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<strong>Practical</strong> <strong>ideas</strong> <strong>for</strong><br />

<strong>teach<strong>in</strong>g</strong> <strong>lexical</strong> <strong>chunks</strong><br />

<strong>in</strong> a communicative lesson


<strong>Practical</strong> <strong>ideas</strong> <strong>for</strong> <strong>teach<strong>in</strong>g</strong> <strong>lexical</strong><br />

<strong>chunks</strong> <strong>in</strong> a communicative lesson<br />

1. What are <strong>lexical</strong> <strong>chunks</strong>?<br />

2. Lexical Approach pr<strong>in</strong>ciples<br />

3. What is a communicative lesson?<br />

4. Lexical Approach X Communicative Approach<br />

5. <strong>Practical</strong> Ideas <strong>for</strong> <strong>teach<strong>in</strong>g</strong> <strong>lexical</strong> <strong>chunks</strong> <strong>in</strong> a communicative lesson<br />

6. Conclusion<br />

7. References


Lexical Chunks<br />

“Language consists not of traditional grammar and vocabulary but often of multiword<br />

prefabricated <strong>chunks</strong>.” (LEWIS, 1997)<br />

Different types of <strong>chunks</strong><br />

(THORNBURY, 2007)<br />

• Collocations (widely travelled, rich and famous, set the table)<br />

• Phrasal verbs (get up, log on, run out of)<br />

• Idioms, catchphrases and say<strong>in</strong>gs (get cold feet, as old as the hills, m<strong>in</strong>d your<br />

own bus<strong>in</strong>ess, takes one to know one)<br />

• Sentence frames (Would you m<strong>in</strong>d if...?, The th<strong>in</strong>g is... )<br />

• Social <strong>for</strong>mulae (see you later, have a nice day, yours s<strong>in</strong>cerely)<br />

• Discourse markers (frankly speak<strong>in</strong>g, on the other hand, I see your po<strong>in</strong>t)


Why are <strong>chunks</strong> so important?<br />

“Fluency is the result of acquisition of a large store of these fixed and semi-fixed<br />

pre-fabricated items which are available as the foundation <strong>for</strong> any l<strong>in</strong>guistic<br />

novelty or creativity.” (LEWIS, 1997)<br />

“A number of researchers have noticed that a lot of early language learn<strong>in</strong>g takes<br />

the <strong>for</strong>m of <strong>chunks</strong> (such as this-is-m<strong>in</strong>e, give-me and leave-me-alone). These are<br />

acquired as s<strong>in</strong>gle unanalysed units. The capacity to use these <strong>chunks</strong> <strong>in</strong><br />

conversational exchanges seems to be an important factor <strong>in</strong> develop<strong>in</strong>g fluency.”<br />

(THORNBURY, 1997)


Lexical Approach<br />

“Lexical approaches <strong>in</strong> language <strong>teach<strong>in</strong>g</strong> seek to develop proposals <strong>for</strong> syllabus<br />

design and language <strong>teach<strong>in</strong>g</strong> founded on a view of language <strong>in</strong> which lexis<br />

plays the central role.” (RICHARDS & RODGERS, 2001)


Lexical Approach Pr<strong>in</strong>ciples<br />

“Language consists of grammaticalized lexis, not <strong>lexical</strong>ized grammar”.<br />

(LEWIS, 1993)<br />

Holistic nature of language: “no step-by-step l<strong>in</strong>ear syllabus can be remotely<br />

adequate”. (LEWIS, 1993)<br />

“Language material should be text and discourse, rather than sentencebased.”<br />

(LEWIS, 1993)<br />

Input: “Listen<strong>in</strong>g, listen<strong>in</strong>g and more listen<strong>in</strong>g.” (LEWIS, 1993)<br />

Do you agree with such pr<strong>in</strong>ciples?<br />

Which one(s) do you prefer?<br />

“Students need to develop awareness of language to which they are<br />

exposed.” (LEWIS, 1993)<br />

“Accurate notic<strong>in</strong>g of <strong>lexical</strong> <strong>chunks</strong>, grammatical or phonological patterns<br />

all help convert <strong>in</strong>put <strong>in</strong>to <strong>in</strong>take.” (LEWIS, 1997)<br />

