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the exhibition Press Release - including artist biogs - Londonewcastle

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<strong>Press</strong> <strong>Release</strong><br />

–<br />

The Future Tense Presents SPECTRA I<br />

A Three-Part Survey Of Dynamic Colour Use In Contemporary Art<br />

London, November 10, 2011 – The Future Tense is pleased to present SPECTRA I, <strong>the</strong> first of a three-part survey of<br />

<strong>artist</strong>s for whom dynamic colour relationships form a central pillar of <strong>the</strong>ir practice.<br />

From mediaeval stained glass to Pop Art via Fauvism, bold use of colour has been explored continuously<br />

throughout art history. Perhaps <strong>the</strong> greatest master of colour <strong>the</strong>ory, Paul Klee wrote on <strong>the</strong> subject extensively and<br />

was quoted as saying, ‘Colour is <strong>the</strong> place where our brain and <strong>the</strong> universe meet.’<br />

In a contemporary art world endlessly fascinated with concepts of minimalism and fragility, SPECTRA I explores <strong>the</strong><br />

<strong>artist</strong>s, mediums and substrates boldly defining <strong>the</strong> current colour zeitgeist.<br />

Hosted at <strong>the</strong> <strong>Londonewcastle</strong> Project Space and curated by The Future Tense, SPECTRA I will be on view from<br />

November 24 through December 18 2011, and will feature a wide range of mediums <strong>including</strong> painting, sculpture,<br />

installation, drawing, animation and digital art from a vital international roster of 7 <strong>artist</strong>s:<br />

Lee Baker’s art practice explores <strong>the</strong> dichotomy between Japan’s fragile, intricate cultural aes<strong>the</strong>tic and <strong>the</strong><br />

relentless forces of urbanisation that increasingly mark its landscape. With influences ranging from <strong>the</strong> futuristic<br />

anime of Makoto Shinkai to <strong>the</strong> modernist cityscapes of Charlie Sheeler, Baker’s meticulous paintings present stark<br />

visions of <strong>the</strong> indomitable meta-city against <strong>the</strong> indiscriminate forces of nature. As well as new paintings, SPECTRA I<br />

will see Baker create a site-specific installation.<br />

Adam Ball appears in SPECTRA I fresh from exhibiting at <strong>the</strong> highly prestigious House of <strong>the</strong> Nobleman. His work<br />

reflects <strong>the</strong> energy and life of an ephemeral world, echoing <strong>the</strong> hidden order of nature. The diverse subject matter of<br />

his paintings and intricate hand-cut paper works – from Tropical rainforests to layered microbiological imagery – are<br />

fur<strong>the</strong>r abstracted through seemingly counter-intuitive use of light and colour, lending an unexpected aura of kitsch,<br />

euphoria and energy.<br />

Chuck Elliott’s practice is concerned with a fluid investigation of colour, movement and light. Entirely computer<br />

generated, <strong>the</strong>se organic, free-form shapes are cropped, recoloured and enhanced as if editing in a camera view.<br />

Hovering between printmaking and photography, Chuck is endeavoring to push back <strong>the</strong> boundaries of traditional<br />

printmaking, with direct digitised drawing and a fluid use of dynamic colour spaces and captured light. Chuck will<br />

debut a series of innovative new laser-cut Diasec works at SPECTRA I.<br />

Katrin Fridriks fuses <strong>the</strong> natural energies of her native Iceland with references to contemporary pop art,<br />

architecture and Japanese calligraphy to create a uniquely expressive visual language. Her vivid abstract landscapes<br />

envelop space, shape and time, emphasized by a tireless exploration of matter and technique. Fridriks will present a<br />

number of new paintings at SPECTRA I, <strong>including</strong> a significant site-specific installation.<br />

Haroshi is a self-taught Japanese <strong>artist</strong>, currently based in Tokyo. He creates full-scale, three-dimensional wooden<br />

sculptures using intricately layered and carved recycled skateboard decks. His approach to sculpture combines <strong>the</strong><br />

influence of <strong>the</strong> time-honoured traditional methods of his homeland with <strong>the</strong> spirit of innovation inherent in its<br />

contemporary culture. SPECTRA I marks <strong>the</strong> UK debut of Haroshi.<br />

James Marshall aka ‘Dalek’ built an international reputation as a street <strong>artist</strong> before graduating from <strong>the</strong> School of<br />

<strong>the</strong> Art Institute of Chicago in 1995. Marshall began exhibiting his work across <strong>the</strong> US before honing his skills as an<br />

assistant to celebrated ‘Superflat’ <strong>artist</strong>, Takashi Murakami. Since dropping <strong>the</strong> Dalek moniker in 2007, his precise<br />

and complex geometric paintings and prints have continuously pushed <strong>the</strong> boundaries of abstraction and colour<br />

combination. The Future Tense will publish a limited edition James Marshall gravure etching to mark <strong>the</strong> launch of<br />

