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post_modellismus – models in art - krinzinger projekte - Galerie ...

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Sab<strong>in</strong>e Hornig<br />

Bus Stop (Bushaltestelle), 2000<br />

Cibachrome on perspex, 61 x 92 cm, ed. 5<br />

The uneasy relationship between abstraction and figuration, the real world and the<br />

ideal world, is poignantly revisited <strong>in</strong> a group of three works all with the same title<br />

»Bus Stop«. The first of these is a photograph taken <strong>in</strong> Greece <strong>in</strong> 2000 depict<strong>in</strong>g a<br />

white bus stop, at the edge of a road, with an unusually simple, m<strong>in</strong>imalist, box-like<br />

design. The subsequent »Bus Stop«, made <strong>in</strong> 2002, is a scale model of the real bus<br />

stop found <strong>in</strong> Greece two years earlier. In cast alum<strong>in</strong>um, measur<strong>in</strong>g 19x28x16cm,<br />

the small-scale model rest<strong>in</strong>g on a pl<strong>in</strong>th could be taken as a generic abstract geometric<br />

sculpture of the most formalist k<strong>in</strong>d, yet its title and previous reference give<br />

away its figurative, mundane roots. That same year saw the creation of the third<br />

work <strong>in</strong> this group: a slightly smaller than life-size model made from the small alum<strong>in</strong>um<br />

scale model, now rendered <strong>in</strong> wood, stucco and pa<strong>in</strong>t, and measur<strong>in</strong>g<br />

171x267x142cm. Taken as a group, the three works offer a clever and strippeddown<br />

<strong>in</strong>terplay between representation, geometry, abstraction and scale. - Adriano<br />

Pedrosa, Almost architecture, <strong>in</strong> Sab<strong>in</strong>e Hornig - Der zweite Raum (Hatje Cantz, 2006).<br />

44

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