Agreement - Writers Guild of Canada

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minutes or more in broadcast length intended initially for Free or commercial Television, pay television, cable television, or distribution by videocassette, videodisc or any other form of home compact device. A258 Television Production means a Series, Serial, drama, documentary, dramadocumentary, dramatization, adaptation, panel/game/quiz show, variety show, Book Show, or televised stage play intended initially for Free or commercial Television, pay television, cable television, videocassette, videodisc or any other form of home compact device. A259 Television Script (Teleplay) means a fully written work for a Television Production in screen terms, embodying individual scenes, full dialogue and/or monologue, Narration (if required) and any other descriptions or details necessary to facilitate production. A260 Treatment means the scene-by-scene development and structuring in a mutually agreed form of a story in screen terms to provide a synopsis or schematic of the Feature Film Script to be written from it, in 20,000 words or less. The Treatment shall be deemed to include a Story or Screen Story. A261 Variety means a program that consists of songs, music, dances, sketches, vignettes, blackouts, and similar material, ordinarily as a mixture of some or all of such elements. Variety (Type 1) means a program where 85% or more of the program time excluding commercial breaks is composed of variety writing. Variety (Type 2) means a program where from 50% to 84% of the program time excluding commercial breaks is composed of variety writing. Variety (Type 3) means a program where less than 50% of the program time excluding commercial breaks is composed of variety writing. Head Writer (Variety) means a Show Writer who, in addition to supplying variety material, supervises all written material for a program, including rewriting of material as is necessary, and is responsible to the Producer for the finished Script. Show Writer (Variety) means a person who is engaged to work on a specific 13
number of complete programs, either one program or a Series. Contributing Writer (Variety) means a person who is engaged to write specific segments or units for a Variety program such as comedy sketches, production numbers, vignettes, songs, blackouts, and similar material. A262 Writer means a person who writes Script Material. ARTICLE A3 – GENERAL PROVISIONS A301 An accredited representative of the Guild shall be admitted at any reasonable time to the place where the Writer’s Script Material is in production. A302 The Producer agrees to notify a Writer, before the Writer is engaged on any assignment, of the names of all other Writers previously engaged by the Producer who have been assigned to work on the same material. The Producer shall also notify the Writers previously engaged on such material of the name(s) of any additional Writer(s) engaged. A303 a) Shopping – Prior to circulating unlicensed Script Material to persons other than those directly associated with the Producer, the Producer shall obtain the consent of the Writer. b) Disclosure – The Writer will advise the Producer of any persons to whom, to the best of the Writer’s knowledge, the Script Material has been previously submitted. A304 At the completion of the fine cut, the Writer may request a screening, and if so requested, the Producer shall provide the Writer with a screening within twenty-one (21) days of the request. A305 Upon receiving a written request from the Writer(s), the Producer shall provide the Writer(s) with a copy of the completed program when available. The Writer agrees not to copy, duplicate, publicly exhibit or otherwise show or use the program commercially or for profit. The Writer further agrees to use such copy solely for his or her own personal purposes. In no event will such copy be posted on the Internet or transmitted electronically without the Producer’s express written consent. 14
Page 1 and 2: INDEPENDENT PRODUCTION AGREEMENT (
Page 3 and 4: Section D: Other Production p.106 A
Page 5 and 6: Note: Capitalized words in this Agr
Page 7 and 8: Guild that for reasons of conscienc
Page 9 and 10: A113 During the period of renegotia
Page 11 and 12: A211 Daily Dramatic Serial means a
Page 13 and 14: A227 Free Television means the exhi
Page 15 and 16: A239 Pilot means the sample episode
Page 17: asic narrative, idea, or theme and
Page 21 and 22: ARTICLE A4 - NO STRIKE AND UNFAIR D
Page 23 and 24: or fifteen (15) business days prior
Page 25 and 26: submissions. Any time limitations p
Page 27 and 28: A526 Any time limitations prescribe
Page 29 and 30: i) the sample pages will be a maxim
