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post_modellismus – models in art - krinzinger projekte - Galerie ...

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Edw<strong>in</strong> Zwakman<br />

Tu<strong>in</strong> VI Wasmolen, 2004<br />

C-pr<strong>in</strong>t / diasec, alum<strong>in</strong>um, 220 x 146 cm<br />

»Children play<strong>in</strong>g, architects plann<strong>in</strong>g, grown-ups build<strong>in</strong>g model railways <strong>in</strong> the<br />

attic. They all reconstruct life <strong>in</strong> order to anticipate, control, learn. The scale of the<br />

reconstruction determ<strong>in</strong>es whether it is a micro- or a macrostructure they try to<br />

understand.<br />

I do not reconstruct exist<strong>in</strong>g locations, nor do I look at photographs for reference. I<br />

comb<strong>in</strong>e different places, similar spaces/<strong>in</strong>teriors and objects from memory, <strong>in</strong> order<br />

to understand a country that already is a construct. 50% of the Netherlands should<br />

be water. As man laid it dry, he did so for a reason. Noth<strong>in</strong>g, not even the grass,<br />

would be there without reason. Reconstruct<strong>in</strong>g this country is reflect<strong>in</strong>g on the mentality<br />

of its makers.<br />

None of my images could have been photographed <strong>in</strong> reality. Perspectives are<br />

manipulated, scales are mixed and proportions distorted to create images that<br />

already existed <strong>in</strong> my m<strong>in</strong>d before I st<strong>art</strong>ed build<strong>in</strong>g. They show how I experience<br />

the world and remember it.«<br />

65

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