Presse mappe - Observatoire

Presse mappe
DRAWING NOW PARIS I LE SALON DU DESSIN CONTEMPORAIN IST DIE FÜHRENDE EUROPÄISCHE
FACHMESSE FÜR ZEITGENÖSSISCHE KUNST, DEREN GEGENSTAND AUSSCHLIEßLICH DIE ZEICHNUNG IST. DIE 7.
AUSGABE FINDET VOM DONNERSTAG, DEM 11. APRIL, BIS ZUM SONNTAG, DEM 14. APRIL 2013, IM CARROUSEL
DU LOUVRE STATT.
DIE VERNISSAGE FINDET AM MITTWOCH, DEM 10. APRIL 2013, STATT.
EIN UNABHÄNGIGES KOMITEE BESTEHEND AUS PERSÖNLICHKEITEN DER KUNSTSZENE HAT 85 GALERIEN
AUSGEWÄHLT STRÄFLING. IM RAHMEN VON DRAWING NOW I REFERENCE STELLEN 71 FEST ETABLIERTE
INTERNATIONALE GALERIEN AUS. DRAWING NOW I EMERGENCE ERMÖGLICHTES AUCH IN DIESEM JAHR
WIEDER 14 VOR WENIGER ALS 4 JAHREN GEGRÜNDETEN GALERIEN, DAS WERK EINES KÜNSTLERS UNTER 40 JAHREN
IM RAHMEN EINES FOCUS ZU PRÄSENTIEREN.
UNTER DER SCHIRMHERRSCHAFT DER SCHWEIZER BOTSCHAFT IN PARIS STELLT DRAWING NOW PARIS IM JAHR
2013 SEIN UHREN NACH DER SCHWEIZ. AUF DER MESSE STELLEN 7 SCHWEIZER KUNSTGALERIEN AUS UND ES
FINDEN MEHRERE EVENTS IM ZUSAMMENHANG MIT DER ZEITGENÖSSISCHEN ZEICHNUNG IN DER SCWEIZ STATT.
VORTRÄGE, GESPRÄCHE, AUSSTELLUNGEN -­‐ IN DEN NÄCHSTEN WOCHEN GIBT ES VIEL AKTUELLES ZU ENTDECKEN.
DIESE MESSE BIETET SAMMLERN, KONSERVATOREN UND KUNSTLIEBHABERN DIE GELEGENHEIT, DIE
ZEITGENÖSSISCHE KUNSTSZENE ANHAND VON ZEICHNUNGEN BEKANNTER ODER AUFSTREBENDER KÜNSTLER ZU
ENTDECKEN ODER SICH ÜBER DIESEN MARKT AUF DEM LAUFENDEN ZU HALTEN.
Veranstalter : CPCT Arts&Events I 48 rue Raymond Losserand, 75014 Paris I 01 45 38 51 15 I www.drawingnowparis.com
Pressekontakt : Agence Observatoire I 68 rue Pernety, 75014 Paris I 01 43 54 87 71 I www.observatoire.fr
Aurélie Cadot : aureliecadot@observatoire.fr

Ein kurze Zusammenfassung ...
Die 7. Ausgabe von DRAWING NOW PARIS I LE SALON DU DESSIN CONTEMPORAIN findet
vom 11. bis zum 14. April 2013 im Carrousel du Louvre staT.
Es handelt sich um die führende europäische Fachmesse für zeitgenössische Kunst, deren
Gegenstand ausschließlich die Zeichnung ist.
85 Galerien werden ausstellen, darunter 30 % aus dem Ausland, und 13 Länder werden
repräsen^ert sein. Auch die Pla_orm EMERGENCE wird immer interna^onaler: In diesem
Jahr kommen 50 % der Galerien aus dem Ausland.
Abgesehen von der Pla_orm EMERGENCE, die junge Galerien aus der ganzen Welt
präsen^ert, erneuert sich die Pla_orm REFERENCE wie jedes Jahr um mehr als 45
Prozent. Auch in diesem Jahr können Sammler und Kunstliebhaber das Werk
aufstrebender oder etablierter Künstler entdecken.
News 2013:
DRAWING NOW PARIS stellt ihre Uhren in diesem Jahr nach der Schweiz. Dies erfolgt
unter der Schirmherrschad der Schweizer Botschad in Paris und in Partnerschad mit dem
Kulturverein Levier Culturel Suisse en France und dem Schweizer Kulturzentrum in Paris.
Am Freitag, dem 12. April, an dem die Schweiz das SchwerpunkThema der Messe ist,
wird um 17 Uhr ein Vortrag über die zeitgenössische Zeichnung in der Schweiz
sta_inden.
Jean de Loisy stellt für den Palais de Tokyo sein Imaginäres Museum der zeitgenössischen
Zeichnung vor.
Philippe Piguet wird während der gesamten Dauer der Messe Gespräche mit Künstlern
führen:
Donnerstag, 11. April, 12 Uhr: ein Gespräch mit Jérôme Zonder
Freitag, 12. April, 12 Uhr: ein Gespräch mit Jérôme Damien Deroubaix
Sonntag, 14. April, 17 Uhr : ein Gespräch mit Françoise Pétrovitch
Jeden Tag wird im Carrousel du Louvre im Rahmen von DRAWING IN PROCESS ein
anderer Künstler dem Publikum seine Herangehensweise an die Schaffung einer
zeitgenössischen Zeichnung verraten.
Presse mappe I Seite 2

INHALT
Seite 4 Editorial
Seite 5 Das Messeteam, der Auswahlausschuss
Seite 6 Liste der Galerien
Seite 7 DRAWING NOW PARIS seine Uhr nach der Schweizer
Kunstszene
Seite 8/9 Das Imaginäre Museum von Jean de Loisy mit dem
Palais de Tokyo
Seite 10 DRAWING TALKS
Seite 11 Der Preis DRAWING NOW
Seite 12 Highlights
Seite 13/97 Liste der präsen^erten Künstler
Seite 98/106 DRAWING NOW I LE PARCOURS
Seite 107/110 Die Partner
Seite 111 Prak^sche Informa^onen
Presse mappe I Seite 3

EDITORIAL
7 Jahre für die zeitgenössische Zeichnung: Vernund und Unvernund.
In wenigen Jahren ist DRAWING NOW PARIS I LE SALON DU DESSIN CONTEMPORAIN zu
einem unumgänglichen Termin auf dem Messekalender der zeitgenössischen Kunst
geworden.
Man sagt, Kinder häTen mit 7 Jahren das Vernundalter erreicht. Das Gleiche gilt für
unsere Messe, die in diesem Jahr einen gewisse Reifegrad erreicht hat. Es ist uns
gelungen, zu wachsen und gleichzei^g unserer ursprünglichen Idee treu zu bleiben. Wir
bewahren uns also einen Hauch von Unvernund, denn wir wollen unsere Besucher im
Carrousel du Louvre und außerhalb davon auch weiterhin überraschen.
Die zeitgenössische Zeichnung mo^viert jeden Tag junge Talente und bringt neue
Ausdrucksformen hervor, die wir zeigen wollen. Wir konfron^eren diese jungen Talente
aber auch mit Werten, die sich bewährt haben und bereits in die Kunstgeschichte
eingegangen sind.
Diese bewusst organisierte Konfronta^on wird durch die räumliche Anordnung auf der
Messe deutlich gemacht.
Seit zwei Jahren unterstützen wir die junge Krea^on über die Pla_orm EMERGENCE, die
es jungen Galerien ermöglicht, das Werk von Künstlern unter 40 Jahren zu zeigen. Diese
Pla_orm ist in diesem Jahr mit mehr als 50 % ausländischen Galerien sehr interna^onal.
Auf der Pla_orm REFERENCE stellen mehr als 71 französische und ausländische Galerien
aus. Sie nehmen den Besucher mit auf eine Reise durch die letzten 50 Jahre der
zeitgenössischen Zeichnung und präsen^eren damit ein breites Panorama dieser
Kunsporm.
Im Jahr 2013 stellt DRAWING NOW PARIS ihre Uhren nach der Schweiz: Sie präsen^ert die
grafische Krea^on in der Schweiz, die Dynamik ihrer zahlreichen Kunstgalerien,
öffentlichen Einrichtungen und Museen und die Vision ihrer Sammler. Diese Ini^a^ve
manifes^ert sich in Form von zahlreichen Events innerhalb und außerhalb der Messe.
Es ist sicherlich unvernündig, DRAWING IN PROCESS in das Carrousel zu holen: Jeden Tag
verrät ein anderer Künstler einen Aspekt der Schaffung einer zeitgenössischen Zeichnung.
Die DRAWING TALKS und die Gespräche mit Künstlern werden es ermöglichen, neue
Aspekte des Kunstschaffens zu entschlüsseln.
Wir würden uns freuen, Sie vom 11. bis zum 14. April 2013 zur 7. Ausgabe von DRAWING
NOW PARIS I LE SALON DU DESSIN CONTEMPORAIN willkommen zu heißen.
Chris^ne Phal, Vorsitzende und Gründerin von DRAWING NOW PARIS
Presse mappe I Seite 4

Das Messeteam
DRAWING NOW PARIS I LE SALON DU DESSIN CONTEMPORAIN wird von CPCT Arts&Events organisiert, dessen
Direktorinnen Chris^ne Phal, Gründerin der Fachmesse, und Carine Tissot, die ehemalige Messedirektorin bei
Reed exposi^ons, sind. Philippe Piguet ist im vierten aufeinanderfolgenden Jahr der Art Director der Messe.
Der Kunstkri^ker und Ausstellungskommissar Philippe Piguet ist insbesondere der Art Director von DRAWING
NOW PARIS I LE SALON DU DESSIN CONTEMPORAIN und der Chapelle de la Visita^on in Thonon-­‐les-­‐Bains. Er
trägt seit 1985 regelmäßig zum Magazin L’œil et seit 2002 zu (art absolument) bei. Er ist Autor zahlreicher
Werke und Katalogtexte sowie von mehreren Filmen über die Welt der Kunst.
Chris-ne Phal
Vorsitzende und Gründerin
Carine Tissot
Direktorinnen
Philippe Piguet
Art Director
Ein unabhängiges Auswahlkomitee bestehend aus
Persönlichkeiten der Kunstszene:
Das von Art Director Philippe Piguet zusammengestellte unabhängige Auswahlkomitee bestehend aus
Persönlichkeiten der Kunstszene setzt sich in diesem Jahr aus folgenden Mitgliedern zusammen: Alexandra
Fau, Ausstellungskommissarin, Kunstkri^kerin und Dozen^n, Chris^an Bernard, Direktor des MAMCO, Marc
Donnadieu, Konservator für die Kollek^onen zeitgenössischer Kunst im LaM in Villeneuve d'Ascq, Olivier
Kaeppelin, Direktor der Fonda^on Maeght, und Bernard Point, Gründer und Direktor der Ecole Municipale des
Beaux-­‐Arts in Gennevilliers sowie der Galerie Edouard Manet (von 1968 bis 2002).
Alexandra Fau Chris-an Bernard Marc Donnadieu Olivier Kaeppelin Bernard Point
Presse mappe I Seite 5

Liste der Galerien
A
B
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E
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I
J
K
L
M
N
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P
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V
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DRAWING NOW I REFERENCE
A.L.F.A., PARIS I AGNÈS B. / GALERIE DU JOUR, PARIS I GALERIE ANALIX FOREVER, GENÈVE
GALERIE ANNE BARRAULT, PARIS I BENDANA PINEL ART CONTEMPORAIN, PARIS I GALERIE CHRISTIAN
BERST, PARIS I GALERIE BERTRAND BARAUDOU, PARIS, NICE I GALERIE FRANÇOISE BESSON, LYON I
GALERIE CHANTIERS BOÎTE NOIRE, MONTPELLIER I GALERIE JEAN BROLLY, PARIS
GALERIE C, NEUCHÂTEL I GALERIE CONRADS, DÜSSELDORF I CREATIVE GROWTH, OAKLAND, PARIS
PATRICIA DORFMANN, PARIS I GALERIE DX, BORDEAUX
GALERIE ÉRIC DUPONT, PARIS
GALERIA FERNANDO PRADILLA, MADRID I GALERIE LA FERRONNERIE/BRIGITTE NÉGRIER, PARIS I GALERIE
JEAN FOURNIER, PARIS I FRUEHSORGE CONTEMPORARY DRAWINGS, BERLIN
GALERIE 9E ART, PARIS I GALERIE HOUG, LYON I GALERIE RÉJANE LOUIN, LOCQUIREC I GALERIE ISABELLE
GOUNOD, PARIS
PATRICK HEIDE CONTEMPORARY, LONDRES I GALERIE EVA HOBER, PARIS
GALERIE IN SITU FABIENNE LECLERC, PARIS, AALST I GALERIE CATHERINE ISSERT, SAINT PAUL DE VENCE
BERNARD JORDAN, PARIS, BERLIN, ZURICH
GALERIE KAHN, PARIS, ARS EN RÉ I KATZ CONTEMPORARY, ZÜRICH I BERNHARD KNAUS FINE ART,
FRANCFORT I MARTIN KUDLEK, COLOGNE I KUSSENEERS GALLERY, ANVERS
LA GALERIE PARTICULIÈRE, PARIS I GALERIE FRÉDÉRIC LACROIX, PARIS I GALERIE LANGE+PULT, ZÜRICH I
GALERIE LELONG, PARIS, NEW-­‐YORK, ZÜRICH I GALERIE CHRISTIAN LETHERT, COLOGNE I ERIC LINARD
GALERIE, LAGARDE ADHEMAR I GALERIE LUCIE WEILL & SELIGMANN, PARIS I GALERIE MARIA LUND, PARIS
GALERIE MARTINE THIBAULT DE LA CHÂTRE, PARIS I HANS MAYER, DÜSSELDORF I MAZEL GALERIE,
BRUXELLES I GALERIE METROPOLIS, PARIS I GALERIE EVA MEYER, PARIS, FRANCFORT I GALERIE ÉRIC
MIRCHER, PARIS I HADRIEN DE MONTFERRAND GALLERY, BEIJING
NOSBAUM & REDING, LUXEMBOURG
GALERIE ONIRIS, RENNES
GALERIE CLAUDINE PAPILLON, PARIS I GALERIE PASCAL POLAR, BRUXELLES I GALERIE PETITS PAPIERS,
PARIS, BRUXELLES I GALERIE GILLES PEYROULET & CIE, PARIS I GALERIE PLACIDO, PARIS I POLAD
HARDOUIN, PARIS I GALERIE CATHERINE PUTMAN, PARIS
GALERIE RABOUAN MOUSSION, PARIS I PETRA RINCK, DÜSSELDORF I J.P. RITSCH-­‐FISCH, STRASBOURG I
GALERIE RÖMERAPOTHEKE, ZÜRICH I GALERIE DE ROUSSAN, PARIS
SEMIOSE GALERIE, PARIS
GALERIE SUZANNE TARASIÈVE, PARIS I GALERIE THESSA HEROLD, PARIS I TINT GALLERY, THESSALONIQUE I
TRINITY CONTEMPORARY, LONDRES
GALERIE VIDAL SAINT PHALLE, PARIS
GALERIE & EDITION STEPHAN WITSCHI, ZÜRICH
GALERIE ZÜRCHER, PARIS, NEW YORK
DRAWING NOW I EMERGENCE
ALB ANOUKLEBOURDIEC, PARIS I BLACKSTON, NEW YORK I GALERIE MARIE CINI, PARIS I GOURVENNEC OGOR,
MARSEILLE I GOWEN CONTEMPORARY, GENÈVE I EMMANUEL HERVÉ, PARIS I GALERIE LAURENT MUELLER,
PARIS I GALERIE SATOR, PARIS I SHOW ROOM, NEW YORK I SOD GALLERY, COPENHAGUE I THE RUNNING
HORSE, BEYROUTH I VINCENZ SALA, PARIS, BERLIN I GALERIE WITH TSJALLING, GRONINGEN I XPO GALLERY,
PARIS, LONDRES
Presse mappe I Seite 6

DRAWING NOW PARIS seine Uhr nach der Schweizer
Kunstszene
DRAWING NOW PARIS stellt seine Uhren in diesem Jahr nach der Schweiz. Dies erfolgt unter der
Schirmherrschad der Schweizer Botschad und in Zusammenarbeit mit dem Schweizer Kulturzentrum in Paris.
DRAWING NOW PARIS 2013 lädt Sie ein, die zeitgenössische Zeichnung in der Schweiz zu entdecken, und
organisiert zahlreiche Events zu diesem Thema.
Der Verein „Le Levier Culturel Suisse en France“ hat es sich zum Ziel gesetzt, die Präsenz der Schweiz in
Frankreich anhand von Veranstaltungen und kulturellen Events zu verstärken.
Um die mul^kulturellen, offenen, krea^ven und innova^ven Aspekte der Schweiz in den Vordergrund zu
stellen, präsen^ert DRAWING NOW PARIS I LE SALON DU DESSIN CONTEMPORAIN 7 Galerien:
REFERENCE : GALERIE ANALIX FOREVER, GENF I GALERIE C, NEUENBURG I BERNARD JORDAN, PARIS, BERLIN,
ZÜRICH I KATZ CONTEMPORARY, ZÜRICH I GALERIE LANGE+PULT, ZÜRICH I GALERIE LELONG, PARIS, NEW-­‐
YORK, ZÜRICH I GALERIE RÖMERAPOTHEKE, ZÜRICH I GALERIE & EDITION STEPHAN WITSCHI, ZÜRICH
EMERGENCE : GOWEN CONTEMPORARY, GENF
DRAWING TALK: Freitag, den 12. April um 17 Uhr im Project Room: „Gibt es eine zeitgenössische Zeichnung
in der Schweiz?“
Konservatoren, Sammler und Künstler werden die Gelegenheit haben, über die Zeichnung und Zeichnungssammlungen
in der Schweiz zu debaSeren. Was bringen die Schweizer Zeichner dieser KunsUorm abgesehen von einer grafischen
Tradi-on? Moderator: Olivier Kaeser, Co-­‐Direktor des Schweizer Kulturzentrums in Paris.
Die Buchhandlung des Schweizer Kulturzentrums in Paris:
Das Schweizer Kulturzentrum in Paris bietet in seiner Bou-que, die jeden Tag geöffnet ist, maßgebliche
Veröffentlichungen über die zeitgenössische Zeichnung in der Schweiz, aber auch über viele andere Künstler, die auf der
Messe ausstellen, und über die KunsUorm der Zeichnung im Allgemeinen an. Die Buchhandlung an der Adresse 32 rue
des Francs-­‐Bourgeois wurde vom Architektenbüro Jakob + MacFarlane gestaltet. Sie führt eine breite Auswahl an
Veröffentlichungen, DVDs und CDs von Schweizer Autoren, Künstlern und Verlagen in den Bereichen zeitgenössische
Kunst, Architektur, Grafik und Literatur. In seiner Zeitung Le Phare präsen-ert sie die Künstler, die auf der Messe
ausstellen, und ausgewählte Veröffentlichungen.
Finissage der Ausstellung Marc Bauer:
Organisiert vom Schweizer Kulturzentrum in Paris (CCS) am Samstag, den 13. April um 20 Uhr in den Räumen des CCS.
Für die Ausstellung Le collec'onneur hat Marc Bauer den Anima-onsfilm L’architecte realisiert. Zur Projek-on des 26-­‐Minuten-­‐Films
spielt die französische Rockband Kaha. Der Schwarz-­‐Weiß-­‐Stummfilm wurde mit einer originellen Anima-onstechnik realisiert: Die
Ölgemälde auf Plexiglas wurden fotografiert und einzeln mon-ert. Der Epilog ist in Farbe und mit digitalen Anima-onstechniken
ausgeführt. Die Handlung spielt im Jahr 1922 während der Projek-on des Films Nosferatu, eine Symphonie des Grauens in Berlin. Ein
Junge sitzt in dem Kino. Szenen aus dem Film vermischen sich mit prophe-schen Visionen des jungen Zuschauers – seine
wahrscheinliche Zukunm als Nazi-­‐Offizier, Deporta-onsszenen, Bombenangriffe. Indem uns Marc Bauer auf eine mentale Reise
durch alptraumhame Städte und Landschamen mitnimmt, behandelt er auf sub-le Weise das Thema des freien Willens einer Person,
die einige Jahre später von der Geschichte zermalmt werden wird.
Presse mappe I Seite 7

Das Imaginäre Museum von Jean de Loisy mit dem
Palais de Tokyo
Nachdem wir zuerst Pierre Cornepe de Saint-­‐Cyr und dann Catherine Millet – einen Auk-onator und die Gründerin einer
Kultzeitschrim, die zudem Schrimstellerin ist – eingeladen hapen, uns ihr „Imaginäres Museum“ vorzustellen, fanden wir,
dass es an der Zeit ist, uns einer öffentlichen Einrichtung zuzuwenden. Unsere Entscheidung, Jean de Loisy
anzusprechen, hat vor allem zwei Gründe. Der erste ist unsere freundschamliche und genera-onelle Verbundenheit mit
diesem Mann, der einer der ak-vsten Akteure der französischen und interna-onalen Kunstszene ist. Der zweite Grund
ist die Tatsache, dass er vor kurzem zum Direktor des Palais de Tokyo ernannt wurde. Jean de Loisy zählt zu den
unumgänglichen Persönlichkeiten der zeitgenössischen Kunstszene, die er seit 30 Jahren belebt und bereichert. Er hat
wich-ge Strukturen geleitet wie die FRAC des Pays de la Loire, die Fonda-on Car-er, das Musée des Beaux-­‐Arts von
Nîmes und pres-gereiche Ausstellungen organisiert wie Gasiorowski oder Traces du sacré im Centre Pompidou, La
Beauté in Avignon oder Les Maîtres du désordre im Musée du Quai Branly, um nur einige zu nennen. Seine
leidenschamliche Kunstliebe und sein Engagement für die Künstler sind bekannt und anerkannt. Aus dem Grund haben
wir ihn gebeten, zu unserer Messe beizutragen. Jean de Loisy hat unsere Einladung angenommen und uns gleichzei-g
vorgeschlagen, ein wenig anders vorzugehen als bei den ersten beiden Ausgaben des „Imaginären Museums“: Er
möchte dieses „Imaginäre Museum“ für den Palais de Tokyo zusammenstellen, um diesen Ort, seine Dynamik und sein
Team hervorzuheben. Welche Form wird dies haben? Die einer Ausstellung selbstverständlich. Sie wird allerdings von
den gewohnten Pfaden abweichen, um frischen Wind in die Welt der Zeichnung zu bringen, die nicht nur in
Ausstellungsräumen aufgehängt werden, sondern auch den Raum erobern soll.
Philippe Piguet, Art Director
Die sonderbaren Konjunkturen des Zufalls ...
Das Ansehen der Zeichnung, die als der unmipelbarste Ausdruck des Geistes gilt, scheint teilweise mit der Nähe zum
Gedanken verbunden zu sein, denn sie wird als seine Verlängerung im Sichtbaren angesehen. Mit dem Finger in weichen
Ton gedrückte Spuren, eine kohlschwarze Form auf einem Felsen, in Holz oder Knochen geritzt, durch Fadenspiele der
Inuits geschaffene Figuren, ein von der Tochter von Butades auf die Wand gebannter Schapenumriss, Kritzeleien eines
gelangweilten Konferenzteilnehmers, ein Graffi- auf einer U-­‐Bahn – die Zeichnung bedient sich aller Mipel, um uns zum
Ausdruck zu bringen. Die Welt zeichnet aber auch ohne uns. Verschlungene Äste, Falten in einem Gesicht, der Weg der
Würmer im Holz alter Möbel – alles wird zum Zeichen und erinnert an die Visionen Novalis’: „Mannigfache Wege gehen
die Menschen. Wer sie verfolgt und vergleicht, wird wunderliche Figuren entstehen sehn; Figuren, die zu jener großen
Chiffernschrim zu gehören scheinen, die man überall, auf Flügeln, Eierschalen, in Wolken, im Schnee, in Kristallen und in
Steinbildungen, auf gefrierenden Wassern, im Innern und Äußern der Gebirge, der Pflanzen, der Tiere, der Menschen, in
den Lichtern des Himmels, auf berührten und gestrichenen Scheiben von Pech und Glas, in den Feilspänen um den
Magnet her, und sonderbaren Konjunkturen des Zufalls, erblickt.“ Die Umwelt wird in den Träumereien des
geistesabwesenden Betrachters zu etwas Planvollem, das verschiedenste Formen annimmt. Der Palais de Tokyo möchte
sein Imaginäres Museum der Zeichnung nutzen, um zu zeigen, wie die Künstler mit ihren Erfindungen, die für diese
gewagten Konjunkturen empfänglich sind, am großen Bilderspiel der Welt teilnehmen. Mit den Werken von Davide
Balula, Hicham Berrada, Marc Couturier, Sai Hua Kuan, Runo Lagomarsino, Rainier Lericolais, Patrick Neu, Karine
Sander…
Jean de Loisy & Katell Jaffrès, Palais de Tokyo
Presse mappe I Seite 8

