post_modellismus – models in art - krinzinger projekte - Galerie ...
post_modellismus – models in art - krinzinger projekte - Galerie ...
post_modellismus – models in art - krinzinger projekte - Galerie ...
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C<strong>in</strong>dy Sherman<br />
Nipples, 1990/1991<br />
C-pr<strong>in</strong>t, 33 x 22,9 cm, ed. 100<br />
Every technological <strong>in</strong>novation, McLuhan says, implies a radical reorder<strong>in</strong>g of the<br />
human nervous system. Postmodern experience no longer conforms to the pr<strong>in</strong>tcentered,<br />
phallocentric paradigm of a distanced, objectify<strong>in</strong>g, l<strong>in</strong>ear, and perspectival<br />
vision. Now, <strong>in</strong> the age of video and computers, of genetic eng<strong>in</strong>eer<strong>in</strong>g and prosthetic<br />
surgery, the eye touches rather than sees; it immerses itself <strong>in</strong> the photograph, to<br />
be traversed by its erotic and emetic flows, and caressed and violated all along its<br />
surfaces.<br />
So this is what it means to be a woman. Fem<strong>in</strong><strong>in</strong>ity, we now realize, is a variable<br />
construction, not a pre-given mythological essence. Ladies are made and not born.<br />
It's not enough just to have a cunt, or XX chromosomes, <strong>in</strong> order to become a woman.<br />
Genes can be spliced, and cunts, too, are prosthetically manufactured. But how,<br />
then, are women constructed? Fem<strong>in</strong><strong>in</strong>ity is less an effect of language or ideology,<br />
than it is the result of an actual labor upon the body. - Steven Shaviro, Doom Patrols<br />
(http://www.dhalgren.com/Doom/ch07.html).<br />
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