post_modellismus – models in art - krinzinger projekte - Galerie ...
post_modellismus – models in art - krinzinger projekte - Galerie ...
post_modellismus – models in art - krinzinger projekte - Galerie ...
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James Casebere<br />
Floor Flooded Arches from the Right, 1999<br />
Cibachrome on perspex, 154 x 122 x 4 cm, ed. 5<br />
»You know, p<strong>art</strong> of my program early on was that the seams had to show. That you<br />
would suspend disbelief when look<strong>in</strong>g at the object or the image, but the way it was<br />
made still had to be clear to the viewer. My <strong>models</strong> were always clearly <strong>models</strong>. This<br />
is a Constructivist idea; you don't hide the construction. It's a Godardian idea, too.<br />
This is a value that he held as a filmmaker: you allow the viewer to step back and<br />
have a certa<strong>in</strong> critical distance from the experience. You're not swept away emotionally<br />
by the heat of the moment the way you are with a filmmaker like Spielberg. […]<br />
I would [consider myself more modernist than <strong>post</strong>modern] now. I confuse the issue<br />
a bit with Monticello and the p<strong>in</strong>k hallway. But, otherwise, yes. I went through that<br />
period of th<strong>in</strong>k<strong>in</strong>g about sign systems <strong>in</strong>stead of space and light. But I'm <strong>in</strong>terested<br />
<strong>in</strong> both, at this po<strong>in</strong>t. Not Postmodernism per se, but some of the issues <strong>in</strong>volved.«<br />
- James Casebere by Roberto Juarez, <strong>in</strong> Bomb Magaz<strong>in</strong>e (no.177, Fall 2001)<br />
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