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PERCY OANFORTH<br />
ART ELLEFSON AND<br />
THE HURON BROTHERS<br />
This upbeat jazz trio is a welcome<br />
addition to the <strong>Festival</strong> lineup. Born in<br />
Saskatchewan and now laving in<br />
Gravenhurst, Art Ellefson is a "post-<br />
Percv Danforth has done for the<br />
spare-rib what Segovia did for the<br />
ouitar. A master player of the bones<br />
Fercv<br />
bop" tenor sax player who has<br />
performed and recorded with Johnny<br />
Dankworth, Maynard Ferguson, Phil<br />
Nimmons and the Beatles! He's also<br />
worked as a member of the BBC<br />
Radio Orchestra and numerous<br />
symphonies. His style and tone invite<br />
comparisons with Stan Getz and Zoot<br />
Sims. Art is accompanied by the<br />
Huron brothers: Peter on bass and<br />
Joe on guatar.<br />
THE FIDDLE PUPPETS<br />
with STEVE HICKMAN<br />
What has eight legs and clogs? The<br />
bug we found in the drain at the<br />
<strong>Mariposa</strong> olfice, yes, but it also<br />
descrabes the phenomenal Fiddle<br />
Puppets. Not only are they fast and<br />
furious southern cloggers, but they<br />
teach and call dances Jrom a wtde<br />
range of traditaons, from waltz to Jive.<br />
Eileen and Eddy Carson, Amy Sarlie,<br />
and Rodney Sutton hail from<br />
Maryland and win flat-footing<br />
converts wherever they go. They will<br />
be accompanied at l\4ariposa by Steve<br />
Hickman. a remarkable fiddler who<br />
will be playing for performances,<br />
dances and teaching sessions. Steve<br />
is a mainstav of the dance scene in the<br />
northeastein U.S., and plays for<br />
Cathy Fink is a champaon banJo GOAT'S HEAD MORRIS<br />
player and concert performer ol Iolk<br />
songs, counlry songs, swing tunes,<br />
Appalachian mountatn songs, oldtime<br />
fiddle tunes and yodelling songs<br />
(these make for great sing-alongsl).<br />
Frcm 1974 to 1979 Cathy Performed<br />
with the late Duck Donald, sPecializing<br />
in old-time duet singing, and In<br />
1980 became the tirst woman to wan<br />
the prestigious West Virginia State<br />
banjo contest. Not bad for someone<br />
who never even knew bluegrass<br />
existed until she was 201 Cathy lives<br />
near Washington, D.C., where she is<br />
actively in.olved in art education<br />
programs al the Smithsonian Instatution,<br />
performing in concert and<br />
demonstrating the museum s collection<br />
of folk and popular instruments.<br />
FRIENDS OF FIDOLERS<br />
GREEN<br />
lf you hear the jingling of bells<br />
wafting toward you at the festival,<br />
chances are it signals the approach of<br />
the Goat's Head Morris Dancers. This<br />
London, Ontario group pertorms the<br />
traditional dances of the Cotswold<br />
and Northwest regions of England. In<br />
addition to Morris dancing they<br />
perform other traditional styles<br />
including garland dances and clog<br />
steps. They will be dancing around<br />
The Friends ol Fiddlers Green are the site over the weekend, and will be<br />
the resident singers of Toronlo's teaching their steps to young and<br />
Fiddlers Green <strong>Folk</strong> Club. Jorning us adult festival-goers in the Dance and<br />
for lvlariposa will be Doug Creighton, <strong>Folk</strong> Play areas.<br />
Tam Kearney, Grit Laskin, David<br />
Parrv. Lawrence Stevenson and Jim THE GREENWOOD STEPPERS<br />
Striakland. The Friends play an<br />
amazing array of instruments,<br />
including fiddle, guitar, mandolin,<br />
banjo, concertina, melodeon, Northumbrian<br />
smallpipes, drums,<br />
whistles, jew's-harp, harmonica and<br />
kazoo. Their repertoire ranges from<br />
songs old and new and recitations<br />
from the British lsles to mummers'<br />
plays, interspersed with a seemangly<br />
endless series of bad jokes. Everything<br />
they do is alive with joie-de-vivre<br />
and a wonderful (slightly twisted)<br />
sense of humour. Come and see for<br />
