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the lyricist<br />
spring 2003<br />
volume XXXVII<br />
Cover art: “Degas’s Dance Class” by Michelle Greene 2003, background: Bankers<br />
Trust Building Construction<br />
Photographs 1910-1911, Photograph courtesy of Weiskopf and Pickworth LLP.<br />
Interior art: “Sketches in Progress” by Michelle Greene 2003<br />
Magazine concept by The Lyricist Staff and Michelle Greene<br />
The Lyricist: An annual literary magazine. The subscription rate is $3.00 (free to<br />
<strong>Campbell</strong> students).<br />
Printed by Barefoot Press, Raleigh NC.<br />
Send subscription requests, manuscripts, and correspondence to: The Lyricist,<br />
Department of English, <strong>Campbell</strong> <strong>University</strong>, Buies Creek, NC 27506.<br />
lyricist@mailcenter.campbell.edu
THE LYRICIST CONTEST WINNERS<br />
Statewide Poetry Contest<br />
Winner<br />
“Here in My Garden”- Colleen H. Furr<br />
<strong>Honorable</strong> <strong>Mention</strong><br />
“This Piece of Wood on My Shelf”- Doris Blough<br />
“What We Can and Cannot Do, Or Be”- Sandra Eisdafer<br />
Statewide Poetry Judge<br />
David Tillman<br />
Student Poetry Contest<br />
Winner<br />
“St. John of the Cross Gives a Sermon”- Nick Tillman<br />
<strong>Honorable</strong> <strong>Mention</strong><br />
“An Evening with Annapolis”- Daniel Parsons<br />
“Wood Would be a Finer Flesh”- Nick Tillman<br />
“Father James”- Daniel Parsons<br />
Student Poetry Judge<br />
Neil Myers<br />
Student Prose Contest<br />
Winner<br />
“Shelman’s Pier”- Jamie Fisher<br />
Student Prose Judge<br />
Jason Davis<br />
This is the thirty-seventh edition of The Lyricist and the twenty-third year of The Lyricist’s Statewide Poetry Contest. The contest is open to all residents of<br />
North Carolina. A prize of $100 is awarded to the winner of the poetry contest. Other poems of special merit are recognized by <strong>Honorable</strong> <strong>Mention</strong>. For<br />
further details, send inquiries to The Lyricist, English Department, <strong>Campbell</strong> <strong>University</strong>, Buies Creek, NC 27506 (lyricist@mailcenter.campbell.edu).<br />
<strong>Campbell</strong> <strong>University</strong> students compete in a separate contest that awards cash prizes to winners in poetry and prose.<br />
Artists are encouraged to submit photographically reproducible work to The Lyricist.<br />
ii
Editor’s Note<br />
Art, in its various forms, is the stamp of the imago dei nature in humanity. Yet, it neither happens<br />
ex nihilo nor spontaneous in us. A work of human creation, or art, is a progression, a movement,<br />
with many stages of revision and crafting. As T.S. Eliot asserted, a poem, like the greater unity of all<br />
poetry, moves forever onward in endless revision; poetry is never completed, never perfected. The writing<br />
of a poem consists in creating, destroying, and recreating, in planning and execution. And, as poetry,<br />
the visual arts move through various stages of sketches, models, preliminary painting, and an equally<br />
everlasting corrective process. This eternal process is the nature of the artist’s both blessed and<br />
cursed life.<br />
The construction scene set forth on the cover of the magazine illustrates how human endeavors<br />
follow the mortal rule of progress. By blending the beginning stages of the construction process with<br />
Michelle Greene’s Degas’s Dance Class, the evolution of artistic work takes the foreground. We sought<br />
to assert visually that art is always in construction and the artifices of poetry and the visual arts are<br />
never finished.<br />
This idea of art seemed especially pertinent this year because, just as all the artistic productions<br />
in this magazine are the result of a development of idea and form, so also is the staff of the magazine in<br />
the process of development. Many members of the staff joined this year, and many are just beginning<br />
their artistic maturity. Therefore, the magazine exhibits a year’s worth of growth in the creative minds<br />
of the artistic body of The Lyricist as well as the other artists who allowed us to publish their works in<br />
progress.<br />
Acknowledgements<br />
The Lyricist staff would like to thank first and foremost Michelle Greene for her artistic contributions.<br />
Thank you for your hard work and for lending us your images for our metaphors. To our contest<br />
judges, thank you for making the hard decisions without the concrete to help you. Our unfailing thanks<br />
go to Mrs. Judy Robbins because of whom we can do all things. Lastly, allow us to thank Dr. Vaughan,<br />
our (com)mentor, for revealing to us the Great Iamb.<br />
— Nick Tillman<br />
The Lyricist Staff<br />
Nick Tillman, Editor<br />
Brandon Capps<br />
Heather Cox<br />
Bernie Desrosiers<br />
Michelle Dills<br />
Miriam Easterling<br />
Lisa Haddock<br />
Dawn Henderson<br />
Thomas Holbrook<br />
James Hussey<br />
Jared James<br />
Daniel Parsons<br />
Tasha Romero<br />
Joshua Shelton<br />
Jennifer Sylvester<br />
Jessica Vaughan<br />
Andrew Younger<br />
Dr. Frank A. Vaughan, Faculty Advisor<br />
iii
TABLE OF CONTENTS<br />
Heidi Arnold<br />
The Blue Grasses of Home ..................27<br />
Doris Blough<br />
This Piece of Wood on My Shelf ..........20<br />
Jamie Bunn<br />
Bright colored leaves fall ....................27<br />
Violets blooming ..................................39<br />
Bears take a long nap ..........................50<br />
The sun shines so bright......................51<br />
Anne Campanella<br />
The Second Winter After My<br />
Father’s Death......................................55<br />
Heather Cox<br />
Uncertain..............................................43<br />
Ben Currin<br />
The Existential Epistle ........................35<br />
Matt Doyle<br />
Mr. Cardinal..........................................23<br />
Miriam Easterling<br />
Patient..................................................13<br />
Denouement ........................................17<br />
Hallowed ..............................................21<br />
Another Season ....................................24<br />
Occupied ..............................................43<br />
Sandra Eisdafer<br />
Against the Rational ............................35<br />
What We Can and Cannot Do, Or Be....44<br />
Jamie Fisher<br />
Love......................................................49<br />
Shelman’s Pier ....................................56<br />
Colleen H. Furr<br />
Here in My Garden ................................1<br />
Lisa Haddock<br />
Quasi-ku ..............................................53<br />
Dawn Henderson<br />
Flash of Souls ......................................11<br />
Unbound Chains ..................................43<br />
Thomas Holbrook<br />
A Life on the Sea ..................................2<br />
The Whole Hog ....................................36<br />
The Smallest of Places ........................40<br />
Tentacle Mask......................................53<br />
Anthony Hopkins<br />
Struggles................................................2<br />
Jared James<br />
The Exigence for Evolution..................17<br />
Ein Junge Adreissert Sein Spielzing ....35<br />
Phyllis Jarvinen<br />
River Day................................................8<br />
Nancy King<br />
Every Time the Door is Opened............55<br />
Genevieve Kissack<br />
Verdict..................................................12<br />
Our Last Summer ................................27<br />
iv
Bonnie Michael<br />
The Risk ..............................................13<br />
G.S. Morris<br />
The Real Presence ................................7<br />
Musical Time........................................19<br />
The Ride Home ....................................51<br />
The Miraculous Parchment..................62<br />
James Meadows<br />
October ................................................27<br />
Neil Myers<br />
Foolscape..............................................11<br />
Bourbon St. Symphony ........................19<br />
Chanteur ..............................................23<br />
Orange Moonshine................................29<br />
Carolina Winter Memory ......................50<br />
Daniel Parsons<br />
An Evening With Annapolis ................10<br />
Father James ........................................52<br />
Jaime Peterson<br />
Green oceans churn foam ......................2<br />
Cowboy rests at dusk ..........................32<br />
The Beginnings of Whatever is to Be ..46<br />
Wilting rose petals ..............................49<br />
Crisp snowy mountains ........................51<br />
Chris Quinn<br />
De(life)ath ............................................12<br />
Blood of Innocence ..............................34<br />
Tasha Romero<br />
Granny’s Story......................................30<br />
Tracy Ray<br />
Slow Rain ..............................................9<br />
A Ghost in the Darkness ......................33<br />
Tidings of Comfort and Joy ..................45<br />
Matthew Sganga<br />
Ants......................................................54<br />
Scott Shamblee<br />
descending brightness..........................33<br />
Joshua Shelton<br />
Anarchy ................................................18<br />
Black and White ..................................53<br />
Maureen A. Sherbondy<br />
Grave Rubbings ....................................12<br />
Ben Snyder<br />
My Faith ..............................................21<br />
