

Ohumay, Sibie 48<br />

Reynolds, Brooke 15, 17<br />

Rush, Adrienne 34<br />

Stowe, Lesley Ann 23<br />

Tanner, Sarah 31<br />

Teachey, Hanna 25, 26<br />

White, Lauren 12<br />

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Alumni Relations<br />

Director<br />

General Staff:<br />

Taylor Chakunda<br />

Sarah Janosik<br />

Rachael Leon<br />

Mika Rivera<br />

Hannah Soh<br />

Hayes, Grace 13<br />

Irwin, Anthony 41, 50<br />

Jensen, Laura 19<br />

Munchak, Christine 43, 51<br />

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52 53


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Letter from the Editor<br />

Dear Readers,<br />

Ever since I began as a general staff member of <strong>Silhouette</strong>, my goal has<br />

been to best showcase the creativity of the Virginia Tech student body.<br />

I am proud to say that this semester <strong>Silhouette</strong> has taken great strides<br />

towards this goal. This issue is the first full-color issue of <strong>Silhouette</strong>.<br />

Restructured into chapters, the magazine’s contents are now divided by<br />

media. Each Editor chose a favorite piece, <strong>and</strong> these are accompanied<br />

by thoughts from the artist as well as the artist’s silhouette. All of these<br />

changes were made to present creative work as it is meant to be seen,<br />

<strong>and</strong> to provide insight through its back-story.<br />

For this accomplishment I owe many thanks. To my family <strong>and</strong> friends,<br />

thank you for supporting me in every way. To EMCVT, thank you for your<br />

outst<strong>and</strong>ing contribution to our community. To Melissa Brice, who took<br />

big risks with this magazine, thank you for inspiring me to take a chance<br />

<strong>and</strong> run with it. To the entire <strong>Silhouette</strong> staff, thank you for taking that<br />

chance with me. And to our readers <strong>and</strong> contributors, <strong>Silhouette</strong> is all<br />

about you.<br />

It has been a privilege to serve as Editor-in-Chief for a short but sweet<br />

semester. Katie. you have been the best Business Manager ever <strong>and</strong> will<br />

be an amazing Editor-in-Chief.<br />

To our loyal readers, I hope you enjoy the change. For our new<br />

followers, this is only the beginning.<br />

With love,<br />

Monica Alvano<br />

Editor-in-Chief

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