Mit den Werken von :
Davide BALULA
Hicham BERRADA
Marc COUTURIER
Sai Hua KUAN
Runo LAGOMARSINO
Rainier LERICOLAIS
Patrick NEU
Karine SANDER
...
Hicham Berrada, Un serpent dans le ciel, 2008
HD video of a performance with a balloon, 1m 3 of helium, a brass pendulum mechanism, a homemade smoke bomb and a fuse
Courtesy Hicham Berrada & Galerie Dominique Fiat, Paris
Marc Couturier, Redressement, tondo, 2009
Plughole, diameter 11,3 cm. Courtesy Marc Couturier
Runo Lagomarsino, Crucero del Norte, 1976-­‐2012
24 exposed photographic papers, framed, 17,8 x 24 cm each
Lena and Per Josefsson collec-on, Sweden
Presse mappe I Seite 9

DRAWING TALKS
Zum zweiten Mal organisiert DRAWING NOW PARIS eine Vortragsreihe über den Begriff der zeitgenössischen
Zeichnung. Sammler, Kuratoren, Konservatoren und Künstler nehmen an diesen TALKS teil, um über aktuelle
Themen im Zusammenhang mit der Zeichnung zu deba…eren.
Donnerstag, den 11. April um 17 Uhr: Ein Regionalfonds für zeitgenössische Zeichnung – warum?
Anlässlich des 30. Jubiläums der Regionalfonds für zeitgenössische Kunst (FRAC) wird der FRAC Picardie
vorgestellt, der ausschließlich der zeitgenössischen Zeichnung gewidmet ist.
Moderator: Jean-­‐Christophe Castelain, Chefredakteur des Journal des Arts.
Freitag, den 12. April um 17 Uhr: Gibt es eine zeitgenössische Zeichnung in der Schweiz?
Was bringen die Schweizer Zeichner dieser Kunsporm abgesehen von einer grafischen Tradi^on?
Moderator: Olivier Kaeser, Co-­‐Direktor des Schweizer Kulturzentrums in Paris.
Samstag, den 13. April um 17 Uhr: Die Zeichnung im kunsthandwerklichen Prozess
Zierde? Modell, krea^ve Idee? Welche Rolle spielen die zeitgenössischen Künstler im Kunsthandwerk?
Moderator: Guy Boyer, Chefredakteur von Connaissance des Arts.
Sonntag, den 14. April um 12 Uhr: Wann kommt bei GraffiY und Street Art die Zeichnung zum Zuge?
Die grafische Geste ist grei‡ar, aber ist die Zeichnung an anderen Etappen der Krea^on präsent?
Moderator: Arnaud Oliveux, Auk^onator bei Artcurial, spezialisiert auf den Verkauf von zeitgenössischer
Kunst und Street Art.
NEU!
Zum Thema Zeichnung … Künstlergespräche. Philippe Piguet
Donnerstag, den 11. April, 12 Uhr: Jérome Zonder
Freitag, den 12. April, 12 Uhr: Damien Deroubaix
Sonntag, den 14. April, 17 Uhr: Françoise Pétrovitch
Vortrag von Bre_ Li_man, Direktor des DRAWING CENTER New York
Samstag, den 13. April um 12 Uhr
BreT LiTman präsen^ert die neue Philosophie der Programmgestaltung und die kuratorischen
Entscheidungen über die nächsten Ausstellungen und die Entwicklung des Drawing Centers.
Presse mappe I Seite 10

Der Preis DRAWING NOW
Im driTen aufeinanderfolgenden Jahr wird der Preis DRAWING NOW einem Künstler unter 50 Jahren
verliehen, dessen Werk auf dem Stand einer Galerie im Rahmen eines Focus präsen^ert wird. Der Preisträger
wird vom Auswahlkomitee der Messe unter Leitung von Philippe Piguet, begleitet vom Sammler Nicolas Libert
und von Jean Papahn für die SOFERIM, ausgewählt.
Der Künstler oder die Künstlerin erhält eine Dota^on in Höhe von 5.000 Euro aus dem von Soferim
unterstützten Fonds für zeitgenössische Zeichnung sowie ein luxuriöses Geschenk von FABER-­‐CASTELL den in
limi^erter Auflage herausgegebenen Jubiläumskoffer „250 Jahre FABER-­‐CASTEL“.
Liste der 56 nominierten Künstler:
Jean-­‐Louis Aroldo I Galerie Frédéric Lacroix, Stephan Balleux I La Galerie Par^culière, Brian BeloT I Galerie
Zürcher -­‐ Paris -­‐ New York, Abdelkader Benchamma I agnès b. / galerie du jour, Yifat Bezalel I Gowen
Contemporary, Clarina Bezzola I KATZ CONTEMPORARY, Sarah Bridgland I Patrick Heide Contemporary, James
Brooks I galerie laurent mueller, Vincent Broquaire I XPO Gallery, Zachary Bruder I Show Room Gallery, Kirill
Chelushkin I Galerie Rabouan Moussion, Elisabeth S.Clark I Galerie Marie Cini, Carlos Contente I Bendana I
Pinel Art Contemporain, David Coste I Galerie Françoise Besson, Marsha CoTrell I Petra Rinck, Ayako David-­‐
Kawauchi I POLAD-­‐HARDOUIN, Dominique De Beir I Galerie Réjane Louin, Marcel van Eeden I Galerie In Situ /
Fabienne Leclerc, Myriam El Haïk I Galerie Vincenz Sala, Vanessa Fanuele I Galerie Lucie Weill & Seligmann,
Patrick Gabler I Bernard Jordan Paris/Berlin/Zürich, Jana Gunstheimer I Galerie Römerapotheke Zürich, Steven
C. Harvey I NOSBAUM&REDING, Bénédicte Henderick I Galerie Catherine Putman, Silas Inoue I SOD Gallery,
Baktash-­‐Sarang Javanbakht I J.P. Ritsch-­‐Fisch Galerie, Jan Kopp I Galerie Eva Meyer, Shawn Kuruneru I
Blackston, Thierry Lagalla I Galerie Bertrand Baraudou, Gabriel Leger I Galerie Sator, Mohamed Lekle^ I
Galerie DX, Frédérique Loutz I Galerie Claudine Papillon, Emma McNally I Trinity Contemporary, Emi Miyashita
I THE RUNNING HORSE, Richard Müller I Galerie La Ferronnerie -­‐ BrigiTe Négrier, Simon Pasieka I Galerie Éric
Mircher, Julio Pastor I Galerie With Tsjalling, Françoise Petrovitch I Semiose Galerie, Guillaume Pinard I Galerie
Anne Barrault, Agathe Pi^é I Galerie Metropolis, Mauro Piva I El Museo/Fernando Pradilla, Didier RiTener I
Galerie Lange+Pult, Lionel SabaTé I Patricia Dorfmann, Julien Serve I Galerie Analix Forever, Derek Sullivan I
Emmanuel Hervé, Claire Tabouret I Galerie Isabelle Gounod, Emma Talbot I Kusseneers Gallery, The Kid I ALB
ANOUKLEBOURDIEC, Susanne Themlitz I Galerie Houg, Steve Veloso I Gourvennec Ogor, Christos Vene^s I TinT
Gallery, Vuk Vidor I Mazel Galerie, Davor Vrankić I A.L.F.A., BrigiTe Waldach I Galerie Conrads, Zhao Xuebing I
Hadrien de Monperrand Gallery, Jérôme Zonder I Galerie Eva Hober
Presse mappe I Seite 11

Highlights
DRAWING NOW VIDÉO stellt Ihnen eine neue FaceTe der zeitgenössischen Zeichnung vor: ein gemeinsam mit
dem DRAWING CENTER New York gestaltetes tägliches Videoprogramm.
Sans Ytre, Abdelkader Benchamma, Thomas DuTer et Frank Rabeyrolles I agnès b. / galerie du jour, Paris
The Cat and Chicken They Go Swimming, William Tyler I Crea^ve Growth, Oakland, Paris
Double World, MaThias Beckmann I galerie laurent mueller, Paris
GPS/memoscapes, Maria Loizidou I Galerie Maria Lund, Paris
Glass House, Thomas Leon I Galerie Metropolis, Paris
Three Hands, Myriam El Haik I Galerie Vincenz Sala, Paris, Berlin
Drawing Audrey, James Mylne I Hadrien de Monperrand Gallery, Beijing
UnYtled, UnYtled, Rikke Benborg I SOD Gallery, New-­‐York
Part from a dramaYc story, Nikos Papadimitriou I TinT Gallery, Thessalonique In the Woods
Mountain, Vincent Broquaire I XPO Gallery, Paris, Londres
Jeden Tag wird im Carrousel du Louvre im Rahmen von DRAWING IN PROCESS ein anderer Künstler dem
Publikum seine Herangehensweise an die Schaffung einer zeitgenössischen Zeichnung verraten.
Mi_woch, 10. April
Myriam El Haïk : “S^ll working”, performance I Galerie Vincenz Sala, Paris
Donnerstag, 11. April
Charles Derenne I agnès b. / galerie du jour
Freitag, 12. April
Studenten des Zeichenateliers der Ecole na^onale supérieure des Beaux-­‐Arts de Paris unter Leitung von
Bernard Moninot und Gilgian Gelzer von der Ecole na^onale supérieure des Beaux-­‐Arts de Paris.
Samstag, 13. April
Valen^n Van der Meulen I galerie ALB Anouklebourdiec, Paris
Presse mappe I Seite 12

Liste der präsen-erten Künstler I REFERENCE
A.L.F.A
Director : Aude Lamorelle
Gallery crea^on’s year: 2002
www.galeriealfa.com
contact@galeriealfa.com
+33 1 43 26 33 56
12 rue de l’Echaudé
75006 Paris
Davor Vrankic, Home Varia'ons. Mine de plomb sur papier, 4 dessins de 200 x 140 cm. Courtesy Galerie A.L.F.A.
Focus ar^st : Davor Vrankic, born in 1965
Others ar^sts exhibited on the booth: Mathieu Dufois, Chris^ne Guinamand, Jim Shaw, Tom Wesselmann
Presse mappe I Seite 13

galerie du jour
agnès b
Director : Sébas^en Ruiz
Gallery crea^on’s year: 1984
www.galeriedujour.com
jour@agnesb.fr
+33 1 44 54 55 90
44 rue Quincampoix
75004 Paris
Abdelkader Benchamma, Pile (Without regret), 2009. Felt pen and ink on paper, 190 x 130 cm © Abdelkader Benchamma, Courtesy galerie du jour agnès b
Focus ar^st : Abdelkader Benchamma, born in 1975
Others ar^sts exhibited on the booth: Hugues Reip, Frédéric Bruly Bouabré, Franck Rezzak, Tantra, Vyakul,
JenCri, Jared Buckhiester, Julien Langendorff, Hiraku Suzuki
Prices of the works: from 1 500 € to 2 000 €
« I wanted to open a gallery to showcase what I like. We say « gallery » but we could say a place to show
what's behind and the other side of things, to show pain^ngs, sculptures, photography and in the same ^me,
every ^me, trying to invent new ways for pictures to circulate and stand within the reach of all: sketches,
stencils, serigraphs, engravings, etc. » agnès b., 1984
Opened in November 1984, the galerie du jour exhibits and supports the artwork of painters, visual ar^sts and
photographers such as: Kenneth Anger, Frédéric Bruly-­‐Bouabré, Lucien Hervé, Seydou Keïta, Thierry Lefébure,
Jonas Mekas , Ryan McGinley, J. D. Okhai Ojeikere, Harmony Korine, Paul Seawright, Malick Sidibé, Massimo
Vitali, Acharya Vyakul, Seydou Keita, Abdelkader Benchamma.
Abdelkader Benchamma's drawings are inspired by visual stories arised by thoughts about space and its
physical reality, the limits and impacts with our minds. His drawings operate from diversions and modula^ons
on the objects, demonstra^ng possible malfunc^ons in our rela^onship with others and things. It's all about
considering objects as sculptures and spaces as poten^el objects. Shid in the reality, intrusion of the invisible,
small disasters, oral escapings form the basis of Abdelkader Benchamma's work.
This ar^st has been selected by Phaidon to be part of the eagerly awaited book Vitamin D that will take the
inventory of a hundred of the main ar^sts in contemporary drawing.
Presse mappe I Seite 14

Galerie Analix
Forever
Director : Barbara Polla
Gallery crea^on’s year: 1991
www.analix-­‐forever.com
analix@forever-­‐beauty.com
+41 22 329 17 09
Rue de Hesse
2 1204 Genève,
Suisse
Julien Serve, Nuit Glaciale et redoux annoncé, 2013
Dessin : encre sur papier, 30 x 40 cm / Papier peint : impression N/B sur papier, dimensions variables © l’ar-ste et Analix Forever
Focus ar^st : Julien Serve, born in 1976
Others ar^sts exhibited on the booth: Mounir Fatmi, Robert Montgomey, Emmanuel Régent, Adrian Schindler
Presse mappe I Seite 15

Galerie Anne
Barrault
Director : Anne Barrault
Gallery crea^on’s year: 1999
www.galerieannebarrault.com
info@galerieannebarrault.com
+33 1 44 78 91 67
22 rue Saint-­‐Claude
75003 Paris
Guillaume Pinard, un'tled, 2011. Ink on paper. Courtesy galerie anne barrault
Focus ar^sts : Guillaume Pinard, born in 1971 and Yuichi Yokoyama, born in 1967
Presse mappe I Seite 16

Bendana | Pinel Art
Contemporain
Director : Juan Carlos Bendana-­‐
Pinel
Gallery crea^on’s year: 2008
www.bendana-­‐pinel.com
galerie@bendana-­‐pinel.com
+33 1 42 74 22 97
4 rue du Perche
75003 Paris
Carlos Contente, Ego an' Ego, 2011. Graphite, felt, acrylic on paper, 42 x 30 cm © Courtesy Bendana | Pinel Art Contemporain
Focus ar^st : Carlos Contente, born in 1977
Others ar^sts exhibited on the booth: Giulia Andreani, Steven Le Priol, Cinthia Marcelle
Prices of the works: 2 000 €
Carlos Contente creates a dialogue between the impact of urban art and the in^macy of reading a poe^c text
while maintaining the authen^city of each respec^ve worlds. The ar^st researches the intersec^on between
the word and the drawing. He mul^plies his fields of inves^ga^on and circulates between tradi^onal media
such as canvas or confronts more drama^cal surfaces such as the wall. Always present in the work of
Contente, is his alter ego ; a self-­‐portrait that the ar^st reproduces and defines as a metaphor of his
consciousness. Rearranging the environment, he plunges into a world he did not choose, he can only adapt, or
reject the change.
Opened in 2008, the gallery Bendana | Pinel Art Contemporain is located in the Marais district in central Paris.
Since its crea^on, the gallery’s mission is to introduce emerging and mid-­‐carreer french and interna^onal
ar^sts through a very diversified program including all different supports. The interna^onal scope of the
gallery is characterized by its associa^on and coopera^on with foreign galleries to develop common ar^s^c
projects. Once a year, a « carte blanche » is proposed to a collector so as to present the works of young ar^sts
that have never before shown in a gallery space. With its interna^onal voca^on, the gallery intends to be a
bridge between cultures and in doing so initate a dialogue between the crea^ve expressions of the ar^sts it
represents.
Presse mappe I Seite 17

Chris^an Berst
Director : Chris^an Berst
Gallery crea^on’s year: 2005
www.chris^anberst.com
contact@chris^anberst.com
+33 1 53 33 01 70
3-­‐5, passage des gravilliers
75003 Paris
Lubos Plny, un'tled, 2010. Collage, Indian ink and acrylic on paper, 33.07 x 23.62 inches © courtesy of galerie Chris-an Berst
Focus ar^st : Lubos Plny, born in 1961
Others ar^sts exhibited on the booth: Dan Miller, Giovanni Bosco, Rosa Cazhur, Melvin Way
Prices of the works: from 550 € to 15 000 €
Art Brut defiantly resists assimila^on by the disciples of absolute primi^vism and the upholders of triumphant
high culture. Rather, it lies in the zones of fric^on between these two tectonic plates, where what seem on
the surface to be distant con^nents overlap in the depths, raising the stakes of the challenge to the usual
cartography of art. The territory of Art Brut is one of destabiliza^on and new founda^ons. It forces us to
invent new tools to think of art, se…ng aside dogma^sm and lazy intellectual reflexes. This is the guiding
principle driving the work of the Galerie Chris^an Berst, which has been a leading promoter of Art Brut for
seven years.
Presse mappe I Seite 18

Galerie Bertrand
Baraudou
Director : Bertrand Baraudou
Gallery crea^on’s year: 2008
www.galeriebaraudou.com
bertrand@galeriebaraudou.com
+33 9 53 47 41 62
62 rue st Sabin
75011 Paris
Thierry Lagalla, La reprise (en aHendant), 2012
Acrylic and pencil on paper, 80 x 60 cm © Thierry Lagalla, Courtesy Galerie Bertrand Baraudou
Focus ar^st : Thierry Lagalla, born in 1966
Others ar^sts exhibited on the booth: Thierry Agnone, Pauline Mar^net & Zoé Texereau, Stéphane Pro^c,
Emmanuel régent, Karine Rougier, Stéphane Steiner
Prices of the works: from 1 000 € to 6 000 €
Located at the edge of the Marais, the Galerie Bertrand Baraudou follows on from two other venues,
established respec^vely in 2004 and 2008: the Espace à vendre in Nice and Le Cabinet in Paris.
Forward-­‐looking and drawing on the experience gained through these first two venues, it brings together up-­and-­‐coming
and renowned ar^sts, both French and interna^onal.
The gallery regularly takes part in a number of French and interna^onal contemporary art fairs. It publishes
and supports the publica^on of ar^sts' catalogs and monographs.
Presse mappe I Seite 19

Galerie Françoise
Besson
Director : Françoise Besson
Gallery crea^on’s year: 2004
hTp://francoisebesson.com
contact@francoisebesson.com
+33 4 78 30 54 75
10 rue de Crimée
69001 Lyon
David Coste, Disjonc'on, view above the airport, 2012
lead pencil on vinci paper 300Gr, 130 x 110 cm © David Coste -­‐ Courtesy galerie Françoise Besson
Focus ar^st : David Coste, born in 1971
Others ar^sts exhibited on the booth: Daniel Clarke, Awena Cozannet, Chantal Fontvieille, Frédéric Khodja,
Clément Montolio, Jean Xavier Renaud, Franz Schimpl Daniel Tillier
Prices of the works: from 600 € to 6 000 €
Presse mappe I Seite 20

Galerie Chan^ers
Boîte Noire
Director : Chris^an Laune
Gallery crea^on’s year: 2003
www.leschan^ersboitenoire.com
info@leschan^ersboitenoire.com
+33 6 86 58 25 62
1 rue Carbonnerie
34000 Montpellier
Chris-an Lhopital, When the night falls, I cry, 2012. Graphit powder and color pencils, 77,5 x 112 cm © ADAGP, Paris 2013 Chris-an Lhopital
Focus ar^st : Chris^an Lhopital, born in 1953
Others ar^sts exhibited on the booth: Mïrka Lugosi, Gilles Balmet
Prices of the works: from 1 000 € to 6 000 €
Compulsive mania ? Internal deconges^on ? painful distor^ons of a deviant imagina^on ? a spirit of enraged
regression ? No. Just a huge appe^te for forms, born out of what Henri Michaux called « the adventure of
being Alive ». In this sense, Chris^an Lhopital’s drawings are endlessly astounding, stunning, fascina^ng. The
unstable magne^c field in which they proliferate, replicate, oscillate or vibrate like tuning forks leaves neither
the eye nor the tongue uns^mulated. M. Abbou
Exhibi^ons (selec^on) :
2013 Splendor and desola'on, cabinet d’arts graphiques, Musée d’Art Moderne, Saint-­‐E^enne
2011 11e Biennale de Lyon, A terrible beauty is born, Commissaire Victoria Noorthoorn, suivie de Aire de
Lyon, Fundacion Proa, Buenos Aires, Argen^na.
2011 Cabinet de dessins, Hommage America/Europa, Drawing in the Age of Fragility, commissaire Lóránd
Hegyi, Villa Versiliana, Pietrasanta (Lucca) Italie.
2009 Sélest’art 2009, Biennale d’art contemporain, The weird, the strange and the incongruous, curator
Philippe Piguet, Sélestat.
2008 The Enigma remains, Musée d’art contemporain de Lyon.
2005 Recidivism, curator Eric Brunier, Casino Luxembourg, forum d'art contemporain, Luxembourg.
2005 Castle enchanted, curator Chris^an Bernard, Fonda^on Salomon, Château d'Arenthon, Alex.
2003 Bad state, wall drawing, dans le cadre de Eau et gaz à tous les étages MAMCO, Genève, Suisse.
Presse mappe I Seite 21

Galerie Jean Brolly
Director : Jean Brolly
Gallery crea^on’s year: 2001
www.jeanbrolly.com
galbrolly@wanadoo.fr
+33 1 42 78 88 02
16 rue de Montmorency
75003 Paris
David Scher, Scene II, The Fish, 2012. Ink on paper, 50 x 64 cm © Courtesy Galerie Jean Brolly
Focus ar^st : David Scher, born in 1952
Others ar^sts exhibited on the booth: Mathieu Cherkit, Benjamin Swaim, David TremleT
Prices of the works: from 400 € to 5 000 €
David Scher is a New Yorker, prolific and mul^ faceted ar^st : musician, poet, painter and drawer, David
Scher's output is profuse, and varied, striking a teetering balance between the everyday and the
extraordinary, oden^mes exposing both quali^es in the same obscure character or situa^on. Disparate
elements emerge, as fragmentary as memory. Muted colors, gestures that gently seduce, all coalesce, imbued
with an irra^onal humor, a dadaist absurdity.
" I think that I drew before knowing how to speak ", declares David Scher.
David Scher was born in 1952 in Saint Louis (Missouri).He lives in Marseille for 3 years.
Presse mappe I Seite 22

Galerie C
Director : Chris^an Egger
Gallery crea^on’s year: 2011
www.galeriec.ch
info@galeriec.ch
0041 32 724 16 26
0041 79 414 00 15
Esplanade Léopold Robert 1a
2000 Neuchâtel, Suisse
Guy Oberson, Other Tomorrows (The Hero), 2012. Black chalk on paper, 60 x 90 cm © Galerie C
Focus ar^st : Guy Oberson, born in 1960
Others ar^sts exhibited on the booth: Edwige Fouvry, Stéphanie Jeannet, Ayako David Kawauchi
Prices of the works: from 1 200 € to 4 000 €
Guy Oberson lives and works in Fribourg CH and in Berlin DE
The drawings in black lead pencil by Guy Oberson strike by a destruc^ve dynamism accentuated by the
blackness of the stroke, the whiteness of the light, and always by the ver^cal lines that sweep across the
paper giving rise to a screen through which the fascinated eye has to fray its way. By intensely studying those
landscapes, those figures or those portraits they dematerialize to evoke corresponding spiritual images,
interior spaces, just as if our fears or our aspira^ons find themselves perfectly expressed.
Faced by these visions of a drama^zed nature, black lead is also exploited to realise huge drawings that hit us
in an unstoppable spiral that goes from interior rupture to renouncement. Yet again, the spectator is struck
by the network of lines that trouble percep^on of the figures or the landscapes to the extent that the more
one approaches the work the more the surfaces and the curves drown themselves and the contours loose
themselves un^l, before his very eyes, the subject disembodies to become an imaginary landscape modelled
by a dim light. C. Schuster Cordone
Events 2012-­‐2013:
Performance in the studio of the cineaste Jennifer Alleyn, Montreal Canada (September 2012)
Collec^ve exhibi^on “The landscape in all its facets” Musée de Charmey, Switzerland, 16.09-­‐11.11.2012
Collec^ve exhibi^on, « VERSO » Musée suisse du Vitrail à Romont, Switzerland, autumn 2013
Collec^ve exhibi^on, « Portraits », Galerie C, Neuchâtel, Switzerland, September 2013, with Guy Oberson,
Mingjun Luo, Grégory Cumins, Li Xiaofei and Gérard Alary
Presse mappe I Seite 23

CONRADS
Directors : Walter Conrads
and Helga Weckop-­‐Conrads
Gallery crea^on’s year: 1992
mail@galerieconrads.de
+ 49 211 323 0720
Lindenstr. 167
40233 Duesseldorf
Brigipe Waldach, Dark Side, 2012. Graphit, pigmentpen and Gouache on handmade paper, 195 x 141 cm © ar-st and CONRADS, Duesseldorf
Focus ar^st : BrigiTe Waldach, born in 1966
Others ar^sts exhibited on the booth: Judith Braun, Jana Gunstheimer, Ulrike Heydenreich, herman de vries
Prices of the works: from 1 000 € to 21 000 €
Among numerous prominent private collec^ons BrigiTe Waldach´s art works are collected by Alber^na,
Vienna, Aros Museum, Aarhus (Denmark), AxaArt, Cologne, Berlinische Gallery, Museum for Contemporary
Art, Berlin, Fonda^on Francés, Senlis /Paris, Elton John Collec^on.
Presse mappe I Seite 24