Spontaneity ..........................................28<br />
Adolescence of a Calvinistic God ........34<br />
Strawberry Magdalene ........................49<br />
Angela Sox<br />
Gardening ............................................39<br />
Nick Tillman<br />
Very Present ..........................................4<br />
Alarm Clocks are a Product<br />
of the Fall ............................................14<br />
St. John of the Cross Gives a Sermon ..22<br />
Tranquility/Post-tranquility..................29<br />
Wood Would be a Finer Flesh ..............38<br />
Joyful Mystery #2 ................................45<br />
The Rime of a Devout and Holy Friar ..53<br />
The Consecration of the Poetic Life ....62<br />
Charles Toptin<br />
Mayre’s Height ....................................54<br />
Stella Whitlock<br />
Barn Swallows ......................................3<br />
v
WINNER,<br />
STATEWIDE POETRY COMPETITION<br />
Here in My Garden<br />
A spider sated<br />
with its latest meal<br />
dozes in a web,<br />
butterfly dust<br />
still clinging<br />
to its legs.<br />
And I sit wondering<br />
what dust marks me.<br />
Colleen H. Furr<br />
1
A Life on the Sea<br />
Aye! what a life, of men on the sea,<br />
Blinding salt spray, and wind blowing free.<br />
Come with me lads, and we will explore,<br />
Days of excitement, and whaling lore.<br />
Every boy dreams of adventure and thrills,<br />
Far away places and eerie chills.<br />
Giant of the deep, she’s second to none,<br />
Hear me now, boys, while I tell you of one.<br />
I was barely a man, just eighteen years old,<br />
Just pondering life and what it would hold.<br />
Green ocean churns foam,<br />
king fishers swoop, sucking shrimp,<br />
Worn pier sways in wind.<br />
Jamie Peterson<br />
Knocked from my thoughts by a shipmate’s howl,<br />
“Look there, men, off the starboard bow!”<br />
“May God be with us,” said under our breath,<br />
“Now lower the sight, and aim for the death.”<br />
“Oh God be with us!” our words still fresh,<br />
Prayers quickly answered, as steel meets flesh.<br />
“Quickly now, boys, we’re bringin’ her in!”<br />
Ropes stretch taut, and nerves wear thin.<br />
Sweat and blood, spilled on the decks,<br />
Ten-thousand waves, ten-thousand wrecks.<br />
Under then over, we lunge to and fro’,<br />
“Victory, come soon or she’ll pull us below!”<br />
Struggles<br />
Set sail on sea swells<br />
that break back beneath the sand.<br />
Risk to sink or swim.<br />
Anthony Hopkins<br />
Waves subside, there is calm and quiet,<br />
Xebec go home, we have won the great fight.<br />
Yaw and pitch, as the rum flows free,<br />
Zenith, my friend, is a life on the sea!<br />
Thomas Holbrook<br />
2
Barn Swallows<br />
A family of barn swallows lived<br />
under the eaves in a far corner<br />
of our front porch. We welcomed<br />
them—good neighbors, we thought,<br />
eat flying insects. At dusk we<br />
watched them swoop, glide—dark<br />
forked-tailed silhouettes against the sky,<br />
ridding our yard of flies and mosquitoes.<br />
They were good neighbors, in their deepbrown,<br />
almost-black nest, a basket<br />
of mud, string, twigs, lined with fluffy<br />
white feathers. First one creamy,<br />
brown-speckled egg, then two, three.<br />
One parent always sat there, the other<br />
kept guard beside it. Then one, two,<br />
three naked babies opened their beaks<br />
wide when we climbed on the porch rail<br />
for a peek. Busy parents swooped<br />
for insects, made countless trips back<br />
to the hungry trio, dived at all cats<br />
or humans who dared approach our porch.<br />
Whit and I retreated to the garage entrance,<br />
but once they flew into the face of our baby<br />
grandson, made him cry. Eviction seemed<br />
the only answer. As soon as the fledglings<br />
moved out on their own, we tore down<br />
the nest, scrubbed the rails and concrete<br />
porch floor with Clorox.<br />
Next spring we watched that corner<br />
ledge, armed with a broom to tear down<br />
the first hints of nesting. The swallows<br />
must have been watching us, too—they<br />
made no attempt to rebuild. We felt<br />
relieved. Then one day we glimpsed<br />
a familiar fork-tailed silhouette flash<br />
across the sky, traced its path to our front<br />
porch. There we saw it—nestled<br />
under eaves in the opposite porch corner—<br />
a perfect mud-and-twig basket.<br />
We couldn’t destroy such careful<br />
construction, knowing the painstaking<br />
effort it took to carry each twig, mud<br />
morsel, bit of string in their beaks,<br />
to weave it all together and smooth<br />
it into a home. We watched again—first<br />
one small brown-speckled egg, then two,<br />
then three. One parent sat on the nest,<br />
the other stood guard.<br />
At dusk one evening, we heard loud<br />
squabbles, ran out to see the problem,<br />
caught a glimpse of a dark shadow<br />
flying away, one swallow on the nest.<br />
Martial difficulties An intruder<br />
We couldn’t tell. Next morning we found<br />
two broken speckled shells on the hard<br />
cement beneath the nest. A peek inside<br />
revealed signs of struggle, a disarray<br />
of white-feather lining, no sign of the last<br />
egg—or watchful parent.<br />
Stella Whitlock<br />
3
Very Present<br />
The pickup came roaring down<br />
the dirt road leading to the field where<br />
Michael stood stacking bales of hay<br />
into semi-neat pyramids. He had on<br />
gloves to protect his hands from the<br />
rough twine that held the bales together.<br />
His hat had a very pronounced<br />
sweat ring around the sides; he had<br />
worn the same hat to work everyday<br />
for the last three years. In the back<br />
pocket of his jeans there was a handkerchief<br />
he used to wipe away the<br />
sweat when the hat had been completely<br />
saturated.<br />
The day was calm and a gentle<br />
breeze blew in, rustling the leaves of<br />
the trees lining the edges of the pasture.<br />
The sun shone a mellow gold in<br />
the bright blue sky. The vivid green of<br />
the grassy fields stood out distinctly<br />
and beautifully against the quiet background<br />
of the clear sky.<br />
“Hey, Mike…” Tony yelled from<br />
the truck, “…someone was looking for<br />
you at the Roadhouse. Said he was a<br />
reporter for some newspaper back up<br />
in Connecticut.”<br />
“Did he say what he wanted”<br />
“Sure didn’t. I didn’t really care<br />
to ask.”<br />
“Well, I guess he will find his<br />
way down here soon. Better hurry up<br />
so I can clean up a bit before that happens.<br />
Not exactly dressed properly for<br />
a newspaper interview,” Mike chuckled.<br />
“If I see him coming this way, I will<br />
catch him to give you enough time to<br />
get pretty for the pencil,” Tony replied<br />
with the usual mischievous gleam in<br />
his eye.<br />
“Ahh…you’re such a pal. Now<br />
shut up so I can get to work.”<br />
Tony went driving backwards<br />
down the dirt road, blindly, finding his<br />
way by instinct. Tony always made the<br />
same vain attempt, but the fencepost<br />
at the end of the road had proven to be<br />
an impossible obstacle.<br />
Michael quickly stacked the<br />
remaining bales into some sort of<br />
organized pile, and quickly ran across<br />
the field to the bunkhouse to grab a<br />
shower just in case the reporter made<br />
his way down the small dirt trail and<br />
found himself at the farm. “This is<br />
strange though, “ he said to himself at<br />
not much more than a mumble, “I<br />
haven’t spoken to anyone back home<br />
since I came down to West Babylon.”<br />
After he had showered and put<br />
on some fresh clothes, he stepped out<br />
onto the porch of the bunkhouse and<br />
felt that the breeze had picked up<br />
noticeably. The tops of the trees<br />
swayed with every gust of the wind,<br />
producing a slight roar as it made its<br />
way through the leaves. The sun<br />
seemed less mellow now too. It beat<br />
down with a more oppressive heat than<br />
should be expected at four in the afternoon.<br />
Things were not so calm now.<br />
Michael’s thoughts returned to his<br />
home and his family. His sister had<br />
called a few times since he had left,<br />
but she really didn’t talk about anything.<br />
She just wanted to know how<br />
he had been doing and the general sort<br />
of catching up chatter. “What would a<br />
reporter from Connecticut want with a<br />
farm hand who hasn’t the faintest clue<br />
what has happened in the past three<br />
years” he questioned himself repeatedly,<br />
quickly answering himself with a<br />
general, “I don’t know.” His eyes<br />
watered a bit from the breeze. No one<br />
came.<br />
He went the main house for dinner<br />
with the Jackson’s. They always invited<br />
him in for dinner mainly because<br />
4
they liked to hear him say Grace. He<br />
always indulged them in order not to<br />
seem ungrateful.<br />
“You always pray so beautifully,” Mrs.<br />
Jackson said after the general clamor<br />
that accompanies the “Amen” at a dinner<br />
table had settled down.<br />
“Well, I appreciate you saying that<br />
Mrs. Jackson. I am not much for praying<br />
but I have heard a few good ones.<br />
I just try to remember those as best I<br />
can,” Michael replied.<br />
“Can you pass the biscuits” Mr.<br />
Jackson interrupted. That was his<br />
usual method of getting his wife to<br />
quit badgering Michael and let him<br />
rest. “How did things go today They<br />
didn’t fall apart without me did they”<br />
