Monday, December 24, 2007 - Marion Meyer Contemporary Art
Monday, December 24, 2007 - Marion Meyer Contemporary Art
Monday, December 24, 2007 - Marion Meyer Contemporary Art
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<strong>Monday</strong>, <strong>December</strong> <strong>24</strong>, <strong>2007</strong><br />
ORANGE COUNTY REGISTER<br />
John Szabo is <strong>December</strong>'s guest artist at The Cove<br />
Gallery in Laguna Beach<br />
By ROBERTA CARASSO<br />
LAGUNA BEACH - John Szabo is this month's guest artist at the<br />
Cove Gallery. By having periodic guest artists, The Cove, an artist<br />
cooperative, introduces new art to its already varied exhibition<br />
schedule.<br />
Szabo is a multifaceted person. He is a writer, filmmaker and painter.<br />
All his talents feed into his paintings; and it can also be said that his<br />
paintings feed into his other art forms. His work, no matter what the<br />
medium is inventive and thoughtful, displaying a great deal of care in
details and in overall concept. One of the series he exhibits, although<br />
clearly a painting, is much like minimal relief sculpture.<br />
Szabo likes to begin with three rectangles, (he is obsessive about<br />
three rectangles), in the vein of Mark Rothko who is famous for his<br />
stacked rectangles. The artist builds the surface of the canvas with<br />
layers of paint meticulously drawing and carving out (some times with<br />
a knife or razor blade) horizontal and vertical lines. At some point, he<br />
sands the surface, removing paint; then adds more paint and sands<br />
again. This repetitive process gives the art an ethereal look as if the<br />
image is seen through a veil, the results of subtracting and adding.<br />
Szabo then begins another arduous, even dangerous process,<br />
applying a clear polymer to make the surface transparent, hard and<br />
shiny. Using goggles and protecting himself as much as possible, he<br />
mixes resin and a hardener and the final step takes place. In the<br />
process much force is applied as Szabo uses many industrial tools to<br />
maneuver through the surface and remove paint. He uses a sander<br />
and other tools purchased at hardware stores. The resulting delicate<br />
imagery is actually painted on Masonite as they need to withstand the<br />
mauling he gives them while creating.<br />
Another series is also about repetitive, but here Szabo prints small<br />
rectangles on the surface with a wooden block, frenetically dipping<br />
the block into paint and covering the entire surface in a pattern effect.<br />
In some work, he uses circles that repeat through out the surface. In<br />
the first series, he worked sculpturally, building a very narrow threedimensional<br />
surface. In the second series, he works like a printer,<br />
stamping repetitive forms and adding colorful paint to achieve a<br />
continuity of color, composition, and texture. In these inventive<br />
processes, Szabo does not use brushes. He also invents his<br />
implements as he uses plastic and metal tools to maneuver paint and<br />
tape to define borders.<br />
Szabo says "all art comes from the same place from your soul." He<br />
began in the creative arts very early, writing poetry and then fiction.<br />
Later he worked as a newspaper reporter and made films. As a child,
his father had a film and film editing station that gave Szabo his first<br />
experiences with making home movies. Even today, he makes film.<br />
His film about artists with disabilities was shown on PBS and received<br />
many responses from disable viewers, even from those who were not<br />
artists.<br />
Szabo grew up in Orange County, and a few years ago, came back to<br />
focus on his painting. He recently showed his work at the Orange<br />
County <strong>Contemporary</strong> <strong>Art</strong> Center and the Townley Gallery. Two<br />
pieces are on display at Laguna Beach's Sapphire Restaurant.