CREATIVE GROWTH
Directors : Tom Di Maria /
Gaëla Fernandez
Gallery crea^on’s year: 1974
www.crea^vegrowth.org
gaela@crea^vegrowth.org
+33 6 67 91 73 66
355 24th Street Oakland
CA 94612 USA
Dan Miller, Un'tled, 2012. Acrylic and pen on paper, 145 x 107 cm © Crea-ve Growth Art Center
Focus ar^st : Dan Miller, born in 1961
Others ar^sts exhibited on the booth: Dwight Mackintosh, Donald Mitchell, William ScoT, William Tyler
Prices of the works: from 500 € to 8 000 €
Crea^ve Growth is the oldest and largest art center for mentally and physically disabled adults. Founded in
the 70s, when the de-­‐ins^tu^onaliza^on revolu^on was taking place in Northern California, a couple—an
ar^st and psychologist—did an experiment and opened up their home with art supplies to a small group of
people. More than 35 years later, Crea^ve Growth now has over 150 ar^sts that come weekly to create art.
In the large open space studio, there are several worksta^ons—ranging from drawing, woodwork, ceramics,
rug making, and video produc^on—as a way to s^mulate crea^vity and promote individual expression.
Contrary to art therapy, the ar^sts that come to Crea^ve Growth are not directed in their art and do not
receive treatment from our staff.
Several of our ar^sts have aTained interna^onal acclaim and are recognized as quintessen^al outsider ar^sts.
Works by certain of our ar^sts have been acquired by the MOMA in NYC, the Musée d’Art Brut in Lausanne,
the Lille Modern Art Museum (LAM), the Museum of Everything in London, the ABCD Collec^on in Paris, etc.
Presse mappe I Seite 25

Galerie Patricia
Dorfmann
Director : Patricia Dorfmann
Gallery crea^on’s year: 1990
www.patriciadorfmann.com
galerie@patriciadorfmann.com
+33 1 42 77 55 41
61 rue de la Verrerie
75004 Paris
Lionel Sabapé, Le flamboyant projet, 2012. Soot, acrylic and dust on paper, 65 x 50 cm
© Lionel Sabapé. Courtesy Galerie Patricia Dorfmann, Paris
Focus ar^st : Lionel SabaTé, born in 1975
Others ar^sts exhibited on the booth: Bap^ste Debombourg, Artus de Lavilléon
Prices of the works: from 1 200 € to 5 000 €
Lionel SabaTé works across a broad range of media, including pain^ng, drawing, sculpture and anima^on.
Oden his ideas and realiza^ons are the result of spontaneous or improvised processes reminiscent of the
postwar COBRA movement or early twen^eth-­‐century Dadaist techniques such as assemblage. Predominant
in his work is the idea of re-­‐use: whether it is an outdated mo^f, organic detritus such as skin and nails, or
ignored materials like dust, he uses concepts and materials as a sign of the passing of ^me and as a way of
ques^oning ar^s^c prac^ces.
In his provoca^ve and playful work, SabaTé oden uses materials that are refreshingly unusual, be it in their
ordinariness or their poten^al to shock or surprise.
Similarly the ar^st is aTracted to dust as a material since it contains within it evidence of the passing of ^me.
Largely made up of hair and dead skin, dust in the home or other interior spaces is the result of a con^nual
process of regenera^on (human beings renew all their cons^tuent cells in around a month) and as such
contains a strong existen^al dimension. Using dust carefully gathered from Châtelet-­‐Les Halles metro sta^on,
where large crowds congregate every day, SabaTé incorporates it into his work, forming it into a series of
drawings and other figures. He chose this place to collect the dust as, in his own words, ’a huge number of
people pass through there every day. Paris is also the most tourist-­‐orientated city in the world, so in view of
both of these facts, this dust is the most amazing collec^on of par^cles led behind by living people! It’s a
poe^c way of collec^ng a wide social and gene^c sample.
Presse mappe I Seite 26

GALERIE D.X
Director : Mme Dulucq
www.galeriedx.com
galeriedx@gmail.com
+33 5 56 23 35 20
10 place des Quinconces
33000 Bordeaux
Mohamed Lekle-, Double-­‐I, 2012. Mixt technique on paper, 150 x 110 cm © Mohamed Lekle-
Focus ar^st : Mohamed Lekle^, born in 1965
Others ar^sts exhibited on the booth: Bernard Ouvrard, Soly Cissé, JOFO, Richard Texier, Gérard Alary
Prices of the works: from 500 € to 5 000 €
The works of Mohamed Lekle^ are representa^ons of men, women, and real objects, and at first glance one is
engaged by the accurate, genius, energe^c, and even blistering graphics, within a thema^c of that of
movement. However, a closer look reveals, the subjects depicted: bodies violently coiled around each other,
women heckled, unbalanced monumental forms, cycles launched in infernal races, all of which at first are
perceived as being real and seem to par^cipate in a somewhat gigan^c chaos. It is not insignificant that the
ar^st thus forces us to go beyond the immediate apparent and enter a universe of nonsense, struggle and
con^nuous imbalances, a true nightmare, the very image of the world that we par^cipate in. Through his
virtuosity the ar^st describes both the powers and the fragility of life.
Situated in the heart of Bordeaux, close to the Allées de Tourny and the Grand Théâtre, the magnificent
ar^s^c sphere that is la Galerie D.X can be found which came about in the space of a few years to bring
together the enthusiasts and lovers of contemporary art.
The Gallery holds temporary exhibi^ons of major interna^onal ar^sts (Richard Texier, Antoni Clavé, Antoni
Tapies, Vladimir Velickovic, ZaoWou Ki, ...etc) and young plas^c ar^sts (Sarah Garzoni , Pedro Marzora^,
Gwen Marseille...etc)
At the same ^me as these individual exhibi^ons, the gallery has a permanent stock of a range of original
works and contemporary prints (Antoine Schneck, Sênet, Alain Ballereau, Philippe Croq, Sylvain Polony, Tony
Soulié, Mozart Guerra,…etc)
Presse mappe I Seite 27

Galerie Eric Dupont
Director : Eric Dupont
Gallery crea^on’s year: 1997
www.eric-­‐dupont.com
info@eric-­‐dupont.com
+33 1 44 54 04 14
138 rue du Temple
75003 Paris
Damien Cabanes, Un'tled, 2012. Gouache on paper 31 x 25 cm © Courtesy Galerie Eric Dupont, Paris
Focus ar^st : Damien Cabanes, born in 1959
Others ar^sts exhibited on the booth: Clément Bagot, Taysir Batniji, Didier Mencoboni, Yazid Oulab
Prices of the works: from 1 200 € to 7 000 €
We will show a set of gouaches on paper of Damien Cabanes, revealing his interest in human figure. It always
embodies under a vigorous and energe^c line, strong, muted or vivid colours.
These gouaches highlight the way he works, all at once in urgency and under long days of pose, when he is
trying to consume his rela^on to the model through evolu^ons and infinite progressions around a same
character, a same a…tude or a same presence in the space.
His wish is to keep « the wonder of the first sight on the model ». Damien Cabanes realizes his gouaches with
rapidity, according to the immediacy of a defini^ve and expressive gesture, opening and including all at the
same ^me. Thus, the gouaches seem to be open to liberty of the sense and the sensa^ons. It is less the
anecdote, the appearance or the psychology of his models – always named by their first name -­‐ but their
power, their presence and their uniqueness to being human that is transcribing Damien Cabanes. « Those are
not the feeling of the model that I express but mine » he says.
Born in 1959, Damien Cabanes is a painter, drawer and sculptor. Graduated in 1983 in the Ensb-­‐a in Paris, he
is part of the nominated at the Marcel Duchamp award in 2011. A retrospec^ve is devoted to him in 2011 in
the Musée d’art moderne of Saint-­‐E^enne; in 2009, his recent works were showed at the Salomon
Founda^on. His works are part of many public and private collec^ons in France and abroad.
Presse mappe I Seite 28

El Museo
Fernando Pradilla
Director : Fernando Pradilla
Gallery crea^on’s year:
Fernando Pradilla, 2001
El Museo, 1987
www.galeriafernandopradilla.com
gfp@galeriafernandopradilla.es
+34 91 575 4804
C/ Claudio Coello, 20., 28001 Madrid, España
www.galeriaelmuseo.com
info@galeriaelmuseo.com
+57 1 610 7301
Carrera 11 # 93A-­‐43
Bogotá D.C. Colombia
Mauro Piva, Mariniere, Serie Manos pintadas, 2012
Watercolor and graphite on paper, 31,8 x 21,8 cm © Galería Fernando Pradilla / Galería El Museo
Focus ar^st : Mauro Piva, born in 1977
Others ar^sts exhibited on the booth: Starsky Brines, Manuel Calderón, Sebas^án Camacho, Juan Francisco
Casas, Moisés Mahiques
Prices of the works: from 1 200 € to 11 000 €
In his works is clearly delineated the scope of issues that the ar^st is interested in discussing. Human figures
alone or in couples, oden described in whole or fragmented, as it was impossible to recognize them. Even
when developing intact, these bodies do not have characteris^cs in their faces, and therefore not facial
expressions that can not be dis^nguished. They are immersed in environments that are described only in a
small fragment of a white background reminiscent of desert landscapes.
Presse mappe I Seite 29

Galerie
la Ferronnerie
Director : BrigiTe Négrier
Gallery crea^on’s year: 1991
www.galerielaferronnerie.fr
bn.ferronnerie@gmail.com
+33 1 78 01 13 13
40, rue de la Ferronnerie
75011 Paris, France
Richard Müller, Winterzeichnung Randen 4, 2012. Pencil on paper, mounted on cardboard, 72 x 96 cm © galerie la Ferronnerie, Paris
Focus ar^st : Richard Müller, born in 1967
Others ar^sts exhibited on the booth: Frédéric Coché, Félix Pinquier, Delphine Pouillé, Marie-­‐Amélie-­‐Porcher,
Jus^n Delareux
Prices of the works: from 400 € to 3 800 €
Richard Müller (Scha¢ausen, Switzerland, 1967)
Since his studies at the Na^onal School for Art in Paris (1991-­‐93), drawing has been an important and constant
prac^ce in Richard Muller’s art work.Using as a star^ng point for his artwork printed maTers and images from
real landscapes, he modifies them so that to create new images through various process of transforma^on.
This change happens when he switches from one medium to another. So that a postcard changes to a
drawing,a drawing becomes an installa^on, a video s^ll transforms into a wall-­‐drawing. It’s inside this ‘game’
organized with image and media rules that Richard Muller’s drawings raise the status of images percep^on.
Presse mappe I Seite 30

Jean Fournier
Director : Élodie Rahard
Gallery crea^on’s year: 1954
www.galerie-­‐jeanfournier.com
info@galerie-­‐jeanfournier.com
+33 1 42 97 44 00
22 rue du Bac
75007 Paris
Frédérique Lucien, Anonyme, 2011-­‐2012. Charcoal on paper, dimensions variables © Alberto Ricci
Focus ar^st : Frédérique Lucien, born in 1960
Others ar^sts exhibited on the booth: Stéphane Bordarier, Pierre Buraglio, Nathalie Elemento, Gilgian Gelzer,
Claire-­‐Jeanne Jézéquel, Pierre Mabille, Jean François Maurige, Peter Soriano, Claude Tétot, Emmanuel Van der
Meulen
Prices of the works: from 600 € to 20 000 €
Presse mappe I Seite 31

Fruehsorge
Contemporary Drawings
Director : Jan-­‐Philipp Fruehsorge
Gallery crea^on’s year: 2003
www.fruehsorge.com
mail@fruehsorge.com
+49 30 280 95 282
Heidestr. 46-­‐52
10557 Berlin, DE
Corinne Laroche, Points de hasard -­‐ 05/08/2012, 2012. Felt -p pen on bloSng paper, Diptych, 30 x 125 cm © Corinne Laroche
Focus ar^st : Corinne Laroche, born in 1957
Others ar^sts exhibited on the booth: Nadine Fecht, Claude Heath, Ulrich Kochinke, Astrid Köppe, Ben
Kruisdijk, Valen^n Emil Lubberger, Thomas Müller
Prices of the works: from 850 € to 14 000 €
fruehsorge contemporary drawings was founded by art historian and art cri^c Jan-­‐Philipp Fruehsorge in 2003
as the only gallery in Germany which exclusively focuses on the presenta^on and promo^on of this par^cular
medium. In our sixth year of par^cipa^on in the fair, we are very pleased to present you french ar^st Corinne
Laroche.
Corinne Laroche lives and works in Paris and Berlin. Her work has recently been shown in various exhibi^ons
in Paris at galerie laurent mueller : « Correspondances : Mar^n Barré, James Brooks, Corinne Laroche », in
Villefranche de Rouergue in Atelier Blanc : « Once upon a ^me... » and also at the Centre for Recent
Drawing (C4RD) in London and in Berlin at fruehsorge contemporary drawings: « Anschlüssel -­‐ Berlin/London
». Presently, she takes part in the exhibi^on « System und Sinnlichkeit » ( « System and sensuality ») at the
Kupfers^chkabineT Berlin (Museum of Prints and Drawings).
Laroche’s work traces an experience of the gesture and of temporality with the grid as a structure of
reference. The ar^st hachures squares or creates points by satura^ng the paper with ink. The simplicity of the
chosen gestures that she describes as « poor gestures », in the sense of the « minimum », allows her to focus
on the ^me elapsing.
Presse mappe I Seite 32

Galerie 9ème Art
Director : Bernard Mahé
Gallery crea^on’s year: 1999
www.galerie9art.com
contact@galerie9art.com
+33 1 42 80 50 67
4 rue Cretet
75009 Paris
Frank Miller, Sin City, Hell & Back n° 4, Couverture, 1999. Indian ink and pencil on paper, 42,2 x 29,1 cm © 2013 FMI –All right reserved
Focus ar^st : Frank Miller, born in 1957
Others ar^sts exhibited on the booth: Rébecca Dautremer
Prices of the works: from 3 000 € to 15 000 €
Located in the historic Montmartre district of Paris, Gallery 9 Art has exhibited and offered comic art since the
1980s. The Gallery has par^cipated in many world-­‐ wide exhibi^ons (Moebius-­‐Transe-­‐Forme at the Fonda^on
Car^er, Tarzan exhibi^on at the Quai Branly, the Archi BD, la ville dessinée at the Cité de l’architecture) in
France and in ins^tu^ons as far away as Japan (Charles Schulz’s exhibi^on), the United States and Europe.
Presse mappe I Seite 33

Galerie Houg
Director : Romain Houg
Gallery crea^on’s year:
1998
www.galeriehoug.com
romain@galeriehoug.com
+33 6 61 38 11 89
Susanne Themlitz, À L'Ombre des Nuages en Fleurs (#01), 2012. Graphite, oil and watercolor on paper, 115 x 102 cm © Galerie Houg / Susanne Themlitz
Focus ar^st : Susanne Themlitz, born in 1968
Others ar^sts exhibited on the booth: Eric Manigaud, Cris^ne Guinamand, Mathias Schmied, Patrice Mor^er,
Jemima Burrill
Prices of the works: from 250 € to 8 500 €
In Themlitz’s work, such moods are drawn from a memory archive that is more photographic than filmic: a
sequence of s^lls, snapshots of recollected condi^ons. These are then re-­‐invoked through elaborate, if
precarious, mises-­‐en-­‐scène: tableaux incorpora^ng made figures, bought objects, photographs, films and
drawings, s^cks and vegeta^on, pieced together into a habitat fit for the imaginary lives that populate it.
These habitats are always far removed from the slick or the urban, drawing us into a world that binds rural
custom to the lives of animals themselves.
(…)
What Themlitz gives us a natural history of drowsiness, one that highlights the transient rela^onship between
fixity and lightness, rootedness and flight. Here is poten^ality precariously captured. And if indeed, it is in our
sleep that we reconnect with both our creatureliness and our humanity, The State of Drowsiness works to
keep both at tantalizing arm’s length.
Presse mappe I Seite 34

Galerie Réjane
Louin
Director : Réjane Louin
Gallery crea^on’s year: 2008
www.galerierejanelouin.fr
rejane.louin@gmail.com
+33 2 98 79 36 57
19 rue de l' église
29241 Locquirec
Dominique De Beir, Face, 2007. Perfora-ons, paper, wax, 40 x 60 cm © Nicolas Pfeiffer
Focus ar^st : Dominique De Beir, born in 1964
Others ar^sts exhibited on the booth: Claude Briand-­‐Picard, Marine JoaTon, Christophe Robe
Prices of the works: from 600 € to 6 000 €
Dominique De Beir uses unusual tools to cover paper supports with perfora^ons. She pursues the vital energy
of her crea^ve process and impulsive acts without constraints un^l the surface itself disappears for the
benefit of its own depth. By the repe^^ve and relentless character of her ac^ons, the ar^st gives to her work
a ritual and choreographic dimension.
2012 Domaine de Kerguehennec, Bignan
Pélagiques#4, Les Misfits, Musée des Beaux-­‐Arts de Dunkerque
2011 Le papier à l'oeuvre, Musée du Louvre, installa^on salle de la Chapelle
2009 Le soleil se lève aussi, galerie des Urbanistes, Fougères
Le noir est-­‐il un chiffre ? Musée Géo-­‐Charles, Echirolles
Parlez-­‐vous le braille ?, FRAC Haute-­‐Normadie, SoTeville les Rouen
Off the wall, Lennon Weinberg Gallery, New York
Presse mappe I Seite 35

Galerie Isabelle
Gounod
Director : Isabelle Gounod
Gallery crea^on’s year: 2004
www.galerie-­‐gounod.com
contact@galerie-­‐gounod.fr
+33 1 48 04 04 80
13, rue Chapon
75003 Paris
Claire Tabouret, 2012 – 12 – 02, Self-­‐portrait, 2012. Indian ink on rice paper, 49 x 33 cm © Galerie Isabelle Gounod
Focus ar^st : Claire Tabouret, born in 1981
Others ar^sts exhibited on the booth: Isabelle Lévénez, Thomas Lévy-­‐Lasne, Jérémy Liron, Maude Maris,
Catherine Melin, Aurore Pallet, Michaële-­‐Andréa SchaT
Prices of the works: from 900 € to 4 000 €
It was during her recent residency in Beijing that Tabouret decided to make self-­‐portraits, her ideas on the
genre paralleling her interest in water, and star^ng with these words by Japanese novelist Yoko Tawada :
« Eighty percent of the human body is made of water, so it isn’t surprising that one sees a different face in the
mirror each morning. » Every morning, Tabouret looks into herself to find this inconstant face, working in
Indian ink on extremely fine rice paper. Like her pain^ngs, these self-­‐portraits are washes of existence : the
ink is laid down, the paper drinks and the forms of an always shiding face are deposited on the surface.
Iden^ty is a territory to be explored, the place of an incomprehension, of an essen^al androgyny. Thus all her
self-­‐portraits, which are at once repe^^ve and dissonant, form a great wall of images: the mul^ple faces are
overlaid and become one.
Léa Bismuth, “Intoducing Claire Tabouret” in Artpress n°392, sept. 2012
Presse mappe I Seite 36

Patrick Heide
Contemporary Art
Directors : Patrick Heide/
Mar^na Fortuni
Gallery crea^on’s year: 2007
www.patrickheide.com
info@patrickheide.com
+44 2077245548
11 Church Street
London NW8 8EE
Sarah Bridgland, The Grain store, 2011
Found image, balsa wood, paper, card, enamel paint, glue, 38,4 x 43,6 x 6,5 cm © Sarah Bridgland
Focus ar^st : Sarah Bridgland, born in 1982
Others ar^sts exhibited on the booth: Isabel Albrecht, David Connearn, Karoly Keserü, Pius Fox, Thomas
Müller
Prices of the works: from 700 € to 5 000 €
Part of the Breeder program of the gallery, Sarah Bridgland is working mainly with three-­‐dimensional collage.
The graduate from the Royal College of Art in London combines cut-­‐outs from books and old magazines with
drawn imagery and found objects to create in^mately scaled paper sculptures or mixed media collages. Ideas
of deconstruc^on from pre-­‐war art movements are coupled with the associa^ve energy of Dada collaging and
then fused with the playfulness of contemporary mixed media installa^ons or even origami, to result in
seemingly chao^c mindscapes of our disjointed universe.Sarah Bridgland’s imagery plays with our visual
memory, recomposing its tracks and traces in a kaleidoscopic manner. The Bri^sh ar^st lays out a vision of a
fragmented globalized world that finds its equilibrium more and more as a macrocosmic system while
stressing the importance and beauty of the details overlooked.
Presse mappe I Seite 37

Galerie Eva Hober
Director : Eva Hober
Gallery crea^on’s year: 2004
www.evahober.com
galerie@evahober.com
+33 1 48 04 78 68
35/37 rue Chapon
75003 Paris
Jerome Zonder, Perspec've 1, 2012. Graphite and charcoal on paper, 59 x 59 inches. Courtesy galerie Eva Hober
Focus ar^st : Jérôme Zonder, born in 1974
Others ar^sts exhibited on the booth: Pauline Bastard, Ka^a Bourdarel, Damien Cadio, Lucie Chaumont,
Gregory Forstner, Maike Freess, Myriam Mechita
Prices of the works: from 1 000 € to 15 000 €
Established since 2004 in the Marais, Galerie Eva Hober moved in 2011 into larger premises close to the
Centre Pompidou, thus reinforcing its place into the Parisian landscape of the more dynamic spaces. This year
at Drawing Now, the gallery will focus on Jérôme Zonder, an essen^al ar^st of today’s scene and whose
notoriety keeps increasing. He is known for his large formats lead pencil drawings called “Jeux d’enfants”. The
whole stand will be dedicated to him on the day of the opening of the show (11 April 2013) as an introduc^on
to the big exhibi^ons he is preparing for the Parvis in Tarbes, the Lieu Unique in Nantes, and the Maison
Rouge in Paris. The opening of Drawing Now will also be an opportunity to launch the monographic catalogue
of the ar^st.
The following days, whilst s^ll focusing on Zonder, half of the stand will be featuring a collec^on of previously
unseen drawings by the following ar^sts : Pauline Bastard, Ka^a Bourdarel, Damien Cadio, Gregory Forstner,
Maike freess and Myriam Mechita, each of them has really exci^ng news this year.
Presse mappe I Seite 38

In situ / Fabienne
Leclerc
Director : Fabienne Leclerc
Gallery crea^on’s year: 2001
www.insituparis.fr
galerie@insituparis.fr
+33 1 53 79 06 12
6, rue du pont de Lodi
75006 Paris
Marcel van Eeden, Un'tled # 20, 2012. Black and red pencil on paper, 56 x 76 cm © Marcel van Eeden
Focus ar^st : Marcel van Eeden, born in 1965
Others ar^sts exhibited on the booth: Mar^n Damman, Damien Deroubaix, Mark Dion
Prices of the works: from 1 900 € to 30 000 €
In Situ, created by Fabienne Leclerc in 2001, had joined up with the galleries’ associa^on of the Louise Weiss
Street in the 13th urban district of Paris, and now she leaves this district to the 06th Saint Germain, in Paris.
In Situ Fabienne Leclerc Gallery has the ambi^on to promote young ar^sts in the French and the Interna^onal
art scene, as well as to support beTer known ar^sts on the long run. So many ar^sts of the Galerie des
Archives, created by Fabienne Leclerc in 1989 and closed in 1998, con^nue to collaborate with In Situ
Fabienne Leclerc Gallery : Gary Hill (USA), Mark Dion (USA), Patrick Corillon (Belgium), Patrick Van
Caeckenbergh (Belgium), Lynne Cohen (USA), Andrea Blum (USA), Florence Paradeis (France).
From 2001, new ar^sts, French or not, have joined up with the gallery: Bruno Perramant (France), Damien
Deroubaix (France), Laurent Tixador (France), Renaud Auguste-­‐Dormeuil (France), Joana Hadjithomas et Khalil
Joreige (Lebanon), Subodh Gupta (India), Noritoshi Hirakawa (Japan), The Blue Noses (Russia), Patrick Tosani
(France), Mar^n Dammann (Germany) , and this year Meschac Gaba (Benin) and Marcel Van Eeden
(Netherlands).
Presse mappe I Seite 39