“Someone stole all the cattle while I<br />
was in the bunkhouse sleeping.”<br />
Michael and Mr. Jackson had a humorous<br />
sort of relationship that fell somewhere<br />
between that of father-and-son,<br />
and brothers. The Jackson’s were a<br />
good sort of people. “No, really, everything<br />
was fine. We moved the herd<br />
into the second pasture, and then<br />
worked on the haystacks for the rest<br />
of the day.”<br />
“Sounds good. Did Molly go into the<br />
pasture ok”<br />
“Better than most. I guess her calf<br />
should be coming along soon.”<br />
“That seems about right. We’ll take a<br />
look at her tomorrow.” Mr. Jackson<br />
turned his attention to his dinner and<br />
left Michael to his.<br />
After dinner, Michael went back to the<br />
bunkhouse and sat down on the bed in<br />
the corner to read a book. He was<br />
looking through the pages, focusing on<br />
a point behind the book that seemed to<br />
be eluding him. He wrinkled his forehead<br />
and became absorbed in chasing<br />
after this thought. A sudden knock at<br />
the door aroused him from his meditation.<br />
He quickly got up to answer it<br />
hoping that nothing was wrong. A<br />
man in a black suit stood at the door.<br />
He had on shoes that were shiny in<br />
some places, but other spots were covered<br />
in dust from the walk down from<br />
the main house to Michael’s quarters.<br />
“I don’t mean to bother you, Mr.<br />
Adams, but I am a reporter from<br />
Beacon Falls,” the stranger began.<br />
“I’ve been told that you were<br />
around looking for me. I can’t imagine<br />
why I could interest you though. I<br />
haven’t heard anything from Beacon<br />
Falls for the last three years.”<br />
“Well, actually, the story I am<br />
working on happened three years ago.<br />
I’m covering the arson of St. Jude’s<br />
Cathedral. I was told you might could<br />
help me out because you were a seminarian<br />
there when it was burned.”<br />
“Come inside and have a seat,”<br />
Michael said, his voice breaking a little<br />
as he did.<br />
“I don’t know exactly where I<br />
should start. I guess my first question<br />
is how did you feel when you discovered<br />
the fire,” the stranger seemed a<br />
little tentative in his questioning.<br />
“To be honest, I haven’t given it<br />
much thought,” Michael replied wringing<br />
his hands together. “I don’t<br />
remember very much about that<br />
night.” He began bouncing his right<br />
leg and staring up at the corner above<br />
the reporter’s head.<br />
The flames reached high into the night<br />
sky. He remembered that. He recalled<br />
the nearly hellish glow that emanated<br />
from them, filling the blackness with<br />
the hideous orange sparks that is the<br />
clear sign of wood burning. The memory<br />
of the broken rose window and the<br />
flames poking their way out had actually<br />
haunted his dreams every night<br />
for the past three years. The reporter<br />
5
continued his questions.<br />
“Well, let me ask… why did you leave<br />
the seminary I was told you left town<br />
the day after the fire, and didn’t contact<br />
anyone.”<br />
“There was really no connection<br />
between the two events,” Michael<br />
automatically replied. He was still<br />
recalling all the visions of that night.<br />
He saw with horrible vividness the<br />
burnt embers on the high altar, the<br />
charred remains of the tabernacle, and<br />
his heart seized. He closed his eyes<br />
tightly and grabbed his chest.<br />
“Are you alright Mr. Adams” the<br />
reporter asked concernedly.<br />
“I’m fine,” Michael said reassuringly.<br />
“I saw things in a new light that<br />
night. The fire destroyed a building,<br />
and that was it. I left the novitiate<br />
because my heart wasn’t in it.” The<br />
image of the blackened altar still<br />
clung harshly to the inside of his eyes.<br />
“It seemed that things weren’t what<br />
they had been. You wouldn’t understand<br />
it.”<br />
“So the fire did have something to do<br />
with you leaving the seminary”<br />
“I couldn’t believe that anyone could<br />
set fire to God’s house. I couldn’t<br />
believe a church would burn. Not<br />
what was inside of it anyway, and not<br />
in an arson.” Michael had trouble<br />
forming his words. “I can’t really tell<br />
you too much more. I am sorry.”<br />
“That is fine,” the reporter said. “My<br />
idea was to get a personal reaction to<br />
this fire. They are rebuilding the<br />
chapel, so I am writing a commemorative<br />
article.”<br />
“That is good they are rebuilding it. I<br />
am sorry that I couldn’t be more help,”<br />
Michael said as he opened the<br />
bunkhouse door.<br />
“I thank you for allowing me your time,”<br />
the reporter quickly said as he left.<br />
Michael sat back down on the bed.<br />
His thoughts were spinning. The<br />
church burned. He left. He had not<br />
been back. He hadn’t attended Mass<br />
in three years. It seemed fake. It was<br />
fake. “No body, no blood, no soul, no<br />
divinity,” Michael found himself saying.<br />
“It never happened. He would<br />
have protected it.” He fell back onto<br />
his bed. His mind continued reeling as<br />
he fell asleep.<br />
He awoke feeling entirely fatigued.<br />
The sun just started peeking over the<br />
horizon. His back ached; his wrists<br />
hurt; his whole body felt pressed down<br />
by some invisible weight. He slunk<br />
towards the shower hoping that would<br />
revive him and it did a bit. The<br />
thoughts of last night hung in his mind<br />
like the smell of smoke lingered on the<br />
burnt frame of St. Jude’s. He dressed<br />
slowly and made his way out to the<br />
pasture where he met Mr. Jackson.<br />
They didn’t talk; they just worked,<br />
getting the tools out of the barn at the<br />
far left of the field.<br />
“Would you like some coffee Michael”<br />
Mr. Jackson asked, breaking the<br />
silence.<br />
“That would be nice. Thank you”<br />
Michael politely replied.<br />
Mr. Jackson took the truck and drove<br />
back up to the main house. Michael<br />
sat on a bench by the barn and looked<br />
at the dew glistening on the grass.<br />
He kept thinking about the conversation<br />
with the reporter last night and<br />
remembered the thoughts that had<br />
flown through his mind. He spoke a<br />
little under his breath. He stood up<br />
and paced a bit, muttering to himself<br />
and kicking at the grass. The dew<br />
soaked his leather boots. He looked up<br />
to see the bright red-orange sun suspended<br />
as in a large ostensorium created<br />
by two tall pines at the other end<br />
6
of the pasture. The light seemed to<br />
burn its way in him. The thoughts of<br />
last night were muted; his mind was<br />
settled. He felt a familiar tremble in<br />
his knees and the first two fingers of<br />
his right hand began, by a power of<br />
their own, their well-remembered passage<br />
at the middle of his forehead.<br />
Nick Tillman<br />
The Real Presence<br />
Substance is the tricky part;<br />
there are laws, yes,<br />
but lower-case law is only man’s,<br />
and the upper-case we have gradually<br />
eliminated from the language.<br />
Our pages today are too small for it.<br />
So the laws that govern substance<br />
are only willing, not able, at best:<br />
overworked, underpaid, and tired,<br />
they govern only so far as they see,<br />
and omni-ness is heard-of,<br />
but mostly only dreamed.<br />
Among the things we know are<br />
like begets like and nothing comes of nothing,<br />
so we build telescopes in hopes<br />
that we may see through time and glimpse<br />
the Great Exception, when nothing begat something.<br />
Eternity, after all, is hard to swallow.<br />
G. S. Morris<br />
7
River Day<br />
We carry our rafts into the steep gorge hidden by trees<br />
Lining the river, some half submerged. Leaves float<br />
Down around us from watery cobalt blue skies and<br />
Rustle and crunch on the walk to the put in.<br />
Rich soil is soft underfoot.<br />
Shimmering, translucent green water flows over bright mossy<br />
Rocks and round river stones, smoothed by flowing water,<br />
Each other, and time.<br />
The river’s familiar features are old friends.<br />
Boulders as big as a house, ledges, eddies.<br />
We slip into the current and<br />
Hop a ride on a wave train.<br />
Water gurgles, flows, pours over ledges, then crashes<br />
Back on itself in a hole’s white effervescent vortex<br />
Downstream of an invisible rock ledge.<br />
In the wide slide down the river’s bed, current<br />
Splashes, babbling over and<br />
Around each rock and swirls<br />
In the eddy’s whirlpool.<br />
My paddle dips, plunges, then whispers<br />
As it recovers, and water dribbles<br />
Back into the stream.<br />
A fresh breeze picks up clean cologne<br />
That splashes behind ears and on wrists. The sun-warmed<br />
Rubber smell of the raft wafts by mixed with a<br />
Damp life jacket’s mustiness<br />
Revived by sweat and the river.<br />
Salt dries on my lips<br />
But a cold splash with an earthy aftertaste<br />
Freshens my mouth.<br />
The conditioned fear response above the Falls,<br />
Revives thoughts of the morning constitutional<br />
As we scout our run.<br />
Cold spray dribbles and drips down the warm spot<br />
In the middle of my back as we<br />
Pull, bounce, and slide down the falls.<br />
My life jacket is a firm pressure<br />
On my chest and a tight cinch around my waist.<br />
The paddle shaft is weighty in my hands as the current<br />
Pulls against the wide blade and a<br />
