The Metropolitan Museum of Art / Bulletin
The Metropolitan Museum of Art / Bulletin
The Metropolitan Museum of Art / Bulletin
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Henri Le Secq (Jean-Louis-Henri Le Secq Destournelles)<br />
French, 18i 8-i88z<br />
Large Figures on the North Porch, Chartres Cathedral<br />
I85z<br />
Page from an album<br />
Salted paper print from paper negative<br />
127/8 x 8%/6 in. (3z.7 x zz2. cm)<br />
Purchase, <strong>The</strong> Howard Gilman Foundation and Harriette<br />
and Noel Levine Gifts, Samuel J. Wagstaff, Jr., Bequest, and<br />
Rogers Fund, i990<br />
1990.1130<br />
Seen obliquely from the eye level <strong>of</strong> a cathedral visitor, the<br />
portal sculptures in Henri Le Secq's photograph appear disengaged<br />
from their stone support. <strong>The</strong> figures' corporeality is<br />
enhanced and animated by sharp focus and by their position<br />
between shadowed columns and a blur <strong>of</strong> moving foliage.<br />
Le Secq's exhaustive documentation <strong>of</strong> various French cathedrals<br />
in 1851 and 1852 won him critical praise and government<br />
support, not only because his photographs demonstrated the<br />
nascent medium's ability to provide historians and antiquarians<br />
with an extraordinarily detailed, accurate, and extensive<br />
record but also because they were essays in art. Large Figures<br />
on the North Porch is an eloquent poem about the passage <strong>of</strong><br />
time and the life <strong>of</strong> art, ideas resonant in an age that clung to<br />
Romantic notions <strong>of</strong> the fragment and the ruin even while<br />
embarking on the systematic cataloguing, archaeological investigation,<br />
and restoration <strong>of</strong> the nation's architectural<br />
patrimony. It was precisely this melding <strong>of</strong> the personal and<br />
the objective in architectural photography that made Henri<br />
Le Secq-painter, man <strong>of</strong> learning, and collector <strong>of</strong> Old Master<br />
prints and medieval ironwork-a central figure in the small<br />
cadre <strong>of</strong> French photographers who pioneered the aesthetics <strong>of</strong><br />
the medium.<br />
MRD<br />
Ex coll.: Album <strong>of</strong> sixty photographs by Henri Le Secq, <strong>The</strong> Newberry<br />
Library, Chicago (bought from Elison, Flersheim & Company, Chicago,<br />
1893); de-accessioned by <strong>The</strong> Newberry Library, February 14, 1990<br />
(sale, Sotheby's, New York, April 24, I990, no. 6004, lot 5); [Harry<br />
Lunn Ltd., New York (removed from album)].<br />
Related references: Henri de Lacretelle, "Albums photographiques<br />
no. 2-M. Le Secq," La Lumiere (February 9, i853), pp. 29-30; Janet<br />
Buerger, "Le Secq's 'Monuments' and the Chartres Cathedral Portfolio,"<br />
Image, 23, no. i (June 198 ), pp. I-5; Eugenia Parry Janis and<br />
Josiane Sartre, Henri Le Secq; Photographe de i850 a I860: Catalogue<br />
raisonne de la Collection de la Bibliotheque des <strong>Art</strong>s Decoratifs,<br />
Paris, Paris, i986, pp. 9-I5, cat. nos. 248-290.<br />
5I