Page 31 and 32: of productions based on Script Mate
Page 33 and 34: such claim shall not relieve the Pr
Page 35 and 36: A803 Story Editors’ or Story Cons
Page 37 and 38: d) Where a Program Writer has writt
Page 39 and 40: POSITION AND SIZE OF CREDITS A916 T
Page 41 and 42: intended credits, described above,
Page 43 and 44: previously been submitted to the Pr
Page 45 and 46: A940 With respect to Article A9, th
Page 47 and 48: including breaches by a third party
Page 49 and 50: members or SARTEC members for a min
Page 51 and 52: ight to terminate. If the Producer
Page 53 and 54: Producer reports to government agen
Page 55 and 56: A1113 Purchaser’s Assumption Agre
Page 57 and 58: iii) If the Producer is not a Membe
Page 59 and 60: Dues shall be made payable to the G
Page 61 and 62: change in the story or structure, o
Page 63 and 64: B113 a) Where a Writer originates i
Page 65 and 66: c) Should the Producer wish to cont
Page 67 and 68: v) entitlement to “Created by”
Page 69 and 70:
SECTION C - ADDITIONAL CONDITIONS A
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C117 Documentary Feature Polish 3,6
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) on delivery of the Treatment 30%
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vi) The remaining deferred compensa
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ARTICLE C3 - TELEVISION PRODUCTION
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) based on a Story or Screen Story
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C404 Story or Screen Story 2012 201
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a) based on a Story or Screen Story
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C502 Documentary Initial Proposal o
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OR iv) on delivery of the Documenta
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iv) Optional Rights Renewal. The Pr
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C604 Contributing Writers For each
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ARTICLE C7 - TELEVISION MAGAZINE SH
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3 minutes or less Each additional m
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) Script Fees: For each Script on w
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ARTICLE C9 - TELEVISION CONTINUITY
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percent (10%) of the original Scrip
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C1005 Production Fee On the first d
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$10,500,000 ($231,825 plus 2% of $5
Page 107 and 108:
) Distributors’ Gross Revenue sha
Page 109 and 110:
c) evidence, satisfactory to the Gu
Page 111 and 112:
SECTION D - Other Production: spons
Page 113 and 114:
ARTICLE D3 - DISTRIBUTION AND USE R
Page 115 and 116:
World h) All of the Above World 15
Page 117 and 118:
ARTICLE E2 - DEFINITIONS The follow
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E304 E305 E306 E307 E308 Grievance
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E404 E405 E406 E407 Subsequent Writ
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ANIMATION SECTION This section is s
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110 Prior to contracting an Animati
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123 No purely oral agreement shall
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oyalties or levies payable in respe
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There is no differentiation between
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individually negotiated. 307 In ext
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504 Deduction from Animation Writer
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any extensions thereof) to exploit
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administration, interpretation, app
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at the time of the meeting of the J
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920 Arbitration. Within two (2) wee
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Association des Producteurs de Film
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LIMITATION OF NUMBER OF WRITERS 100
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DUTY OF PRODUCER TO NOTIFY 1018 No
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1025 The Guild shall forward notice
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writing to the Guild. The Guild sha
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c) the Producer and the Guild are n
Page 157 and 158:
BLENDED PRODUCTION Blended Producti