Rapid turn from brisk current<br />
8
Delivers us<br />
Into slack eddy water below the Falls.<br />
We rest, tired arms and shoulders a satisfying tension.<br />
I hold the paddle firmly in the current as<br />
Old friends of the river work together to<br />
Pell out into the flow, and<br />
Float downstream<br />
Toward the takeout<br />
Together again, today.<br />
Phyllis Jarvinen<br />
Slow Rain<br />
Waiting patiently<br />
On the edge of a green leaf<br />
Stalling, falling, drip.<br />
Tracy Ray<br />
9
HONORABLE MENTION<br />
STUDENT POETRY CONTEST<br />
An Evening with Annapolis<br />
Walking out with dappled starlight dingys<br />
Crab cakes and starched whites,<br />
Captains of Industry with silicon wives,<br />
Dancing through plashy waterways<br />
To the tune of a thousand taps.<br />
White caps and white wash clapboard,<br />
Sails, sales, tales and talks<br />
The docks sway, sway the<br />
Docks sway walking starlight on dappled dinghys.<br />
Daniel Parsons<br />
10
Flash of Souls<br />
Every possible spot of wall space is covered.<br />
But as you see, not to the point of being tacky.<br />
Won't you notice how symmetrical and coordinated they are<br />
One out of focus, I must rework it.<br />
Design and showmanship are hard to learn I soon discovered.<br />
Pictures of lawyers and teachers, the prominent people.<br />
In many you'll see me shaking their hand<br />
While others we are in a warm embrace.<br />
The preacher stands by me in this one<br />
After I donated the steeple.<br />
Opportunities are everywhere, though I'm picky indeed.<br />
I took the ones of the charity ball in downtown.<br />
Notice how I was able to get all the socialists inside.<br />
Outside was a mess.<br />
When going downtown, my friend do take heed.<br />
I shine the glass weekly, but more recently by the day.<br />
Come to my living room, you must see them and stay.<br />
Dawn Henderson<br />
Foolscape<br />
tall gray buildings wandering through the waves<br />
of fools<br />
in the city streets<br />
circle of living and dying<br />
daily<br />
repeats<br />
pilgrims<br />
at the crosswalk.<br />
Neil Myers<br />
11
De(life)ath<br />
The tree leaves were green<br />
Springtime is the birth of much<br />
Love, life, joy, and more.<br />
Verdict<br />
Think of nothing<br />
but wind, sun,<br />
raindrops on lotus leaves.<br />
How to disclose a ladybug<br />
crawling over age spots<br />
on my ringless hand.<br />
Watch three Canada geese,<br />
who mated for life,<br />
fly solo,<br />
resigned to sentence<br />
of solitude.<br />
Is the breeze<br />
setting two wine glasses<br />
trembling<br />
Lipstick traces on one,<br />
telling as blood<br />
at crime scenes.<br />
And sounds of thunder<br />
Not thunder at all,<br />
But the dead pounding<br />
gavels of harsh demands<br />
from the grave.<br />
Genevieve Kissack<br />
Near the hot springs, a<br />
Celestial robe was found<br />
And stolen away.<br />
Maiden in the spring<br />
Went looking for her garments,<br />
Instead found a man.<br />
Man and woman wed.<br />
A child was the end result<br />
Seeded in the womb.<br />
Through secrets revealed,<br />
The man had lost his life to<br />
The holy maiden.<br />
Grave Rubbings<br />
Paper taped to old broken stone,<br />
Smith and Jones, buried<br />
bones. I rub pastels<br />
against blank sheets,<br />
trying to raise up more<br />
than letters and dates.<br />
Ear against stone I listen for<br />
that last breath.<br />
Chris Quinn<br />
A name transfers<br />
stone to paper, dates<br />
of birth and death,<br />
marking what once was.<br />
Wanting a voice to whisper<br />
in my ears<br />
all those secrets<br />
long buried, forgotten.<br />
Maureen A. Sherbondy<br />
12
The Risk<br />
was always there<br />
but I didn’t think<br />
about it.<br />
Patient<br />
It’s shy daybreak in my dim, sterile room,<br />
When they proceed in to poke, goad and loom.<br />
Medics pace between curtains, shafts of light<br />
Through slit blinds fall on sleek forms in their flight.<br />
An aide flips some irrelevant news on,<br />
As to drown out their medical jargon.<br />
Curt hellos are dropped immediately;<br />
They attend to their brusque craft vacantly.<br />
I strain for strokes, soft words to assuage pain,<br />
While slick broth roughly flows through fatigued veins.<br />
Atlas’ weight comes to lie broad upon me.<br />
As I drift off, they stride out silently.<br />
Miriam Easterling<br />
I was young<br />
and there was<br />
the honeysuckle.<br />
I knew<br />
about insects<br />
in its blossoms<br />
but in one gulp<br />
I sucked a flower,<br />
stood blinking<br />
at the sun<br />
felt only sweetness<br />
in my throat.<br />
Bonnie Michael<br />
13
Alarm Clocks are a Product of the Fall<br />
Evan quickly threw the switch of the<br />
clock to the off position, forgetting the<br />
dreams that had been occupying his mind<br />
just a few minutes earlier, and leapt from<br />
the bed that was centered on the long wall<br />
of the room sticking out into the floor like<br />
Florida into the seas of the hardwood<br />
floors. After stumbling over a pair of<br />
slacks on the floor by the bed, he snatched<br />
a towel from the closet, climbed into the<br />
shower, and scrubbed silently at his slightly<br />
clammy skin.<br />
The pale bedroom opened up at the<br />
dark wood door opposite the desk that was<br />
situated across from the left side of the<br />
bed. The desk was covered in forms from<br />
last night’s business. The door opened to a<br />
long empty hallway that was lit on the left<br />
by the windows of the living room and<br />
kitchen. At the other end was the large,<br />
heavy front door.<br />
The first arched passage on the left<br />
opened to the living room. The once beige<br />
paint on the walls had turned to a dingy<br />
yellow-gray because Evan insisted on smoking<br />
while he watched the news every night.<br />
“It helps me to remember I am not going to<br />
have to be around this for too long” he justified<br />
in his flat, serious tone. On the<br />
smoke-stained walls were numerous pictures<br />
of the family. Not his of course, they<br />
never believed in family portraits. The TV<br />
sat along the left wall and beside it, a plain<br />
bookcase held the different trinkets, chosen<br />
and arranged to produce a nearly rustic<br />
feel, as rustic as one can get when you can<br />
only shop in fine boutiques. The black<br />
leather couch and matching chairs were<br />
placed around the TV so that one’s back<br />
always faced the kitchen to the right.<br />
The kitchen, except for a few things,<br />
was nearly hospital white. The floor was<br />
basic black and white checkered linoleum<br />
in large tiles. It didn’t go well with the old<br />
cherry hardwood floors of the other rooms.<br />
The perfectly white counter top wrapped<br />
around from left to right. It ended at the<br />
fridge and to the left of it was the stove. A<br />
black and white rooster cookie jar, one of<br />
the few decorative things in the kitchen,<br />
sat to the left of the stove on the counter.<br />
A light muslin curtain surrounded the window<br />
over the sink along the left wall. It<br />
had little red apples with green leaves<br />
embroidered along the edges of it. The<br />
apple in the center had a bite taken out of<br />
it. Also, there was a small thermometer in<br />
the lower right corner of the window that<br />
had a heart in scarlet stained glass on the<br />
left. There was a small chip missing in the<br />
heart where Evan had dropped it while<br />
moving in. When the sink was full of dishwater,<br />
the sunlight used to come through<br />
the heart and color the suds a deep crimson<br />
with a small ray of pale light shining<br />
through the hole. The sun hadn’t shone for<br />
weeks.<br />
Evan came out of the bathroom<br />
freshly bathed and cleanly shaven, with a<br />
small trickle of blood coming from a nick<br />
below his right jaw-line. He went to the<br />
closet across from the bed, reached in, and<br />
pulled out a well-bleached white shirt that<br />
had been meticulously starched and ironed.<br />
It was his last one. He swore at a piece of<br />
lint on the sleeve and brushed it off, then<br />
gently slid on his shirt. He looked threatening<br />
in his flat black suit, black hair<br />
trimmed and eyes whose pupils are indistinguishable<br />
from the nearly black iris surrounding<br />
it. He picked up his briefcase,<br />
looked around the living room and, without<br />
thinking, fingered the ring on his left hand.<br />
He quickly reached into his pocket, grabbed<br />
his lighter, and then forcefully struck it to<br />
light a cigarette. Evan walked briskly out<br />
the door in more of a rush than usual<br />
because he had to make a stop by the cor-<br />
14
ner market for his breakfast.<br />
As he began his short walk to the<br />
West 53rd tunnel, the world seemed one big<br />
mass of gray. Large clouds of dingy gray<br />
exhaust shrouded even the passing cars. “I<br />
am going to smell like gas all day because<br />
of these jack-asses”. He ranted about<br />
everything from how his shirts picked up<br />
every tinge of yellow in the air to the way<br />
the rain made him feel like he needed<br />
another shower. “It isn’t supposed to be<br />
mud until it hits the ground”. He stopped<br />
when he got to the Bagel Barge a couple of<br />
blocks away from the station.<br />
With a cup of black Colombian coffee<br />
in one hand and a bear claw he munched in<br />
the other, Evan entered the tunnel to take<br />
