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post_modellismus – models in art - krinzinger projekte - Galerie ...

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Yoshihiro Suda / Tsuyoshi Ozawa<br />

Weed, host: Nasubi Gallery, 2000<br />

Wood, acrylic, 33 x 20 x 14,5 cm<br />

While Suda’s floral subject matter is not exactly new, and the technique of polychrome<br />

on wood is an ancient one, his p<strong>art</strong>icular <strong>in</strong>novation lies <strong>in</strong> the subtle placement of<br />

these works and <strong>in</strong> the gentle reactions they elicit <strong>in</strong> the observer. M<strong>in</strong>imalist <strong>in</strong> tone,<br />

the spatial environments that Suda creates are both calm<strong>in</strong>g and surpris<strong>in</strong>g <strong>in</strong> effect.<br />

This is the place where nature is one with <strong>art</strong>, and where simple beauty is found <strong>in</strong><br />

careful attention to ord<strong>in</strong>ary th<strong>in</strong>gs. - Chiara Zampetti, Yoshihiro Suda, <strong>in</strong> Tema<br />

Celeste (November/December 2001).<br />

Nasubi Gallery began <strong>in</strong> April 1993 as a milk box pa<strong>in</strong>ted white <strong>in</strong>side - ‘the smallest<br />

gallery <strong>in</strong> the world’, located on the street <strong>in</strong> front of the long-established rental gallery,<br />

Nabisu Gallery <strong>in</strong> G<strong>in</strong>za. Exhibitions by different <strong>art</strong>ists were held at Nasubi Gallery over<br />

the next two years. The gallery's activities were suspended <strong>in</strong> Dec. 1995 but resumed<br />

<strong>in</strong> 1997 with Ozawa's p<strong>art</strong>icipation <strong>in</strong> the <strong>in</strong>ternational travell<strong>in</strong>g exhibition Cities on the<br />

Move. The work was shown under the title ‘New Nasubi Gallery’ <strong>in</strong> locations <strong>in</strong>clud<strong>in</strong>g<br />

Vienna, Bordeaux, London, Aachen, Copenhagen and Berl<strong>in</strong>. - Ota F<strong>in</strong>e Arts, Tokyo.<br />

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