20.02.2015 Views

post_modellismus – models in art - krinzinger projekte - Galerie ...

post_modellismus – models in art - krinzinger projekte - Galerie ...

post_modellismus – models in art - krinzinger projekte - Galerie ...

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

James Casebere<br />

Floor Flooded Arches from the Right, 1999<br />

Cibachrome on perspex, 154 x 122 x 4 cm, ed. 5<br />

»You know, p<strong>art</strong> of my program early on was that the seams had to show. That you<br />

would suspend disbelief when look<strong>in</strong>g at the object or the image, but the way it was<br />

made still had to be clear to the viewer. My <strong>models</strong> were always clearly <strong>models</strong>. This<br />

is a Constructivist idea; you don't hide the construction. It's a Godardian idea, too.<br />

This is a value that he held as a filmmaker: you allow the viewer to step back and<br />

have a certa<strong>in</strong> critical distance from the experience. You're not swept away emotionally<br />

by the heat of the moment the way you are with a filmmaker like Spielberg. […]<br />

I would [consider myself more modernist than <strong>post</strong>modern] now. I confuse the issue<br />

a bit with Monticello and the p<strong>in</strong>k hallway. But, otherwise, yes. I went through that<br />

period of th<strong>in</strong>k<strong>in</strong>g about sign systems <strong>in</strong>stead of space and light. But I'm <strong>in</strong>terested<br />

<strong>in</strong> both, at this po<strong>in</strong>t. Not Postmodernism per se, but some of the issues <strong>in</strong>volved.«<br />

- James Casebere by Roberto Juarez, <strong>in</strong> Bomb Magaz<strong>in</strong>e (no.177, Fall 2001)<br />

39

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!