“It is exposure to enough suitable <strong>in</strong>put, not <strong>for</strong>mal <strong>teach<strong>in</strong>g</strong>, which is the key<br />

to <strong>in</strong>creas<strong>in</strong>g the learner’s lexicon.” (LEWIS, 1997)


What is a communicative lesson?<br />

“(CLT) An approach that aims to (a) make communicative<br />

competence the goal of language <strong>teach<strong>in</strong>g</strong> and (b) develop<br />

procedures of the four language skills that acknowledge the<br />

<strong>in</strong>terdependence of language and communication.” (RICHARDS and<br />

RODGERS, 2001)<br />

“The Communicative Approach <strong>in</strong> language <strong>teach<strong>in</strong>g</strong> starts from a<br />

theory of language as communication. The goal of language<br />

<strong>teach<strong>in</strong>g</strong> is to develop what Hymes (1972) referred to as<br />

‘communicative competence’.” (RICHARDS and RODGERS, 2001)


Grammatical<br />

Competence<br />

Discourse<br />

Competence<br />

Sociol<strong>in</strong>guistic<br />

Competence<br />

Strategic<br />

Competence<br />

Communicative<br />

Competence<br />

(CANALE & SWAIN, 1980)


Lexical Approach X CLT: True or False?<br />

“Phrasebook-type learn<strong>in</strong>g with the aquisition of syntax is ultimately<br />

impoverished: all <strong>chunks</strong> but no p<strong>in</strong>eapple.” (THORNBURY, 1998)<br />

“The Lexical Approach is more concerned than some communicative<br />

methods with output.” (THORNBURY, 1998)<br />

FALSE<br />

FALSE<br />

“There are as yet no sets of procedures to exemplify such an approach (LA) to<br />

language learn<strong>in</strong>g.” (HARMER, 2007)<br />

“The LA is not an approach, not <strong>in</strong> the strict sense, s<strong>in</strong>ce it lacks a coherent<br />

theory of learn<strong>in</strong>g and its theory of language is not fully enough elaborated to<br />

allow <strong>for</strong> ready implementation <strong>in</strong> terms of syllabus specification.”<br />

(THORNBURY, 1998)<br />

“Activities <strong>in</strong> CLT typically <strong>in</strong>volves students <strong>in</strong> a real or realistic<br />

communication, where the successful achievement of the communicative<br />

task they are per<strong>for</strong>m<strong>in</strong>g is not as important as the accuracy of their language<br />

use.” (HARMER, 2007)<br />

TRUE<br />

TRUE<br />

FALSE


“A focus on particles aims to sensitise learners to share mean<strong>in</strong>gs of a<br />

