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Ancient Near Eastern Art: The Metropolitan Museum of Art Bulletin, v ...

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Mud brick, unbaked and baked, reed,<br />

wood, and stone were the chief building<br />

materials <strong>of</strong> the ancient <strong>Near</strong> <strong>Eastern</strong><br />

world. <strong>The</strong> collapse <strong>of</strong> successive mudbrick<br />

walls gradually led to the formation<br />

<strong>of</strong> mounds, which mark the sites <strong>of</strong> human<br />

occupation in the <strong>Near</strong> East (see figs. 44,<br />

49, 51). Because stone is rare in southern<br />

Mesopotamia, mud brick and reeds<br />

were used to fashion structures. Wood<br />

was also generally lacking in the south,<br />

where the only common tree was the<br />

date palm (see figs. 4, 39). In Syria and<br />

Anatolia, however, wood formed an integral<br />

part <strong>of</strong> all large structures. On a clay<br />

cult tower probably made in Syria (see fig.<br />

22), sizable wooden beams are represented<br />

between the two stories and in<br />

the framework <strong>of</strong> the building.<br />

<strong>The</strong> walls and doorways <strong>of</strong> most important<br />

royal and cult buildings were embellished<br />

with different materials, stone,<br />

metal, and painted plaster. Clay bricks<br />

molded into figural and plant forms first<br />

appear as a type <strong>of</strong> decoration in architecture<br />

<strong>of</strong> the second millennium B.C. in<br />

Mesopotamia and Syria. Some <strong>of</strong> the<br />

most impressive examples <strong>of</strong> molded<br />

bricks come from the city <strong>of</strong> Babylon.<br />

<strong>The</strong> walls <strong>of</strong> gateways, the royal buildings,<br />

and a long processional road, built<br />

during the reign <strong>of</strong> Nebuchadnezzar II<br />

were faced with molded<br />

(604-562 B.C.),<br />

bricks covered with yellow, blue, black,<br />

7 lgSIBW Iwhite, and red glazes. <strong>The</strong> lions (see fig.<br />

11

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