GALERIE CATHERINE
ISSERT
Director : Catherine Issert
Gallery crea^on’s year: 1976
www.galerie-­‐issert.com
info@galerie-­‐issert.com
+33 4 93 32 96 92
2 route des Serres
06570 Saint-­‐Paul
Jean-­‐Charles Blais, Un'tle (18 10 11), 2011. Gouache on paper, 105,5 x 85,5 cm © François Fernandez
Focus ar^st : Jean-­‐Charles Blais, born in 1956
Others ar^sts exhibited on the booth: Jean-­‐Michel Albérola, Pierre Descamps, François Morellet, Anne Pesce,
Gérard Traquandi, Claude Viallat, Ta^ana Wolska
Prices of the works: from 900 € to 12 000 €
Since 1981, the gallery is fully involved in Jean-­‐Charles Blais’s pain^ng.
The choice of this ar^st for DRAWING NOW PARIS 2013 is strenghtened by his upcoming exhibi^on-­retrospec^ve
(16 03 13 > 09 06 13) organised by the Picasso Museum in An^bes. The Museum will published a
catalog.
We are all familiar with Jean-­‐Charles Blais’ pudgy, faceless characters, with the bodies or landscapes which
deliberately espouse the chance shapes of torn posters, with the black ink silhoueTes. Such works ques^on
the no^on of iden^ty, and our own rela^on to the body: when Blais creates an object that becomes a work of
art, he typically ques^ons maTer, and consequently our body, and mortality.
Blais plays back and forth with what is tangible and what is not, what is real and what is only a representa^on,
what is true and what is an illusion. Though the torn posters are very concrete, they have only been
borrowed, and bear another, hidden, picture, than the one the ar^st has painted on it. Both happy and
unseTling, Blais’ works oden offer a front and a recto, a visible element and a hidden one, a right side and a
reverse side -­‐ for example in his highly emblema^c and exquisitely sewn clothes-­‐works. Just as oden, his
works remain indefinable: neither posters nor pain^ngs, neither garments nor sculptures, neither gouaches
nor collages. What the ar^st is hiding from us, what he refuses to reveal, and because he is refraining from
imposing on us his subs^tute for the truth, paradoxically enables us to approach what is essen^al.
Presse mappe I Seite 40

Galerie Bernard
Jordan – Berlin/Paris/Zurich
Director : Bernard Jordan
Gallery crea^on’s year: 1984
www.galeriebernardjordan.com
galerie.bernardjordan@orange.fr
+33 1 42 77 19 61
77 rue Charlot, 75003 Paris
+41 43 322 01 81
Zwinglistrasse 33
8004 Zurich
Patrick Gabler / Henri Jacobs, Exhibi-on view Gabler/Jacobs at Galerie Jordan/Seydoux Drawings & Prints Berlin, 2012 © Galerie Jordan/Seydoux Drawings & Prints Berlin
Focus ar^sts : Patrick Gabler, born in 1967 and Henri Jacobs, born in 1957
Others ar^sts exhibited on the booth: Gabriele Chiari, Mamadou Cissé, Philippe Compagnon, Paul van der
Eerden, Nanne Meyer, Guillaume Millet, Vaclav Pozarek, Elmar Trenkwalder
Prices of the works: from 800 € to 6 000 €
Presse mappe I Seite 41

Galerie Kahn
Director : Georges-­‐Michel
Kahn
Gallery crea^on’s year: 1997
www.galeriekahn.fr
galerie.kahn@free.fr
+33 1 58 60 18 58
258 rue Marcadet, 75018 Paris
13 route de Mouillebarbe
17590 Ars en Ré
Joël Ducorroy, The Fardier, Series " The unknown ar-sts of Joël Ducorroy, 2009. License plate and graphite on paper, 40 x 80 cm © Patrick Parchet
Focus ar^st : Joël Ducorroy, born in 1955
Others ar^sts exhibited on the booth: Joseph Beuys, Charles Dreyfus, Marcel Duchamp, Robert Filliou, Gérald
Panighi, Jean-­‐Luc Parant, Michel Rabanelly, Ben Vau^er
Prices of the works: from 500 € to 6 000 €
Presse mappe I Seite 42

KATZ
CONTEMPORARY
Director : Frédérique HuTer
Gallery crea^on’s year: 2008
www.katzcontemporary.com
info@katzcontemporary.com
+41 44 212 22 00
Talstrasse 83
8001 Zürich, Suisse
Clarina Bezzola, Relaxing, 2009. Gouache and pencil on paper, framed, 23 x 30.5 cm © Courtesy the ar-st and KATZ CONTEMPORARY, Zurich
Focus ar^st : Clarina Bezzola, born in 1970
Others ar^sts exhibited on the booth: Piotr Dluzniewski, Feipel & Bechameil, Patrick Graf, Veronika Holcová,
Alain Huck, Elisabeth Llach, Frédérique Loutz, Anke Röhrscheid, Marianna Uu^nen, Sandra Vasquez de la
Horra, Stéphane Zaech
Prices of the works: from 1 700 € to 6 800 €
KATZ CONTEMPORARY was founded and ini^ated by Frédérique HuTer in 2008 and concentrates primarily on
contemporary art. The gallery shows on the one hand emerging ar^sts, where their support and promo^on is
an essen^al goal, and on the other, ar^sts who already have established on the interna^onal scene. Thus, one
of the aspects of the program is to confront works by young ar^sts with those of established names, ranging
from pain^ng, drawing, installa^on to photography. Besides this, the gallery intends to regularly invite
prominent ar^sts from abroad and give them the opportunity to have a solo show, most oden for the first
^me in Switzerland.
Clarina Bezzola (*1970, in Zurich, lives and works in New York, USA) studied at Parsons School of
Design, New York, un^l 1995. Her works have been exhibited in numerous solo and group exhibi^ons, for
instance at Kunsthalle Wien, Schirn Kunsthalle Frankfurt or the Na^onal Museum of Art in Trinidad. Her
performances have been shown interna^onally as well, most recently in Zurich, Vienna, Istanbul and New
York. In 2012 Bezzola’s work was shown in the solo exhibi^on „Fressen und gefressen werden“ at KATZ
CONTEMPORARY. On the occasion of the exhibi^on Bezzola showed two performances in Zurich, „The Lady
with a thousand Faces“ and „When I Walk Alone in the Streets“.
Presse mappe I Seite 43

Bernhard Knaus Fine
Art
Director : Bernhard Knaus
Gallery crea^on’s year: 2001
www.bernhardknaus-­‐art.de
knaus@bernhardknaus-­‐art.de
+49 171 44 20892
Niddastrasse 84
60329, Frankfurt
Allemagne
Harald Kröner, Cut #9, 2012. Ink, lacquer, collage on paper, framed, 45 2/3 x 65 1/3 inches © Bernhard Knaus Fine Art, Frankfurt and Harald Kröner
Focus ar^st : Harald Kröner, born in 1962
Others ar^sts exhibited on the booth: Albrecht Schnider, Robert Zandvliet, Jerry Zeniuk
Harald Kröner presents new large format coloured ink drawings from his series 'Cut' along with a group of
much smaller works ^tled SchniTzeichnungen (sec^onal drawings).
Although different in size and appearance -­‐ the theme of 'cu…ng' unites both bodies of work. Like the edi^ng
process in filmmaking, 'cut', is used to generate 'footage'-­‐like material to be used later and determines what
will eventually be seen or not.
Kröner's star^ng point are two painted sheets of paper: A large backdrop within which a semi-­‐transparent
sheet is cut into strips and reversed so both painted sides face one another.
The mirrored painted sides generate a form of osmosis which challenges the ar^st to discover a new balance
between chance and control. Who can know if beauty will (re)appear between the poles of chaos and order.
The process allows for liTle forethought and the results unpredictable -­‐ it's impossible for the ar^st to
envisage what the semi-­‐transparent sheet will produce once flipped. The pieces represent disrup^on, disorder
and chaos that develop into more complex alignments. Kröner is interested in outwi…ng foresight and
challenging the viewer's percep^on.
In comparison to the series `Cut´ the small sec^onal drawings are austere. Most of the pieces contain a single
horizontal red line that has been manifolded and subdued by cuts, flips and overlappings. The pieces evoke a
desire to look below the surface, to explore with the eyes -­‐ to lid the veil. Despite the ostensible simplicity
they keep their secret as accomplished visual poems.
Presse mappe I Seite 44

GALERIE MARTIN
KUDLEK
Director : Mar^n Kudlek
Gallery crea^on’s year: 1999
www.kudlek.com
art@kudlek.com
+49 221 729667
Schaafenstrasse 25
50676 Cologne, Germany
Jonathan Callan, Leader, 2012, 28 x 21 cm © Courtesy Galerie Mar-n Kudlek, Cologne
Focus ar^st : Jonathan Callan, born in 1961
Others ar^sts exhibited on the booth: Alexander Gorlizki, Lucie Beppler, Thomas Böing, Ellen Keusen, Hella
Berent
Prices of the works: from 750 € to 14 000 €
In his works on paper Jonathan Callan erases and polishes the surface of colored magazine pages and
develops a new aesthe^c and poe^c level. SilhoueTes of people and objects are worked out on the white
polished background. Surface and material play a central role in Jonathan Callan’s works. Basis of his work are
founded objects like books and photographs, which he modifies with destroying procedures and creates new
objects with new seman^c levels.
Callan was born 1961 in Manchester and studied at Goldsmiths College of Art and at the Slade School of Fine
Arts. His works can be found worldwide in collec^ons of the Museum of Modern Art New York, Bri^sh
Museum, Henry Moore Ins^tute, High Museum Atlanta, Leopold Hösch Museum Düren, Princeton University
Art Museum, Progressive Collec^on Ohio and other European and American private collec^ons.
Jonathan Callan currently lives and works in London.
Presse mappe I Seite 45

Kusseneers Gallery
Director : Paul Kusseneers
Gallery crea^on’s year: 2003
www.kusseneers.com
info@kusseneers.com
0032 475651109
Menenstraat 10
1080 Brussels
Emma Talbot, Walsall Hotel, 2011. Watercolor on paper, 24 x 30 cm © Emma Talbot & Kusseneers Gallery
Focus ar^st : Emma Talbot, born in 1969
Others ar^sts exhibited on the booth: David Godbold, Rik Smits
Prices of the works: from 500 € to 5 000 €
Following the death of her husband, Emma Talbot started making these simplis^c and pared back images of
her life with him. These images are storytelling at its purest and most honest, however this is more akin to
filmmaking. The layouts, the repe^^ve imagery, the close-­‐ups, long shots, cuts and edits involve you in the
way that narra^ve cinema can. Like any great Hollywood movie, Emma Talbot has included elements not
necessarily connected with the primary narra^ve, characters and events that set the historical context. It is
this aTen^on to detail that elevates her work to another level. At ^mes it feels slightly intrusive as the work is
so personal.
Emma Talbot (1969, Worcestershire) lives and works in London and has exhibited in the UK, Belgium, France,
Germany, Italy, Finland, Australia and the USA. Talbot has been shortlisted for the John Moores Pain^ng Prize
2012, and her work will feature in ‘The Power of Paper’ at the Saatchi Gallery. Her recent exhibi^ons include:
Kusseneers Gallery, Antwerp / the-­‐solo-­‐project 2012, Basel / The Jerwood Drawing Prize, London / New Art
Gallery, Walsall / Transi^on Gallery, London / Hales Gallery, London / Kate MacGarry Gallery London. Talbot’s
work is included in major public and private collec^ons.
Presse mappe I Seite 46

La Galerie
Par^culière
Directors : Guillaume Foucher &
Frédéric Biousse
Gallery crea^on’s year: 2008
www.lagaleriepar^culiere.com
info@lagaleriepar^culiere.com
+33 1 48 74 28 40
16 rue du Perche
75003 Paris
Stephan Balleux, Operatoire, 2012. Watercolor on paper © Stephan Balleux. Courtesy La Galerie Par-culière
Focus ar^st : Stephan Balleux, born in 1974
Others ar^sts exhibited on the booth: Ethan Murrow, Anne Lise Broyer, Laurent Millet
If I had to choose a statements, which would come closest to describing how I feel, I would choose a
statement of Buddha : « The clouds do not disappear, they transform into rain », both because it seems the
most generic, and because I have objec^ons about the other two. What could pass for a quote from an
almanac (and which is one as well) throws a light on one of my fascina^ons: the passage from one state to
another, then to another, then to another… Every object perceived is only that at a moment of its existence,
just as the one perceiving it is too. I feel close to the fact that this summarizes nicely the arrangement of the
elements in my work (each of which is the result of transforma^on from one logic to another), and by
extension, what I hope to get from existence: to con^nuously see new things from every part of my vision.
Stephan Balleux
Presse mappe I Seite 47

Galerie Frédéric
Lacroix
Director : Frédéric Lacroix
Gallery crea^on’s year: 2008
www.galeriefredericlacroix.com
info@galeriefredericlacroix.com
+33 1 44 61 70 71
13, Rue Chapon
75003 Paris, France
Jean-­‐Louis Aroldo, Car crash, 2011/2012
Graphite and colored pencil, 112 x 77 cm © Jean-­‐Louis Aroldo & Galerie Frédéric Lacroix
Focus ar^st : Jean-­‐Louis Aroldo, born in 1967
Others ar^sts exhibited on the booth: Guillaume Mary, E^enne Leroy, Thomas Sabourin, Thomas Salet
Prices of the works: from 700 € to 4 000 €
Jean-­‐Louis Aroldo ( FR ), born in 1967, draws and paints.
By culling most of his iconographic stockpile from the realm of film, Jean-­‐Louis Aroldo relies on preexistent
imagery. In the guise of a model, the media-­‐based image (magazines and personal photos as well) sets up a
screen between the ar^st and reality.
Therefore his drawings interrogates space limits inside the frame and what is off-­‐screen, out-­‐of-­‐frame.
Pain^ng monography edited by FRAC Auvergne in 2011.
Solo show at the Gallery in April 2013.
Presse mappe I Seite 48

Galerie Lange + Pult
Director : Stefano Pult
Gallery crea^on’s year: 2007
www.langepult.com
info@langepult.com
+41 44 212 2000
Limmatstrasse 291
CH-­‐8005 Zürich
Didier Ripener, N° 364, 2012. Pencil on tracing paper, 29,7 x 21 cm © Didier Ripener
Focus ar^st : Didier RiTener, born in 1969
Prices of the works: from 2 000 € to 10 000 €
Galerie Lange + Pult, founded in 2007 by Céline Lange and Stefano Pult is situated in the Löwenbräu Areal in
Zurich.
Whilst being especially interested in new posi^ons of conceptual art and neo-­‐pop tendencies, the gallery
program is focused on three-­‐dimensional and installa^ve art.
Next to suppor^ng already established ar^sts, such as Lilian Bourgeat, Mathieu Mercier, Gerold Miller and
Olivier Mosset, the gallery also aTaches importance to build-­‐up and establishment of young ar^sts from
Switzerland and abroad, such as Hadrien Dussoix, John Aaron Frank, Delphine Reist and Felix Schramm.
For its first par^cipa^on at Drawing Now, Galerie Lange + Pult will present a powerful solo show by Swiss
ar^st Didier RiTener (born in 1969, lives and works in Lausanne). Since the beginning of his ar^s^c prac^ce,
RiTener builds up a personal, poe^c collec^on of drawn images and texts he takes out from art history,
literature or the press. By constantly remixing formal vocabularies that percolate up from our collec^ve
memory, RiTener creates references and cultural quota^ons that telescope into one another, elabora^ng a
universal and resolutely contemporary visual language.
In 2011, Didier RiTener held a solo show at the Mamco, Geneva.
Presse mappe I Seite 49

Galerie Lelong
Directors : Jean Frémon,
Daniel Lelong
Gallery crea^on’s year: 1981
www.galerie-­‐lelong.com
info@galerie-­‐lelong.com
+33 1 45 63 13 19
13 rue de Téhéran
75008 Paris
Wolfgang Laib, The cobra snakes are coming out of the well at night, 2010. Pencil and oil pastel on paper , 52 x 42 cm. Courtesy Galerie Lelong, Paris
Focus ar^st : Wolfgang Laib, born in 1950
Others ar^sts exhibited on the booth: Pierre Alechinsky, Barry Flanagan, David Nash, Jaume Plensa, Kiki Smith,
Barthélémy Toguo, Jan Voss
Prices of the works: from 2 500 € to 50 000 €
Wolfgang Laib is well known for his use of wax, pollen and milk in pure, simple shapes which are oden
inspired by oriental cultures. They invite to medita^on. Ader medical school and many trips to India he
creates his first Milkstones in the seven^es, and starts working with pollen.
He par^cipates to Documenta Cassel in 1982 and the same year he represents Germany at the Venice
Biennale. In 1984 he creates his first Houses of Rice and starts using bees wax in 1987 to make sculptures in
the shape of triangles or boats. In 1993 the Bonn Kunstmuseum holds a significant retrospec^ve exhibi^on of
his work. Ader traveling to Mesopotamia, China, Korea, he has a show at Carré d’Art in Nîmes in 1999, then
starts working on the Waxroom -­‐ La Chambre des Cer^tudes, a cave in the Pyrénées mountains which he
covers with bees wax. In 2005 and 2006 the MACRO in Rome and Beyeler Founda^on in Basel host important
exhibi^ons of his work, as well as the Reina Sofia museum in Madrid in 2007. The Grenoble Museum
organizes in 2008 the biggest retrospec^ve to-­‐date in France. Between January and March 2013, an exhibi^on
at MoMA New York features a large square made with hazelnut pollen which Laib collected over the past
twelve years.
Wolfgang Laib’s drawings bear the same energy as the sculptures. Elementary shapes with bright colors, made
of yellow or red oil pastel, refer to pollen and wax while they are opposed to thin pencil lines.
Presse mappe I Seite 50

Galerie Chris^an
Lethert
Director : Chris^an Lethert
Gallery crea^on’s year: 2006
www.chris^anlethert.com
info@chris^anlethert.com
+49 221 3560590
Antwerpener Str. 4
50672 Cologne
Jill Baroff, Floa'ng Line Drawings (Scissorkick), 2011
Oil pastel on Japanese Gampi paper, 81 x 81 cm © Galerie Chris-an Lethert, Cologne
Focus ar^st : Jill Baroff, born in 1954
Others ar^sts exhibited on the booth: Nelleke Beltjens, Imi Knoebel, Daniel Lergon
Prices of the works: from 2 000 € to 7 500 €
The drawings by New York based ar^st Jill Baroff (born in 1954) unite conceptual coherence with a high
sensi^vity towards materials. Par^cularly concise are the circular “Tide Drawings” on Japanese Gampi paper.
The hypno^c form of the lines circling a common center is given a precise content and mo^va^on. The “Tide
Drawings” are the visual transla^on of the ^de levels at various coastal loca^ons over various periods of
observa^on. The ar^st takes hundreds and hundreds of measurements from the Internet, and using a
compass, transfers them onto paper so that respec^vely individual paTerns of concentra^on come about. In
other words: the diachronic sequence of the ^de levels is put into a synchronic visual form. Like waves of
water emana^ng outwards, or the growth rings of trees, the op^cally vibra^ng “Tide Drawings” show us the
passage of ^me. In doing so, the circular form indicates more the cyclic no^ons of ^me in Asian cultures than
the linear western no^on, and it is in keeping with the perpetual repe^^ve changes of ebb and flow
connected with the lunar cycle.
Presse mappe I Seite 51

ERIC LINARD
GALERIE
Director : Eric Linard
Gallery crea^on’s year: 1988
www.ericlinardedi^ons.com
infos@ericlinardedi^ons.com
+33 4 75 04 44 68
Le Val des Nymphes
26700 La Garde
Adhemar
Bernard Quesniaux, The terrorist, 2012. Drawing with collage, 19 x 14 cm. Courtesy Eric Linard Galerie
Focus ar^st : Bernard Quesniaux, born in 1953
Others ar^sts exhibited on the booth: Marie-­‐Claude Bugeaud, Gérard Titus Carmel, Emmanuel Regent
Prices of the works: from 500 € to 3 000 €
In a quiet area, called « Val des Nymphes » at la Garde Adhemar, in the Drôme Provençale, Eric Linard has
opened two galleries dedicated to contemporary art, in a former spinning silk factory.
Ader 42 years as a print art Publisher, Eric LInard is also dedica^ng himself in showing in his galleries na^onal
and interna^onal contemporary ar^sts.
In the main gallery, are organised 5 personal exhibi^ons per year.
The second gallery is specialized in limited édi^on prints exhibi^ons. More than 140 ar^sts are presented
using all the contemporary art prints technics.
Presse mappe I Seite 52

GALERIE MARIA
LUND
Director : Maria Lund
Gallery crea^on’s year: 1999
www.marialund.com
galerie@marialund.com
+33 1 42 76 00 33
48 rue de Turenne
75003 Paris
Maria Loizidou, Pelage, 2012. Crocheted metal thread, 130 x 60 x 50 cm © Maria Loizidou et Galerie Maria Lund
Focus ar^st : Maria Loizidou, born in 1958
Others ar^sts exhibited on the booth: Min Jung-­‐Yeon et Peter Neuchs
Prices of the works: from 1 000 € to 10 000 €
For DRAWING NOW PARIS 2013 Maria Loizidou is exhibi^ng a body of drawings, volumes and a video en^tled
Tout est possible (Everything is possible), on the theme of memory and our percep^on of reality.
Her drawings Memoscapes describe the landscape of memory. However the fragile paper is not merely used
for drawing, but for also the construc^on of tridimensional works, which create an illusion of solidity.
Oppositely, the volumes made out of hard and cold metal (Pelage -­‐ visual) become as flexible and delicate as
the line of a drawing. The ar^st describes this work as an "inside-­‐out glove retaining the shape of a hand. Its
crea^on allows one to travel through a lengthy thought-­‐process that follows the ^me and rhythm of its
making. It is a vessel, therefore, of thoughts on art and life."
The GPS Memoscapes video subtly relates the core basis of art-­‐making, -­‐ the use of colour, the tracing of a
line -­‐ to image and words in order to describe the rela^onship between art and existence… The film ends with
the op^mis^c yet ambiguous sentence "Tout est possible" (“Everything is possible”).
Cypriot ar^st Maria Loizidou has par^cipated in many interna^onal exhibi^ons (Venice Biennial – 1986, Cairo
Biennial – 2010, Benaki Museum in Athens – 2008, Musée d’art moderne de Saint E^enne Métropole – 2010,
the Na^onal Museum of contemporary art in Thessalonica – 2010, BOZAR museum in Brussels – 2012).
Promo^ng works on paper has been at the heart of the Gallery Maria Lund’s ac^vity since 2006. Many of our
ar^sts are featured in public French collec^ons.
Presse mappe I Seite 53

LWS
Director : Victor Mendès
Gallery crea^on’s year: 1930
www.galerielws.com
info@galerielws.com
+33 1 43 54 71 95
6 rue Bonaparte
75006 Paris
Vanessa Fanuele, My Bags, 2010. Mixed media on paper, 32 x 24 cm © Vanessa Fanuele
Focus ar^st : Vanessa Fanuele, born in 1971
Others ar^sts exhibited on the booth: François Génot, Anne-­‐Laure Sacriste, Isabelle Taourel, Soo Young Jin
Prices of the works: from 300 € to 5 000 €
Located at the heart of Saint-­‐Germain-­‐des-­‐Prés, close to École des Beaux-­‐Arts, the Lucie Weill & Seligmann
(LWS) gallery was established in 1930 by Lucie Weill. Strengthened by its history, the gallery remains true to
its philosophy: promo^ng contemporary ar^sts.
Since its origin, the gallery has mainly focused on distribu^ng works on paper and suppor^ng ar^sts through
publica^ons of illustrated catalogues. Nowadays, the gallery regularly works with independent exhibi^on
curators in order to bring a cri^cal eye on works of collabora^ng ar^sts.
The program alternates with collec^ve and individual exhibi^ons, giving exposure to works of French ar^sts,
but also interna^onal, covering domains as diverse as photography, drawing, video or installa^on.
In January 2012, Victor Mendès, who was formerly in charge of PHOTO4 gallery, became director of the LWS
gallery. A new showroom was inaugurated during the The same but different exhibi^on, in memory of Charles
Zalber. At the same moment, a new ar^s^c path was launched.
Following to this renewal, the LWS gallery would like to confirm this energy and this curious desire which
became recently some of its characteris^cs, by highligh^ng new works of ar^sts collabora^ng with the gallery
as well as more recent findings, by discovering new talents.
Presse mappe I Seite 54

Galerie Mar^ne &
Thibault de La Châtre
Director : Mar^ne de La Châtre
Gallery crea^on’s year: 1997
www.lachatregalerie.com
contact@lachatregalerie.com
+ 33 1 42 71 89 50
4 rue de Saintonge
75003 Paris
Glen Baxter, Un'tled, 2012. Ink and Coloured pencils on paper, 57 x 77 cm © galerie mar-nethibaultdelachâtre
Focus ar^st : Glen Baxter, born in 1944
Others ar^sts exhibited on the booth: Valérie Du Chéné, Benjamin Hochart, Olivier NoTellet, Achraf Touloub
Prices of the works: from 500 € to 5 000 €
Glen Baxter was born in Leeds in 1944. Painter and draughtsman, mainly it is his graphic work that made him
known, in the United States at first, in Great Britain, in the Nordic Countries and in France where he exhibits
regularly. By 1970, he creates a formula of legended drawings, became his shape of usual expression,
diver^ng the imaginary of 30s teenagers books. Decora^ng his drawings « old fashion » by delirious
comments, he obtains hilarious shid effects.
Explorer with colonial hat, students with blazer, cricket players, drinkers of tea, or cowboys is the ordinary
heroes of Glen Baxter. Stemming from popular narra^ves of the 30s and 40s, these characters are placed in
absurd and extravagant situa^ons, in which they remain impassive. He legend this images in a " very
journalis^c style, very in dish, describing absolutely fantas^c events. " (Télérama 1998) in reference to
Raymond Roussel.
Cowboys confronted with the Modern Art, English Pupils who " transform the meals of school canteen into
authen^c food ", popular culture heroes’ parodies, such are the themes of Glen Baxter's preference. All the
heroes of childish mythology are presents. But Glen Baxter address to the adults, intending his images to our
unconscious.
Glen Baxter cites gladly his sources: Lewis Carroll, Buffalo Bill, Tom Mix, George Herriman and those he
admires: Jarry, Queneau, Raymond Roussel, BeckeT, MagriTe, Chirico, Desnos, Man Ray …
Presse mappe I Seite 55

