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Untitled - Mariposa Folk Festival

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PERCY OANFORTH<br />

ART ELLEFSON AND<br />

THE HURON BROTHERS<br />

This upbeat jazz trio is a welcome<br />

addition to the <strong>Festival</strong> lineup. Born in<br />

Saskatchewan and now laving in<br />

Gravenhurst, Art Ellefson is a "post-<br />

Percv Danforth has done for the<br />

spare-rib what Segovia did for the<br />

ouitar. A master player of the bones<br />

Fercv<br />

bop" tenor sax player who has<br />

performed and recorded with Johnny<br />

Dankworth, Maynard Ferguson, Phil<br />

Nimmons and the Beatles! He's also<br />

worked as a member of the BBC<br />

Radio Orchestra and numerous<br />

symphonies. His style and tone invite<br />

comparisons with Stan Getz and Zoot<br />

Sims. Art is accompanied by the<br />

Huron brothers: Peter on bass and<br />

Joe on guatar.<br />

THE FIDDLE PUPPETS<br />

with STEVE HICKMAN<br />

What has eight legs and clogs? The<br />

bug we found in the drain at the<br />

<strong>Mariposa</strong> olfice, yes, but it also<br />

descrabes the phenomenal Fiddle<br />

Puppets. Not only are they fast and<br />

furious southern cloggers, but they<br />

teach and call dances Jrom a wtde<br />

range of traditaons, from waltz to Jive.<br />

Eileen and Eddy Carson, Amy Sarlie,<br />

and Rodney Sutton hail from<br />

Maryland and win flat-footing<br />

converts wherever they go. They will<br />

be accompanied at l\4ariposa by Steve<br />

Hickman. a remarkable fiddler who<br />

will be playing for performances,<br />

dances and teaching sessions. Steve<br />

is a mainstav of the dance scene in the<br />

northeastein U.S., and plays for<br />

Cathy Fink is a champaon banJo GOAT'S HEAD MORRIS<br />

player and concert performer ol Iolk<br />

songs, counlry songs, swing tunes,<br />

Appalachian mountatn songs, oldtime<br />

fiddle tunes and yodelling songs<br />

(these make for great sing-alongsl).<br />

Frcm 1974 to 1979 Cathy Performed<br />

with the late Duck Donald, sPecializing<br />

in old-time duet singing, and In<br />

1980 became the tirst woman to wan<br />

the prestigious West Virginia State<br />

banjo contest. Not bad for someone<br />

who never even knew bluegrass<br />

existed until she was 201 Cathy lives<br />

near Washington, D.C., where she is<br />

actively in.olved in art education<br />

programs al the Smithsonian Instatution,<br />

performing in concert and<br />

demonstrating the museum s collection<br />

of folk and popular instruments.<br />

FRIENDS OF FIDOLERS<br />

GREEN<br />

lf you hear the jingling of bells<br />

wafting toward you at the festival,<br />

chances are it signals the approach of<br />

the Goat's Head Morris Dancers. This<br />

London, Ontario group pertorms the<br />

traditional dances of the Cotswold<br />

and Northwest regions of England. In<br />

addition to Morris dancing they<br />

perform other traditional styles<br />

including garland dances and clog<br />

steps. They will be dancing around<br />

The Friends ol Fiddlers Green are the site over the weekend, and will be<br />

the resident singers of Toronlo's teaching their steps to young and<br />

Fiddlers Green <strong>Folk</strong> Club. Jorning us adult festival-goers in the Dance and<br />

