Agreement - Writers Guild of Canada

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RIGHT OF WRITER, STORY EDITOR OR STORY CONSULTANT TO FORGO CREDIT A926 Every person who has been engaged by the Producer to make a written contribution to a Script shall be entitled to use a reasonable pseudonym in place of their name in any credit to which s/he may be entitled hereunder. A Writer who declines a credit shall, nevertheless, retain his/her rights to participate in the Royalty/Residual fees that may be due on the exploitation of the program. Where a Writer, Story Editor or Story Consultant declines a credit, the Writer, Story Editor or Story Consultant shall inform the Producer and the Guild of a pen-name to be substituted for his/her own name on the program credits. None of the Writer’s, Story Editor’s or Story Consultant’s rights including but not limited to compensation of any kind shall be affected by the use of a pseudonym. RULES OF CREDIT ARBITRATION A927 If, within the period provided for in Article A925, a written objection is received by the Producer and the Guild from any Writer to whom such a draft has been sent, such objection shall (subject to Article A941) be dealt with as follows: A928 The Guild shall forward notice of the objection to the relevant Association. If a Producer is a member of both Associations, the Guild shall forward notice of the objection to both Associations. A929 The Guild shall forthwith appoint three Arbitrators to adjudicate on the objection in accordance with the Guild’s established guidelines for credit arbitration, a copy of which shall be furnished to the Associations. Arbitrators appointed under this provision are not “arbitrators” within the meaning of any labour relations legislation. The Credit Arbitration procedure must be completed before the grievance and arbitration procedure in Article A5 – Grievance Procedures and Resolution, or any expedited arbitration provision in any labour relations legislation, may be initiated. A930 Within seven (7) days of the objection being received by the Producer, the Producer shall deliver to the Guild one (1) legible copy of all Script Material as available relating to the program which it may have in its possession and shall notify the Guild of any such material which has 37
previously been submitted to the Producer of which the Producer does not have a copy. The Guild shall make best efforts to obtain such material and will submit such material to the Producer to verify that the Producer actually received such material. Where the production is based on Source Material, the Producer shall also deliver one (1) copy of the Source Material to the Guild. A931 The Guild shall prepare a list of all materials received and shall forward in the next business day the list to the Producer and all participating writers to sign as confirmation that all Script Material and/or Source Material has been included. If any writer indicates that additional Script Material and/or Source Material is missing, the Guild shall make best efforts to obtain such material and will submit such material to the Producer to verify that the Producer actually received such material. Only Script Material or Source Material submitted to the Producer shall be submitted to the Arbitrators. For the purposes of credit arbitration, a “participating writer” shall be any person : a) engaged by the Producer (or predecessor of the Producer) to provide Script Material; or b) who has had Script Material acquired or purchased by the Producer (or predecessor of the Producer); or c) whose Script Material has been provided by the Producer (or predecessor of the Producer) to subsequent Writers engaged on the same program; or d) whose Script Material can be seen to be reasonably connected to the program and whose Script Material becomes subject to the credit arbitration process. If there is any uncertainty or dispute as to whether an individual fits the criteria for “participating writer”, the Guild’s Credit Committee will be consulted for a ruling which shall be final and binding on the parties. A932 The credit arbitration shall commence when the Guild receives the signed confirmation referenced in Article A931 from the Producer and all participating writers. In the absence of signed confirmation from any party, that party (the non-respondent) shall be deemed to have confirmed the list of materials forty-eight (48) hours after receipt of such list of materials. 38