the train to work. He finished his breakfast<br />
and threw his napkin on the ground.<br />
Quickly, he lit a cigarette and blew the<br />
smoke directly in front of him forming a<br />
smoke screen that made the crowd in front<br />
of him nearly invisible. He waited for the<br />
train taking long, deep draws on the cigarette,<br />
slowly exhaling the smoke. He<br />
always did this when he got impatient. The<br />
subway finally arrived and he walked<br />
aboard and found himself a seat. He sat<br />
there sipping his coffee, wishing the woman<br />
standing in front of him would get her shopping<br />
bag out of his face. He wanted another<br />
cigarette. He resisted but only until the<br />
train stopped and he stepped out onto the<br />
platform. He smoked a lot when he walked<br />
in the city and always blew the smoke<br />
directly in front of him, especially in<br />
crowds.<br />
He walked into the building of the<br />
Jameson & Hardy. He had worked there for<br />
the past four years as a corporate attorney<br />
specializing in the facilitation of hostile<br />
takeovers. He passed by Janine’s desk, his<br />
secretary. “Any calls that should really<br />
concern me,” he asked her flatly.<br />
“How are things with Jessica”<br />
“Well, her mom has her convinced<br />
that I don’t pay enough attention to her. I<br />
guess killing two marriages of her own<br />
wasn’t good enough for her. ”<br />
“Well, no calls yet, but I will buzz<br />
you if any come.”<br />
“You sound like doing your job is<br />
somehow a favor.”<br />
He strutted into his office and closed<br />
the door behind him. On his desk was a<br />
note from Mr. Hardy saying that he wanted<br />
to speak to him as soon as he came in.<br />
This brought a small grin to his face. He<br />
dialed Janine’s extension quickly punching<br />
the keys with determined strokes.<br />
“Janine, call Stephanie and let her<br />
know that I am on my way to speak to Mr.<br />
Hardy. It looks like we may be moving up<br />
to the 63rd.”<br />
“Yes sir,” Janine says bitterly.<br />
Evan looked at the window. He<br />
always kept the blinds shut, but it didn’t<br />
particularly matter because the windows<br />
always seemed too dirty to look out of anyway.<br />
“Things aren’t this way on the 63rd.<br />
The window washers do a good job up there<br />
because even the secretaries have enough<br />
power to fire them,” he said slightly under<br />
his breath. He had been waiting on this<br />
move since his second year with the firm.<br />
“I deserved this on the out-set. I guess I’ve<br />
paid my dues now.” He pulled back on his<br />
jacket that he had taken off when he went<br />
into his office and made his way to the elevator.<br />
He nearly ran the mailroom clerk<br />
over. He entered the elevator, hit the button<br />
for the 63rd floor, and closed the doors.<br />
He preferred to be alone on the elevator<br />
today. He felt almost glorified as he<br />
ascended to the top floor of the building.<br />
The 63rd is the end of the rise to power in<br />
this firm, the top rung of the ladder.<br />
The doors opened and he became a<br />
little light-headed. He groped for something<br />
to hang on to, and felt a hand on his<br />
15
arm.<br />
“Hold on there, Sanders.” It was Mr.<br />
Hardy. “The same thing happened to me<br />
the first time coming up here. Damned if<br />
NASA didn’t design this elevator. Who<br />
needs to go up thirty floors in a matter of<br />
seconds”<br />
“I really couldn’t tell you Mr. Hardy,<br />
but it seems rather efficient to me.”<br />
“Well, if it didn’t make you vomit<br />
then I guess you are the right guy for this.<br />
Come into my office; we need to discuss a<br />
few things.”<br />
They went together into Mr. Hardy’s<br />
office. “Can’t have a junior partner with a<br />
weak stomach, now can we<br />
“Junior partner I didn’t know you<br />
had an opening.”<br />
“We do now. Jeffers just wasn’t<br />
bringing in the right clients.”<br />
“Don’t worry. I well understand that<br />
idea.” Evan still hadn’t adjusted to the elevator<br />
trip yet.<br />
“So can you” Mr. Hardy said rather<br />
impatiently.<br />
“I can bring in money if that’s what<br />
you are asking. I have been for the last<br />
four years.”<br />
“Well, then talk to Stephanie and<br />
start packing. You are the office down the<br />
hall on the left.” Mr. Hardy didn’t have<br />
time to chatter with people who weren’t<br />
paying for his ear.<br />
Evan stopped by Stephanie’s desk<br />
across from the elevator. He talked to her<br />
for a few minutes, got the key to his new<br />
office and met his new secretary. It seemed<br />
Janine was staying on the 30th floor. Mr.<br />
Hardy also gave him the rest of the day off<br />
to make whatever adjustments needed to be<br />
made and to flip through an office furniture<br />
catalogue to decide what style suited him<br />
best. So Evan made the train ride back<br />
home, planning to make the necessary<br />
phone calls from there to change his various<br />
appointments. He was so excited he<br />
had forgotten his cigarettes in his desk<br />
drawer.<br />
He walked up the stairs to the apartment<br />
and the keys in his hand jingled as he<br />
went up each flight. He opened the door<br />
and immediately began talking. “Hey, Jess,<br />
you are looking at the new junior partner of<br />
Jameson & Hardy.” He turned to the living<br />
room. There was no reply. He felt like he<br />
had been in the elevator again. The room<br />
felt like it was moving under his feet and<br />
his stomach dropped. The sterility of the<br />
pale light coming in through the windows<br />
made the living room seem like a washedphoto.<br />
His mind reeled at the thoughts of<br />
Jess’s mother and he saw pain lingering in<br />
the room like the smoke from his cigarettes.<br />
He walked across the sea of black<br />
and white checkered tiles that had dissolved<br />
together to form a gray. He turned<br />
on the faucet to the sink and cupped his<br />
hands to catch the clear water. There was<br />
the sheen of scarlet and pale light dancing<br />
through the water. He splashed his face<br />
again and again. After the third time, he<br />
looked up and saw the sunlight shining<br />
through the clouds, the rich, golden-orange<br />
beams fragmented and reflected a thousand<br />
times by the water in his eyes.<br />
Nick Tillman<br />
16
The Exigence For Evolution<br />
One fish two fish red fish blue fish small fish;<br />
So just ask God, get whatever you wish.<br />
And when you wish for an egg do you fear<br />
"No, scorpions for you!" is all you’ll hear<br />
And drinking milk, cultured, you can’t understand<br />
Why when we’re old we’re led by the hand.<br />
The sun will wait no longer in the sky;<br />
The sun keeps running through the by and by.<br />
When will we learn oh impetuous babes<br />
Shall our childhood bring us to our graves<br />
Jared James<br />
Denouement<br />
(George Sand speaking)<br />
Disregard all prior notions of a horn’s blare.<br />
Unforeseen revelations arrive without pomp,<br />
Or subtly; rather love’s finality comes,<br />
Much like the unwanted guest left for which to care.<br />
Even if their presence is viewed for rude than fair,<br />
We, dear Jeanne, admit the boor into our lair.<br />
A cad indeed, I received far too glad to lie.<br />
His habits that once endeared his nature to me,<br />
Grew as weary and vexing as the constant drip.<br />
All charm and exotic allure were replaced by<br />
Unsettling spite, ridiculous rows, caustic cries.<br />
My once invaluable muse has left me with sighs.<br />
You see that I am perched, back against this cool pane.<br />
One turn would reveal his descent, my loss and gain.<br />
Miriam Easterling<br />
17
Anarchy<br />
*ATTENTION*<br />
The time has come.......<br />
Listen! I'm not mad, but I've devised a plan.<br />
Fool proof to control the world in my hand.<br />
It'll be glorious, they can't destroy us.<br />
When we reign, the world will be a toy to us.<br />
Imagine– a world of silence caused by violence.<br />
Dictating malice, I'm giddy mad about it.<br />
Risk life sized! The government capsized!<br />
Yes yes! The fateful day has arrived!<br />
The anarchy party! Pour up the Bacardi!<br />
Stop me Not hardly a new move starring me.<br />
Metallic flesh becomes the maker of death.<br />
My harsh words will halt their breath.<br />
The world is yet to see serious trouble.<br />
I've got it raining red, blood puddles.<br />
Ranting and raving, the world I'm over taking.<br />
Counter attack this creature You must be mistaken<br />
It's so simple! A subtle trick, fill all with pop music.<br />
Flood the radio, sound waves instantly confusing.<br />
Pathetic lives being lived, the music is amusing.<br />
Make N'Sync world leaders, Britney will be queen.<br />
Attack the world with forces unseen<br />
I crept in low like, yet I'm yet to reign higher.<br />
I can see it now, the horizon made out of fire!<br />
Let the madness continue, I'm not through!<br />
I hope the world knows I'm serious, split skulls in two.<br />
Massacre masses with methodical madness!<br />
Screaming streams of spit sparking sudden sadness!<br />
The world falls to darkness, pillars fallen.<br />
The devil dances wildly, me and Satan are ballin'<br />
Drain the oceans; fill them up with gallons of beer.<br />
Turn the world into alcoholics; they'll believe all they hear.<br />
Oh, the day is yet to come, I hope I see them all run.<br />
Approach this day with pistol in hand,<br />
