post_modellismus – models in art - krinzinger projekte - Galerie ...
post_modellismus – models in art - krinzinger projekte - Galerie ...
post_modellismus – models in art - krinzinger projekte - Galerie ...
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Ola Pehrson<br />
Hunt For the Unabomber, 2005<br />
DVD 32,17 m<strong>in</strong>, loop / pr<strong>in</strong>ts<br />
»For my remake of the documentary Hunt For the Unabomber I disassembled stills<br />
and animations from the orig<strong>in</strong>al and then modelled them <strong>in</strong> clay, junk, thread and<br />
polystyrene. Concepts and <strong>models</strong> are formed <strong>in</strong> clay similar to the way our m<strong>in</strong>d<br />
forms memories, ideas and representations of the world. These handmade recreations<br />
are put back together and filmed to form a new documentary, just slightly less<br />
connected to reality than the orig<strong>in</strong>al. Some of the representations, <strong>in</strong> both the orig<strong>in</strong>al<br />
version and <strong>in</strong> my remake, are highly subjective visual statements, which carry<br />
little visible resemblance to the orig<strong>in</strong>al subjects. In contrast other moments present<br />
m<strong>in</strong>utely precise copies of say a house, or a photograph of a relevant person. Many<br />
scenes are <strong>in</strong> both versions of the film highly neutral as concerns their connection<br />
with the history told. A specific airplane for <strong>in</strong>stance, which <strong>in</strong> the orig<strong>in</strong>al film has<br />
to become any airplane, s<strong>in</strong>ce it is impossible to show the actual plane from the earlier<br />
event, is <strong>in</strong> my version represented by a w<strong>in</strong>ged detergent bottle.«<br />
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