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The Metropolitan Museum of Art / Bulletin

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Lucien Falize (designer)<br />

French, I839-I897<br />

Leon Chedeville (sculptor)<br />

French, died 1883<br />

Le Roy et Fils (clockmakers)<br />

French, I828-98<br />

Clock<br />

French (Paris), I88i<br />

Silver, gold, semiprecious stones, enamel, amethysts, and diamonds<br />

Height, i8/A in. (47 cm)<br />

Purchase, Mrs. Charles Wrightsman Gift, 199<br />

I99I.113a-f<br />

<strong>Art</strong>ist, scholar, connoisseur, and critic, Lucien Falize was adept<br />

in both European and oriental traditions, and in this clock he<br />

has integrated a wealth <strong>of</strong> historical, technical, and literary<br />

references into a tour de force <strong>of</strong> the jeweler's art. It was made<br />

for Falize's English patron, the collector Alfred Morrison<br />

(I 8 -1897), whose monogram appears on the base alongside<br />

those <strong>of</strong> Henry viii <strong>of</strong> England, Louis xii <strong>of</strong> France, and , j<br />

Pope Julius ii. <strong>The</strong> body, its amethyst-studded ro<strong>of</strong> crowned<br />

by figure a <strong>of</strong> Truth, is in the f orm <strong>of</strong> a silver Late Gothic<br />

church tower; the base, guarded at its angled corners by<br />

seated figures <strong>of</strong> gold representing the cardinal virtues, evokes<br />

the tomb <strong>of</strong> Louis xii and his wife, Anne <strong>of</strong> Brittany, at<br />

Saint-Denis (ca. 1517-3 i). In panels above each monogram<br />

allegorical figures enameled in verre dglomisd (the Church and<br />

Oratory above Louis xii's, Law and Labor above Morrison's)<br />

ar in e sober contrast to the vivi Chinese-inspired d<br />

cloisonn8 8I<br />

enameling <strong>of</strong> the dials, which by their decoration proclaim<br />

the inevitable rhythmical progression <strong>of</strong> time from the hourze<br />

to eternity.ail <strong>of</strong> back<br />

<strong>The</strong> most complex <strong>of</strong> Falize's known work, the clock epitomizes<br />

the authority and subtlety <strong>of</strong> his skill as designer and<br />

craftsman. This addition to our collection and an acquisition<br />

<strong>of</strong> last year, an elegant gilt-bronze sword by Falize and<br />

Albert Carrier-Belleuse, confirm Falize as one <strong>of</strong> the most<br />

original and versatile artists <strong>of</strong> the nineteenth century.<br />

CLC<br />

!<br />

i<br />

Bibliography: Lucien Falize, Notice sur une horloge d'or, d'argent et<br />

d'email de la collection de M.A. Morrison... de Londres, i88 i;<br />

"Oeuvres nouvelles," Revue des arts decoratifs, 3 (i88z-83),<br />

pP. 29-3o; Katherine Purcell, "Catering for Every Taste: <strong>The</strong> Falize<br />

Family <strong>of</strong> Goldsmiths," Apollo, 133 (February 199i), pp. 96, 98.<br />

Detail <strong>of</strong> back<br />

Overleaf<br />

33

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