for lvlariposa will be Doug Creighton, <strong>Folk</strong> Play areas.<br />

Tam Kearney, Grit Laskin, David<br />

Parrv. Lawrence Stevenson and Jim THE GREENWOOD STEPPERS<br />

Striakland. The Friends play an<br />

amazing array of instruments,<br />

including fiddle, guitar, mandolin,<br />

banjo, concertina, melodeon, Northumbrian<br />

smallpipes, drums,<br />

whistles, jew's-harp, harmonica and<br />

kazoo. Their repertoire ranges from<br />

songs old and new and recitations<br />

from the British lsles to mummers'<br />

plays, interspersed with a seemangly<br />

endless series of bad jokes. Everything<br />

they do is alive with joie-de-vivre<br />

and a wonderful (slightly twisted)<br />

sense of humour. Come and see for<br />

you rselfl<br />

GEORGIA SEA ISLAND<br />

SINGERS<br />

From the waltz clog to the French<br />

reel, the Greenwood Steppers (Julie,<br />

20; Paul, 18; and Jody, 14) have been<br />

stepdancing almost since they could<br />

walk. In 1983 they won the Canadian<br />

open group stepdancing championship<br />

in Dundalk, and appeared at<br />

<strong>Mariposa</strong> for the first time last year.<br />

The Greenwoods will be teaching as<br />

well as performing, so here's your<br />

chance to learn a few steps.<br />

hoofers of manv dif{erent traditions<br />

and styles. Look fo the Fiddle Puppets<br />

in our dance area, at workshops, and<br />

even at the gospel sing.<br />

MARIE-LYNN HAMMOND<br />

- who turned 85 this Year -<br />

learned to play as a Youngster in<br />

Washinqton, where his black netghbours<br />

used to sand-dance (softshoe)<br />

on the sidewalk under the gas<br />

street lamps to the Iascinating<br />

rhvthms of the bones. Now, after more<br />

than 70 years and careers as an<br />

architect, industrialist and educator,<br />

Percv can still "do the bones" like<br />

nobddy else, and he's eager to teach<br />

anvone who wanls to learn how to<br />

pla'y. Look lor him in the <strong>Folk</strong> PlaY<br />

atea.<br />

BLIND JOHN DAVIS<br />

<strong>Mariposa</strong> welcomes a living blues<br />

legend! Blues singer and pianist John<br />

Davis grew up in the 1920s in Chicago,<br />

where his lather owned a club. The<br />

young John, blinded as a child, was<br />

thus able to hear all the leading blues<br />

pianists of the day and to learn the<br />

characteristics of each ol their styles.<br />

John's own recording career began in<br />

1938, and over lhe next 15 years he<br />

worked with just about eve/y<br />

signif icant blues artist in Chicago. He<br />

plays a broad range of styles with<br />

great verve and conviction, and<br />

there's no one to match him lor a<br />

deep, rolling piano blues.<br />

CURTIS DRIEDGER<br />

AND THE CEE DEES<br />

What's a Queen Street dance band<br />

doing at a folk festival? To call the Cee<br />

Dees a rock band is to miss the fact<br />

that their roots lie hidden under all<br />

kinds of musical terrain, including<br />

many past [/ariposa <strong>Festival</strong>s. Since it<br />

was formed in 1979 the group has<br />

become a thrivrng part of Toronto's<br />

street/art culture 26 musicians can<br />

lay claim to having been in the Cee<br />

Dees at one time or another, but right<br />

now the Cee Dees are Curtis Driedger<br />

(founder, writer, singer, guitarist),<br />

Merrie-Ellen Wilcox (bass guitar) and<br />

Nick Kent (drums). Their original<br />

music features incasive, olten<br />

humorous lyrics set to a stimulating<br />

beat, drawing on everything from<br />

reggae to rock-a-billy, hick to heavy<br />

metal.<br />

t4<br />

CATHY FINK<br />

ff<br />

Frankie Sullivan Quimby and her<br />

husband Doug offer a unique glimpse<br />

into the rich Afro-American heritage<br />

of the Georgia Sea lslands, a group ol<br />

island communities olf the east coast<br />

of the United States. The songs,<br />

games, dances, gospel music and<br />

stories they perform with such<br />

warmth and joy date back to the days<br />

of black slavery before the American<br />

Civil War, and have been handed<br />

down through the generations for<br />

over two centuries. Audience<br />

participation is the keystone of a Sea<br />

lslanders performance: each song has One of Canada's most talented<br />

a chorus or clapping response, and singer-songwriters, co-f ounder and<br />

often audience members are invited lead vocalist of Stringband, Marieup<br />

on stage to learn a traditional Lvnn Hammond also Performs (in<br />

dance or game. When the Sea Eirglish and French) on her own and<br />

lslanders are around, everyone gets has two solo albums to her credit. She<br />

involved !<br />

is also a writer: her f irst play, De beaux

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