post_modellismus – models in art - krinzinger projekte - Galerie ...
post_modellismus – models in art - krinzinger projekte - Galerie ... post_modellismus – models in art - krinzinger projekte - Galerie ...
Antal Lakner Naval Cutlery Kit, Icelandic Marine Units, series: HER - The Icelandic Army, 2003 Stainless steel, synthetic, 30 x 30 x 5 cm, ed. 5 One of his long-term projects (since 1999) gaining a new topicality in each of its new contexts, is the creation of the equipments of the Iceland Army. The uniforms, the Turtle type armoured tent, the map with military posts, the on-location photographs, a photo of the Iceland Ministry of Defence and the maquettes made in small series were followed by the Plankton class floating naval observation tower and the naval cutlery. The interest of the prototypes comes from their alternative function: In Lakner’s interpretation this military is pacifist, serves only purposes of defence, has no arms, its ground forces and navy occupies observation and defence posts. ... Iceland has been a member of NATO since 1949, though has no actual army. Lakner’s statement could be considered an alternative utopia. But times are changing now: thanks to the reorganization of NATO, Iceland now, after several decades, has to consider establishing an army of its own. We don’t know as yet what their decision will be. - Judit Angel, in Hungary Unplugged (Cotthem Gallery, Brussels, 2003). 46
Zbigniew Libera Lego Concentration Camp, 1996 4 inkjet prints, series of 7 pieces, 28 x 30 cm each, ed. 10 »My work imitates a toy but it is not intended for play. The thought, however, which led me to create this work affected rationality. The rationality of the Lego system is shocking, you cannot build an irregular construction from these blocks, or something shapeless, there will always have to be a right-angle somewhere. You can only do what the rational system allows you to do. What is more, theoretically everyone can build whatever he or she wants but in practice you build what is shown on the box.« - The Art of Legalising Rebellion. Zbigniew Libera Interviewed by Bozena · Czubak, in Art Magazine (No. 15-16, 3-4/1997). 47
- Page 1: post modellismus - MODELS IN ART /
- Page 7 and 8: table of contents 6 post_modellismu
- Page 9 and 10: shows how society tries to explain
- Page 11 and 12: spielsweise beim MILITÄR (Antal La
- Page 13 and 14: Since the photographs depict models
- Page 15 and 16: this ‘reality’ as an effect tha
- Page 17 and 18: 1 The following text is a shortened
- Page 19 and 20: Ausmaß jenes ‘Spiels’ erahnen,
- Page 21 and 22: Edwin Zwakman gehört zu derselben
- Page 23 and 24: sches, es spielt darin aber nur die
- Page 25 and 26: than with art history without a beg
- Page 27 and 28: a species-typical tendency, stock g
- Page 29 and 30: which the ambiguous temporal struct
- Page 31 and 32: Sabine Dorscheid. Befragt man den T
- Page 33 and 34: sind aber nicht nur zeitliche, sond
- Page 35 and 36: Artists’ nennen. Doch der Beigesc
- Page 38 and 39: Peter Belyi My Neighborhood, 2005 1
- Page 40 and 41: Michal Budny Map, 2005 Cardboard, p
- Page 42 and 43: Thomas Demand Five Drafts (Simulato
- Page 44 and 45: Gregor Eldarb Fragment - graugrün,
- Page 46 and 47: Sabine Hornig Bus Stop (Bushalteste
- Page 50 and 51: Graham Little Bucks Fizz, 1998/2005
- Page 52 and 53: Aernout Mik Glutinosity, 2001 DVD b
- Page 54 and 55: Hans Ulrich Obrist Do it ! (extende
- Page 56 and 57: Christoph Raitmayr Untitled, 2005 C
- Page 58 and 59: Nina Saunders Smooth Blend, 2001 2
- Page 60 and 61: Albrecht Schäfer Malewitsch Museum
- Page 62 and 63: Laurie Simmons Woman Listening to t
- Page 64 and 65: Yoshihiro Suda / Tsuyoshi Ozawa Wee
- Page 66 and 67: Stefan Wischnewski MTSV-Sofa, 2002
- Page 68 and 69: Artists’ Biographies (s) = solo e
- Page 70 and 71: Gregor Eldarb * 1971 Bielsko-Biala,
- Page 72 and 73: Graham Little * 1972 Scotland, GB l
- Page 74 and 75: Tsuyoshi Ozawa * 1965, Tokio, J liv
- Page 76 and 77: Silke Schatz * 1967 Celle, D lives
- Page 78 and 79: Yoshihiro Suda * 1969, Yamanashi, J
- Page 80: imprint This catalog is published o
Zbigniew Libera<br />
Lego Concentration Camp, 1996<br />
4 <strong>in</strong>kjet pr<strong>in</strong>ts, series of 7 pieces, 28 x 30 cm each, ed. 10<br />
»My work imitates a toy but it is not <strong>in</strong>tended for play. The thought, however, which<br />
led me to create this work affected rationality. The rationality of the Lego system is<br />
shock<strong>in</strong>g, you cannot build an irregular construction from these blocks, or someth<strong>in</strong>g<br />
shapeless, there will always have to be a right-angle somewhere. You can only do<br />
what the rational system allows you to do. What is more, theoretically everyone can<br />
build whatever he or she wants but <strong>in</strong> practice you build what is shown on the box.«<br />
- The Art of Legalis<strong>in</strong>g Rebellion. Zbigniew Libera Interviewed by Bozena · Czubak, <strong>in</strong><br />
Art Magaz<strong>in</strong>e (No. 15-16, 3-4/1997).<br />
47
Change language