group such as carry on, drive on, hang on, go on and come on.”<br />

(THORNBURY, 2007)<br />

<strong>Practical</strong> Ideas<br />

(Grammatical Competence)<br />

•Teach<strong>in</strong>g phrasal verbs: Focus on particles


I gotta a feel<strong>in</strong>'<br />

That tonight's gonna be a<br />

Good night<br />

Tonight's the night<br />

Let's live it up<br />

I got my money<br />

Let's spend it up<br />

Go out and smash it<br />

Like Oh My God<br />

Jump off that sofa<br />

Let's get get off<br />

I know that we'll have a ball<br />

If we get down and go out<br />

And just loose it all<br />

I feel stressed out<br />

I wanna let it go<br />

Let's go way out spaced out<br />

And loos<strong>in</strong>g all control<br />

Fill up my cup<br />

Mazal tov<br />

Look at her danc<strong>in</strong>g<br />

Just take it off<br />

Let's pa<strong>in</strong>t the town<br />

We'll shut it down<br />

Let's burn the roof<br />

And then we'll do it aga<strong>in</strong><br />

Let's do it, And do it<br />

Let's live it up, And do it<br />

Let's do it 'cuz<br />

I gotta a feel<strong>in</strong>'<br />

That tonight's gonna be a<br />

good night<br />

Tonight's the night<br />

Let's live it up<br />

I got my money<br />

Let's spend it up<br />

Go out and smash it<br />

Like Oh My God<br />

Jump off that sofa<br />

Let's get get off<br />

Fill up my cup (Dr<strong>in</strong>k)<br />

Mazal tov (Le chaim)<br />

Look at her danc<strong>in</strong>g (Move it)<br />

Just take it off<br />

Let's pa<strong>in</strong>t the town<br />

We'll shut it down<br />

Let's burn the roof<br />

And then we'll do it aga<strong>in</strong><br />

I gotta a feel<strong>in</strong>g (Black eyed peas)<br />

Let's do it, And do it<br />

Let's live it up, And do it<br />

Here we come, Here we go<br />

We gotta rock<br />

Easy come, Easy go<br />

Now we on top<br />

Feel the shot<br />

Body rock<br />

Rock it don't stop<br />

Round and round<br />

Up and down<br />

Around the clock<br />

Monday, Tuesday<br />

Wednesday and Thursday<br />

Friday, Saturday<br />

Saturday and Sunday<br />

Get with us<br />

You know what we say<br />

Party every day<br />

What’s the mean<strong>in</strong>g of<br />

the particles <strong>in</strong> bold?


Live it up<br />

Spend it up<br />

Fill up my cup<br />

Go out<br />

Way out<br />

Spaced out<br />

Stressed out<br />

Jump off<br />

Get off<br />

Take it off<br />

Can you th<strong>in</strong>k of other<br />

examples?<br />

To exhaustion or depletion<br />

Completely/ entirely; Used as an<br />

<strong>in</strong>tensifier of the action of a verb<br />

No longer on, attached, or<br />

connected<br />

“Away”<br />

I drank it up <strong>in</strong> a gulp.<br />

My secretary will see you out.<br />

The supplies have run out.<br />

I'm off now, see you tomorrow.


•Teach<strong>in</strong>g Collocations<br />

puzzlemaker.com<br />

Across<br />

5. Let's go way out spaced out and los<strong>in</strong>g all ________<br />

6. If we get ________ and go out<br />

Down<br />

1. I feel ________ out<br />

2. Rock it, don't stop, round and round, up and down ________ the clock<br />

3. I wanna ________ it go<br />

4. I know that we'll have a ________


HAVE GET LOSE<br />

√ a nap<br />

√ a shot<br />

√ a clue<br />

√ a word<br />

√ alone<br />

√ sth be<br />

√ live<br />

√ down<br />

√ rid<br />

√ lost<br />

√ away<br />

√ over<br />

√ guilty<br />

√ like<br />

√ cold<br />

√ great<br />

√ faith<br />

√ one’s<br />

around lose get feel have let<br />

patience<br />

√ <strong>in</strong>terest<br />

√ one’s job<br />

LET FEEL AROUND<br />

√ one’s neck<br />

√ the world<br />

√ the table<br />

√ the corner


• Teach<strong>in</strong>g Collocations<br />

<strong>Practical</strong> Ideas<br />

(Grammatical Competence)<br />

Follow-up Activity<br />

1. When was the last time you had a ball?<br />

2. How often do you get down and ‘lose control’?<br />

3. Is it easy <strong>for</strong> you to let th<strong>in</strong>gs go?<br />

4. In which situations do you feel stressed out?<br />

5. How often do you work/ study around the clock?


<strong>Practical</strong> Ideas<br />

(Grammatical Competence)<br />

•Practice of grammar structures<br />

When <strong>teach<strong>in</strong>g</strong> tenses such as “Will” (or “Present Cont<strong>in</strong>uous”) <strong>for</strong> the future,<br />

focus on their use <strong>in</strong> a series of ‘archetypical utterances’, such as (HARMER,<br />

2007):<br />

I’ll give you a r<strong>in</strong>g, I’ll be <strong>in</strong> touch, I’ll see what I can do, I’ll be back <strong>in</strong> a<br />

m<strong>in</strong>ute.<br />

I’m see<strong>in</strong>g the doctor tomorrow morn<strong>in</strong>g, I’m meet<strong>in</strong>g my friends on Saturday<br />

night, I’m fly<strong>in</strong>g to London next week, I’m stay<strong>in</strong>g <strong>in</strong> a five-star hotel.


