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The Metropolitan Museum of Art / Bulletin

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Musical<br />

Instruments<br />

1<br />

'<br />

Barak Norman<br />

English, about I670-1740<br />

Viola da Gamba<br />

English (London), I69z<br />

Spruce, maple, and various other woods<br />

Length <strong>of</strong> body, z5 in. (63.5 cm)<br />

Purchase, Clara Mertens Bequest, in memory <strong>of</strong><br />

l~~~ i!'r~~~~~~ ~Andre Mertens, I990<br />

1990.233<br />

Barak Norman is considered the most important English luthier<br />

<strong>of</strong> the Baroque period; he made both plucked and bowed<br />

X instruments, among which his violoncellos and violas da gamba<br />

.(viols) are particularly esteemed for their tonal quality, fine<br />

materials, and <strong>of</strong>ten elaborate decoration. Most <strong>of</strong> Norman's<br />

surviving instruments have been altered during the course <strong>of</strong><br />

centuries <strong>of</strong> use, and it is exceptional to find a bass viol like<br />

ours that preserves its original delicate open scroll, marquetry<br />

fingerboard, and matching tailpiece. Geometric and floral purfling<br />

<strong>of</strong> ligh t d and ark lines enhances spruce the front and<br />

maple back. Marks wear <strong>of</strong> ad d character th to e orange-brown<br />

varnish. <strong>The</strong> interior bears repairers' labels as well as<br />

Norman's handwritten label that gives his shop address, 68 "at the<br />

Bass Viol in St. Paul's Ally, London." This model is called a<br />

division bass viol because it was used chiefly to play divisions,<br />

or elaborate variations on popular tunes.<br />

Norman's earliest recorded viol is dated 169o, and ours, made<br />

in x69z (the same date as a nearly matching one in the Royal<br />

College <strong>of</strong> Music, London), is likewise a youthful product.<br />

Even at this stage his craftsmanship is exquisite, reflecting a<br />

thorough apprenticeship and familiarity with the work <strong>of</strong><br />

another famous London luthier, Richard Meares0, who is represented<br />

in our collection by an equally handsome bass viol <strong>of</strong><br />

the previous decade z.3 ( 98 z4).<br />

LL<br />

Ex coll.: Dennis Nesbitt, London.<br />

Bibliography: Handel: A Celebration <strong>of</strong> His Life and Times, i685-1759<br />

(exhib. cat.), London, National Portrait Gallery, 1985, no. 79; Made<br />

for Music (exhib. cat.), London, Galpin Society, i 986, no. z; Musical<br />

Instruments (sale cat.), Sotheby's, London, June 14, 1990, lot z87<br />

(illus.).<br />

Entries by Laurence Libin, Frederick P. Rose Curator.<br />

52<br />

<strong>The</strong> <strong>Metropolitan</strong> <strong>Museum</strong> <strong>of</strong> <strong>Art</strong><br />

is collaborating with JSTOR to digitize, preserve, and extend access to<br />

<strong>The</strong> <strong>Metropolitan</strong> <strong>Museum</strong> <strong>of</strong> <strong>Art</strong> <strong>Bulletin</strong> ®<br />

www.jstor.org

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