post_modellismus – models in art - krinzinger projekte - Galerie ...
post_modellismus – models in art - krinzinger projekte - Galerie ...
post_modellismus – models in art - krinzinger projekte - Galerie ...
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Lioudmila Voropai<br />
Ly<strong>in</strong>g Down Art, 2003<br />
DVD, 12 m<strong>in</strong>., loop, ed. 10<br />
»The film is the staged documentation of a fictive exhibition Ly<strong>in</strong>g Down Art, <strong>in</strong> which<br />
all <strong>art</strong>works presented <strong>in</strong> different ways deal with the theme ‘Ly<strong>in</strong>g’. The film deals with<br />
<strong>models</strong> of present<strong>in</strong>g the ‘<strong>art</strong> world’ on TV. In formal terms, it is based on the typical<br />
structure and aesthetic of cultural journals and TV reports on ‘significant’ <strong>art</strong> events with<br />
a whole discourse be<strong>in</strong>g created on the rather ambivalent theme such as ‘Ly<strong>in</strong>g <strong>in</strong> Art’.<br />
With all its ambiguity the concept of ly<strong>in</strong>g <strong>in</strong> the film becomes an allusive metaphor for<br />
th<strong>in</strong>k<strong>in</strong>g, meditat<strong>in</strong>g, observ<strong>in</strong>g, reflect<strong>in</strong>g, for a socio-critical attitude and for a subversive<br />
strategy of action. ‘Ly<strong>in</strong>g’ <strong>in</strong> reference to the <strong>art</strong> scene is also an ironic metaphor<br />
for an alternative modus vivendi and an alleged freedom of ‘<strong>art</strong> producers’ to select<br />
one’s own work<strong>in</strong>g methods. The film emerges <strong>in</strong> a field of tension between conventional<br />
form and the subversive content as an exploration of patterns and clichés that are<br />
to be found on <strong>art</strong> reports transmitted <strong>in</strong> the usual TV formats. Customary TV conventions,<br />
however, are constantly be<strong>in</strong>g subverted, as a result of which the film assumes a<br />
slightly parody<strong>in</strong>g character. Both staged and documentary shots are used <strong>in</strong> the film.«<br />
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