SPECTRA I, printed in collaboration with Thumbprint Editions.<br />

Jen Stark’s practice is based on <strong>the</strong> concepts of replication and infinity, her artwork echoing patterns and intelligent<br />

designs found in nature and <strong>the</strong> <strong>the</strong>ories of colour, math and science. The Miami-based <strong>artist</strong>'s creations incorporate


a variety of materials, which produce optically hypnotic effects not unlike traditional mandalas and sacred objects.<br />

SPECTRA I marks <strong>the</strong> UK debut of Jen Stark, who appears courtesy of Cooper Cole Gallery.<br />

SPECTRA I is supported by <strong>Londonewcastle</strong>, Courvoisier and Peroni Nastro Azzurro.<br />

Details of SPECTRA II will be announced in 2012.<br />

For more information please email info@<strong>the</strong>futuretense.net or visit www.<strong>the</strong>futuretense.net<br />

- Ends -<br />

Notes to Editors<br />

About The Future Tense<br />

The Future Tense seeks to challenge preconceived notions of <strong>the</strong> traditional static gallery space, delivering a<br />

rigorous, inspiring and engaging contemporary art programme to a discerning international audience.<br />

Founded with <strong>the</strong> primary aim of supporting <strong>the</strong> career progression of emerging <strong>artist</strong>s, The Future Tense works<br />

with a focused roster of represented talent as well as a broader cross-section of established <strong>artist</strong>s via its curated<br />

<strong>exhibition</strong>s and events.<br />

Beyond its core arts platform, The Future Tense also develops a range of highly ambitious special projects <strong>including</strong><br />

<strong>the</strong> prestigious annual ‘RE:DEFINE’ benefit art <strong>exhibition</strong> and auction. Debuting in Dallas in November 2011, <strong>the</strong><br />

event was established with <strong>the</strong> MTV Staying Alive Foundation and Goss-Michael Foundation and has raised almost<br />

$800,000 for <strong>the</strong> AIDS charity to date, featuring <strong>artist</strong>s such as Damien Hirst, Tracy Emin, Gavin Turk and Shepard<br />

Fairey.<br />

www.<strong>the</strong>futuretense.net<br />

About <strong>Londonewcastle</strong> Project Space<br />

The <strong>Londonewcastle</strong> Project Space is a gallery and <strong>exhibition</strong> space in Shoreditch created by property brand<br />

<strong>Londonewcastle</strong> as a platform for creatives and <strong>artist</strong>s to display <strong>the</strong>ir work and fur<strong>the</strong>r <strong>the</strong>ir practice. The gallery is<br />

donated to users who might not o<strong>the</strong>rwise have <strong>the</strong> opportunity to show <strong>the</strong>ir work and forms part of <strong>the</strong> ongoing<br />

local cultural discourse.<br />

www.londonewcastle.co.uk<br />

About Peroni Nastro Azzurro<br />

Peroni Nastro Azzurro has been brewed in Italy to an original recipe since its creation in 1963. Peroni Nastro Azzurro<br />

is brewed with <strong>the</strong> same Italian passion that goes into <strong>the</strong> country's iconic exports to create a clear pale lager made<br />

from <strong>the</strong> finest spring-planted barley and Italian maize combined with malts and hops to create <strong>the</strong> highest<br />

standard of premium beer.<br />

Visit www.facebook.com/peroniuk for more information.<br />

About Courvoisier<br />

Courvoisier is <strong>the</strong> most requested Cognac in <strong>the</strong> UK and has enjoyed an international reputation for producing <strong>the</strong><br />

best Cognac for centuries. Courvoisier is aimed at an audience who are motivated by <strong>the</strong> need to succeed,<br />

exclusivity and getting where <strong>the</strong>y are today by doing things differently.<br />

Courvoisier has been producing <strong>the</strong> finest Cognacs for centuries and was appointed ‘supplier to <strong>the</strong> Imperial Courts<br />

of Napolean III’.<br />

Courvoisier is obsessive about <strong>the</strong> craft of Cognac-making and controls <strong>the</strong> entire process, from grape to barrel to<br />

bottle, spending more time at each stage of <strong>the</strong> process to ensure <strong>the</strong> highest quality in all its Cognacs.<br />

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The barrels of Courvoisier’s fine ‘Eaux de Vie’ are aged in are nothing but <strong>the</strong> best, which is why Patrice Pinet, <strong>the</strong><br />

master blender, hand-selects <strong>the</strong> 200-year-old oak trees, from which each one is made.<br />

Visit www.courvoisier.com for more information.<br />

<strong>Press</strong> Contacts<br />

The Future Tense<br />

Ed Bartlett<br />

ed@<strong>the</strong>futuretense.net<br />

+44 (0)7801 657 499<br />

<strong>Londonewcastle</strong><br />

Bianca Perna<br />

Bianca@relativemo.com<br />

+44 (0)7963 063 088<br />

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