Ancient Near Eastern Art: The Metropolitan Museum of Art Bulletin, v ...
Ancient Near Eastern Art: The Metropolitan Museum of Art Bulletin, v ...
Ancient Near Eastern Art: The Metropolitan Museum of Art Bulletin, v ...
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Vessels fashioned from silver and gold<br />
were made in several areas <strong>of</strong> the <strong>Near</strong><br />
East as early as the middle <strong>of</strong> the third<br />
millennium B.C. Ores producing silver<br />
exist in Iran, and silver was brought back<br />
from Anatolia by merchants from northern<br />
Mesopotamia (Assyria) in the early<br />
second millennium B.C. Gold came to<br />
Mesopotamia from a variety <strong>of</strong> sources,<br />
including the Taurus and Caucasus mountains<br />
in the northwest and Egypt in the<br />
southwest. Texts also record the shipment<br />
<strong>of</strong> gold from the Indus coastline<br />
(Meluhha) in the east.<br />
Some <strong>of</strong> the most spectacular and<br />
earliest objects in gold come from the<br />
Royal Cemetery at Ur (ca. 2500 B.C.) in<br />
Mesopotamia (see fig. 66). Neither gold<br />
nor silver is native to Mesopotamia, and<br />
the appearance <strong>of</strong> these materials indicates<br />
that an effective system <strong>of</strong> trade<br />
had developed by this time.<br />
Slightly later in date than the objects<br />
discovered at Ur are gold vessels found<br />
in royal tombs in north-central Anatolia. A<br />
ewer made <strong>of</strong> hammered gold (fig. 10)<br />
originally had a long spout that projected<br />
from the narrow neck. During the second<br />
millennium B.C. spouted jugs became extremely<br />
elaborate and elegant in form. A<br />
representation <strong>of</strong> a cult scene on a Hittite<br />
cup (see back cover) shows one <strong>of</strong> these<br />
jugs in use at a ceremony where a liquid<br />
<strong>of</strong>fering is being poured out before a god.<br />
One vessel type that had a long history<br />
in the ancient <strong>Near</strong> East incorporates the<br />
head or forepart <strong>of</strong> an animal. A spectacular<br />
example (see front cover) comes from<br />
Anatolia and was made during the period<br />
<strong>of</strong> Hittite rule (fifteenth to thirteenth<br />
century B.C.). <strong>The</strong> handled cup is in the<br />
shape <strong>of</strong> the forepart <strong>of</strong> a recumbent<br />
stag, an animal commonly represented in<br />
the art <strong>of</strong> Anatolia and associated with a<br />
stag god, who can be seen on the band encircling<br />
the neck <strong>of</strong> the vessel (see back<br />
cover). <strong>The</strong> meaning <strong>of</strong> this cult scene is<br />
~11 ~ uncertain, but the association <strong>of</strong> certain<br />
animal-shaped vessels with particular<br />
divinities is described in Hittite texts.<br />
Religious or cult scenes <strong>of</strong> the type<br />
found on the Hittite cup are unknown on<br />
later vessels <strong>of</strong> gold or silver that are<br />
preserved from the period <strong>of</strong> Achaemenid<br />
rule in Iran. In general, the decoration <strong>of</strong><br />
these works <strong>of</strong> art is fairly simple. Bodies<br />
are <strong>of</strong>ten fluted and decorated with eggshaped<br />
bosses (see fig. 72), designs that<br />
appear on <strong>Near</strong> <strong>Eastern</strong> ceramics and<br />
metalwork in the second and early first<br />
millennia B.C. Stylized plant motifs include<br />
lotuses, palmettes, and rosettes.<br />
An Achaemenid cup made <strong>of</strong> silver is<br />
in the shape <strong>of</strong> a horse's head (fig. 12).<br />
<strong>The</strong> bridle and the file <strong>of</strong> birds around the<br />
15