HANS MAYER
DÜSSELDORF
Director : Hans Mayer
Gallery crea^on’s year: 1965
www.galeriemayer.de
galerie@galeriehansmayer.de
+49 (0)211 132 135
2 Grabbeplatz
40213 Düsseldorf
Jürgen Klauke, Entlang der Cioran Linien Sheet 34, 2012
Indian ink on calenderd paper, (sa-niertes Papier), 40,8 x 31,5 cm © courtesy galerie Hans Mayer, Düsseldorf
Focus ar^st : Jürgen Klauke, born in 1943
Drawings by Jürgen Klauke, a rare presenta^on in Paris
Curator : Caroline Smulders
If Jurgen Klauke's drawings oden appear similar to photography, it takes but a few minutes aTen^on, to
realize that they speak of an in^mate nature which can only be directly ^ed to their medium. Inscribed in
notebooks, maintained on a daily basis, the small drawings and conceptual studies that appeared in the 70's,
reinforce this impression of a strictly private character, as if they were in^mate nota^ons from a daily
personal diary. Not intended for the larger public, they can almost not be exhibited. Nevertheless, drawing as
such retains an essen^al posi^on in Klauke's work. It is this medium which establishes the simplest, the most
direct link with his ideas. Playing on themes and mo^fs which have their origin in his observa^on of the
unconscious, of dreams and the shadows of distant recollec^ons, through mul^ple varia^ons, he makes his
ideas visible, as if they were photographic sequences transposed to another domain. We could go further as
to the significance of drawing in Klauke's overall work and wonder whether, with its neutral background and
the absence of any spa^al reference, this way of staging photographic work might not even signify a rejec^on
of space as an ar^s^c preoccupa^on – might not speak for a submission to stricter rules, with an economy of
means whose origins are in the drawings themselves.
As though armed with a camera, Klauke the graphic ar^st isolates mo^fs that are similar to those of
photography and then places these shapes and figures on paper, in a way that is inspired by Vian,
Lautreamont, Bataille, Klossowski, Artaud, Celine and Genet.
Presse mappe I Seite 56

Mazel Galerie
Director : Patrick Mazel
Gallery crea^on’s year: 2010
www.mazelgalerie.com
contact@mazelgalerie.com
0032 2 850 29 28
22 Rue Capitaine Crespel
1050 Bruxelles, Belgique
Vuk Vidor, Mash, 2009. Ink on paper, 150 x 100 cm © Mazel Galerie & Courtesy de l’ar-ste
Focus ar^st : Vuk Vidor, born in 1965
Others ar^sts exhibited on the booth: François Bard, Claire Fanjul
Prices of the works: from 3 500 € to 6 000 €
The series of drawings "MASH" by the Franco-­‐Serbian ar^st Vuk Vidor is a con^nua^on of his series "Even
Super Heroes Can not Save Us Now" ini^ated in 2007. Fascinated by the fall of all mythologies, he has been
inspired by images from the ancient Roman Empire to those of the American dream. Full of iconographic
references, the "MASH" are much more than a graphic reinterpreta^on of the American comics. They are
allegories underlining the failures and shortcomings of our modern socie^es. Superheroes are required to
sacrifice themselves in order to save mankind from himself, the ubiquity of images sending us back to
religion, and transfiguring them into Chris^c characters and more generally into martyrs. Captain America,
Batman, Daredevil, Aquaman and others are confronted to apocalyp^c messages: "The day the Earth
explode!", "Some say the World will end in fire."
The "MASH" ^tle chosen for this series of works on paper is the acronym for Mobile Army Surgery Hospital
and also the ^tle of the film directed by Robert Altman in 1970, a sa^rical comedy in the context of the
Korean War. Moreover, in many of these drawings, we find helicopters, characteris^cs of this conflict, not
flying over the baTlefield, but over the chaos on the ar^st's sheet.
Presse mappe I Seite 57

GALERIE
METROPOLIS
Director : Marie Guilhot-­‐Voyant
Gallery crea^on’s year: 2006
www.galeriemetropolis.com
contact@galeriemetropolis.com
+ 33 1 42 74 64 17
16 rue de Montmorency
75003 Paris
Agathe Pi-é, The big conspiracy, 2012. China ink, 100 x 140 cm © ar-st/galerie metropolis
Focus ar^st : Agathe Pi^é, born in 1986
Others ar^sts exhibited on the booth: Pierre Tilman
Prices of the works: from 500 € to 7 000 €
Presse mappe I Seite 58

MARION
MEYERCONTEMPORAIN-­‐EVA
MEYER
Director : Eva Meyer
Gallery crea^on’s year: 2010
www.mmc.name
contact@marionmeyercontemporain.com
+33 1 46 33 04 38
11 rue Michel Le Comte
75003 Paris
Jan Kopp, The projector, 2009. B/W, sound, hd anima-on video, 10’’, varying dimensions © Jan Kopp/MMC-­‐Eva Meyer
Focus ar^st : Jan Kopp, born in 1970
Others ar^sts exhibited on the booth: Stéphane Berard, Patrick Neu
Prices of the works: from 1 000 € to 5 000 €
Always in a posi^on to create links between art, territory and society, Jan Kopp uses different forms of ar^s^c
expression without favouring any of them: installa^ons, performances, films whose common link is the
drawing. He ins^tutes a permanent dialogue between created images and borrowed images, calling on – using
simple means – juxtaposi^ons of meaning and the reversal of situa^ons.
Born in 1970 in Frankfurt am Main, Jan Kopp lives and works between Paris and Berlin.
A major exhibi^on was devoted to him at the Maubuisson abbey (Val d'Oise) in 2011.
A monograph on his work has just been published by Filigranes with texts by Jacinto Lageira, Joris Lacoste and
Olivier Grasser.
Presse mappe I Seite 59

Galerie Eric Mircher
Director : Eric Mircher
Gallery crea^on’s year: 2005
www.mircher.com
eric.mircher@wanadoo.fr
+33 1 48 87 02 13
26, rue Saint Claude
75003 Paris
Simon Pasieka, Double, 2012. Chinese ink on paper, 99 x 123 cm © Galerie Eric Mircher
Focus ar^st : Simon Pasieka, born in 1967
Others ar^sts exhibited on the booth: Xue Sun, Steve Galloway, Markus Hansen
Prices of the works: from 900 € to 5 000 €
Pasieka recounts:
“My works describe a story with neither beginning nor ending, full of promise, yet some^mes without hope.
I want my figures to exist without age, neither child nor adult. They are without experience; they are nothing
more than the instant itself of the image. Each image shows an aTempt to understand their body within the
framework of their ac^vi^es. It’s a serious type of play, one that leaves its marks, just how a first ^me
experience leaves us with its traces.
For me, nature is all that is not created by humans, and of which the human is part. She is for the most part
mysterious, despite the oden-­‐devasta^ng effects of human nature.
And there is the dilemma: we are prodigal children, thrown into an ever-­‐spinning evolu^on, plunged promptly
into this awareness at the same ^me delighpul and terrifying, faced with a mortality barely covered by the
rhythm of our day-­‐to-­‐day life.”
Simon Pasieka, born in Basse-­‐Rhénanie in 1967, is a German ar^st who has lived and worked in Paris for more
than 10 years. Galerie Eric Mircher presented a personal exhibi^on for Pasieka in September 2011.
His drawings and pain^ngs are part of renowned collec^ons in Germany as well as in France, notably those of
the Museum Friedrich Burda of Baden-­‐baden, the Deutsche Bank of Frankfort, the Staatliche Museum in
Berlin, the Germanisches Na^onal Museum in Nuremberg, as well as the Guerlain Founda^on in France and
the Frisseras Museum in Greece (Personal Exhibi^on to come in 2014).
Presse mappe I Seite 60

Hadrien de
Monperrand Gallery
Director : Hadrien de Monperrand
Gallery crea^on’s year: 2009
www.hdemonperrand.com
h@hdemonperrand.com
+86 139 1165 1353
No.4 Jiuxianqiao Lu, 798 Art District,
Chaoyang District, Beijing,
100015, China
Zhao Xuebing, Pass By -­‐ Eagle, 2008. Ink on Paper, 46 x 62 cm © Hadrien de MonUerrand Gallery
Focus ar^st : Zhao Xuebing, born in 1967
Others ar^sts exhibited on the booth: Ling Jian, Xia Xing
Prices of the works: from 8 000 € to 12 000 €
Hadrien de Monperrand Gallery, which opened in Beijing on October 29th 2009, was founded by Hadrien de
Monperrand, former marke^ng director of Artcurial, and Laurent Dassault, member of the Associa^on pour la
Diffusion Interna^onale de l'Art Français (ADIAF) and of the Friends of the Pompidou Centre Associa^on.
The gallery is en^rely dedicated to works on paper by contemporary ar^sts. The gallery features a host of
established Chinese and Western creators -­‐ Liu Xiaodong, Barthélémy Toguo and Wang Du -­‐ as well as
younger emerging ar^sts -­‐ Sun Xun, Fabien Mérelle and Zhang Shujian.
“A drawing shows the first outburst, the expression of passion” claims the gallery's founder Hadrien de
Monperrand. “It is essen^al to discover the pictorial roots of Chinese contemporary Art which has taken on
such importance over the past few years. Whether it is a sketch for an Art piece or a work of Art in itself, the
drawing allows us to witness pure talent”.
Hadrien de Monperrand gallery has chosen to specialize in this undeveloped field of contemporary Art
offering interna^onal Art collectors and amateurs alike established and emerging ar^sts’ works of Art in
pencil, ink, gouache, felt, charcoal, watercolor, and any other medium used on paper.
Presse mappe I Seite 61

Nosbaum & Reding
Director : Alex Reding
Gallery crea^on’s year: 2001
www.nosbaumreding.lu
reding@nosbaumreding.lu
+352 26190555
4, rue Wiltheim
L-­‐2733 Luxembourg
Steven C. Harvey, By Their Vehicles Shall Ye Know Them, 2011
pencil on paper, 58 x 74 cm © Steven C. Harvey_Courtesy Steven C. Harvey et Nosbaum & Reding, Luxembourg
Focus ar^st : Steven C. Harvey, born in 1967
Others ar^sts exhibited on the booth: Stephan Balkenhol, Damien Deroubaix
Prices of the works: from 1 500 € to 6 000 €
Founded in 2001 by Véronique Nosbaum and Alex Reding, the gallery Nosbaum & Reding is located in the
pres^gious historic centre of Luxembourg City. The loca^on comprises two dis^nct spaces allowing the gallery
to run a two-­‐folded interna^onal programme of exhibi^ons. From the onset, the gallery has been focussing on
young and upcoming ar^sts from Luxembourg and neighbouring countries but is also showing exhibi^ons of
interna^onally known ar^sts. Its programme has a strong commitment on figura^ve and conceptual pain^ng,
alterna^ng with photography, sculpture-­‐ and installa^on-­‐based media. In confron^ng its public with new
talent, Nosbaum & Reding has always been keen to privilege crea^on by s^mula^ng the ar^sts to produce
new work for their exhibi^ons at the gallery. Nosbaum & Reding is par^cipa^ng in Europe's main interna^onal
art fairs.
Presse mappe I Seite 62

ONIRIS -­‐ galerie
d’art contemporain
Director : Florent Paumelle
Gallery crea^on’s year: 1986
www.galerie-­‐oniris.fr
contact@galerie-­‐oniris.fr
+33 2 99 36 46 06
38 rue d’Antrain
35700 Rennes
François Morellet, 1 -­‐1 etc… ver'cal – 1-­‐1 etc… horizontal – 1-­‐1 etc… ver'cal – 2-­‐2 etc… ('ll 25), 1976. Rotring on paper, 49, 5 x 49, 5 cm © Courtesy Galerie Oniris -­‐ Rennes
Focus ar^st : François Morellet, born in 1926
Others ar^sts exhibited on the booth: Vera Molnar, Yves Popet, Aurelie Nemours
Prices of the works: from 300 € to 24 000 €
Opened in 1986 in Rennes with solo show exhibi^on of François Morellet, Oniris Gallery became over the
years, a landmark of contemporary art in the West of France.
François Morellet belongs to that strange category of ar^sts, whose mixture of humor and intelligence,
character and personality decisively induces his art. Class is usually François Morellet in the field of so-­‐called
Concrete Art and one could also men^on the idea of his art being near to Minimal Art if one takes into
considera^on the concep^onal tendency of his works. All these aTempts to localize his art, indeed reach his
work, but none of them can term and seize his art representa^vely. Through the end of the seven^es François
Morellet created various works, with which not only single lines or raster lines are shided by degrees, but the
canvases, the backgrounds themselves seem to have come into mo^on.
The drawing from 1976 ^tled « 1 -­‐1 etc. ver^cal – 1-­‐1 etc. horizontal – 1-­‐1 etc. ver^cal – 2-­‐2 etc. horizontal (^ll
#25) », offers despite the simplicity of the principle used, a system which from its op^cal appearance
phenomenologically seems to be quieted differen^ated.
In another exhibited series of drawings from the year 1977, all in the size of 45 x 45 cm, a simple principal
formulates diverse pictorial results, simply through varia^ons of propor^on. All the works of this serial, «
Cercle fragmenté », « Triangle fragmenté », « Carré fragmenté » applies the same rule: a simple split of the
frame to its own limit.
Presse mappe I Seite 63

Claudine Papillon
Galerie
Directors : Claudine et Marion
Papillon
Gallery crea^on’s year: 1989
www.claudinepapillon.com
galerie@claudinepapillon.com
+33 1 40 29 07 20
13, rue Chapon
75003 Paris
Frédérique Loutz, Overflow, 2012. Mixed media on canvas, 300 x 130 cm. Courtesy Galerie Claudine Papillon © Photo Laurent Ardhuin
Focus ar^st : Frédérique Loutz, born in 1974
Others ar^sts exhibited on the booth: Grégoire Bergeret, Cathryn Boch, Gaëlle Chotard, Erik Dietman, LoTa
Hannerz, Frédéric Lecomte, Jean-­‐Claude Ruggirello, Didier Trenet, Françoise Vergier
Prices of the works: from 1 000 € to 15 000 €
Claudine Papillon opened her own gallery in 1989. In 2004 she moved into a new space of 250 m², situated in
the Marais, close to the Pompidou Centre. Within her program, she s^ll support ar^stes who became
emblema^c figures of the gallery (Dietman, Fridfinnsson, Roth) and wants to show as well the richness and
the diversity of the french scene welcoming those ar^sts who share her sensibili^es, her sense of poetry and
humor, her audacity, and occasionally even her sense of an^-­‐conformity.
Frédérique LOUTZ – Born in 1974, currently lives and works in Marseille. A resident of the Villa Medici in Roma
in 2006-­‐2007, she was nominated for the Daniel & Florence Guerlain Prize for contemporary drawing in 2009,
and par^cipated that same year in the Force de l’art Triennal. Her works are in important private and public
collec^ons (such as FNAC, Centre Georges Pompidou, FRAC Picardie, FRAC Auvergne). In the last years, she
has also been commissioned for many works in public space, private patronage and fashion. She teaches
drawing in the Marseille school of fine arts. I make use of mythology and tales, because there is no
psychology, only ac^ons. In my work as far as I'm concerned, there is no tragedy, no humour, no drama and
nothing absurd, just an inversion of worlds without hope or salva^on. I blend repertoires to specify the
addresses. Playing with sense and sound are gymnas^cs that strengthen the physical move.*
*Frédérique Loutz, Entre'enne (conversa^ons), 2012
Presse mappe I Seite 64

Galerie
Pe^ts Papiers
Director : Alain Huberty
Gallery crea^on’s year: 2007
www.pe^tspapiers.be
contact@pe^tspapiers.be
+33 1 40 28 04 71 / +32 2 893 90 30
91 rue Saint Honoré, 75001 Paris
Place du Grand Sablon
8-­‐8a rue de Bodenbroeck
1000 Bruxelles
François Avril, Minato-­‐Ku, 2010. Coloured and graphite pencils on paper, 42 x 58 cm © DR
Focus ar^st : François Avril, born in 1961
Others ar^sts exhibited on the booth: Daniel Maja, Michel Galvin, Tanino Liberatore, François Roca
Prices of the works: from 1 500 € to 8 000 €
Specialized for more than 25 years in strip cartoon originals and in illustra^on drawings, the Gallery Pe^ts
Papiers stands out today as a reference in the 9th art. Directed by Marc Brayne and Alain Huberty, the gallery
presents/displays a range of the Masters of drawing such as Hergé, Franquin, Tillieux, Mar^n, PraT… It is the
exclusive representa^ve of Milo Manara, Philippe Druillet, Christophe Chabouté, Edmond Baudoin or Denis
Deprez. Regarding illustra^on, it devotes one of these Parisian galleries to the draughtsmen Georges
Wolinsky, Nicole Claveloux, Yan Nascimbene, Jean-­‐Michel Nicollet, Daniel Maja, Guy Billout… Precursor in the
sale, expert evalua^on and the promo^on of work on paper, the gallery is commiTed alongside talented
ar^sts like April, Jean-­‐Claude Gö…ng, Jacques de Loustal, Alex Varenne or Tanino Liberatore.
FRANCOIS AVRIL
As a mul^-­‐talented ar^st, François Avril approaches illustra^on and drawing as well as pain^ng. This heir of
the clear line has gradually freed from the real to create composi^ons to the limits of abstrac^on. Placing the
city at the heart of his research, he works out cityscapes full of lightness and poetry that transcend reality to
provide a ^meless elegance. Exploring the infinite graphic possibili^es that make up the modern megaci^es,
he captures on canvas or paper the essence of volumes and colors that compose them. Whether represen^ng
dreamed or fantasy ci^es, the work of François Avril is an invita^on to travel.
Against the ^de of noisy and agitated urban atmospheres, it reigns in his composi^ons a strange serenity
where the movement of the human wanderings seems suspended.
Presse mappe I Seite 65

Gilles Peyroulet
& Cie
Directors : Dominique
Chenivesse / Gilles Peyroulet
Gallery crea^on’s year: 1987
www.galeriepeyroulet.com
contact@galeriepeyroulet.com
+33 1 42 78 85 11
80 rue Quincampoix
75003 Paris
Isaac Abrams, Un'tled, 1966. China ink on paper, 29 x 23 cm. Courtesy Gilles Peyroulet & Cie, Paris
Focus ar^st : Isaac Abrams, born in 1938
Others ar^sts exhibited on the booth: Guido Crepax, Philippe Druillet, Guy Peellaert, Gilbert Shelton
Prices of the works: from 2 000 € to 12 000 €
Presse mappe I Seite 66

Galerie Placido
Director : Aniello Placido
Gallery crea^on’s year: 2007
www.galerie-­‐placido.com
info@galerie-­‐placido.com
+33 1 42 74 23 21
41 rue Chapon
75003 Paris
Gianni Dessì, Un'tled, 2005. Mixed media on paper, 70 x 50 cm © Galerie Placido et l’ar-ste
Focus ar^st : Gianni Dessì, born in 1956
Others ar^sts exhibited on the booth: Arcangelo, Sylvie Fajfrowska, William Mackendree, Valerio Adami, Piero
Pizzi Cannella
Prices of the works: from 1 000 € to 15 000 €
Presse mappe I Seite 67

Polad-­‐Hardouin
Director : Dominique
Polad-­‐Hardouin
Gallery crea^on’s year: 2001
www.polad-­‐hardouin.com
contact@polad-­‐hardouin.com
+33 1 42 71 05 29
86 rue Quincampoix
75003 Paris
Ayako David-­‐Kawauchi, The mocking of Christ, 2012. Charcoal and black stone on cardboard, 100 x 70 cm © Joël David
Focus ar^st : Ayako David-­‐Kawauchi, born in 1963
Others ar^sts exhibited on the booth: Wu Xiaohai, Daniel Flammer
Prices of the works: from 800 € to 5 000 €
The gallery Polad-­‐Hardouin was launched in 2001 with a tribute to the painter and draughstman Stani
Nitkowski. Following the spirits of that exhibi^on, the gallery has chosen to support and reinstate ar^sts
belonging to the New Figura^on movement like Maryan or Michel Macréau. Younger ar^sts with unusual
backgrounds like the Syrian Sabhan Adam, rapidly joined the crew. Following the dynamics of these events,
the gallery has organised a series of solo shows by Gérard Alary, Raphaëlle Ricol, Wu Xiaohai, Marcel
Hüppauff, Christophe Boursault, Andrew Gilbert, Raynald Driez, Emmanuelle Renard and more recently Anya
Belyat-­‐Giunta; beTer known in the world of furniture and design, Elizabeth Garouste has presented for the
first ^me her drawings and sculptures in November 2011. In a constant effort to discover and share emerging
painters and graphic ar^sts, the gallery has been recently showing works by Caroline Demangel, Ayako David-­‐
Kawauchi and Daniel Flammer.
Ayako David-­‐ Kawauchi was born in Ehime, Japan. Ader studying Art and Design in Tokyo, she graduated from
the ENSAD in Paris. She now lives and works in Paris. She began her career as a tex^le designer and gradually
shided towards graphic arts. Since 2005, she devotes herself en^rely to drawing. She has regularly exhibited
in France (galerie Plume, galerie Chris^ne Phal, Paris, DRAWING NOW PARIS, Paris), Switzerland (Galerie C,
Neuchâtel) and Japan (Ultra 2, Tokyo Art Fair). She is represented today by the gallery Polad-­‐ Hardouin.
Presse mappe I Seite 68

Galerie Pascal Polar
Director : Pascal Polar
Gallery crea^on’s year: 1985
www.pascalpolar.be
pp@pascalpolar.be
+32 2 5378 136
Chaussée de Charleroi 108
1060 Bruxelles
Belgique
Miguel Sancho, Love Supreme, 2005 -­‐ 2008. Watercolor and pencil on paper, 44 x 36 inches © Pascal Polar Gallery, Brussels
Focus ar^st : Miguel Sancho, born in 1957
Others ar^sts exhibited on the booth: Ricard Aymar, Cornelis, Eduardo Infante, Lance Letscher, Neumann,
Schwontkowski, Miroslav Tichy
Prices of the works: from 400 € to 4 600 €
Born in 1957, Miguel Sancho is a Swiss ar^st working between France, Belgium and Spain.
In biology, a tropism qualifies the growth or the movement caused by physical or chemical agents; figura^vely
this word refers to an elementary reac^on with an external cause, a simple reflex ac^on.
« I would like to compare the act of pain^ng and the nature itself, which may, any^me, for some unexpected
reason or an external fact, begin to evolve differently, unpredictably » says Miguel Sancho. The result is a very
modern pain^ng, which runs the risk of colour, and reveals a very personal language, which is the quality of an
ar^st who dares today the pain^ng, just the pain^ng without any side cha…ng. Without quota^ons, one can
find in his work, closeness or a dialogue with various contemporary ar^sts for different reasons: Marlène
Dumas, Wangechi Mutu, Peter Halley, Philip Taaffe, …
The sphere of Miguel Sancho’s drawings, when they are not directly related to his « molecular » pain^ng, is
more figura^ve and sa^rical. Again, he manages to charm us with a very skilled drawing that shows his quality
as an ar^st with obvious Spanish origins (Miro, Goya…).
It is a work away from the "youth culture" or the current “presen^sm" and that especially takes the ini^a^ve
of the inven^on, the colour and the silence. An asocial work that does not fit into the mold of quota^ons,
sociology, or the “theme" that the vampires in the curatorial industry care of.
Presse mappe I Seite 69

Galerie Catherine
Putman
Director : Eléonore Cha^n
Gallery crea^on’s year: 2005
www.catherineputman.com
contact@catherineputman.com
+33 1 45 55 23 06
40 rue Quincampoix
75004 Paris
Bénédicte Henderick, #8, 2012. Technique mixte sur carte à jouer, 35 x 28 cm © Bénédicte Henderick – galerie Catherine Putman
Focus ar^st : Bénédicte Henderick, born in 1967
Others ar^sts exhibited on the booth: Bernard Moninot, Champion Métadier, Frédéric Poincelet
Prices of the works: from 1 000 € to 7 000 €
The gallery Catherine Putman specializes in works on paper by contemporary ar^sts, unique artwork,
photography and prints.
Since the opening of the new venue in 2005, 40 rue Quincampoix in Paris, the gallery has organised over thirty
exibi^ons of French and foreign ar^sts' work: Georg Baselitz, Urs Lüthi, Champion Métadier, Tony Cragg,
Agathe May, Bernard Moninot, Sophie Ristelhueber, Georges Rousse, etc. The programme regularly rotates
monographic and collec^ve exhibi^ons.
The gallery Catherine Putman is a place enjoying an in^mate atmosphere which is well suited for presenta^on
of artwork on paper. It supports ar^sts in their produc^on of drawings, prints and photographies by
exhibi^ng them at the gallery, at a number of art fairs and by publishing new edi^ons of their work.
Presse mappe I Seite 70