•Practice of grammar structures<br />

“We need the report <strong>for</strong> next Monday, tops.”<br />

I’ll see what I can do.<br />

“Don’t <strong>for</strong>get to tell me whether you’re com<strong>in</strong>g or not.”<br />

I’ll give you a r<strong>in</strong>g.<br />

“Hold on a second, ...”<br />

I’ll be back <strong>in</strong> a m<strong>in</strong>ute.<br />

“We’ll miss you.”<br />

I’ll be <strong>in</strong> touch.<br />

<strong>Practical</strong> Ideas<br />

(Grammatical Competence)<br />

I’ll give you a r<strong>in</strong>g I’ll be <strong>in</strong> touch<br />

I’ll see what I can do I’ll be back <strong>in</strong> a m<strong>in</strong>ute.


•Practice of grammar structures<br />

F<strong>in</strong>d someone who...<br />

1. Is see<strong>in</strong>g the doctor <strong>in</strong> the next two weeks.<br />

2. Is meet<strong>in</strong>g their friends on Saturday night.<br />

3. Is travel<strong>in</strong>g this month.<br />

4. Is hav<strong>in</strong>g people round <strong>for</strong> d<strong>in</strong>ner this week.<br />

5. Is work<strong>in</strong>g late tomorrow.<br />

Ask follow-up questions...<br />

<strong>Practical</strong> Ideas<br />

(Grammatical Competence)<br />

(“when are you go<strong>in</strong>g?”, “where are you stay<strong>in</strong>g?”, “why?”, “are you fly<strong>in</strong>g?”, etc)


I was wonder<strong>in</strong>g if I could see you <strong>for</strong> a moment.<br />

Can I have a word?<br />

I’m afraid I’m a bit tied up just now.<br />

<strong>Practical</strong> Ideas<br />

(Grammatical Competence)<br />

•Pronunciation – l<strong>in</strong>k<strong>in</strong>g sounds/ <strong>in</strong>tonation<br />

Polite Interruptions<br />

Backcha<strong>in</strong><strong>in</strong>g


•Dictogloss<br />

<strong>Practical</strong> Ideas<br />

(Discourse Competence)<br />

Dictogloss is a dictation activity where learners are required to reconstruct a short<br />

text by listen<strong>in</strong>g and not<strong>in</strong>g down key words, which are then used as a base <strong>for</strong><br />

reconstruction.


Reconstruct the text!<br />

<strong>Practical</strong> Ideas<br />

(Discourse Competence)<br />

A dictogloss is similar to a dictation, but <strong>in</strong>stead of _____ _____ what<br />

they hear _____ _____ _____, students listen to the whole passage, then<br />

work <strong>in</strong> groups or pairs to reconstruct the text. Students then compare<br />

their reconstruction to the orig<strong>in</strong>al text and discuss differences. A<br />

dictogloss _____ _____ ____ teens and adults and is useful <strong>for</strong> notic<strong>in</strong>g<br />

lexis <strong>in</strong> general. It allows <strong>for</strong> _____ students’ _____ of language patterns,<br />

_____ _____ mean<strong>in</strong>g and <strong>for</strong>m and fosters autonomy and listen<strong>in</strong>g skills.


<strong>Practical</strong> Ideas<br />

(Discourse Competence)<br />

As a follow-up, you can ask students to discuss some reflective questions, such as:<br />

1. Were you able to remember only the message or the whole expressions?<br />

2. Which strategies did you use to do the activity?<br />

3. Are you able to recall some of the expressions?<br />

4. Do you th<strong>in</strong>k you can use them <strong>in</strong> different contexts?<br />

“By encourag<strong>in</strong>g learners to observe and analyse language <strong>for</strong> themselves we are<br />

re<strong>in</strong><strong>for</strong>c<strong>in</strong>g their natural tendency and ability to make sense of language and to<br />

systematize it. We are encourag<strong>in</strong>g learners to learn <strong>for</strong> themselves.”<br />

(WILLIS & WILLIS, 1998)


<strong>Practical</strong> Ideas<br />

(Strategic Competence)<br />

• Mean<strong>in</strong>gful and personalized drill<strong>in</strong>g<br />

Discussion Language > Giv<strong>in</strong>g op<strong>in</strong>ions<br />

TEACH CHUNKS<br />

“One argument <strong>in</strong> favor of <strong>teach<strong>in</strong>g</strong> <strong>chunks</strong> is that ...”<br />

(it helps students become more fluent).”<br />

NOTICE LANGUAGE PATTERNS<br />

“One argument <strong>in</strong> favor of __________ is that ...”<br />

EXPOSE STUDENTS TO AUTHENTIC MATERIAL<br />

“One argument <strong>in</strong> favor of __________ is that ...”