you rselfl<br />
GEORGIA SEA ISLAND<br />
SINGERS<br />
From the waltz clog to the French<br />
reel, the Greenwood Steppers (Julie,<br />
20; Paul, 18; and Jody, 14) have been<br />
stepdancing almost since they could<br />
walk. In 1983 they won the Canadian<br />
open group stepdancing championship<br />
in Dundalk, and appeared at<br />
<strong>Mariposa</strong> for the first time last year.<br />
The Greenwoods will be teaching as<br />
well as performing, so here's your<br />
chance to learn a few steps.<br />
hoofers of manv dif{erent traditions<br />
and styles. Look fo the Fiddle Puppets<br />
in our dance area, at workshops, and<br />
even at the gospel sing.<br />
MARIE-LYNN HAMMOND<br />
- who turned 85 this Year -<br />
learned to play as a Youngster in<br />
Washinqton, where his black netghbours<br />
used to sand-dance (softshoe)<br />
on the sidewalk under the gas<br />
street lamps to the Iascinating<br />
rhvthms of the bones. Now, after more<br />
than 70 years and careers as an<br />
architect, industrialist and educator,<br />
Percv can still "do the bones" like<br />
nobddy else, and he's eager to teach<br />
anvone who wanls to learn how to<br />
pla'y. Look lor him in the <strong>Folk</strong> PlaY<br />
atea.<br />
BLIND JOHN DAVIS<br />
<strong>Mariposa</strong> welcomes a living blues<br />
legend! Blues singer and pianist John<br />
Davis grew up in the 1920s in Chicago,<br />
where his lather owned a club. The<br />
young John, blinded as a child, was<br />
thus able to hear all the leading blues<br />
pianists of the day and to learn the<br />
characteristics of each ol their styles.<br />
John's own recording career began in<br />
1938, and over lhe next 15 years he<br />
worked with just about eve/y<br />
signif icant blues artist in Chicago. He<br />
plays a broad range of styles with<br />
great verve and conviction, and<br />
there's no one to match him lor a<br />
deep, rolling piano blues.<br />
CURTIS DRIEDGER<br />
AND THE CEE DEES<br />
What's a Queen Street dance band<br />
doing at a folk festival? To call the Cee<br />
Dees a rock band is to miss the fact<br />
that their roots lie hidden under all<br />
kinds of musical terrain, including<br />
many past [/ariposa <strong>Festival</strong>s. Since it<br />
was formed in 1979 the group has<br />
become a thrivrng part of Toronto's<br />
street/art culture 26 musicians can<br />
lay claim to having been in the Cee<br />
Dees at one time or another, but right<br />
now the Cee Dees are Curtis Driedger<br />
(founder, writer, singer, guitarist),<br />
Merrie-Ellen Wilcox (bass guitar) and<br />
Nick Kent (drums). Their original<br />
music features incasive, olten<br />
humorous lyrics set to a stimulating<br />
beat, drawing on everything from<br />
reggae to rock-a-billy, hick to heavy<br />
metal.<br />
t4<br />
CATHY FINK<br />
ff<br />
Frankie Sullivan Quimby and her<br />
husband Doug offer a unique glimpse<br />
into the rich Afro-American heritage<br />
of the Georgia Sea lslands, a group ol<br />
island communities olf the east coast<br />
of the United States. The songs,<br />
games, dances, gospel music and<br />
stories they perform with such<br />
warmth and joy date back to the days<br />
of black slavery before the American<br />
Civil War, and have been handed<br />
down through the generations for<br />
over two centuries. Audience<br />
participation is the keystone of a Sea<br />
lslanders performance: each song has One of Canada's most talented<br />
a chorus or clapping response, and singer-songwriters, co-f ounder and<br />
often audience members are invited lead vocalist of Stringband, Marieup<br />
on stage to learn a traditional Lvnn Hammond also Performs (in<br />
dance or game. When the Sea Eirglish and French) on her own and<br />
lslanders are around, everyone gets has two solo albums to her credit. She<br />
involved !<br />
is also a writer: her f irst play, De beaux