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The Metropolitan Museum of Art / Bulletin

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Standing Bodhisattva Maitreya<br />

Pakistan (Gandhara region), about late znd-early 3rd century<br />

Gray schist<br />

Height, 64/4 in. (i63.2 cm)<br />

Purchase, <strong>The</strong> Lita Annenberg Hazen Charitable Trust Gift, I991<br />

1991.75<br />

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<strong>The</strong> strategic location <strong>of</strong> Gandhara (today parts <strong>of</strong> Pakistan and<br />

Afghanistan)-along the crossroads from the Mediterranean<br />

through ancient Bactria to northern India and China via Central<br />

Asia-gave it tremendous military and commercial significance.<br />

Once an eastern extension <strong>of</strong> Alexander the Great's empire,<br />

Gandhara throughout its long history attracted many different<br />

peoples-among them Seleucids, Bactrians, Indians, Romans,<br />

and Sasanians-all <strong>of</strong> whom, in varying degrees, left their<br />

cultural imprint on the region. It was under the Kushans,<br />

however, a nomadic people <strong>of</strong> Scythian origin (or who merged<br />

with the Scythians), that Gandhara achieved its greatest glory.<br />

<strong>The</strong> Kushan rulers were Buddhist converts-a fact that, coupled<br />

with the classical legacy <strong>of</strong> Alexander's cultural heirs and<br />

ongoing contact with the Mediterranean world, led to a unique<br />

art form. This marriage <strong>of</strong> Buddhist iconography and sculptural<br />

styles markedly dependent upon Hellenistic and Roman<br />

prototypes sets the art <strong>of</strong> Gandhara apart from that <strong>of</strong> all<br />

other cultures.<br />

Gandharan styles and iconography are essential not only<br />

for the understanding <strong>of</strong> Buddhist art in India and the rest <strong>of</strong><br />

southern Asia from around the second century on, but also<br />

for the arts <strong>of</strong> the Far East, from China to Japan.<br />

A major gap in our collection has been the lack <strong>of</strong> a large,<br />

important Gandharan sculpture, and the acquisition <strong>of</strong> this<br />

magnificent bodhisattva fills that void. <strong>The</strong> most popular<br />

image in Gandhara, after representations <strong>of</strong> the Buddha,<br />

is the bodhisattva, a being who had accumulated sufficient<br />

merit and wisdom to attain nirvana and escape the cycle <strong>of</strong><br />

death and rebirth but chose to remain on earth to help others<br />

achieve salvation. Represented here is the bodhisattva Maitreya,<br />

the messianic deity who will become the Buddha for the next<br />

great world age. Maitreya is identified by a fragment <strong>of</strong> the<br />

sacred-water flask held in his left hand and his characteristic<br />

double-loop topknot, reminiscent <strong>of</strong> the Hellenistic krobilos<br />

worn by the Apollo Belvedere.<br />

ML<br />

Right<br />

Standing Nagaraja (Serpent King)<br />

India (Uttar Pradesh or Madhya Pradesh), Gupta period, about<br />

mid-5th century<br />

Red sandstone<br />

Height, 453/4 in. ( i6.2 cm)<br />

Anonymous Gift, in honor <strong>of</strong> Anthony Gardner, I991<br />

I991.83.1<br />

94

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