ALL I’M SAYING IS THAT ...<br />

<strong>Practical</strong> Ideas<br />

(Strategic Competence)<br />

•Mean<strong>in</strong>gful and personalized drill<strong>in</strong>g<br />

“Language consists of grammaticalized lexis, not <strong>lexical</strong>ized grammar”.<br />

FAIR ENOUGH, BUT I STILL THINK THAT ...<br />

“So you th<strong>in</strong>k there shouldn’t be a l<strong>in</strong>ear syllabus.”


<strong>Practical</strong> Ideas<br />

(Strategic Competence)<br />

•Mean<strong>in</strong>gful and personalized drill<strong>in</strong>g<br />

“The LA is not an approach, not <strong>in</strong> the strict sense, s<strong>in</strong>ce it lacks a coherent<br />

theory of learn<strong>in</strong>g and its theory of language is not fully enough elaborated<br />

to allow <strong>for</strong> ready implementation <strong>in</strong> terms of syllabus specification.”<br />

THAT’S AN INTERESTING POINT<br />

I’VE NEVER REALLY THOUGHT ABOUT THAT<br />

IT’S HARD TO SAY


<strong>Practical</strong> Ideas<br />

(Strategic Competence)<br />

Agree<strong>in</strong>g Disagree<strong>in</strong>g<br />

I see what you mean. Oh, I wouldn’t say that.<br />

I suppose that’s true. I don’t know about that.<br />

That’s a good po<strong>in</strong>t. Well, I’m still not conv<strong>in</strong>ced.


• Register<br />

<strong>Practical</strong> Ideas<br />

(Sociol<strong>in</strong>guistic Competence)<br />

Which of the follow<strong>in</strong>g letters is<br />

<strong>for</strong>mal/ <strong>in</strong><strong>for</strong>mal? Why?


•Register > Dictation<br />

FORMAL<br />

Dear Laura<br />

Best regards<br />

Yours s<strong>in</strong>cerely<br />

<strong>Practical</strong> Ideas<br />

(Sociol<strong>in</strong>guistic Competence)<br />

INFORMAL QUITE INFOMAL<br />

See you<br />

Hello Laura<br />

Love<br />

Hi Laura<br />

Take care<br />

Bye <strong>for</strong> now<br />

Yours<br />

Best wishes<br />

Dear Laura


<strong>Practical</strong> Ideas<br />

(Sociol<strong>in</strong>guistic Competence)<br />

•Register > Mak<strong>in</strong>g <strong>in</strong>vitations and arrangements<br />

Mark these expressions <strong>for</strong>mal (F) or <strong>in</strong><strong>for</strong>mal (I):<br />

1. I’m writ<strong>in</strong>g you to <strong>in</strong>vite you to go to the c<strong>in</strong>ema.<br />

2. Would you like to go to the c<strong>in</strong>ema with me?<br />

3. I’m afraid I’m busy tomorrow.<br />

4. Un<strong>for</strong>tunately, I am busy tomorrow.<br />

5. Would it be convenient to meet on Friday even<strong>in</strong>g?<br />

6. What about meet<strong>in</strong>g outside Pizza World?<br />

7. I’d love to see the film.<br />

8. I would very much like to see the film.<br />

9. That would be wonderful.<br />

10. That sounds great.<br />

11. I look <strong>for</strong>ward to see<strong>in</strong>g you on Friday.<br />

12. See you on Friday.


Students write an <strong>in</strong>vitation us<strong>in</strong>g the <strong>chunks</strong> just seen. Then, they swap their<br />

<strong>in</strong>vites and write a reply to each other.<br />

<strong>Practical</strong> Ideas<br />

(Sociol<strong>in</strong>guistic Competence)<br />

•Register > Mak<strong>in</strong>g <strong>in</strong>vitations and arrangements > Follow-up activity<br />