Galerie Rabouan
Moussion
Director : Jacqueline Rabouan
Gallery crea^on’s year: 1989
www.galerie-­‐rabouan-­‐moussion.com
rabouanmoussion@noos.fr
+33 1 48 87 75 91
121, rue Vieille du Temple
75003 Paris
Kirill Chelushkin, Un'tled, 2012. Graphite on canvas, 205 x 215 cm © Galerie Rabouan Moussion
Focus ar^st : Kirill Chelushkin, born in 1968
Prices of the works: from 6 000 € to 30 000 €
Kirill Chelushkin was born on the outskirts of Moscow in 1968. Ader training as an architect, he devoted
himself to illustra^ons and drawing.
In the late 1990s, he made acquaintance with the ar^st and theorist Dimitry Goutov and his Livchitz Ins^tute.
This club for aesthe^c and ideological reflec^on reinterprets the thinking of the Soviet art historian, Michael
Livchitz, an ardent defender of socialist realism, and cri^cizes the formalist deviances of modernism. This
encounter encouraged Kirill Chelushkin to prac^ce an art essen^ally visual, but more axed on the reality
surrounding him. He made a series of drawings of Moscow seen through his car windscreen. «Moscow Mood»
describes a dark misty city like a nocturne by Whistler, an impressionist road movie in a city in complete
chaos.
His portraits are imbued of socialists’s techniques and subjects.
Krill Chelushkin plays with the textures of the world ci^es reflec^ons in the rain, mud truck stuck, moonlight
scaTered by streetlights ... This cataclysmic realism reminds us of the fragility of being in a world where
nature takes its course.
In 2005, Chelushkin took to sculp^ng figures in thick slabs of white polystyrene. In parallel, he con^nued his
photo and video inves^ga^on into the old forbidden ci^es and the factories in decline, monumental remains
that dominate the Russian landscape with their sublime, lugubrious silhoueTes.
He devotes himself to a representa^on of the reality that surrounds him: that of a Russian poli^cized, torn
between memories of the past and the contemporary outrages.
Presse mappe I Seite 71

Petra Rinck Galerie
Director : Petra Rinck
Gallery crea^on’s year: 2008
www.petrarinckgalerie.de
mail@petrarinckgalerie.de
+49 211 15776916
Ackerstrasse 199
40233 Düsseldorf
Marsha Coprell, Hitherto Unknown lights, 2011. Iron oxide on mulberry paper, 62,4 x 97,9 cm © The ar-st
Focus ar^st : Marsha CoTrell
Other ar^st exhibited on the booth: Lothar Götz
Prices of the works: from 1 200 € to 12 000 €
A gazillion ^ny white dots, dashes, and spherical vibra^ons that might be stars, planets, or molecules drid
across empty black space. Where the previous images roiled and overwhelmed, these assert a calm geometry
of deep contempla^on, the entropic distribu^on of dots steadied by the subtle grid formed by the seams
between the ^led sheets of mulberry paper. Geometric rigor is further superimposed by horizontal, ver^cal,
and, in most of these works, diagonal white lines that act like the crosshairs of a celes^al viewing scope, their
spartan alignment plo…ng Sol LewiT–like vanishing points into boTomless satura^on.
Look closely, though, and you can see how these clean white lines are complexes of cause and effect:
some^mes they trace vectors from the file, led white in the prin^ng; they may also be folded, and thus be
white by removal; or they might not be lines in the first place, exactly, but rather a conspiracy of dots. In the
last case, if CoTrell folds the dot-­‐cluster along its spine the paper will comply readily, perforated by the ^ny
variance of the thickness of the toner –– a sort of homemade, limit-­‐case laser milling. ...
Presse mappe I Seite 72

J. P. RITSCH-­‐FISCH
GALERIE
Director : Jean-­‐Pierre Ritsch-­‐
Fisch
Gallery crea^on’s year: 1996
www.ritschfisch.com
contact@ritschfisch.com
+33 3 88 23 60 74
6 rue des Charpen^ers
67000 Strasbourg
Baktash-­‐Sarang Javanbakht, SUn'tled, 2010. Pencil on paper, 39 x 59 inches © Baktash-­‐Sarang Javanbakht
Focus ar^st : Baktash-­‐Sarang Javanbakht, born in 1981
Others ar^sts exhibited on the booth: Morton BartleT, Antoine Bernhardt, Hiroyuki Doi, Sylvia Marquet,
Francis Marshall, Thomas Palme
Prices of the works: from 800 € to 8 000 €
Dumbfounded
Baktash Sarang’s drawings are uncommon and we are inexplicably moved by them. Five thousand ninety
kilometers away from his homeland in Iran, the ar^st is removed from this cradle of mankind and culture
which dates back to ancient ^mes.Today, centre of conflicts where different worlds collide.
Baktash Sarang produces art on his own in France. The connec^ons with his origins are inevitable. He plunges
us into his world. His pain^ngs are crea^ons of mul^ple layers. Recollec^on, inten^on and observa^on are
mingled together in his imagina^ve world.
The ar^st works with scenes from the theatre of the absurd and terror with fragmented elements, characters,
animals, objects and landscapes... The spectator can not run away from scenes in front of him. He is
paralyzed.
His drawings depict a current event without specifying any one in par^cular. Power and violence are
percep^ble but do not stand out in any unusual way.
Baktash masters his skills of rela^ng either by omission, or by steeping his message in darkness.
The drawings by this Iranian ar^st are not supposed to aTract the spectator. Baktash draws out of necessity.
This is how he communicates. He tells everything and his drawings are more eloquent than words.
Presse mappe I Seite 73

Galerie
Römerapotheke
Director : Philippe Rey
Gallery crea^on’s year: 2003
www.roemerapotheke.ch
gallery@roemerapotheke.ch
+41 43 317 17 80
Raemistrasse 18
CH-­‐8001 Zurich
Jana Gunstheimer, MOD, Nude with clasped hands © Galerie Römerapotheke and the ar-st
Focus ar^st : Jana Gunstheimer, born in 1974
Others ar^sts exhibited on the booth: Marcel Gähler, Eva Grün, Felice Varini, Caro Suerkemper, Florian
Heinke, Chris^an Weihrauch, Alexandre Joly
Prices of the works: from 600 € to 25 000 €
Who does the future of art belong to?
The worth of an ar^st does not lie in the ar^s^c truth a person possesses or seems to possess, but rather in
the hard work he has put into understanding the underlying mechanisms of art. Since not only possession can
broaden horizons but also the path. Sincerity goes hand in hand with authen^city and this in turn is visible in
handwri^ng, signatures and in par^cular types of work that can only be produced if nothing is quoted, copied
or imitated. Jana Gunstheimer’s blurring of fic^on and reality makes her work a metaphor of ar^s^c prac^ce,
of the unique design of worlds whose poten^ality determines their strength. Caro Suerkemper uses seeming
baroque ambiguity to make her style unique and dis^nc^ve whereas Marcel Gähler and Chris^an Weihrauch
transform familiar, oden unspectacular places, which seem mys^c and are frequently ignored into artwork
with extreme dimensions – something only a visionary is capable of. Viennese ar^st Eva Grün rules about self-­revela^on
and masquerade, seriousness and humour, poli^cs and Dadaism and gives her work impish ^tles
which drive one to reflect on their meaning: Nothing clearly we don’t know. QED. Or rather – the future of art
belongs to them.
Presse mappe I Seite 74

Galerie de Roussan
Directors : Jeanne Lepine /
Anne Bourgois
Gallery crea^on’s year: 2011
www.galeriederoussan.com
contact@galeriederoussan.com
+33 9 81 28 90 59
10, rue Jouye-­‐Rouve
75020 Paris
Agnès Thurnauer, Autoportrait (into abstrac'on), 2012. Coloured pencil on canvas, 195 x 130 cm © Agnès Thurnauer & Galerie de Roussan
Focus ar^st : Agnès Thurnauer, born in 1962
Prices of the works: from 1 200 € to 25 000 €
Agnès Thurnauer, « Maintenant »
Opera^ng in a conceptual context, the work of Agnès Thurnauer steps naturally into the Galerie de Roussan's
ar^s^c endeavour, and so we now present Thurnauer's exhibi^on on the no^on of ^me with a series of
previously unseen drawings on canvas and paper.
In effect, the ar^st's works naturally include within her prac^se the idea of the dura^on or ^me of work. The
canvases are covered in acrylic medium, which limits the dura^on of the performance of the crayon work to
its brief drying ^me. Here, the medium and the execu^on of the drawing are directly linked to past ^me,
which in itself becomes a medium, like the stroke. The word “maintenant” or “now” enhances this idea of
immediacy. For DRAWING NOW PARIS, a single figura^ve canvas it at the entry of the stand: a self portrait by
Agnès Thurnauer. This drawing interrogates the ques^on of abstrac^on. The punch of the figure is a
representa^on of the crossing of spa^otemporal boundaries. The ar^st’s body is perpetually struggling
between the space of her studio and the canvas, and moreover the various ways of pain^ng: figura^on,
abstrac^on and so on… This mise en abîme in the picture announces the imagini^ve mode of the other
drawings included in the exhibi^on. The various technical elements in the work of Agnès Thurnauer form a
concept that in turn are transformed into an artwork.
Agnès Thurnauer’s works have been acquired by public and private collec^ons (Centre Pompidou, Musée des
Beaux Arts of Angers,…). She prepares a monographic exhibi^on for January, 2014 for the Musée des Beaux
Arts of Nantes.
Presse mappe I Seite 75

Semiose galerie
Director : Benoît Porcher
Gallery crea^on’s year: 2007
www.semiose.com
b.porcher@semiose.com
+33 9 79 26 16 38
54 rue Chapon
75003 Paris
Françoise Pétrovitch, Ventriloquist, 2012. Ink wash drawing, 120 x 80 cm © H.Plumet, Courtesy Semiose galerie, Paris
Focus ar^st : Françoise Pétrovitch, born in 1964
Prices of the works: from 1 000 € to 8 000 €
Born in 1964, Chambéry. Lives and works in Cachan.
With both lightness and gravity, Françoise Pétrovitch always takes us where one does not exepct. Proceeding
most oden in series, she reflects non the world with an incisive eye that renders major current events as if
they were the ^ny things in life. The duality, the absence, the inaccessible in^macy, appears on the surface
of the paper. Whether by pencil or brush, it is her drawings that provoke our emo^ons.
The words, the objects, the animals, and the disturbing forms shake our habits and trouble our certain^es.
They give us a glimpse of secret spaces, unavoidably disturbing and interes^ng. Somewhere between
tendernessand cruelty, Françoise Pétrovitch reminds us that are fragile, not far removed from the world of
animals.
Among her famous exhibi^ons we can underline Tenir debout at FRAC Alsace (2005), two solo show in Japan
(2007), a big solo show in Musée de la chasse et de la nature in Paris (2011) and another one in French
ins^tute NYC (2012). She also have shown her artworks in famous group show such as Etre present in MAC/
VAL (2007), Un monde sans mesure at MAC Ibirapuera in Sao Paulo (2009). Furthermore she prepare a solo
show in FRAC Provence Alpes Côtes d'Azur and a solo show at Semiose gallery in 2013.
Presse mappe I Seite 76

Galerie Suzanne
Tarasieve, Paris
Director : Suzanne Tarasieve
Gallery crea^on’s year: 2003
www.suzanne-­‐tarasieve.com
info@suzanne-­‐tarasieve.com
+33 1 42 71 76 54
7 rue Pastourelle
75003 Paris
Russell Cropy, The Cape, 2010. ink and gouache on paper on fiberglass sphere, 36 inch diameter globe. Courtesy Galerie Suzanne Tarasieve
Focus ar^st : Russell CroTy, born in 1956
Others ar^sts exhibited on the booth: Jean Bedez, Alkis Boutlis, Josef Ofer, Tim Plamper
Prices of the works: from 1 500 € to 35 000 €
Russell CroTy
Born in 1956, in San Rafael, California / Lives and works in Ojai & Upper Lake, California, USA.
Known for paper-­‐coated suspended globes and large-­‐scale books containing a fervent network of ballpoint
pen lines and color washes, CroTyʼs vast body of work challenges the very defini^on of drawing, pushing the
genre towards minimal sculptural installa^on.
A serious amateur astronomer for decades, CroTy studied the night sky u^lizing his own array of telescopes,
with occasional sojourns to professional observatories, along with making important observa^onal
contribu^ons to accredited astronomy organiza^ons such as NASA and ALPO.
He obsessively documented the night sky and celes^al phenomenon with his signature simplicity of line. The
resul^ng body of astronomical work was informed by actual scien^fic research, yet infused with the poe^c
license of the ar^st.
Russell CroTy has taken part in numerous solo and group exhibi^ons notably at the Turner Contemporary in
Margate (Revealed: Turner Contemporary Opens, 2011) and the Judith Rothschild Founda^on Contemporary
in New York (Compass: Drawings from the Museum of Modern Art New York, 2011).
His work features in numerous public collec^ons, in par^cular at the Centre Georges Pompidou / Musée
Na^onal D'Art Moderne de Paris, the Whitney Museum of American Art (New York) and the Los Angeles
County Museum of Art.
Presse mappe I Seite 77

Thessa Herold
Director : Thessa Herold
Gallery crea^on’s year: 1993
www.thessa-­‐herold.com
galherold@free.fr
+33 1 42 78 78 68
7 rue de Thorigny
75003 Paris
Henri Michaux, Un-tled, 1974. Indian ink, 72 x 102 cm © Alberto Ricci
Focus ar^st : Henri Michaux, born in 1899
Others ar^sts exhibited on the booth: Camille Bryen, Bertrand Dorny, Wifredo Lam, Farhad Ostovani, Pancho
Quilici, Joseph Sima, Raoul Ubac, Ung-­‐No Lee, Franklin Chow
Prices of the works: from 1 800 € to 50 000 €
Established in 1970 under the name of Gallery of the Seine, situated Rue de Seine, where the ar^s^c ac^vity
was intense, the Thessa Herold gallery seTled down in 1993 in Le Marais, next to the Picasso museum, where
a significant part of the contemporary ar^s^c crea^on moved today
The gallery organizes every year several exhibi^ons accompanied with catalogs designed and realized by its
care among which poets, writers and art historians sign the forewords.
At DRAWING NOW PARIS 2013, the Thessa Herold gallery will present around Henri Michaux's works,
drawings, watercolors and gouaches of his contemporaries: Camille Bryen, Roberto MaTa, Wifredo Lam,
Joseph Sima, Raoul Ubac, Ung-­‐no Lee; and wan^ng to grant a part equal to the ar^sts of the new genera^ons
will be also present the works of Franklin Chow, Bertrand Dorny, Pancho Quilici, Farhad Ostovani ar^sts for
whom the Thessa Herold gallery has already organized several exhibi^ons.
Presse mappe I Seite 78

TinT gallery
Director : Andromachi
Pesmatzoglou
Gallery crea^on’s year: 2002
www.^ntgallery.gr
^nt@otenet.gr
+30 2310 235689
13, Chr. Smyrnis str.
GR-­‐546 22 Thessaloniki
Christos Vene-s, Anemic Archives, 2012-­‐2013. Installa-on, pencil on book covers, variable dimensions © Christos Vene-s et TinT gallery
Focus ar^st : Christos Vene^s, born in 1967
Others ar^sts exhibited on the booth: Emmanouil Bitsakis, Christos Delidimos, Maria Kriara, Ulrich Vogl
Prices of the works: from 650 € to 8 800 €
TinT gallery has, since 2002, been under a new name and management with the aim of promo^ng and
presen^ng trends in contemporary art, focusing on conceptually based works by young ar^sts.
Since 2003, TinT gallery has collaborated with other cultural ins^tu^ons such as the Macedonian Museum of
Contemporary Art, the Museum of Cinematography and the Museum of Photography etc, organizing off site
projects and large-­‐scale cultural events. TinT gallery launched its Project room during 2004, a specially
designated exhibi^on space, where young ar^sts are given the opportunity to experiment with in situ
installa^ons within a non-­‐profit gallery se…ng. Together with group exhibi^ons undertaken by independent
curators, the gallery has accommodated since 2007, several autonomous teams of ar^sts. The outcome has
been a series of highly intriguing exhibi^ons.
In his work, the installa^on en^tled Anemic Archives, Christos Vene^s draws by playing a game between the
mo^on and wri^ng of the images, their reading and interpreta^on. The work’s ^tle is a joining of the terms
“The Anomic Archive” (the well known ar^cle by Benjamin Buchloh for the work Atlas by G. Richter) and
“Anemic Cinema” (work by M. Duchamp). Lined up in a row, his 'animated' drawings, albeit fragmented,
create a lively narra^ve. Both the subjects of 'bare life' he chooses to draw and the bare backs of books, i.e.
the point where the content is violently removed for the sake of flow and union of the "film", intensify the
cogni^ve lawlessness of Vene^'s images and add drama to his narra^on.
Presse mappe I Seite 79

TRINITY
CONTEMPORARY
Directors : John Winter /
Luce Garrigues
Gallery crea^on’s year: 2008
www.trinitycontemporary.com
luce@trinitycontemporary.com
00 44 20 7493 4916
29 Bruton Street
London W1J 6QP
Emma McNally, IF.1 interference field, 2012
Digital sampling from a drawing of chalk and gouache on paper primed with gum arabic and black pigment, 76 x 56 cm © Trinity Contemporary et Emma McNally
Focus ar^st : Emma McNally, born in 1969
Others ar^sts exhibited on the booth: Kate Atkin, Siân Bowen, James Brooks, Layla Cur^s, Jane Dixon, Frances
Richardson
Prices of the works: from 2 000 € to 10 000 €
Trinity Contemporary deals specifically with recent Bri^sh drawing. Selected works by emerging and more
established ar^sts are kept in stock viewable by appointment and through a series of thema^c exhibi^ons.
The aim of this exhibi^on programme is to explore contemporary drawing prac^ce and ques^on the
boundaries between drawing and other mediums. The gallery has developed this program by commissioning
works from the ar^sts and producing a series of catalogues with texts by Catherine Lampert, Francesco
Bonami, Jeremy Cooper and Richard Cork. Further, since 2010, an ar^st is invited each year to take over the
gallery and to present a body of work that broadens the understanding of drawing. These are part of our
series called Trinity Project and are accompanied by fully illustrated and documented publica^ons.
Trinity Contemporary is run by Luce Garrigues who curates the exhibi^on programme.
Emma McNally. Born in 1969. Lives and works in London
Emma McNally describes her works as a visualisa^on of complex systems, as a` visual thinking` around
ques^ons of space. Her drawings are oden associated with mappings and constella^ons. They appear to be
the result of scien^fic readings yet they have been made intui^vely. Emma has an ability to ques^on
boundaries to ensure that her prac^ce is constantly an experimental venture in tune with a world in a
perpetual state of flux: there is an ongoing feedback loop between her drawing on paper and the space of
digital manipula^on where a different nature of spa^al thinking is possible.
Presse mappe I Seite 80

Vidal-­‐Saint Phalle
Directors : Bernard Vidal /
Nathalie Bertoux
Gallery crea^on’s year: 1989
www.vidal-­‐stphalle.com
contact@vidal-­‐stphalle.com
+33 1 42 76 06 05
10 rue du Trésor
75004 Paris
Thomas Müller, Un'tled, 2003. Chalk, pencil, oil s-ck and ink on paper, 115 x 180 cm © Thomas Müller
Focus ar^st : Thomas Müller
Prices of the works: from 800 € to 8 000 €
Presse mappe I Seite 81

Galerie & Edi^on
Stephan Witschi
Director : Stephan Witschi
Gallery crea^on’s year: 2006
www.stephanwitschi.ch
galerie@stephanwitschi.ch
+41 44 242 37 27
Zwinglistrasse 12
CH – 8004 Zürich
Switzerland
Peter Radelfinger, m&m, m_012_V216a, 2010. Brush drawing oil on ploter paper, 76 x 48 cm © Peter Radelfinger
Focus ar^st : Peter Radelfinger, born in 1953
Others ar^sts exhibited on the booth: Thomas OT, Karoline Schreiber
Prices of the works: from 800 € to 10 000 €
Since the 1980’s Peter Radelfinger has concentrated almost exclusively on the medium of drawing and the
value of this medium today with regard to the great variety of media now available. Using extremely simple
means, Radelfinger manages to consistently create drawings full of allusions that interweave extremely
dissimilar subjects together in a wiTy and enigma^c way. Without accusing or moralising he highlights
contemporary issues, which are at ^mes unpleasant or fraught with conflict.
The fundamental issues of the condi^ons of percep^on and the reflec^ons on the essence of drawing are
present in all his works. Through his incisive use of both new digital technologies and tradi^onal means,
Radelfinger plays an important part in the further development of the medium of drawing, therefore making
an exci^ng contribu^on to contemporary art produc^on.
His works have been exhibited in many museums and galleries, among others in the Münchner Stadtmuseum
(München); Overbeck-­‐Gesellschad, Lübeck; Gallery Basta, Hamburg; Kunstsalon Wilde Gans, Berlin; Atelier
Frankfurt, Frankfurt a. Mainz; Kunstverein Galeriehaus, Nürnberg; Art Museum Berne; Art Museum Aarau;
Musée Rath, Geneva; Kunsthalle Winterthur.
Presse mappe I Seite 82

Galerie Zürcher
Director : Bernard Zürcher
Gallery crea^on’s year: 1992
www.galeriezurcher.com
info@galeriezurcher.com
+33 1 42 72 82 20
56 rue Chapon
75003 Paris
Brian Belop, Un'tled, 2012. Mixed media, 11,5 x 9 inches © Galerie Zürcher, Paris-­‐New York
Focus ar^st : Brian BeloT, born in 1974
Others ar^sts exhibited on the booth: Katharina Ziemke
Prices of the works: from 350 € to 5 000 €
The Brooklyn ar^st Brian BeloT makes deliriously seduc^ve pain^ngs. His art is animated by both Ma^sse and
the Marx Brothers and involves collec^ng, cu…ng, slicing, and dicing exis^ng material into a range of new
forms, proffering a relentless, freewheeling, and oden mysterious joie de vivre. His « laminated drawings »
are « silly, jazzy, syncopated, and immensely colorful » and « demonstrate a gided ar^st improvising a
process as much as comple^ng a work of art. » (The Brooklyn Rail, November 2012). Brian BeloT’s work is a
part of the Museum of Modern Art’s permanent collec^on. His exhibi^ons have been reviewed in the NY
Times and The New Yorker, Art in America among others.
Since 1992, the Galerie Zürcher presents contemporary works through an affirma^on of cri^cal preferences
based on an “in^mate convic^on” rather than a market strategy. Its ambi^on: promo^ng ar^sts who aren’t
yet well known. 15 years ader the crea^on of the gallery in Paris, Bernard and Gwenolee Zürcher decided to
extend its ac^vi^es by opening a new space in New York, the Zürcher Studio. They now hold a dozen solo
exhibi^ons each year in the two galleries, along with shows organized by « curators », which provide
opportuni^es to bring in other ar^sts. So Galerie Zürcher is a single team, working in two separate galleries :
the Galerie Zürcher in Paris, in the Marais Beaubourg district, near the Centre Pompidou, and the Zürcher
Studio in New York, in the NoHo district of downtown ManhaTan, near the New Museum.
Presse mappe I Seite 83

List of ar-sts I EMERGENCE
Galerie ALB
AnoukLeBourdiec
Director : Anouk Le Bourdiec
Gallery crea^on’s year: 2011
www.galeriealb.com
galeriealb@gmail.com
+33 1 49 96 58 09
47 rue Chapon
75003 Paris
The Kid, Humanity is overrated, number III, 2012. Pen ball on paper, 42 x 60 cm © Galerie ALB
Focus ar^st : The Kid, born in 1991
Others ar^sts exhibited on the booth: Valen^n van der Meulen, Samuel Mar^n
Prices of the works: from 400 € to 6 900 €
Young ar^st, he established his plas^c créa^on and exhibi^on for the first ^me in France.
His young age disapears under his huge dimensions drawings, where a dip in the violence let shows an ob-­session
for fragility. From the everyday life scene, the emo^on is palpable. This fixa^on of the Peter Pan’s
charcoal image in front of this consump^on....
“To quote Oscar Wilde, ‘Behind every exquisite thing that existed, there was something tragic.’ It that’s the
thing that all the Kid’s subjects have in common—behind their youth and beauty lies a tragic story, like a
flower that is des^ned to fade. The goal is to capture them in their defining moments, forever caught
between innocence and corrup^on.”
Personal Exhibi^on on the Gallery -­‐ 28 march to 11 may 2013.
Presse mappe I Seite 84