Never hesitate to retaliate, I don't give a damn.<br />
Got the glock cocked, I'm ready for war son.<br />
*click click* Ready, get set, *BANG* run............<br />
Joshua Shelton<br />
18
Bourbon Street Symphony<br />
Beside the black Jazz piano<br />
tinkling scales into the smoky air<br />
forests of night owls burning cigarettes<br />
put out with a sizzle in dirty Brandy glasses—<br />
the night wrapped in the cool ice of silence<br />
her hands speak of Latino legends<br />
dark like rich coffee—swamp cypress<br />
of the big New Orleans street mama chorus<br />
bellowing softly from the pavement<br />
of Bourbon street—in the warm Cajun mist<br />
Neil Myers<br />
Musical Time<br />
Every word is a melody<br />
and fingers, a symphony.<br />
Lift me up the scales<br />
of your ringing fingertips.<br />
(the Hawaiians, yes, they dance<br />
and their hands tongue poetry<br />
as their skirts mull over the earth.<br />
Their poetry rolls from their hands<br />
and drops ripely to the ground like dates)<br />
Lilting long, longthroated song<br />
rest me in the noble crook of your arm<br />
and take measure of me, too,<br />
in your finely-turned line.<br />
G.S. Morris<br />
19
HONORABLE MENTION<br />
STATEWIDE POETRY CONTEST<br />
This Piece of Wood on My Shelf<br />
He gathered many a quit-claim<br />
to make the land his.<br />
Followed the surveyor<br />
through briars and bog,<br />
black water filling bootprints.<br />
Watched the hatchet blaze<br />
trunks of sweetgum, oak.<br />
Dragged the measuring chain<br />
through pine seedlings<br />
toward border of fallow fields.<br />
But the lightwood post,<br />
chisled with Roman numerals,<br />
set solid at one corner,<br />
gave him the most satisfaction.<br />
A man, a father, his land said.<br />
Thirty-eight years later, a new survey,<br />
modern equipment, no chains,<br />
the corner set in concrete,<br />
wooden post uprooted.<br />
He carried it home to the woodpile.<br />
Winter after winter,<br />
choosing logs for the fireplace,<br />
he never selected that one.<br />
Doris Blough<br />
20
My Faith<br />
You see my faith she ran away<br />
Got gold tobacco with pink berets<br />
Should have heard it when my mother scold me<br />
Should have listened what my father told me<br />
Don’t you trust a woman who always pray<br />
Go take the wind out of my sails<br />
Knock the red engine off my rails<br />
Paint me a pink sky into gray<br />
My Faith’s a girl who never stays<br />
Snatch a salamander by the tail<br />
Break off and wiggle in your hand.<br />
Try to put a sand crab into a pale<br />
And it’ll sift slowly to the sand.<br />
Pluck you a blue dragonfly wing<br />
Teach a gray pigeon to sing<br />
She won’t ever come back to me<br />
She ain’t nothing but a dream<br />
Hallowed<br />
This chapel can stir me a reverie,<br />
Pouring my past into my present bowl.<br />
I recollect an anxious tot pawing<br />
Eagerly through Creator praising, soul<br />
Saving hymns. Small eyes peer at words before<br />
A simple visage. Through sounds exotic,<br />
These carols are carved into her small care.<br />
Divine melodies become rhetoric.<br />
Now I hear the clamor of clanging tongues;<br />
The tom and snare hammer out common beats,<br />
Complimenting the rusty guitar strums.<br />
Members will rise and fall out of their seats.<br />
I shut eyes and wonder what child binds,<br />
Alleluia to the back of my mind.<br />
A blooming necklace of poison ivy<br />
Honey Bee combs in her dangerous hair<br />
Please If you see her ask her why<br />
Ask her why she always always cries.<br />
Ben Snyder<br />
Miriam Easterling<br />
21
WINNER,<br />
STUDENT POETRY CONTEST<br />
St. John of the Cross Gives a Sermon<br />
O what of us when darkness falls<br />
And moon inconstant light provides<br />
To weep for day, for joy call,<br />
To lick our wounds and grasp our sides<br />
Read, O soul, that glowing gospel<br />
Scrawled across the sky’s black page.<br />
Attend to stars, who suffering sermons tell,<br />
Besieged priests and ever-flaming sages.<br />
Life’s nights, Purgatory’s first flames are<br />
Sufferings temporal to remit eternal.<br />
Yet still we cry through darkest air,<br />
For light so we may walk to Hell.<br />
Nick Tillman<br />
22
Mr. Cardinal<br />
Mr. Cardinal sits on a fence post<br />
Surveying the green leaves around him<br />
It seems as though he were lost<br />
On his little brown perch with green trim.<br />
He suddenly moves to a tree branch<br />
To the right and above and behind<br />
On which he shuffles and twitches in dance<br />
As if he were giving a sign.<br />
Ahhh, and here is Mrs. Cardinal<br />
In her muted and mottled attire<br />
It seems that her voice is more able<br />
As she sings like a one-woman choir.<br />
I see now why Mr. Cardinal<br />
Seemed so nervous and tense<br />
He knew that Mrs. Cardinal<br />
Was angry because he sat on that fence.<br />
Matt Doyle<br />
Chanteur<br />
Red coat of reason<br />
you leave me wanting<br />
crying for rain<br />
absolution from under the moist fern<br />
or the breeze in the palm leaves<br />
swaying like slow dreams<br />
in the evening<br />
a tenor blue sparrow<br />
eyes the morning rainbow<br />
forgets the song of the day before<br />
(sunlight in B-minor, opus 2)<br />
his silver radiating tune between the green trees<br />
paper history<br />
old dirty bags of better thoughts<br />
collected in floor of the cage.<br />
23<br />
Neil Myers
Another Season<br />
“The sky seems darker today than<br />
usual,” thought Annabelle as she sat down<br />
on the cold, metal stands. It was mid-April<br />
and the fifth game of the season. The<br />
scoreboard reported the home team’s winning<br />
streak but Annabelle paid little attention<br />
to the details of the game. She was<br />
carrying on her task of the dutiful girlfriend;<br />
show up to the ball game and her<br />
task is complete.<br />
“Good luck Henry!” she silently<br />
mouthed to her attractive shortstop. He<br />
flashed a grin before quickly shifting his<br />
facial expression from her own amiable ball<br />
player to an attentive athlete she scarcely<br />
recognized.<br />
Now that his attention was elsewhere<br />
she could focus her thoughts on the<br />
tidy, green outfield that lay before her. She<br />
propped her elbows on a bench while tucking<br />
her right leg neatly under her left.<br />
“Five, nine, seven…” Annabelle softly<br />
counted as she watched a flock of geese<br />
gather and disperse individually in far outfield.<br />
Just as she was settling into this<br />
quiet comfort she saw a flash of turquoise<br />
in the corner of her eye as she simultaneously<br />
heard a trilling voice:<br />
“Annahbellah my dear, yoohoo!”<br />
It was Henry’s very large and very<br />
loud mother who carried the chiming voice<br />
and plus-sized, multi-colored wind suit.<br />
Annabelle could not decide whether<br />
it was the frosted hair or viciously applied<br />
lipstick that stretched just above the<br />
woman’s natural lip line that made her<br />
appear outdated. This woman was of a rare<br />
breed of mothers who could not be more<br />
oblivious as to how tacky they were regarded<br />
by the rest of the world outside their<br />
families.<br />
As Henry’s mom huffed her way from<br />
the bottom of the bleachers, Annabelle<br />
thought, “How did my handsome Henry, of<br />
slim torso and rugged features ever come<br />
from this ridiculous woman. She looks as if<br />
she’s just going to take off one of these<br />
days. Is this cow supposed to be my future<br />
mother-in-law”<br />
Ashamed by her cruel thoughts,<br />
Annabelle’s cheeks burned as she rose to<br />
greet the woman.<br />
“Hello, Mrs. Lundgren,” Annabelle<br />
said cordially as she scooted over to make<br />
room for the rotund woman.<br />
“Hello my dear child!” The woman<br />
panted from exhaustion. “Traffic was simply<br />
abhorrent and who would believe it to<br />
be so at such a time in the morning. Such a<br />
time!”<br />
Annabelle smiled kindly back to the<br />
spirited woman thinking that noon was<br />
hardly morning and, on a Saturday, not a<br />
terribly strange time for any sort of recognition.<br />
The woman pulled out two overly<br />
inflated red cushions and stuck one under<br />
her as she attempted to prod the other one<br />
under Annabelle.<br />
“Oh, I can get that myself Mrs.<br />
Lundgren!” Annabelle laughed, embarrassed<br />
by the woman’s odd forcefulness.<br />
“Well I just want to keep that lovely<br />
dress of yours as clean as possible. These<br />
benches have such awful mud caked to<br />
them and do you know how difficult it is to<br />
scrub dirt out of delicate fabrics”<br />
Annabelle let the woman carry on<br />
about her extensive knowledge of garment<br />
cleaning and gingerly sat herself down on<br />
the red cushion. She imagined what some<br />
younger girls behind her were thinking, a<br />
girl almost their age sitting on an older<br />
woman’s patio cushion.<br />
24
“And I do believe that Spray ‘n’<br />
Wash is one of the most incredible inventions<br />
in modern science!” the woman bubbled,<br />
adding a crescendo on the last three<br />
syllables.<br />
Annabelle nodded politely and<br />
attempted to look engaged in the game as a<br />
means to escape gossip hour with the detergent-fixated<br />
woman.<br />
“But enough , enough with my<br />
household hints! Let us discuss what little<br />
plans you have for the future. What is it<br />
exactly that you want to do” the woman<br />
leaned in with anticipation.<br />
“I suppose I’ll go to college,”<br />