If time allows, give students the opportunity to do some peer correction and<br />

even rewrite their texts.<br />

“The quantity of encounters with the items is a critical factor. (...) learners<br />

need exposure, and plenty of it, rather than rules.” (THORNBURY, 2007)<br />

“The more decisions the learner makes about a word, the greater the<br />

depth of process<strong>in</strong>g.” (THORNBURY, 2007)


•Register<br />

<strong>Practical</strong> Ideas<br />

(Sociol<strong>in</strong>guistic Competence)<br />

Watch a snippet from “The Big Bang Theory” with no sound.<br />

What happens <strong>in</strong> the scene? Is it a <strong>for</strong>mal or <strong>in</strong><strong>for</strong>mal situation?<br />

Watch the video aga<strong>in</strong>, with sound. Answer the follow<strong>in</strong>g questions:<br />

1. Why is Howard late?<br />

Because he’s work<strong>in</strong>g on a project.<br />

2. How do Sheldon and Missy know each other?<br />

They are tw<strong>in</strong> sibl<strong>in</strong>gs.<br />

3. Accod<strong>in</strong>g to Missy, why does Sheldon th<strong>in</strong>k she is isn’t funny?<br />

Because he th<strong>in</strong>ks she has no sense of humour.<br />

4. Why doesn’t Rajesh say his name?<br />

Because he’s shy.


The Big Bang Theory<br />

Season 1, episode 15<br />

S: Hello.<br />

L: Oh, hey buddy!<br />

S: Buddyyyyyyy...<br />

H: Sorry I’m late, I’m work<strong>in</strong>g on a project that may take me up on the next space<br />

shuttle...<br />

S: How can you be late, I wasn’t expect<strong>in</strong>g you at all.<br />

H: Nobody ever expects me, sometimes you just look and BAM! – Howard Wollowitz.<br />

M: Hey.<br />

L: Sheldon, are you gonna <strong>in</strong>troduce us... ?<br />

S: Oh, alright...this is Missy. Missy this is Leonard and Rajesh and you’ve already met Howard.<br />

M: It’s nice to meet you.<br />

L: Me too. You smell awesome.<br />

H: Yep.<br />

L: So, how do you two...know each other?<br />

M: Oh, he once spent 9 months with my legs wrapped around his head...<br />

L: Ahn, excuse me... ?<br />

S: She’s my tw<strong>in</strong> sister, she th<strong>in</strong>ks she’s funny, but frankly I’ve never been able to see it.<br />

M: It’s because you have no measurable sense of humor, Shelly.<br />

S: How exactly would one measure a sense of humour? A humourmometer?<br />

H: Well, I th<strong>in</strong>k you’re delightfully droll. Or as the French say, Très Drôle.<br />

M: Okay, so let me see if I got this. Leonard, Howard and… I’m sorry what was your name aga<strong>in</strong>?<br />

S: Rajesh.


The Big Bang Theory<br />

Season 1, episode 15<br />

S: Hello.<br />

L: Oh, hey buddy!<br />

S: Buddyyyyyyy...<br />

H: Sorry I’m late, I’m work<strong>in</strong>g on a project that may take me up on the next space<br />

shuttle...<br />

S: How can you be late, I wasn’t expect<strong>in</strong>g you at all.<br />

H: Nobody ever expects me, sometimes you just look and BAM! – Howard Wollowitz.<br />

M: Hey.<br />

L: Sheldon, are you gonna <strong>in</strong>troduce us... ?<br />

S: Oh, alright...this is Missy. Missy this is Leonard and Rajesh and you’ve already met Howard.<br />

M: It’s nice to meet you.<br />

L: Me too. You smell awesome.<br />

H: Yep.<br />

L: So, how do you two...know each other?<br />

M: Oh, he once spent 9 months with my legs wrapped around his head...<br />

L: Ahn, excuse me... ?<br />

S: She’s my tw<strong>in</strong> sister, she th<strong>in</strong>ks she’s funny, but frankly I’ve never been able to see it.<br />

M: It’s because you have no measurable sense of humor, Shelly.<br />

S: How exactly would one measure a sense of humour? A humourmometer?<br />

H: Well, I th<strong>in</strong>k you’re delightfully droll. Or as the French say, Très Drôle.<br />

M: Okay, so let me see if I got this. Leonard, Howard and… I’m sorry what was your name aga<strong>in</strong>?<br />

S: Rajesh.


