The Metropolitan Museum of Art / Bulletin
The Metropolitan Museum of Art / Bulletin
The Metropolitan Museum of Art / Bulletin
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Standing Bodhisattva Maitreya<br />
Pakistan (Gandhara region), about late znd-early 3rd century<br />
Gray schist<br />
Height, 64/4 in. (i63.2 cm)<br />
Purchase, <strong>The</strong> Lita Annenberg Hazen Charitable Trust Gift, I991<br />
1991.75<br />
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<strong>The</strong> strategic location <strong>of</strong> Gandhara (today parts <strong>of</strong> Pakistan and<br />
Afghanistan)-along the crossroads from the Mediterranean<br />
through ancient Bactria to northern India and China via Central<br />
Asia-gave it tremendous military and commercial significance.<br />
Once an eastern extension <strong>of</strong> Alexander the Great's empire,<br />
Gandhara throughout its long history attracted many different<br />
peoples-among them Seleucids, Bactrians, Indians, Romans,<br />
and Sasanians-all <strong>of</strong> whom, in varying degrees, left their<br />
cultural imprint on the region. It was under the Kushans,<br />
however, a nomadic people <strong>of</strong> Scythian origin (or who merged<br />
with the Scythians), that Gandhara achieved its greatest glory.<br />
<strong>The</strong> Kushan rulers were Buddhist converts-a fact that, coupled<br />
with the classical legacy <strong>of</strong> Alexander's cultural heirs and<br />
ongoing contact with the Mediterranean world, led to a unique<br />
art form. This marriage <strong>of</strong> Buddhist iconography and sculptural<br />
styles markedly dependent upon Hellenistic and Roman<br />
prototypes sets the art <strong>of</strong> Gandhara apart from that <strong>of</strong> all<br />
other cultures.<br />
Gandharan styles and iconography are essential not only<br />
for the understanding <strong>of</strong> Buddhist art in India and the rest <strong>of</strong><br />
southern Asia from around the second century on, but also<br />
for the arts <strong>of</strong> the Far East, from China to Japan.<br />
A major gap in our collection has been the lack <strong>of</strong> a large,<br />
important Gandharan sculpture, and the acquisition <strong>of</strong> this<br />
magnificent bodhisattva fills that void. <strong>The</strong> most popular<br />
image in Gandhara, after representations <strong>of</strong> the Buddha,<br />
is the bodhisattva, a being who had accumulated sufficient<br />
merit and wisdom to attain nirvana and escape the cycle <strong>of</strong><br />
death and rebirth but chose to remain on earth to help others<br />
achieve salvation. Represented here is the bodhisattva Maitreya,<br />
the messianic deity who will become the Buddha for the next<br />
great world age. Maitreya is identified by a fragment <strong>of</strong> the<br />
sacred-water flask held in his left hand and his characteristic<br />
double-loop topknot, reminiscent <strong>of</strong> the Hellenistic krobilos<br />
worn by the Apollo Belvedere.<br />
ML<br />
Right<br />
Standing Nagaraja (Serpent King)<br />
India (Uttar Pradesh or Madhya Pradesh), Gupta period, about<br />
mid-5th century<br />
Red sandstone<br />
Height, 453/4 in. ( i6.2 cm)<br />
Anonymous Gift, in honor <strong>of</strong> Anthony Gardner, I991<br />
I991.83.1<br />
94