Blackston
Directors : Theodore
Blackston & Rhiannon Kubicka
Gallery crea^on’s year: 2009
www.blackstongallery.com
info@blackstongallery.com
+1-­‐212.695.8201
29C Ludlow Street
New York, NY 10002
United States
Shawn Kuruneru, Auer Image, 2012. Pen on canvas, 121.9 x 152.4 cm © de l'ar-ste
Focus ar^st : Shawn Kuruneru, born in 1984
Others ar^sts exhibited on the booth: Agnes Barley, Amy Feldman, Patrick Keesey
Prices of the works: from 1 500 € to 7 000 €
Blackston is pleased to present the work of four ar^sts – Agnes Barley, Amy Feldman, Patrick Keesey, Shawn
Kuruneru -­‐-­‐ for whom drawing is a core component of their prac^ce, whether as a final statement of work or
as the basis for prepara^on of their work in a different medium.
Blackston’s feature ar^st, Shawn Kuruneru, employs rigorous applica^on of miniscule ink marks over paper,
canvas and panel surfaces to create highly detailed minimalist work. The undula^on and accumula^on of
these marks develop compelling visual connec^ons and perspec^ve shids, as well as altering the texture and
tone of each surface.
Amy Feldman, uses drawing as an integral part of her art-­‐making. She prepares for her pain^ngs by making
drawings -­‐ quick and casual and frequently cut and reassembled. They are an intrinsic founda^on of her
planning process -­‐ and she translates the nonchalant, free-­‐hand nature of her drawings to her studied
pain^ngs. Agnes Barley’s geometric, collage drawings are reduc^ve and methodical explora^ons of structure
and form. Her work examines concepts of place, context, ^me and meaning. Patrick Keesey concentrates on
the rela^onship between seeing and marking, and the essen^al tension inherent in the process of drawing.
His work is a record of the movement of eye across a plane. The resul^ng non-­‐representa^onal, shapes and
mark accumula^ons explore the poten^al of form and space in their own right.
Presse mappe I Seite 85

Galerie Marie Cini
Director : Marie Cini
Gallery crea^on’s year: 2009
www.galeriemariecini.com
contact@galeriemariecini.com
+33 1 42 71 44 12
16, rue Saint-­‐Claude
75003 Paris
Elisabeth S. Clark, Between Words, 2009. Score (bound), 30 x 42 cm © Elisabeth S. Clark – Galerie Marie Cini
Focus ar^st : Elisabeth S. Clark, born in 1983
Others ar^sts exhibited on the booth: Leïla BreT, Ulrike Möschel, Jérémie Delhome
Prices of the works: from 550 € to 6 000 €
Through the most radical and minimal of contemporary art prac^ces, Elisabeth S. Clark explores the
topography of language, sound, ^me and thought and the defini^ons surrounding these landscapes.
Her works speak of displacement and disappearance – but also of transforma^on and appearances. Elisabeth
S. Clark adds, removes, establishes protocols and oden refers to literature, music or science.
Elisabeth S. Clark, born in 1983, is an ar^st who lives and works between London and Paris. She received her
MA from the Slade School of Fine Art in 2008 and a BA from Goldsmiths University in 2005. Since gradua^ng,
she has been based primarily in Paris where she was awarded residencies with the Fonda^on d’entreprise
Hermès (2010), Le Pavillon, Laboratoire de Créa^on du Palais de Tokyo (2011) and more recently, in New
York, Medellin, Bad Ems (2012). Recent exhibi^ons include at Palais de Tokyo (Paris), Fonda^on d’entreprise
Ricard (Paris), La Biennale de Lyon en Résonance (Lyon, France), Dallas Contemporary (Dallas, USA), ROOM
gallery (London) and Site Gallery (Sheffield, UK) among other venues. Clark has also been the recipient of
numerous awards, including the honorary Clare Winsten Research Fellowship Grant and a travel scholarship in
South America. In October 2012, invited by the Fonda^on d’entreprise Hermès and Actes Sud, she presented
a new “Book Concerto” performance during the FIAC art fair in Paris. In parallel, she also presented her first
solo exhibi^on, "N'either N'or", at the Galerie Marie Cini.
Presse mappe I Seite 86

Galerie Gourvennec
Ogor
Director : Didier Gourvennec
Ogor
Gallery crea^on’s year: 2011
www.galeriego.com
contact@galeriego.com
+33 9 81 45 23 80
7 rue Duverger
13002 Marseille
Steve Veloso, Interpréta'on libre d’après un mo'f tradi'onnel gabonais / 1, 2012
Graphite on paper, 150 x 210 cm © Gourvennec Ogor
Focus ar^st : Steve Veloso, born in 1979
Others ar^sts exhibited on the booth: Timothée Talard, Rob de Oude, David Lasnier
Prices of the works: from 350 € to 7 000 €
« My work consists in ques^oning the field of the art, its prac^ce as well as its recep^on.
At first I used a process of exposure bringing to think about the status of the work of art, its ar^ficial / this
ar^ficial product which cons^tutes a work of art, and to highlight the fact that
an object remains in the end only an object, even if in the best case, what it sends back to us by looking at it,
exceeds widely its materiality. So, What I mean by exposure is the fact of arriving at the formal result which I
consider as a space of seduc^on, and at the same ^me to show all the process which brings to this space of
seduc^on.
(…)
At the same ^me, since two years, my researches brought me to ques^on our vision of the abstrac^on via the
use of marks in the modern art history and the contemporary as well as in the African or South American
tradi^onal art, tradi^onal socie^es using powerful psychotropics.For some of them, the use in a ritual way in
the taking of powerful psychotropics provoke abstract visions which are retranscribed in the art of these
socie^es (tapestries, braids, costumes, architectures, others). So, the used forms are some^mes very close to
those appeared with the modern art and un^l today. "
Presse mappe I Seite 87

Gowen
Contemporary
Director : Laura Gowen
Gallery crea^on’s year: 2009
www.gowencontemporary.com
info@gowencontemporary.com
+41 (0)22 700 30 68
4 rue Jean-­‐Calvin
1204 Genève, Suisse
Yifat Bezalel, A Broken Hill, 2010. Pencil and ink on paper, 220 x 150 cm © Tate 2011
Focus ar^st : Yifat Bezalel, born in 1975
Prices of the works: from 1 200 € to 12 000 €
Yifat Bezalel’s work is essen^ally composed of pencil and ink drawings on paper or wood, installa^ons and
films. Bezalel’s drawings and installa^ons are the representa^on of the crea^ve process and thinking of the
ar^st. Her concerns with real/unreal, physical and metaphysical space, fullness/emp^ness, fragility and
uncertainty are displayed in an inordinate space. The narra^ve of Bezalelʼs works, only at a first sight easily
accessible, conceals a deep reflec^on touching poli^cal, religious and philosphical aspects, as well as formal
and theore^cal aspects of the ar^s^c research.
Yifat Bezalel was born in 1975 in Tel Aviv and studied at the Betzalel Academy of Art and Design in Jerusalem.
She currently lives and works in Tel-­‐Aviv. Bezalel has extensively exhibited in Israel and, since 2011, in Europe.
Recent exhibi^ons include Alice in Wonderland at the Tate Liverpool, travelling to the the MART Rovereto and
the Kunsthalle Hamburg (group exhibi^on 2011-­‐2012) ; VIDA Museum Borgholm, Sweden (solo, 2012).
Upcoming group exhibi^ons include : MACRO Museo di Arte Contemporanea di Roma, Rome (2013 ;
Personal Structures, Palazzo Bembo, Biennale di Venezia, Venice (2013).
Presse mappe I Seite 88

Emmanuel Hervé
Director : Emmanuel Hervé
Gallery crea^on’s year: 2011
www.emmanuelherve.com
bonjour@emmanuelherve.com
+33 9 51 10 96 58
6 rue Jouye Rouve
75020 Paris
Derek Sullivan, Illustra'on from The Albatross (K), 2010
Coloured pencil and gouache on paper, 61 x 46 cm © Derek Sullivan et Emmanuel Hervé
Focus ar^st : Derek Sullivan, born in 1976
Others ar^sts exhibited on the booth: Fernanda Gomes, Roxane Borujerdi, Charles-­‐Henri Monvert
Prices of the works: from 1 000 € to 5 000 €
Founded in 2011 : galerie Emmanuel Hervé opened in October 13 with a solo show by Pierre Paulin in a very
small space in Belleville (in East Paris). Playing on the architectural quali^es of a space with reduced
dimensions, the gallery presents the work of interna^onal ar^sts in France and barely visible with the
breadcrumb trail could be a shared interest in the same economy of means in the produc^on of their works.
Each exhibi^on will be accompanied by an edi^on by the ar^st and produced by the gallery.
The represented ar^sts are : Jacques André, Roxane Borujerdi, Fernanda Gomes, Charles-­‐Henri Monvert,
Sophie Nys, Pierre Paulin and Derek Sullivan.
Presse mappe I Seite 89

Galerie Laurent
Mueller
Director : Laurent Müeller
Gallery crea^on’s year: 2010
www.galerielaurentmueller.com
info@galerielaurentmueller.com
+33 1 42 74 04 25
75 rue des Archives
75003 Paris
James Brooks, Sentence number 10 on Conceptual Art, 2011. Pen on tracing paper, 27,9 x 21,6 cm, US Leper format © James Brooks
Focus ar^st : James Brooks, born in 1974
Others ar^sts exhibited on the booth: Motoko Dobashi, Sebas^an Gögel, Mar^n Meyenburg, Roland
Stratmann
Prices of the works: from 700 € to 1 500 €
The galerie laurent mueller is a newly founded gallery for emerging ar^sts in Paris. It is working together with
young ar^sts to promote their work in France and abroad through a programme around solo posi^ons as well
as curated group shows of own and invited ar^sts.
The programme focusses around the themes of connec^ons, lines, con^nuity, progress and perspec^ves.
Crad, not only as ar^s^c exper^se but a state of mind, as holis^c approach to one's work as well as to the
viewpoints, trends and feelings of our society also plays a role.
The further goal of the gallery is to enable an exchange between ar^sts, their ideas, their cultures and their
styles through confronta^on and dialogue.
Presse mappe I Seite 90

SATOR
Director : Vincent Sator
Gallery crea^on’s year: 2011
www.galeriesator.com
vincent@galeriesator.com
+33 1 42 78 04 84
8 passage des Gravilliers
75003 Paris
Gabriel Leger, The big game, 2009. Charcoal on paper, 70 x 100 cm © Gabriel Leger & galerie Sator
Focus ar^st : Gabriel Leger, né en 1977
Others ar^sts exhibited on the booth: Sylvain Ciavaldini, Raphaël Denis, Truc-­‐Anh
Prices of the works: from 250 € to 2 800 €
Founded and directed by Vincent Sator to promote up-­‐and-­‐coming contemporary French and interna^onal
ar^sts, Galerie Sator opened its doors in Paris in October 2011. Taking an interest in all mediums (pain^ng,
photography, drawing, objects, installa^ons, video…) Galerie Sator endeavors to support ar^sts whose work
balances between conceptual and aesthe^c poles. Man and his representa^on are at the heart of the
gallery’s approach.
With a degree in Poli^cal Science and Art History, Vincent Sator has worked in France, Switzerland and Hong
Kong for public ins^tu^ons as well as private art galleries such as the Musée Na^onal d’Art Moderne, la
direc^on des Musées de France, the Musée du Louvre, and Blondeau Fine Arts Services in Geneva. In 2007 he
co-­‐founded Galerie Blue Square in Paris, specializing in contemporary Russian art, which he co-­‐directed un^l
2010.
Gabriel Leger (born in Paris in 1977, lives and works in Paris) creates fic^onal universes ques^oning Man’s
rela^onship to the world, his self-­‐control, and his surroundings. Profoundly anchored in a rela^onship
between mark and design, developed on a plurality of supports and maintained by research into diverse
technical processes, the work of Gabriel Leger is a narra^on of man, imprinted with mystery and poetry,
absurdity and quota^ons. His oniric universe draws its source from the connec^on man maintains with the
world and his desire for mental construc^on.
Presse mappe I Seite 91

Show Room
Director : Jeannie
Weissglass
Gallery crea^on’s year: 2011
www.showroom170.com
info@showroom170.com
646 559 2856
170 Suffolk St. New York,
New York
Zachary Bruder, They Want Back What They Have Lent You, 2012. Ink, pen, and collage on panel, 15 5/8 x 11 1/4 inches. Courtesy Show Room
Focus ar^st : Zachary Bruder, born in 1984
Other ar^st exhibited on the booth: Anne Delelporte
Prices of the works: from 1 500 € to 15 000 €
Show Room is proud to present the new work of Zachary Bruder and the Found Drawings of Anne Deleporte.
Zachary Bruder’s drawings are visually elegant, strikingly simple with a nod to Pop Art and Brancusi . They are
also maps for ideas and belief systems.
Working with a limited paleTe, he propels his shaped panels into ac^ve vessels of meaning and informa^on..
The polygon he favors refer to signage, banners , flags, placards , perhaps the outline of ar^facts, and are
steeped in poli^cal and cultural moTos. .
Saturated dots of black ink applied to the surface act as stars that seek to connect. These interac^ons create
constella^ons within the shaped frame.
From microcosm to macrocosm, cell to atom, everything in the world is essen^ally made up of the same
material, Bruder’s energized picture plane transformed to entropy.
Zachary Bruder was born in 1984 and lives and works in New York City.
His recent exhibi^ons include "Greasy Pink, NY, NY, "The Color Gray", Homeland, Houston,TX and The
“Brucennial 2012”, Curated by Vito Schnabel and the Bruce High Quality Founda^on, NY, NY
Presse mappe I Seite 92

SOD Gallery
Director : Marie Kirkegaard
Gallery crea^on’s year: 2011
www.sodgallery.dk
sod@sodgallery.dk
+4520123053
Holbergsgade 17C
DK-­‐1057 Copenhagen K
Denmark
Silas Inoue, Secondary Depreva'on, 2012. Watercolor and pen on paper, 64 x 110 cm © SOD Gallery
Focus ar^st : Silas Inoue, born in 1981
Other ar^st exhibited on the booth: Rasmus Rosengaard
Prices of the works: from 1 000 € to 1 400 €
Established in June 2011, SOD the only specialized gallery in Copenhagen striving to show current trends in
contemporary drawing more coherently.
The ar^sts represented by SOD Gallery work within a variety of media, rooted in a dynamic approach to
drawing, reflec^ng mixed media expression and thereby expanding the current horizons, to create a las^ng
contemporary impression, of drawn arts uniqueness.
The focus ar^st at DRAWING NOW PARIS 2013 is Danish-­‐Japanese ar^st Silas Inoue. Through a diverse ar^s^c
prac^ce consis^ng of drawings, watercolors and sculptural objects Inoue work with a visual poetry in which
each work is the subject of a contempla^ve work, dedicated to various thought experiments and a medita^ve
absorp^on in the material.
Oden inspired by poe^c literature Inoue seems to raise various holis^c and existen^al ques^ons that are
oden expressed as nightmarish or adventurous frames of mind that relate to the darker sides of life.
The second ar^st represented by SOD is Rasmus Rosengaard. The focal point of his ar^s^c prac^ce is the
monochrome work, its materiality and its contempla^ve opportuni^es.
Rosengaard will present some large scale drawings, where he in graphite alone tests the limits and
possibili^es of the frey monochrome, which involves a special focus on the processing of sensi^ve and
ambient elements of the picture plane. The drawings are done on paper or canvas with graohite dust, which
undergoes a long-­‐winded process in which the graphite is smoothed on the surface with a cloth to create and
explore a spa^al depth or evoca^ve elements.
Presse mappe I Seite 93

The Running Horse
Contemporary Art Space
Director : Lea Sednaoui
Gallery crea^on’s year: 2009
www.therunninghorseart.com
info@therunninghorseart.com
+9611562778
Emi Miyashita, Breast Tour, 2012. Pencil on paper, 20,5 x 26,5 cm. Courtesy The Running Horse
Focus ar^st : Emi Miyashita, born in 1985
Others ar^sts exhibited on the booth: Alfred Tarazi, Hiba Kalache, Carlo Keshishian, Charif GhaTas
Prices of the works: from 1 400 € to 4 000 €
The Running Horse Contemporary Art Space, opened in May 2009, is located in the Karan^na industrial
district of Beirut, Lebanon.
The Running Horse (TRH) acts as a communica^ve plaporm looking to foster contemporary visual language by
invi^ng emerging ar^sts from Lebanon and the Middle East to ar^culate concepts and generate crea^ve
possibili^es through different media that cover pain^ng, photography, sculpture, video and installa^on. In
addi^on to presen^ng local ar^sts to a wider interna^onal public, TRH also works to introduce emerging and
mid-­‐career interna^onal ar^sts through various thema^c exhibi^ons to the Lebanese audience and the wider
Middle Eastern community, advoca^ng thus a permanent discourse in visual culture.
The ar^sts exhibited at DRAWING NOW PARIS 2013 are Hiba Kalache (Lebanon), Carlo Keshishian (England),
Emi Miyashita (Focus ar^st – Japan) et Alfred Tarazi (Lebanon).
Emi Miyashita works on pencil on paper miniatures, represen^ng sexual organs set in asexual environments
surrounded by objects, accessories and minute people. The ar^st conveys her desires and apprehensions
se…ng up these well alive organs in a fantas^c world. The works are accompanied by magnifying glasses,
invi^ng the viewer to come closer, and observe closely the in^mate world of the ar^st.
Emi Miyashita born in 1985 in Miyagi, Japan is a graduate from Central Saint Mar^ns College of Art & Design,
and of Chelsea College of Art, London.
Presse mappe I Seite 94

GALERIE VINCENZ
SALA Paris-­‐Berlin
Director : Helmut Bauer
Gallery crea^on’s year: 1986
www.vsala.com
vincenz.sala@vsala.com
52 rue Notre Dame de
Nazareth
75003 Paris
Myriam El Haïk, Cahier de puni'ons IX (polychrome), 2012. Felt-­‐-p on paper, 15 x 21 cm © DR
Focus ar^st : Myriam El Haïk, born in 1973
Prices of the works: from 250 € to 2 500 €
Myriam El Haïk (1973), is a French-­‐Moroccan ar^st, performer and composer. Her more recent work explores
repe^^ve wri^ng. Simple signs that vaguely but explicitly refer to Arabic leTers are lined up, right to led. A
fairly rapid scribbling with colored felt-­‐^p pens, ini^ally on paper in her ‘cahiers de puni^on’, then directly on
the wall.
Monochroma^c or superposed in layers of different colors, the lined up signs create rhythmic fields. And
broader rhythmic structures emerge between the superposed layers sugges^ng some curved form, a piece of
cloth, perhaps a flag. Polyrhythmic music, work with basic rhythmic mo^fs that get out of, and back into, step
is not far.
As for music the making is important. Whether bend over a table laboriously filling her ‘cahiers’ or upright in
front of a wall, the exercise is physical. It engages, informs, and in its obsessive repe^^veness eventually
forces the body. Myriam El Haïk’s works reflect on the physical disciplines surrounding wri^ng and the
learning of wri^ng.
Perhaps, Myriam El Haïk’s “wri^ngs” really belong to another stream of her work: performance. It’s the act of
wri^ng, silently, at a given place and a given ^me. A memory that is physical more than anything else, a
meaning well before the meaning that comes with the leTers of some alphabet. In her recent crea^ons, she
comes to weave bonds between different mediums : drawing, music, dance and video.
Presse mappe I Seite 95

Galerie With
Tsjalling
Director : Tsjalling Venema
Gallery crea^on’s year: 2010
info@withtsjalling.nl
+31-­‐6-­‐44896856
Oosterstraat 26
9711 NV Groningen
Julio Pastor, African Guerilla Boy -­‐ Zuiderkerkstraat, 2009
watercolour and pencil on copon paper, 13 x 18 cm © Julio Pastor/galerie with tsjalling
Focus ar^st : Julio Pastor, born in 1981
Others ar^sts exhibited on the booth: Chiaki Kamikawa, Jans Muskee
Prices of the works: from 250 € to 2 500 €
Julio Pastor (1981), comes from Mexico City, but now lives in Groningen, the Netherlands. His moving from
one of the worlds largest ci^es to a town of nearly 200.000 inhabitants has largely affected his view on how
urban infrastructure affects his everyday habits. This way he became much more sensible to issues concerning
urban planning, and the subject maTer of his art produc^on is pointed at ques^oning the way ci^es are being
built, restructured and adapted.
The training programme for running a marathon allows the ar^st to discover certain things in the city of
Groningen which would have otherwise remained unno^ced. The series of small watercolours that show
different places in Groningen where he has found the same graffi… stencil of a young African guerilla reflects
these findings. Using watercolours he tries to show places where the city shows a certain fragility. He tries to
take profit of the par^cular characteris^cs that the medium of watercolour can offer. Some of these pieces
were therefore drawn on the spot, becoming, this way, the recording of a long period of ^me that the ar^st
spent in front of the subject maTer.
A new series of drawings is currently evolving during an ar^st-­‐in-­‐residency stay in Berlin. Here Pastor is
searching for places that show this city that is always changing. Constantly construc^on work is taking place,
but some^mes buildings are led unfinished, like the monument designed by Albert Speer, that was led in a
residen^al area ader World War 2.
Presse mappe I Seite 96

XPO gallery
Director : Philippe Riss
Gallery crea^on’s year: 2011
www.xpogallery.com
info@xpogallery.com
17 rue Notre Dame de Nazareth
75003 Paris
Vincent Broquaire, Big Rock, 2012. Ink on paper, 46 x 35 cm. Courtesy xpo gallery
Focus ar^st : Vincent Broquaire, born in 1986
Other ar^st exhibited on the booth: Cedric Quissola
Prices of the works: from 800 € to 4 000 €
With black felt-­‐^p as his medium of choice, Vincent Broquaire portrays the shiding landscape of a world
subject to the buffe^ng forces of inven^on. Bent on depic^ng reality -­‐ along with all its absurdi^es -­‐ he
sketches its hidden fantasy and ambi^on. Through the humor of his spontaneous reflec^ons we see the other
side of a perfect society. Vincent Broquaire, conversant with new technology, iden^fies the limits of our
influence and control over innova^on, and conceives the consequences of our irra^onal undertakings. From
the news in brief to the most drama^c stories, his distanced and cri^cal perspec^ve brings out their poe^cal
designs and underlying pathos.
Presse mappe I Seite 97

Die ins-tu-onellen partner
DRAWING NOW PARIS l LE PARCOURS
A LABEL TO PROMOTE THE CONTEMPORARY DRAWING
Unter diesem im Jahr 2009 ins Leben gerufenen Label finden im Rahmen einer freundschadlichen
Partnerschad in Museen, Kunstzentren, S^dungen und an privaten Ausstellungsorten in Paris und im Pariser
Großraum Ausstellungen moderner und zeitgenössischer Zeichnungen staT.
Über die begrenzte Dauer der Messe hinweg möchte dieses Label auf die Bedeutung der Zeichenkunst
hinweisen und auf alle Veranstaltungen aufmerksam machen, die diese KunstgaTung zum Thema haben. Die
reichhal^gen öffentlichen oder privaten Kollek^onen nutzen die im Zusammenhang mit der Messe
entstehende Dynamik, um die Aufmerksamkeit des Publikums auf andere Herangehensweisen an die
Zeichnung zu lenken.
DRAWING NOW I PARCOURS möchte die zeitgenössische Zeichnung über eine autonome Website, die auf
aktuelle Ausstellungen an den Partner-­‐Veranstaltungsorten hinweist, das ganze Jahr lang beleben.
PARTNERS 2013
Arts Décora^fs
Centre Culturel Suisse
Ecole Spéciale d'Architecture
Frac Ile-­‐de-­‐France / Le Plateau
Goethe-­‐Ins^tut
Ins^tut Néerlandais
Maison Rouge
MAMVP
Musée de la Chasse et de la Nature
Musée du Quai Branly
Sèvres-­‐Cité de la Céramique
OTHERS PARTNERS OF DRAWING NOW PARIS I LE PARCOURS
Espace YGREC, ENSAPC
Médiathèque Marguerite Duras
LAM-­‐ Lille Métropole Musée d'art moderne, d'art contemporain et d'art brut
Presse mappe I Seite 98