• Role-play<br />

In groups of four, role-play the situation, us<strong>in</strong>g the clues below as a guide:<br />

Hey buddy<br />

I’m sorry, I’m late<br />

This is...<br />

It’s nice to meet you<br />

How do you two know each other?<br />

You have no sense of humor<br />

Let me see if I got this<br />

I’m sorry, what was your name aga<strong>in</strong>?<br />

<strong>Practical</strong> Ideas<br />

(Discourse Competence)


‘Holistic nature of language’<br />

(LEWIS, 1993)<br />

Integration and Interaction<br />

Sociol<strong>in</strong>guistic competence (greet<strong>in</strong>g <strong>in</strong> <strong>in</strong><strong>for</strong>mal situations)<br />

Grammatical competence (<strong>lexical</strong> items, pronunciation, <strong>in</strong>tonation)<br />

Strategic competence (how to check <strong>in</strong><strong>for</strong>mation)<br />

Discourse competence (re<strong>for</strong>mulation of a dialogue)


Last, but not least...<br />

• When correct<strong>in</strong>g students’ oral or written production, remember to<br />

re<strong>for</strong>mulate some utterances, <strong>in</strong> order to help them sound more natural.<br />

F<strong>in</strong>ish End up<br />

Arrive Show up<br />

Whatever Never m<strong>in</strong>d<br />

Wait Hold on<br />

Discover F<strong>in</strong>d out


Last, but not least...<br />

• Ask students to keep a ‘<strong>lexical</strong> book’, where they are go<strong>in</strong>g<br />

to record the new <strong>chunks</strong>.<br />

• The <strong>chunks</strong> should be organized around themes;<br />

• and contextualized <strong>in</strong> sentences/ examples.


• Fluency<br />

• Accuracy<br />

Conclusion<br />

• Autonomy (consciousness rais<strong>in</strong>g)<br />

• Improved language skills, specially listen<strong>in</strong>g<br />

• Integration


Rem<strong>in</strong>ders<br />

• Become more aware of phrase and collocations yourself<br />

• Make your students aware of phrases and collocations<br />

• Keep an eye on usefulness and be aware of overload<strong>in</strong>g students<br />

• Feed <strong>in</strong> phrases on a ‘little but often’ basis.<br />

• Introduce phrases <strong>in</strong> context, but drill them as short <strong>chunks</strong><br />

• Po<strong>in</strong>t out patterns <strong>in</strong> phrases<br />

• Ask students to keep written records of phrases/ <strong>chunks</strong><br />

• Re<strong>in</strong><strong>for</strong>ce, recycle and use the phrases<br />

• Expose students’ to authentic material


In trios, list 3 th<strong>in</strong>gs that you<br />

either learned or would like to<br />

highlight from this session.


References<br />

HARMER, Jeremy. 2007. The practice of English language <strong>teach<strong>in</strong>g</strong>. Pearson Longman.<br />

LEWIS, Michael. 1993. The Lexical Approach. Language Teach<strong>in</strong>g Publications.<br />

LEWIS, Michael. 1997. Implement<strong>in</strong>g the Lexical Approach. Language Teach<strong>in</strong>g Publications.<br />

RICHARDS; RODGERS. 2001. Approaches and methods <strong>in</strong> language <strong>teach<strong>in</strong>g</strong>. CUP.<br />

THORNBURY, Scott. 2008. How to teach speak<strong>in</strong>g. Pearson Longman.<br />

THORNBURY, Scott. 1998. The Lexical Approach: a journey without maps? In: MET, vol 7, no 4.<br />

THORNBURY, Scott. 2007. How to teach vocabulary. Pearson Longman.<br />

WILLIS & WILLIS. 1998. Challenge and change <strong>in</strong> language <strong>teach<strong>in</strong>g</strong>. Macmillan He<strong>in</strong>emann.


Thank you!<br />

Vania Ricarte Lucas<br />

vanricarte@hotmail.com

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