The Metropolitan Museum of Art / Bulletin
The Metropolitan Museum of Art / Bulletin
The Metropolitan Museum of Art / Bulletin
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Fragment <strong>of</strong> a Tapestry Hanging (Rucklaken)<br />
German (Upper Rhineland, Basel), about 1410-z20<br />
Wool on linen<br />
332I/z x 83/4 in. (85x75 cm)<br />
<strong>The</strong> Cloisters Collection, I990<br />
1990.Z11<br />
This fragment <strong>of</strong> a hanging, produced about 14IO-20 by the<br />
earliest known Basel tapestry workshop, represents a fabulous<br />
lionlike beast with pointed teeth, clawed feet, and scaled rump.<br />
<strong>The</strong> beast wears a collar hung with small bells and a leash that<br />
was held in the hand <strong>of</strong> a now-missing figure. <strong>The</strong> piece was<br />
cut from a Riicklaken, or tapestry weaving hung in a domestic<br />
interior at frieze level. Such hangings were not only decorative<br />
but <strong>of</strong>fered a measure <strong>of</strong> warmth as well.<br />
Our fragment was cut from the right end <strong>of</strong> a larger piece <strong>of</strong> a<br />
Riicklaken now in the Benedictine monastery <strong>of</strong> Muri-Gries,<br />
near Bolzano. <strong>The</strong> restored arm at the left belonged to a<br />
stylishly dressed youth. A more complete series <strong>of</strong> fragments<br />
based on the same cartoons is in the Historisches <strong>Museum</strong>,<br />
Basel. <strong>The</strong>refore we know that our Riicklaken originally consisted<br />
<strong>of</strong> at least six highly imaginative beasts being led by<br />
three childlike, courtly couples dressed in elaborate costumes.<br />
<strong>The</strong>se fabulous creatures, derived from those illustrated in<br />
the Physiologus and bestiaries, are symbols <strong>of</strong> vices related to<br />
concupiscence. That they are tethered or otherwise subdued<br />
suggests that the couples posed with them have likewise tamed<br />
their libidinous cravings, but the childlike aspect <strong>of</strong> the couples<br />
and the whimsically patterned beasts suggest a certain insouciance<br />
and an unaffectedness that make the apparent innocents<br />
seem very much at home with their natural desires in the<br />
surrounding idealized and untrammeled world.<br />
Our fragment and the pieces in Basel and Bolzano are, in<br />
terms <strong>of</strong> conservation, technique, and completeness, the finest<br />
<strong>of</strong> the early Basel group to survive.<br />
TBH<br />
Ex coll.: Benedictine Abbey <strong>of</strong> Muri, Canton Aargau (until I841);<br />
Peter Vischer-Passavant, Schloss Wildenstein, near Bubendorf,<br />
Baselland; by descent to Peter Vischer-Milner-Gibson (until I989).<br />
Bibliography: Rudolf F Burckhardt, Gewirkte Bildteppiche des XV.<br />
und XVI. Jahrhunderts im Historisches <strong>Museum</strong> zu Basel, Leipzig,<br />
1923, pp. 8-9, fig. 9; Bette Kurth, Die Deutsche Bildteppiche des<br />
Mittelalters, Vienna, I9z6, vol. i, pp. 85-86, z12-213; vol. 2,<br />
pl. z29c; Important European Sculpture and Works <strong>of</strong> <strong>Art</strong> (sale cat.),<br />
Sotheby's, London, July 3, I990, pp. 6z-64, lot I iob.