Annabelle wondered out loud. She didn’t<br />
add that being the wife to this woman’s son<br />
was probably her only goal in mind at the<br />
time.<br />
Annabelle was consistently introduced<br />
as Henry’s special friend” in the<br />
Lundgren household and considered this as<br />
a great sign of the reticence that the<br />
woman had to her becoming part of the<br />
family too soon. Or maybe it was just<br />
another example of the extraordinary<br />
eccentricity that ran through the woman.<br />
“What a lovely idea my dear!” the<br />
woman spouted. “I adored my college<br />
years. They were really my last days of<br />
freedom before I became the lovely woman<br />
of leisure that you know today.”<br />
Annabelle remembered seeing a<br />
photo of this woman during those college<br />
years. She was a handsome woman with a<br />
beautiful smile and glowing skin. Still<br />
large at the time, she carried a sort of<br />
power and grace with her stature that was<br />
recognizable even from a photo. Annabelle<br />
hardly recognized the woman of years<br />
before in contrast to the woman of now.<br />
“I was the first in my family to have<br />
graduated from college,” the woman puffed,<br />
“what glorious years they were!”<br />
Annabelle heard Henry telling her<br />
once of his mother’s accomplishments as a<br />
college student. She was not only the first<br />
to have graduated from her family; she was<br />
the first female to graduate Suma Cum<br />
Laude from her university. The woman had<br />
graduated with a degree in Biology and<br />
desired to study medicine in graduate<br />
school, before she met her future husband<br />
in Biochemistry course her senior year. The<br />
woman never made it past her Bachelor of<br />
Science, but she became the wife to a<br />
future Dr. Howard Lundgren, M.D.<br />
She never understood the pride that<br />
her boyfriend held in his ridiculous mother.<br />
This woman, her hopeful future in human<br />
form, was nothing short of alien to<br />
Annabelle.<br />
The woman pulled out a large bar of<br />
chocolate and proceeded to attack the<br />
sweet with vigor.<br />
“And you simply must study abroad,”<br />
the woman spoke through a mouthful of<br />
chocolate. “It will be the highlight of your<br />
entire time in college. Did I ever tell you<br />
about my adventures in Spain”<br />
“I don’t think so, Mrs. Lundgren,”<br />
Annabelle replied with swift courtesy. She<br />
tried to mask her repulsion as she averted<br />
her eyes from the curious blend of lipstick<br />
and now bits of chocolate clung to the corners<br />
of the woman’s mouth.<br />
“A wild woman was I back then!<br />
Dancing all hours of the night and attending<br />
class during the day. You would have<br />
hardly recognized me from the woman I am<br />
today. Have you ever had the chance to<br />
travel abroad”<br />
“I haven’t even been out of the tristate<br />
area yet,” Annabelle admitted.<br />
25
“Well you better get yourself moving!<br />
Nothing compares to an experience of<br />
another culture,” the woman chortled.<br />
Annabelle imagined distant lands of<br />
strange scents and sounds.<br />
The woman continued to chatter as<br />
Annabelle felt a warm itch on the back of<br />
her neck. She raised her eyes from the<br />
gabby woman and fixed it on the sun, which<br />
had finally decided to rise and give its full<br />
light to the field.<br />
Miriam Easterling<br />
26
The Blue Grasses of Home<br />
Beneath sky-scraping sunlight,<br />
beer-toters herd like cattle<br />
matting the meadows.<br />
Fans flock like proverbial ducks<br />
craving turquoise twang<br />
in moments of stolen shade,<br />
lying prostrate on slippery slopes<br />
beating with earthly vibrations.<br />
Amid bliss, air thickens<br />
with watermelon-flavored echoes<br />
of rugged relaxation—<br />
the crude Emerald Strum<br />
nourishing the holler.<br />
October<br />
October morning<br />
The early mountain sunshine<br />
Now dispels the fog<br />
James Meadows<br />
Light dims and darkness descends on intoxicated soil stompers,<br />
glowing with carefree Kentucky.<br />
Sweltering skin cools at the tempo of dewdrops:<br />
invisible nocturnal showers.<br />
Our Last Summer<br />
Rhythmic races of stringed singers<br />
possess brothers of harmony<br />
and sweet sisters’ tongues<br />
together,<br />
forcing to the hillside bellows of Blue Moon.<br />
Resonating Monroe, dancers swoon in starlight<br />
picking mellow, primitive strokes<br />
with bare feet and sober hearts.<br />
Lovesick lullabies sooth<br />
drunk one-legged coyotes.<br />
Haiku<br />
Bright colored leaves fall<br />
Lying around decaying,<br />
Nourishing new life.<br />
Heidi Arnold<br />
Jamie Bunn<br />
Spoonfuls of earthworms,<br />
veggie peelings, eggshells,<br />
seasons of autumn leaves,<br />
coffee grounds I shoveled<br />
into red clay<br />
before it grew cold.<br />
When spring geraniums<br />
crashed barriers of white pots,<br />
the way feisty breasts<br />
outrule strapless gowns,<br />
obsession set in. Drunk<br />
with success I nursed ladybugs,<br />
sheltered a praying mantis<br />
from rain, too much sun,<br />
fed wild birds, supported<br />
GreenPeace, Save-the-Whales.<br />
Day by day the soil ran finer<br />
than hourglass sand<br />
through my city hands.<br />
I felt sanctified, ate no fat,<br />
Gave myself to all,<br />
so little to you.<br />
Genevieve Kissack<br />
27
Spontaneity 1 is 2 in 3 the 4 eye 5 of 6 the 7 beholder 8 .<br />
1<br />
Spontaneous: eclectic demigod of flagellating extemporaneous abandon.<br />
William Wordsworth: Capricious Romantic “Poetry is the spontaneous overflow of feeling recollected<br />
in tranquility.” Percy, Percy, Percy can’t you see, sometimes your words just mesmerize me.<br />
JLDIORW MFPQH ”The pompanos of love.”<br />
2<br />
Existential equilibrium. The Infinite I AM.<br />
“If I had face of posy wild<br />
methinks a child of paper nose<br />
would fold and flog a simple smile<br />
Or better yet write it in prose.”<br />
3<br />
Cube3 M=E/C2. Black box.<br />
Ex. 25:10- “And they shall construct an ark of acacia wood two and a half cubits long, and one and a<br />
half cubits wide, and one and a half cubits high.<br />
4<br />
Definite articles of clothing worn by Egyptian priests around their loins for their moon dancing rite<br />
for god Krafchese, the god of Bull. xzY^a‘ see footnote 7<br />
5<br />
Pink Iris: Rear view window mirrored satin drapery. Linen sheets blowing in the breeze.<br />
Dr. Francias Zenocrate: The Solar model of atomic structure parallels our own swirling eddies within<br />
ocular lenses as waves and particles scan over time and infinite cosmos.<br />
6<br />
Marcel Frolic states in his manifesto on flatness: “The World is flat” that canvas is a flat plane and<br />
painting consists of the application of pigment on a flat surface. Color and line placement creates<br />
the<br />
illusion of depth and dimension.<br />
7<br />
“If you wanna be my lover, you gotta get with my friends.” See footnote 4.<br />
8<br />
Jean-Bartholomew Amorous “Beauty is in the eye of the beholder” Relativity concerns the opinion<br />
of the spectator such as shapes and forms in symmetrical juxtaposition create an order in the psyche<br />
of every individual.<br />
John Keats: Ode to a Grecian Urn- “Beauty is truth.“<br />
Ben Snyder<br />
28
Orange Moonshine<br />
11:30 pm on the Auckland Motorway<br />
no sound—save the whoosh of<br />
the tires of occasional<br />
night travelers<br />
Over us, the moon burns orange<br />
its dark seas and silent mountains<br />
blanketed in a Vincent Price<br />
horror movie pastel—<br />
I think maybe there is a lonely moon-man<br />
with a shack propped against a rock<br />
on Mare Traquilitas<br />
guzzling deep gulps of light<br />
that bathe him in orange moonshine.<br />
from starfires somewhere out there.<br />
Tranquility<br />
Streams pour over rocks<br />
trickling melodically down<br />
into copper pools.<br />
Post-Tranquility<br />
Fog descends upon<br />
the valley’s verdant meadows<br />
bringing drowsiness.<br />
Nick Tillman<br />
Neil Myers<br />
29
Granny’s Story<br />
It was one of them hot, muggy days,<br />
where there’s so much water in the air you<br />
get sticky just walkin to the mailbox and<br />
back. I guess’t the mugginess was on<br />
account of it’d rained the night before. On<br />
days like that you can sorta see the heat<br />
risin off the road in little waves, it messes<br />
with your eyes a bit, makes ya see things<br />
that aint really there. I reakon it was about<br />
noon when I finally went out to get the<br />
paper. I remember, cause I usually don’t<br />
take s’long, but it was just so damn hot, and<br />
Matlock was really givin it to ‘em good on<br />
the TV. Always wins his cases, that Matlock<br />
does. My grandson Benny sure could have<br />
used a lawyer like that when them robberies<br />
down in Johnston County was pulled off. I<br />
still say he was framed. Damn shame, that<br />
was, damn shame.<br />
Anyway, it was slow goin’ to my<br />
paper on account of I had to use my walker.<br />
Its hard getting’ your breath on a day like<br />
that, heat cooks your lungs. Not that<br />
m’lungs are worth much anyway, leastways<br />
not anymore. I wasn’t complainin’ though,<br />
cause my Arnold had been laid up in the<br />
house hooked up to that oxygen tank for<br />
about a month. I sure as hell hadn’t come to<br />
that, not yet at least. Them doctors charge<br />
you an arm and a leg to tell you they cain’t<br />