Page 1 and 2: INDEPENDENT PRODUCTION AGREEMENT (
Page 3 and 4: Section D: Other Production p.106 A
Page 5 and 6: Note: Capitalized words in this Agr
Page 7 and 8: Guild that for reasons of conscienc
Page 9 and 10: A113 During the period of renegotia
Page 11 and 12: A211 Daily Dramatic Serial means a
Page 13 and 14: A227 Free Television means the exhi
Page 15 and 16: A239 Pilot means the sample episode
Page 17 and 18: asic narrative, idea, or theme and
Page 19 and 20: number of complete programs, either
Page 21 and 22: ARTICLE A4 - NO STRIKE AND UNFAIR D
Page 23 and 24: or fifteen (15) business days prior
Page 25 and 26: submissions. Any time limitations p
Page 27 and 28: A526 Any time limitations prescribe
Page 29 and 30: i) the sample pages will be a maxim
Page 31 and 32: of productions based on Script Mate
Page 33 and 34: such claim shall not relieve the Pr
Page 35 and 36: A803 Story Editors’ or Story Cons
Page 37 and 38: d) Where a Program Writer has writt
Page 39 and 40: POSITION AND SIZE OF CREDITS A916 T
Page 41: intended credits, described above,
Page 45 and 46: A940 With respect to Article A9, th
Page 47 and 48: including breaches by a third party
Page 49 and 50: members or SARTEC members for a min
Page 51 and 52: ight to terminate. If the Producer
Page 53 and 54: Producer reports to government agen
Page 55 and 56: A1113 Purchaser’s Assumption Agre
Page 57 and 58: iii) If the Producer is not a Membe
Page 59 and 60: Dues shall be made payable to the G
Page 61 and 62: change in the story or structure, o
Page 63 and 64: B113 a) Where a Writer originates i
Page 65 and 66: c) Should the Producer wish to cont
Page 67 and 68: v) entitlement to “Created by”
Page 69 and 70: SECTION C - ADDITIONAL CONDITIONS A
Page 71 and 72: C117 Documentary Feature Polish 3,6
Page 73 and 74: ) on delivery of the Treatment 30%
Page 75 and 76: vi) The remaining deferred compensa
Page 77 and 78: ARTICLE C3 - TELEVISION PRODUCTION
Page 79 and 80: ) based on a Story or Screen Story
Page 81 and 82: C404 Story or Screen Story 2012 201
Page 83 and 84: a) based on a Story or Screen Story
Page 85 and 86: C502 Documentary Initial Proposal o
Page 87 and 88: OR iv) on delivery of the Documenta
Page 89 and 90: iv) Optional Rights Renewal. The Pr
Page 91 and 92: C604 Contributing Writers For each
Page 93 and 94:
ARTICLE C7 - TELEVISION MAGAZINE SH
Page 95 and 96:
3 minutes or less Each additional m
Page 97 and 98:
) Script Fees: For each Script on w
Page 99 and 100:
ARTICLE C9 - TELEVISION CONTINUITY
Page 101 and 102:
percent (10%) of the original Scrip
Page 103 and 104:
C1005 Production Fee On the first d
Page 105 and 106:
$10,500,000 ($231,825 plus 2% of $5
Page 107 and 108:
) Distributors’ Gross Revenue sha
Page 109 and 110:
c) evidence, satisfactory to the Gu
Page 111 and 112:
SECTION D - Other Production: spons
Page 113 and 114:
ARTICLE D3 - DISTRIBUTION AND USE R
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World h) All of the Above World 15
Page 117 and 118:
ARTICLE E2 - DEFINITIONS The follow
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E304 E305 E306 E307 E308 Grievance
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E404 E405 E406 E407 Subsequent Writ
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ANIMATION SECTION This section is s
Page 125 and 126:
110 Prior to contracting an Animati
Page 127 and 128:
123 No purely oral agreement shall
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oyalties or levies payable in respe
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There is no differentiation between
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individually negotiated. 307 In ext
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504 Deduction from Animation Writer
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any extensions thereof) to exploit
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administration, interpretation, app
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at the time of the meeting of the J
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920 Arbitration. Within two (2) wee
Page 145 and 146:
Association des Producteurs de Film
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LIMITATION OF NUMBER OF WRITERS 100
Page 149 and 150:
DUTY OF PRODUCER TO NOTIFY 1018 No
Page 151 and 152:
1025 The Guild shall forward notice
Page 153 and 154:
writing to the Guild. The Guild sha