ARTS DÉCORATIFS
107, rue de Rivoli -­‐ 75001 Paris
T +33 1 44 55 57 50 I www.lesartsdecora\fs.fr
Tuesday to Sunday from 11am to 6pm -­‐ last \cket sold at 17h30 pm. Thursday : up un\l 21pm for temporary exhibi\on -­‐ last \cket sold at
20h30pm
Closed on Monday
Graphic enchantments of Emilio Terry : cri-cal selec-on of proto drawings
26/03 -­‐ 10 /06/13
Baroque and neo-­‐classical, inventor of the "Louis XVII style", admirer of Palladio and
Ledoux, Emilio Terry (1890-­‐1969) con-nues to feed the confluent imagina-ons and
imagina-ve worlds of designers, architects, decorators and French or foreign
landscapers. The presenta-on of twenty works from the outstanding collec-on of
the Department of Graphic Arts of the Musée des Arts décora-fs (not less than 1200
drawings) authorizes, on the principle of accumula-on, miscellaneous comparisons
and lis-ngs, the coverage of a temporal prism open from the 1930s to the turn of the
1970s, the materiality of the carried out orders (or in progress because not
achieved), the res-tu-on of hexagonal and interna-onal sociability links -ed by the
creator connected to many social networks (versus Boni de Castellane) and assured
of a famous clientele (from Anna de Noailles to Charles Beistegui).
Curator : Agnès Callu -­‐ Musée des Arts décora-fs, Departement of Graphic Arts–
Cabinet of Drawings
Emilio Terry y Sanchez (1890 -­‐ 1969), Projet : pavillon, France, 1932. Encre noire et lavis, inv. 47773.72
CENTRE CULTUREL SUISSE
38, rue des Francs Bourgeois -­‐ 75003 Paris (entrée au fond du passage)
T +33 1 42 71 44 50 I ccs@ccsparis.com I www.ccsparis.com
From Tuesday to Sunday : 1pm -­‐ 7pm I free entrance for the exhibi\ons
Marc Bauer, The Collector
01/02 -­‐ 14/04/13
The collector is the one who gathers what is scapered, He
creates an order of its own in the universe and sat in his
power by controlling the objects that belong to him. This
exhibi-on presents drawings on paper or on aluminum, as
well as wall drawings, Marc Bauer focuses on a dark period of
History, France under the Occupa-on, and in par-cular on the
spolia-on of Jewish property by Nazis. He retraces
atmospheres of parisian collector’s apartments lem hurriedly,
and put into perspec-ve with other collec-ons. Marc Bauer
(born in Geneva in 1975) lives and works in Berlin. Personal
exhibi-ons are planned at gallery Freymond-­‐Guth in Zurich in 2013 and FRAC Auvergne in 2014.
On Saturday April 13, projec-on at 8.00 pm of the animated film The Architect (26 ') from Marc Bauer, with live music
from French rock group Kaha. This project is inspired by Nosferatu, eine Symphonie des Grauens (1922) by Friedrich
Wilhelm Murnau.
Marc Bauer, Le Collec'onneur, 2012. © Marc Bauer
Presse mappe I Seite 99

ÉCOLE SPÉCIALE D’ARCHITECTURE
254, boulevard Raspail -­‐ 75014 Paris
www.esa-­‐paris.fr
Free entrance : Monday to Friday, from 10.00 am to 6.00 pm, Saturday from 10.00 am to 4.00 pm
PARIS 1955-­‐1965
A decade of architecture revisited in pencil in 2013
13/04 -­‐ 04/05/13
The École Spéciale d'Architecture presents an exhibit of drawings by
architects, ar-sts, illustrators, designers, writers and students of
Parisian construc-ons built between 1955 and 1965.
"If you erased nineteenth century buildings, Paris would be comprised
only of a scapered and disparate set of buildings, a hole-­‐filled fabric of
unusual architectural objects, a museum of incongruous, irreconcilable
ages: medieval, modern and perhaps most difficult to iden-fy, this
strange period that straddles 1960."
Simon Boudvin, ar-st and professor of art at the École Spéciale
d'Architecture
Feutre sur papier 21x27,7 cm © Valérie du Chéné
FRAC ILE-­‐DE-­‐FRANCE / LE PLATEAU
Place Hannah Arendt -­‐ 75019 Paris (angle de la rue des Alouekes et de la rue Carducci)
T + 33 1 76 21 13 41 I info@fracidf-­‐leplateau.com I www.fracidf-­‐leplateau.com
Free entrance. Opening days and hours : Wednesday to Friday from 2 p.m to 7 p.m. Saturday and Sunday from 12 p.m to 8 p.m
Paint it Black.
14/03 -­‐ 12/05/13
A black-­‐and-­‐white exhibi-on based on recent acquisi-ons by the Frac Ile-­de-­‐France,
Paint it Black. proposes a radical formal concept, the beper to
bring out the intrinsic logic of each of the works on view, which can be
based on an abstrac-on of reality, conjure up the perforce selec-ve work of
memory, or propose various cosmic visions of the world… By referring
explicitly to music, Paint it Black. is endowed with a set of scores which, in a
conceptual manner that has historically encouraged black and white in its
quest for the ideal, pace the exhibi-on like so many poten-al refrains.
Exibi-on curator : Xavier Franceschi
With the works of Dove Allouche, Inaki Bonillas, Francesco Gennari, Joachim Koester, Bertrand Lamarche, Benoît Maire,
Ralph-­‐Eugene Meatyard, Helen Mirra, Evariste Richer, Ben Rivers, Margaret Salmon, Béatrice Samson, Wolfgang
Tillmans…
Dove Allouche, Les Fumeurs Noirs_8, 2010. Collec-on du Fonds régional d’art contemporain Île-­‐de-­‐France, © Dove Allouche
Presse mappe I Seite 100

GOETHE-­‐INSTITUT
17, Avenue d’Iéna -­‐ 75116 Paris (1st floor)
T +33 1 44 43 92 30 I www.goethe.de
Free entry during library hours : Tuesday, Wednesday and Friday from 1 to 8 p.m., Thursday from 10 to 4 p.m., Saturday from 10 to 2 p.m.
Comic-­‐Transfer
Berlin-­‐Paris-­‐Beyrouth, the city and its borders
An exhibit by Zeina Abirached, Paula Bulling and Nicolas Wild
09 -­‐ 27/04/13
Three ci-es, three ways of looking at a city, a culture, a society – three ways of
experiencing the borders of a metropolis. For two weeks, Zeina Abirached, Paula
Bulling and Nicolas Wild, the comic book authors, changed places in life and work. A
game of hare and hounds, a paper trail, a treasure hunt, prepared by each of the
authors led them to unexpected, unusual or emblema-c places, in search of the
geographic, religious and social borders of the city.
This exhibit follows their paths through sketches, original drawings and stories from
the blog created especially for the occasion. This will give visitors a taste of the larger
exhibit to be presented in 2014 that will bring together all the ar-sts who took part in
the Comic-­‐Transfer Project.
You will find everything you want to know about the project at: blog.goethe.de/comic-­transfer
Drawing by Paula Bulling aexecuted during her stay in Paris
INSTITUT NÉERLANDAIS
121 rue de Lille -­‐ 75007 Paris
T +33 1 53 59 12 40 I info@ins\tutneerlandais.com I www.ins\tutneerlandais.com
Everyday from 1 to 7pm
Peter Vos, Métamorphoses
07/03 -­‐ 26/05/13
In associa-on with the Ins-tut Néerlandais the Fonda-on Custodia
presents an exhibi-on of drawings by Dutch ar-st Peter Vos
(1935-­‐2010), who is regarded as one of the most crea-ve Dutch
figura-ve ar-sts of the laper half of the 20th century and first decade
of the 21st. The selec-on of works focuses on Vos’ representa-ons of
Ovid’s Metamorphoses, in par-cular those in which a bird embodies
the final stage of the transforma-on. Also included are individual
characters from classical mythology undergoing a transfigura-on, as
well as drawings that can be said to form part of a personal
mythology.
Peter Vos, Minotaure endormi, 14.X.1983. Crayon et pinceau, aquarellé, 12 x 17 cm © Collec-on par-culière
Presse mappe I Seite 101

MAISON ROUGE FONDATION ANTOINE DE GALBERT
10 bd de la bas\lle -­‐ 75012 Paris
T +33 (0)1 40 01 08 81 I info@lamaisonrouge.org I www.lamaisonrouge.org
Wednesday to sunday open from 11am to 7pm . Thursday up to 9am
Under Influences
15/02 -­‐ 19/05/13
La maison rouge presents, from February 15th to May 19th 2013, Under
Influences, a major exhibi-on which addresses the rela-onship between ar-sts
and psychotropics.Since the dawn of -me, ar-sts were all but compelled to try
out their effects.Leaving moral judgement aside, the exhibi-on proposes
(necessarily non-­‐exhaus-ve) examples of the interrela-ons between crea-ve
processes and the use of psychodynamic substances borrowed from ar-sts like
Henri Michaux, Yayoi Kusama, Carsten Höller….
Carsten Höller, Amanite fluorescente, 2004. Sérigraphie manuelle 2 couleurs fluo sur papier Velin d'Arches 400 gr., cadre bois et
verre, 112 x 99 cm et 118 x 105 cm. Edi-on de 8 © photo DR. Courtesy Air de Paris, Paris.
MUSÉE D’ART MODERNE DE LA VILLE DE PARIS
11 avenue du Président Wilson -­‐ 75116 Paris
T +33 1 53 67 40 00 I www.mam.paris.fr
Open Tuesday -­‐ Sunday : 10 am -­‐ 6 pm
LINDER, Woman/Object
01/02 -­‐ 21/04/13
An ARC exhibi-on
The Musée d’Art Moderne de la Ville de Paris is presen-ng the first-­‐ever
retrospec-ve of the work of Bri-sh ar-st Linder Sterling, known as Linder. The
layout of the exhibi-on reflects the three main currents in her oeuvre: the visual
arts, music and fashion.
Comprising some 200 works, the exhibi-on offers a broad selec-on of
photographs, photomontages, lightboxes and works on paper, together with
costumes, videos, sound installa-ons and recordings of performances, including
the 1981 concert which featured her wearing a dress made of raw meat.
Linder, Hiding but s'll not knowing, 1981-­‐2010 © Linder
Presse mappe I Seite 102

Fnac 0 892 684 694 (0,34 ¤/minute) www.fnac.com - Ticketnet 0 892 390 100 (0,34 ¤/minute) www.ticketnet.fr - Digitick 0 892 700 840 (0,34 ¤/minute) www.digitick.com
Le Nautilus, Paul Jacoulet © ADAGP, 2012 / © musée du quai Branly, photo Claude Germain
MUSÉE DE LA CHASSE ET DE LA NATURE
62, rue des Archives -­‐ 75003 Paris
T +33 1 53 01 92 40 I www.chassenature.org
From Tuesday to Sunday 11am to 6pm. Wednesday up to 9h30pm. Closed on monday
Arno Kramer
09/04 -­‐ 29/09/13
The musée de la Chasse et de la Nature seeks to examine the rela-onship between
man and his natural environment through ar-s-c and cultural heritage they inspire.
Through its cultural program, thinkers and ar-sts of our -me are invited to enrich
the perspec-ve developed by the permanent exhibi-on of the museum. The Dutch
designer and curator Arno Kramer (born 1945) is invited to create a monumental
and ephemeral drawing as to invade the walls of the staircase of the hôtel de
Guénégaud, built by François Mansart (1598 -­‐1666). The dreamlike and inhabited
landscape offers a renewed percep-on of this masterpiece of the "god of French
architecture"...
© Paris, musée de la Chasse et de la Nature. Cliché Sylvie Durand. Courtoisie Arno Kramer
MUSÉE DU QUAI BRANLY
37 quai Branly -­‐ 75007 Paris
T +33 1 56 61 70 00 I www.quaibranly.fr
Tuesday, Wednesday, Sunday from 11am to 7pm, Thursday, Friday, Saturday from 11am to 9pm. Closed on Mondays (except during half term
holidays, from 11am to 7pm, for all educa\on zones)
UN ARTISTE VOYAGEUR
L’univers flottant de Paul Jacoulet
www.quaibranly.fr
Exposition
26/02/13 - 19/05/13
Un ar-ste voyageur en Micronésie
L’univers flopant de Paul Jacoulet
26/02 -­‐ 19/05/13
Paul Jacoulet (1896-­‐1960) was a French ar-st who arrived in Japan in 1899 and lived
there for most of his life. In those days, travels were unusual however Paul Jacoulet
omen went to Korea, China and Micronesia, to draw portraits of the na-ve people,
using ukiyo-­‐e print techniques -­‐ a Japanese designa-on meaning "image of the floa-ng
world" – favouring depic-ons of everyday life during the Edo period (1603-­‐1868).
In his prints, watercolours and drawings, the ar-st represents men and women he
encountered, using an approach that is both in-mate, aesthe-c and ethnographic.
Several major themes are an invita-on to travel in his prolific and singular oeuvre: the
vision of an ar-st-­‐ethnographer for whom faraway lands became a daily and in-mate
reality, the representa-on of tapoos and jewellery and also of the ero-cism that
infuses certain portraits.
Curator : Chris-an Polak, With the collabora-on of Julien Rousseau
Scien-fic advisors : Kiyoko Sawatari, Sébas-en Galliot
Presse mappe I Seite 103

SÈVRES-­‐CITÉ DE LA CÉRAMIQUE
2, place de la Manufacture -­‐ 92310 Sèvres
T +33 1 46 29 22 00 I www.sevresciteceramique.fr
Ink for gold
Drawings ans engravings of ornaments Sèvres
03/04 -­‐ 13/05/13
Adapted to the specific needs related to the produc-on of Sèvres,
engraving let report, at will, friezes, rosepes and apributes on difficult
surfaces to decorate with ease and accuracy difficult to achieve
manually. Many designs of ornaments and decora-ve friezes, and also
the collec-on of engraved plates, s-ll in use in decora-ng shops, show
the place of this technique in Sèvres. Etching is used in the workshops
of the Manufacture in the second half of the eighteenth century for
tes-ng transfer of gold decora-ve paperns on some parts service, but
the first prin-ng workshop was established in 1806 at the
Manufacture. The significant growth of this technique in Sèvres during the first half of the nineteenth century is linked
to the crea-on of large tableware and vases. This tradi-on has con-nuedun-l today, while adap-ng to the changing
shapes, designs and styles. Since the 1960s, ar-sts like Mitsuko Takano, Roberto Mapa and Philippe Favier renewed use
of this technique in crea-ng contemporary pieces. The presenta-on of drawings and engravings ornaments Sèvres from
the nineteenth to the twenty-­‐first century, explains the role of etching in the set design and show the major role of
Sèvres in the history of decora-ve arts.
Philippe Favier, Décor pour une assieHe plate en porcelaine de Sèvres. Encre sur papier, 24.5 x 17.5 cm. Commande pour l'Elysées créé par Philippe Favier pour le service du nouveau
millénaire. © G.Jonca Sèvres -­‐ Cité de la Céramique
Presse mappe I Seite 104

OTHERS PARTNERS
ESPACE YGREC, ENSAPC
20 rue Louise Weiss -­‐ 75013 Paris
From Wednesday to saturday 1pm to 7pm
Mille Feuillets III
Du 22/03 au 13/04/13
Heir to the most distant past, matrix or autonomous, today the drawing
has muddied the borders. He seizes the gallery YGREC through the
proposals of students of the ENSAPC. Kind of freeze, the exhibi-on
offers selected pieces of a drawing, slow or fulginious, deposited on a
thin sheet of paper or deplying itself into space -­‐ out off paper -­‐,
ellip-cal or overloaded, secret (in the middle of a book ) or expansive,
narra-ve or silent, even elusive in its immateriality.
Catherine Lobstein
Julie Harry, Haie, 2012
MÉDIATHÈQUE MARGUERITE DURAS
115 rue de Bagnolet -­‐ 75020 Paris
T +33 1 55 25 49 10 i mediatheque.marguerite-­‐duras@paris.fr
Opening hours : Tuesday – Thursday – Friday : 1-­‐7 pm, Wednesday : 10 am-­‐7 pm, Saturday : 10 am-­‐6 pm, Sunday : 1-­‐6 pm. Closed on monday
Gilles Balmet
Silver mountains
02/03 -­‐ 28/04/13
Aiming at promo-ng contemporary art through its collec-on of art books and
its cultural events, every year the mul-media library Marguerite Duras gives
carte blanche to a contemporary ar-st. This year, this opportunity is given to
Gilles Balmet, painter, drawer, filmmaker and photographer, born in 1979.
He’s been recently focusing on works on paper and canvas, between
abstrac-on and figura-on, ques-onning the no-on of landscape, the role of
the viewer in image analysis, the no-ons of mastering and serendipity, of
order and chaos, and the links between pain-ng and photography.
The exhibi-on will present an important group of recent works from different series such as Silver mountains,
Waterfalls, Silver reliefs and Rubber soul, a balance between abstrac-on and representa-ons of landscapes, the results
of a process of image crea-on specifically developed by Gilles Balmet in his studios and labs. These works, evoking
photographs, combine drawing, pain-ng, chemical and physical reac-ons from opposite mapers, movements and
varied manipula-ons on papers, and will occupy different areas of the library.
Gilles Balmet, Silver mountains, 2011. Peinture acrylique argent sur papier noir, 70 x 100 cm. Courtesy Gilles Balmet et galerie Dominique Fiat, Paris
Presse mappe I Seite 105

LAM-­‐ LILLE MÉTROPOLE MUSÉE D'ART MODERNE, D'ART CONTEMPORAIN ET D'ART BRUT
1 Allée du Musée -­‐ Villeneuve-­‐d'Ascq
T +33 +33 3 20 19 68 68 I info@musee-­‐lam.fr I www.musee-­‐lam.fr
Everyday from 10am to 6pm except Monday
Jockum Nordström
16/02 -­‐ 19/05/13
Jockum Nordström (1963, Stockholm) is one of the most renowned Swedish ar-sts of
his genera-on.
The exhibi-on at the LaM is his first museum retrospec-ve in France, and second in
importance amer the one at the Stockholm Moderna Museet in 2005. Comprising
almost a hundred art works, it unfolds a comprehensive panorama of his work, from
his pencil drawings done between 1995 and 2010 to his more recent collages,
including his architectural models and his photographic collages of 2006-­‐2010.
Jockum Nordström, Vägvisaren, 2012. Collage, watercolor and graphite on paper, 135 x 100 cm
Photo: P. Cox. © Courtesy David Zwirner, New York/London; Galleri Magnus Karlsson, Stockholm; and Zeno X Gallery, Antwerp. © Adagp
Paris, 2012
Presse mappe I Seite 106

Die wich-gsten partner
MAIN SPONSOR
From the first edi-on SOFERIM supports the fair and the contemporary crea-on while con-nuing to
promote a parisian real estate tradi-on. www.soferim.com
OFFICIALS PARTNERS
Saguez & Partners is one of the first interna-onal French design agency. The 130 people team
occupies La Manufacture, a former factory converted according to its own design, a lifestyle and
produc-ve space which unites the reason and the sensibility. Some projects : Calligaris, Foncier
Home, Grand Palais, Lafayepe Maison, Les Puces de Saint-­‐Ouen, Silvera, Sony Style George V,
Aéroports de Paris, Unibail-­‐Rodamco, SNCF, Kusmi Tea, Nespresso… The logo DRAWING NOW PARIS
was created in 2011 by Saguez & Partners who accompanies the brand and the event ever since.
Link between drawing and paper; Inapa, distributor of prin-ng papers, will join Drawing Now for the
4th consecu-ve year. The catalog of the 2012 edi-on was printed on Bamboo Dis-nc-on (coverage)
and Inapa Imagine Silk (inside) allowing development of reproduc-ons of Ar-sts, and thereby
offering “a beau-ful work” for the Art lovers.
Inapa is also 8 000 items, a wide range of print media and the choice of leading brands. Exclusive
brands: Unique By Inapa. Inapa brands: for economical or innova-ve solu-ons. A complete range of
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Presse mappe I Seite 107

Founded in 1761, FABER-­‐CASTELL is the world's leading manufacturer of graphite and colour pencils.
With its rich heritage and in keeping with its -mes, FABER-­‐CASTELL wants to honour the
contemporary art and is proud to be part of DRAWING NOW PARIS since 2012. FABER-­‐CASTELL
remains unique throughout the world. The Brand essen-als defining the core values of the FABER-­‐
CASTELL brand are competence and tradi-on, outstanding quality, innova-on and crea-vity, social
and environmental responsibility. Amer 250 years, FABER-­‐CASTELL is s-ll family owned, by the eight
genera-on. Count Anton-­‐Wolfgang von Faber-­‐Castell is head of the company.
www.faber-­‐castell.fr
Through the lenses of art, design and cuisine, Le Méridien Etoile creates a s-mula-ng experience
that allows you to discover Paris from a new perspec-ve. Strategically located close to the Arc de
Triomphe, the Champs-­‐Elysées, and La Défense business district, Le Méridien Etoile offers limitless
possibili-es for interna-onal travellers and art-­‐lovers alike. With its forward-­‐thinking contemporary
design, the hotel features 1025 rooms all equipped with the signature “Le Méridien Bed” and its
2000 sq.m conference centre offers endless possibili-es for crea-ve mee-ngs and events.
For memorable evenings, explora-on awaits you at our steakhouse restaurant Ma Chère & Tendre
and the famous Jazz Club Etoile.
VIP CLUB PARTNERS
Contemporary design: discovering new talent Nicolas Feuillape has always apached great
importance to modern art. Transcending the role of patron or sponsor, Nicolas Feuillape evokes the
crea-ve freedom that laughs in the face of conven-on and surprises the senses, and is where the
brand recognises its true values. Above and beyond a passion for design, Nicolas Feuillape seeks
more than anything to s-mulate innova-on and discover new talent.
Nespresso's Grand Crus come on stage at DRAWING NOW PARIS as ar-sts with a unique personality
awakening gourmet sensa-ons in each of us. Since more than 20 years, Nespresso, in its search for
elegance and innova-on, invites leading figures of the ar-s-c and design environment such as
Andrée Putman, Konstan-n Grcic, the collec-ve 5.5 Designers, Chris-an Ghion, Manish Arora, in
order to share moments of inspira-on and excep-on. Therefore it is natural for Nespresso, pioneer
and worldwide reference for the por-oned and upscale coffee, to be partner of the 7th edi-on of
DRAWING NOW PARIS I LE SALON DU DESSIN CONTEMPORAIN.
Sentou manufactures and distributes in its 2 shops in Paris furniture, ligh-ng, tex-les and tableware,
anarray of contemporary products which combine humour, design and poetry, carefully selected by
Pierre Romanet. A reference in terms of design and “Art de Vivre”, Sentou’s success lies in its narrow
collabora-on with designers such as Isamu Noguchi, Roger Tallon,Brigipe de Bazelaire, Claudio
Colucci and with exclusive crea-ons Sentou.
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SUPPLIERS PARTNERS
Arteum is a new concept store "Art, Culture & Design" that distributes an original set of products
licensed by ar-sts. Pain-ngs, photographs, sculptures, reproduc-ons of works, design, products and
cultural items are offered at affordable prices. In Paris, Arteum shops are in Carrousel du Louvre,
Bercy Village, Cnit La Défense, Printemps Haussmann and Parly 2, Fnac Montparnasse. Arteum also
offers its en-re selec-on on its online store www.arteum.com. The first Japanese bou-que is now
open in Tokyo.
Coolhuntparis is a digital communica-on agency that offers Internet broadcast about currents
events of brands and their products, current events about ar-sts, their produc-on, and cultural
informa-ons. Embracing all the exis-ng digital communica-on tools, Coolhuntparis ini-ates
business firms to digital communica-on. Our goal in our missions is to use social medias as a
leverage for communica-on and to combine originality, crea-vity and imagina-on. The agency is to
establish and master an en-re digital communica-on strategy based on the following
professions: public rela-ons, digital communica-ons consul-ng, community management, design
and image crea-on. Coolhuntparis will integrate very soon the residence of cultural
entrepreneurs Crea-s at la Gaité Lyrique.
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Media partner
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Prak-sche Informa-onen
CARROUSEL DU LOUVRE : 99 rue de Rivoli, 75001 Paris
ÖFFNUNGSZEITEN FÜR DAS PUBLIKUM
Donnerstag 11. April, Freitag 12. April, Samstag 13. April von 11 bis 20 Uhr I Sonntag 14.April von 11 bis 19 Uhr
PRESSE-­‐VERNISSAGE. Mipwoch 10. April ab 11 Uhr
VERNISSAGE. Mipwoch 10. April von 18 bis 22 Uhr
EINTRITTSPREISE
Voller Preis: 15 €
Ermäßigter Preis: 8 €
Kostenlos für Besucher unter 18 Jahren (wir bipen Besucher ab 13 Jahren, am Messeeingang eine Freikarte zu lösen)
Katalog : 15 €
Eintrip + Katalog: 20 €
ANFAHRT
Metrosta-on Palais Royal-­‐Musée du Louvre: Linie 1 und 7
Bushaltstelle Palais Royal-­‐Comédie Française: Linie 21/27/39/81/95
Zugang zur Tiefgarage Carrousel-­‐Louvre über die Avenue du Général Lemonnier, 75001, Paris
INFORMATIONEN
+ 33 (0) 1 45 38 51 15 I info@drawingnowparis.com
www.drawingnowparis.com
VERANSTALTER
CPCT Arts&Events
48 rue Raymond Losserand, 75014 Paris
+ 33 (0) 1 45 38 51 15
info@drawingnowparis.com
www.drawingnowparis.com
UNTER DER SCHIRMHERRSCHAFT VON MADAME AURÉLIE FILIPPETTI,
MINISTER FÜR KULTUR UND KOMMUNIKATION
Pressekontakt
Agence Observatoire
www.observatoire.fr
Aurélie Cadot :
aureliecadot@observatoire.fr
68 rue Pernety, 75014 Paris
+33 (0)1 43 54 87 71
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