post_modellismus – models in art - krinzinger projekte - Galerie ...
post_modellismus – models in art - krinzinger projekte - Galerie ...
post_modellismus – models in art - krinzinger projekte - Galerie ...
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Christoph Raitmayr<br />
Untitled, 2005<br />
Cardboard, hardboard, lacquer, 39 x 160 x 94 cm<br />
Someth<strong>in</strong>g is a bit uncanny. That’s how it beg<strong>in</strong>s. But at the same time one has to<br />
look further, to that which is closer. - Ernst Bloch, Philosophische Ansicht des<br />
Detektivromans (Philosophical View of a Detective Novel), <strong>in</strong> Der Krim<strong>in</strong>alroman.<br />
Poetik. Theorie. Geschichte, ed. Jochen Vogt (UTB, 1998).<br />
… its use over centuries has <strong>in</strong>variably led to the best of all forms … <strong>in</strong> the most<br />
economic and stable shape: once this state has been reached, everyone copies it,<br />
and millions of these repeated forms responds retroactively as it were to the myriad<br />
experiments, conceal<strong>in</strong>g them. - Paul Valéry, Eupal<strong>in</strong>os or The Architect.<br />
»The work shows an architectural model of Gerrit Rietveld, together with a group of<br />
chairs. The furniture is supposed to stand <strong>in</strong> for a possible <strong>in</strong>terior. The position<strong>in</strong>g<br />
of the house on the table of the group of chairs has an irritat<strong>in</strong>g effect, build<strong>in</strong>g up<br />
a certa<strong>in</strong> tension. Two levels emerge, which do not def<strong>in</strong>e any really clear entity.«<br />
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