Page 155 and 156:
c) the Producer and the Guild are n
Page 157 and 158:
BLENDED PRODUCTION Blended Producti
Page 159 and 160:
Please check one of the following:
Page 161 and 162:
Animation Section - Schedule 2 (See
Page 163 and 164:
Animation Section - Schedule 3 Term
Page 165 and 166:
SCHEDULE 4 QUEBEC APPENDIX (ANIMATI
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egularly engaged in creative aspect
Page 169 and 170:
f) In the event of a difficulty of
Page 171 and 172:
Guild may choose to refer the matte
Page 173 and 174:
ASSOCIATION DES PRODUCTEURS DE FILM
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Recognition: 2.1 The Association re
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assertion that work performed under
Page 179 and 180:
8.5 Failure to reach a settlement s
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the terms and conditions of the IPA
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For CMPA Members: ____ The Producer
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APPENDIX C (See Article A704) IPA 2
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- 3 - 2. All additional terms must
Page 189 and 190:
- 2 - Tentative Credit: ___________
Page 191 and 192:
APPENDIX E (See Article A707, Anima
Page 193 and 194:
B) Production personnel sharing cre
Page 195 and 196:
APPENDIX G INDEPENDENT PRODUCTION A
Page 197 and 198:
Page 199 and 200:
Page 201 and 202:
in the Production to the Distributo
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are assumed by the Distributor here
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Dated this day of , 20__ . Purchase
Page 207 and 208:
Dated this day of , 20__. Purchaser
Page 209 and 210:
Dated this ________ day of ________
Page 211 and 212:
APPENDIX M (See Section F) IPA 2012
Page 213 and 214:
- 3 - 2. All additional terms must
Page 215 and 216:
We hereby certify that we are/are n
Page 217 and 218:
Name of Production:________________
Page 219 and 220:
APPENDIX O (See Article E102) CORPO
Page 221 and 222:
APPENDIX Q QUEBEC APPENDIX (IPA) As
Page 223 and 224:
A105 Subject to the provisions of A
Page 225 and 226:
A401 During the life of this Agreem
Page 227 and 228:
APPENDIX Q - CONT. REGULAR EMPLOYEE
Page 229 and 230:
APPENDIX R Terms Pertaining to APFT
Page 231 and 232:
APPENDIX S Letter of Understanding
Page 233 and 234:
APPENDIX T Letter of Understanding
Page 235 and 236:
APPENDIX V CORPORATE GUARANTEE MEMO
Page 237 and 238:
to the date of such termination by
Page 239 and 240:
APPENDIX X Letter of Understanding
Page 241 and 242:
1972 Productions Inc. 1972 Producti
Page 243 and 244:
Big Coat Productions for "The Rescu
Page 245 and 246:
Creative Anarchy Creative Atlantic
Page 247 and 248:
FU2 Productions, Ltd. For "FU2" Han
Page 249 and 250:
Jury Duty Productions, Inc for "The
Page 251 and 252:
Mulmur's Still Inc. North of 60 Mov
Page 253 and 254:
R & R Productions (Nicky), Inc. for
Page 255 and 256:
Sibling Search Productions Inc. Sla
Page 257 and 258:
Thunderbird Films, Inc. for "Cather
Page 259 and 260:
Part B - List of Producers Bound by
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Code2 Productions Inc. for "Smilin'
Page 263 and 264:
M&R Story Productions Ltd for "Max
Page 265 and 266:
Portfolio Entertainment, Inc. for "
Page 267 and 268:
WRITERS GUILD OF CANADA 366 Adelaid
Page 269 and 270:
ecognized specialists A106(c) 2 Wri
Page 271 and 272:
interruption of sequence 1016 143 M
Page 273 and 274:
Script Fee definition 215 125 minim
Page 275 and 276:
BIBLE Animation Bible for APFTQ mem
Page 277 and 278:
CONCILIATION Negotiation Protocol A
Page 279 and 280:
definition A210, E206 5, 112 Draft
Page 281 and 282:
Show Writer A904(e) 32 sharing of A
Page 283 and 284:
Feature Films under $1,200,000 C204
Page 285 and 286:
for calculation of Distribution Roy
Page 287 and 288:
INSURANCE, see DEDUCTIONS, RISK INS
Page 289 and 290:
Variety, Panel, Game or Quiz show C
Page 291 and 292:
television production C413 79 telev
Page 293 and 294:
to a third party A1104, 116 45, 120
Page 295 and 296:
definition A242 10 division among c
Page 297 and 298:
Television Magazine Format Programs
Page 299 and 300:
Budget, Script Fees included in A20
Page 301 and 302:
STATUS OF THE ARTIST ACT AFPTQ Appe
Page 303 and 304:
USE FEE ROYALTIES see DISTRIBUTION
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Agreement - Writers Guild of Canada

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