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MEGA TOPICS<br />

Issue no: 03<br />

1. Agents.<br />

Agents act on behalf of artist. They handle<br />

the business side of an artist's life. These<br />

are the people responsible for bookings<br />

and marketing. Investing in one is very<br />

important because in most cases these<br />

people are trained and knowledgeable<br />

about the art and entertainment industry.<br />

Always bear in mind too that they come<br />

with a price attached.<br />

2. Direct approach.<br />

What better way to market your craft than<br />

through pulling the bull by its horn?<br />

Approaching businesses about what you<br />

have to offer shows how a person is<br />

adamant and determined to deliver to the<br />

audience. One cannot always wait for<br />

businesses to approach them, because<br />

sometimes with lack of marketing some<br />

businesses don't even know one has<br />

something to offer.<br />

3. Press releases.<br />

We all got to hear and read about Ntsiki<br />

Mazwai's open letter to Mr Mbalula on the<br />

media. So why not market your craft<br />

through it? Most artists take advantage of<br />

the social media, and it would be<br />

comparative that any emerging artists<br />

should also adopt this platform and get<br />

themselves and their work out there. Letting<br />

people know who you are, what you have to<br />

offer, where and when they can see your<br />

work can reach the masses through just a<br />

tweet or status update, coming from that<br />

smart phone of yours.<br />

4. Networking<br />

Go out there. Be seen. Exchange numbers.<br />

Enlist your name for the open mic session if<br />

you're into poetry. Attend events that are<br />

related to what you do, and see what other<br />

people are doing. It will benefit you. Sitting at<br />

home and hoping to wake up with an<br />

invitation to an event that could benefit your<br />

career is just useless.<br />

5. Brand packaging.<br />

As a brand, one should also consider how<br />

they present themselves to potential fans,<br />

what they say in public that could damage<br />

their reputation and work as artists, what<br />

worthy causes they associate themselves<br />

with and how they behave in public places.<br />

Brand packaging means being true to<br />

yourself, that is, not stealing and copying<br />

other peoples work, because diversity is a<br />

great thing and bad publicity isn't always<br />

good publicity.<br />

6. Consistency<br />

In order for one to excel in anything, a rule of<br />

consistency should be applied. An artist<br />

doesn't sit and fold their hands after having<br />

one project that doesn't sell or attract more<br />

customers than he had hoped it would. One<br />

is bound to be forgotten if their work is<br />

released five years apart, learning from<br />

Beyoncé is actually beneficial. Her<br />

consistency commands you not to even<br />

dare forget her because even if you wanted<br />

to, you wouldn't.<br />

The above mentioned marketing tools are<br />

but some of the tools that one can use to<br />

nurture their career as an artist. Put them to<br />

test. One can argue that by having a great<br />

marketing plan, open letters that suggest<br />

ministers overlook local artists and in Miss<br />

Mazwai's words, “…put Americans before<br />

their own” will not plague our social media<br />

and ignite twars, in the long run. The<br />

minister might even consider his obsession<br />

with Beyoncé and obsess on a local artist.<br />

Marketing will always be, after an artist's<br />

actual craft, an artist's sharpest weapon in<br />

the war that is the art and entertainment<br />

industry.<br />

Tshegofatso Rasekgothoma is a<br />

seasonal Poet, Writer, Educator, MBA<br />

student at University of Limpopo<br />

www.megaartists.co.za FEB - MAR 2015<br />

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