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The Metropolitan Museum of Art / Bulletin

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Henri Le Secq (Jean-Louis-Henri Le Secq Destournelles)<br />

French, 18i 8-i88z<br />

Large Figures on the North Porch, Chartres Cathedral<br />

I85z<br />

Page from an album<br />

Salted paper print from paper negative<br />

127/8 x 8%/6 in. (3z.7 x zz2. cm)<br />

Purchase, <strong>The</strong> Howard Gilman Foundation and Harriette<br />

and Noel Levine Gifts, Samuel J. Wagstaff, Jr., Bequest, and<br />

Rogers Fund, i990<br />

1990.1130<br />

Seen obliquely from the eye level <strong>of</strong> a cathedral visitor, the<br />

portal sculptures in Henri Le Secq's photograph appear disengaged<br />

from their stone support. <strong>The</strong> figures' corporeality is<br />

enhanced and animated by sharp focus and by their position<br />

between shadowed columns and a blur <strong>of</strong> moving foliage.<br />

Le Secq's exhaustive documentation <strong>of</strong> various French cathedrals<br />

in 1851 and 1852 won him critical praise and government<br />

support, not only because his photographs demonstrated the<br />

nascent medium's ability to provide historians and antiquarians<br />

with an extraordinarily detailed, accurate, and extensive<br />

record but also because they were essays in art. Large Figures<br />

on the North Porch is an eloquent poem about the passage <strong>of</strong><br />

time and the life <strong>of</strong> art, ideas resonant in an age that clung to<br />

Romantic notions <strong>of</strong> the fragment and the ruin even while<br />

embarking on the systematic cataloguing, archaeological investigation,<br />

and restoration <strong>of</strong> the nation's architectural<br />

patrimony. It was precisely this melding <strong>of</strong> the personal and<br />

the objective in architectural photography that made Henri<br />

Le Secq-painter, man <strong>of</strong> learning, and collector <strong>of</strong> Old Master<br />

prints and medieval ironwork-a central figure in the small<br />

cadre <strong>of</strong> French photographers who pioneered the aesthetics <strong>of</strong><br />

the medium.<br />

MRD<br />

Ex coll.: Album <strong>of</strong> sixty photographs by Henri Le Secq, <strong>The</strong> Newberry<br />

Library, Chicago (bought from Elison, Flersheim & Company, Chicago,<br />

1893); de-accessioned by <strong>The</strong> Newberry Library, February 14, 1990<br />

(sale, Sotheby's, New York, April 24, I990, no. 6004, lot 5); [Harry<br />

Lunn Ltd., New York (removed from album)].<br />

Related references: Henri de Lacretelle, "Albums photographiques<br />

no. 2-M. Le Secq," La Lumiere (February 9, i853), pp. 29-30; Janet<br />

Buerger, "Le Secq's 'Monuments' and the Chartres Cathedral Portfolio,"<br />

Image, 23, no. i (June 198 ), pp. I-5; Eugenia Parry Janis and<br />

Josiane Sartre, Henri Le Secq; Photographe de i850 a I860: Catalogue<br />

raisonne de la Collection de la Bibliotheque des <strong>Art</strong>s Decoratifs,<br />

Paris, Paris, i986, pp. 9-I5, cat. nos. 248-290.<br />

5I

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