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Please check one of the following:
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Animation Section - Schedule 2 (See
Page 163 and 164:
Animation Section - Schedule 3 Term
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SCHEDULE 4 QUEBEC APPENDIX (ANIMATI
Page 167 and 168:
egularly engaged in creative aspect
Page 169 and 170:
f) In the event of a difficulty of
Page 171 and 172:
Guild may choose to refer the matte
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ASSOCIATION DES PRODUCTEURS DE FILM
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Recognition: 2.1 The Association re
Page 177 and 178:
assertion that work performed under
Page 179 and 180:
8.5 Failure to reach a settlement s
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the terms and conditions of the IPA
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For CMPA Members: ____ The Producer
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APPENDIX C (See Article A704) IPA 2
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- 3 - 2. All additional terms must
Page 189 and 190:
- 2 - Tentative Credit: ___________
Page 191 and 192:
APPENDIX E (See Article A707, Anima
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B) Production personnel sharing cre
Page 195 and 196:
APPENDIX G INDEPENDENT PRODUCTION A
Page 197 and 198:
Page 199 and 200:
Page 201 and 202:
in the Production to the Distributo
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are assumed by the Distributor here
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Dated this day of , 20__ . Purchase
Page 207 and 208:
Dated this day of , 20__. Purchaser
Page 209 and 210:
Dated this ________ day of ________
Page 211 and 212:
APPENDIX M (See Section F) IPA 2012
Page 213 and 214:
- 3 - 2. All additional terms must
Page 215 and 216:
We hereby certify that we are/are n
Page 217 and 218:
Name of Production:________________
Page 219 and 220:
APPENDIX O (See Article E102) CORPO
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APPENDIX Q QUEBEC APPENDIX (IPA) As
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A105 Subject to the provisions of A
Page 225 and 226:
A401 During the life of this Agreem
Page 227 and 228:
APPENDIX Q - CONT. REGULAR EMPLOYEE
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APPENDIX R Terms Pertaining to APFT
Page 231 and 232:
APPENDIX S Letter of Understanding
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APPENDIX T Letter of Understanding
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APPENDIX V CORPORATE GUARANTEE MEMO
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to the date of such termination by
Page 239 and 240:
APPENDIX X Letter of Understanding
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1972 Productions Inc. 1972 Producti
Page 243 and 244:
Big Coat Productions for "The Rescu
Page 245 and 246:
Creative Anarchy Creative Atlantic
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FU2 Productions, Ltd. For "FU2" Han
Page 249 and 250:
Jury Duty Productions, Inc for "The
Page 251 and 252:
Mulmur's Still Inc. North of 60 Mov
Page 253 and 254:
R & R Productions (Nicky), Inc. for
Page 255 and 256:
Sibling Search Productions Inc. Sla
Page 257 and 258:
Thunderbird Films, Inc. for "Cather
Page 259 and 260:
Part B - List of Producers Bound by
Page 261 and 262:
Code2 Productions Inc. for "Smilin'
Page 263 and 264:
M&R Story Productions Ltd for "Max
Page 265 and 266:
Portfolio Entertainment, Inc. for "
Page 267 and 268:
WRITERS GUILD OF CANADA 366 Adelaid
Page 269 and 270:
ecognized specialists A106(c) 2 Wri
Page 271 and 272:
interruption of sequence 1016 143 M
Page 273 and 274:
Script Fee definition 215 125 minim
Page 275 and 276:
BIBLE Animation Bible for APFTQ mem
Page 277 and 278:
CONCILIATION Negotiation Protocol A
Page 279 and 280:
definition A210, E206 5, 112 Draft
Page 281 and 282:
Show Writer A904(e) 32 sharing of A
Page 283 and 284:
Feature Films under $1,200,000 C204
Page 285 and 286:
for calculation of Distribution Roy
Page 287 and 288:
INSURANCE, see DEDUCTIONS, RISK INS
Page 289 and 290:
Variety, Panel, Game or Quiz show C
Page 291 and 292:
television production C413 79 telev
Page 293 and 294:
to a third party A1104, 116 45, 120
Page 295 and 296:
definition A242 10 division among c
Page 297 and 298:
Television Magazine Format Programs
Page 299 and 300:
Budget, Script Fees included in A20
Page 301 and 302:
STATUS OF THE ARTIST ACT AFPTQ Appe
Page 303 and 304:
USE FEE ROYALTIES see DISTRIBUTION
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Agreement - Writers Guild of Canada

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