do a damn thing, and they’re real sorry,<br />
please come back again soon. Only reason I<br />
was going to get the paper in the first place<br />
was ‘em damn doctors. If it hadn’t been for<br />
the bills I wouldn’ta been out to get them<br />
coupons. I hadn’t never clipped coupons<br />
before. Felt like welfare to me, like only<br />
poor people bothered with coupons. But I<br />
reckon we was poor all right, just not of the<br />
white trashy kind. Nosirree, we was of the<br />
old as hell kind, and nobody much cares<br />
about the old. At least white trash gets the<br />
courtesy of an f* you, whereas most people<br />
just wish we’d die and get the hell outta<br />
their way.<br />
So like I was sayin’, we was in debt<br />
up to our asses, an I was thinkin’ ‘bout<br />
when we’d get to retire to ole Florida, where<br />
they say most of us flock to die. But here I<br />
was clippin’ coupons for half off some Jiffy<br />
peanut butter, and I know’d Florida weren’t<br />
comin, not to us anywho. We’d die right<br />
where we was, and nobody’d care, cause like<br />
I said, we was old. Hell, Florida’s too damn<br />
hot anyway, an I could hardly stand it here.<br />
I was thinking an I’d just made up<br />
my mind on Alaska and was bending over to<br />
get that paper when I heard it. Felt it too.<br />
Damn thing blew my skirt plumb up over my<br />
head. Good thing I was wearin’ my drawers<br />
or the neighbors would’ve seen m’bare ass.<br />
Not that old bare ass is much to look at. I<br />
tell ya, that heat plumb near knocked me<br />
down. If it hadn’t been for the walker keeping<br />
me steady, I’d of toppled right into the<br />
ditch anyways. First I didn’t know what to<br />
think, I reckon the sound of the ‘splosion<br />
took my hearin’. Ain’t been able to make<br />
out much in either ear since then leastways.<br />
So there I was in the ditch, couldn’t<br />
hear a damn thing, wit’ stuff fallin down on<br />
me, and I finally get a glimpse of the house.<br />
Flames was shootin’ out everywhere, and<br />
the lawn furniture was sailing toward the<br />
neighbors house. The first thing I saw was<br />
that white plastic lawn furniture Arnold<br />
liked so much. Every damn body in the<br />
neighborhood had the same furniture, and he<br />
couldn’t resist keeping up with the Smiths,<br />
or the Reynolds, or however that sayin’ goes.<br />
That lawn furnitures’ what made me remember<br />
Arnold, still in the house, hooked up to<br />
his oxygen. I started yellin’ then, and crawlin’<br />
out of the ditch. But by that time the<br />
neighbors was there, holdin’ me back, and<br />
yellin’ stuff I couldn’t hear. All’s I know is<br />
they wouldn’t let me go get Arnold, and I<br />
was fightin’ an fussin’ so hard my dentures<br />
30
damn near fell out, but I didn’t care. They<br />
was holdin’ me good, so all’s I could do is<br />
watch our house getting’ eatin’, with the<br />
winders splodin’ an glass all over the place.<br />
The fire trucks got there before the<br />
roof collapsed, and they had to drag ole<br />
Jimmy Dobson out the flames. I didn’t see it,<br />
but ‘parently Jimmy went in to find my<br />
Arnold and ended up getting hurt himself.<br />
Afterward they was sprayin’ their big hoses<br />
and the police was takin’ people’s statements,<br />
getting the who all’s and what all’s of<br />
the situation, I guess’t. Didn’t really understand<br />
what business the police had there at<br />
the time. Figured it was a job for the firemen<br />
and the insurance company, and that<br />
was about it. Guess I found out what them<br />
policemen wanted though.<br />
So I’m sittin’ down and Margie from<br />
next door was nice enough to bring me<br />
somethin’ to drink, lemonade, as I recollect.<br />
Margie’s lemonade was always fresh and<br />
homemade, none of that Country Time stuff<br />
for her. She did good by her family in that<br />
way. So anyways, I’m sittin’ there, drinkin’<br />
my lemonade, waitin’ for them to find<br />
Arnold, when the police man finally makes<br />
his way over to me. He was a real young<br />
one, probably a rookie and green around the<br />
gills, but he shore was nice. Said they was<br />
doin’ their best to find Arnold, and that if I<br />
didn’t mind could we go down to the police<br />
station for a few minutes to answer some<br />
questions. I was too worried ‘bout Arnold to<br />
be bothered by any stupid questions, which<br />
probably had t’do with insurance matters<br />
anyway. The insurance companies could<br />
wait for all I’s concerned, I wasn’t movin’<br />
till I saw Arnold.<br />
Well, ‘bout two hours later there was<br />
still no Arnold. The kids was there by that<br />
time. Margie called ‘em, I think. They really<br />
ain’t no tellin’ how’s they found out, seein’<br />
as how I never asked and now they ain’t<br />
speakin’ to me. The kids was pretty upset,<br />
but they was able to deal with the police so I<br />
didn’t have to bother, and that was fine by<br />
me. By this time I know’d he was dead, and<br />
the kids know’d it, and everybody else<br />
know’d it too. So’s it seemed to me that the<br />
fire was out, Arnold was dead, and everyone<br />
could just go home now and mind their own<br />
damn business. I was ready to be left alone,<br />
thank you very much. But the firemen and<br />
the policemen wouldn’t leave. They wouldn’t<br />
even let me start picking up the pieces of<br />
what was salvageable. Called it messin’<br />
with evidence, or somethin’ like that. I figured<br />
if they needed evidence of a fire, well,<br />
there was enough burn stuff lyin’ around for<br />
that, but I let ‘em do their job. Must have<br />
been a slow day, no one else to go rescue,<br />
‘cause they sure did stay a long time, pokin’<br />
here and puttin’ this and that in a bag. I<br />
just knowed they was probably stealin’ my<br />
granny’s weddin’ ring. Kids always said I<br />
needed to trust people more, but I don’t<br />
trust nobody that says they have more right<br />
to touch my stuff than I do, burnt damn<br />
mess or not.<br />
So’s Margie let me and the kids come<br />
over t’her place an collect ourselves, as she<br />
put it. I though that a kind of funny thing<br />
t’say, but she meant well enough. A little<br />
later we got a call from the hospital.<br />
Seemed ole Jimmy Dobson was goin’ t’make<br />
it, just a little smoke in his windpipe or<br />
something’ like that. Hell, Jimmy’d been<br />
lightn’ up for years. I could have told ‘em<br />
that a little smoke weren’t gonna keep him<br />
down. But doctor’s gotta mke their livin’<br />
somehow.<br />
Seems it was right after we got the<br />
call about Jimmy that the doorbell rang. It<br />
was that young police officer again. I figured<br />
he’d of quit by now, him bein’ so green<br />
and all. But there he was again, askin’ me<br />
the same question. This time he weren’t so<br />
nice, though, and I figured I’d better go. So<br />
down to the station we all went, me bein’<br />
31
quiet, an’ the kids just a cussin’ through<br />
their tears, looking confused as hell. I was<br />
just thinking them insurance people sure<br />
don’t waste no time. Figured they was<br />
gonna tell me m’policy expired or somethin’,<br />
or didn’t’ cover fire that begun in splosions,<br />
or some silly shit like that. They’re always<br />
looking for a ways around givin’ you what’s<br />
yours. But I was wrong, they didn’t want to<br />
talk about insurance at all.<br />
The police was askin’ ‘bout Arnold,<br />
‘an what was our relationship like and was I<br />
happy. Well, I was down t’clipping coupons,<br />
what the hell did they think But I told ‘em<br />
sure we was happy, ups and downs of course<br />
but I loved him. An’ I did. They asked a<br />
bunch of other questions, but the whammy is<br />
the one I remember the most…did you kill<br />
your husband Mrs. Brubaker. They thought<br />
I killed my Arnold. Well, the whole damn<br />
family just about had a fit when I layed that<br />
one on ‘em. ‘Parently them firemen found<br />
somethin’ they didn’t like when they was<br />
diggin’ ‘round in my mess, said it pointed to<br />
arson. I cain’t imagine someone wanting to<br />
kill Arnold, but I reckon them men know<br />
how t’do their job, and don’t make a habit of<br />
lyin’. So fact was fact, someone blew up my<br />
house with Arnold in it, and they thought it<br />
was me.<br />
‘Parently the jury thought it was me<br />
too, ‘cause I been sittin’ here for about 4<br />
years now. Women’s Correctional Facility’s<br />
the proper name for it, but I don’t mind too<br />
much. They feed me regular and I get to<br />
watch Matlock. The kids don’t come<br />
though, they think I did it too. The other<br />
women here ain’t too bad, ‘cept they smoke<br />
too much and cuss somethin’ awful. Now, I<br />
ain’t no Bible belt church woman, but I don’t<br />
know half the words them women say, and I<br />
reckon that’s best.<br />
They say the parole board’s gonna be<br />
meetin’ soon, and I’m up next. But I figure<br />
life ain’t so bad here. With Arnold dead and<br />
the kids not lovin’ me anymore, life could<br />
get kind of lonely. At least here I got my<br />
books and my TV, and someone always gets<br />
the paper for me. I ain’t gotta clip them<br />
damn coupons, neither. It sure as hell ain’t<br />
Alaska though, but I don’t reckon I was ever<br />
cut out for the cold.<br />
Tasha Romero<br />
Cowboy rests at dusk.<br />
Hues tint the darkening sky,<br />
pink, peach, purple fuse.<br />
Jamie Peterson<br />
32
descending brightness<br />
illuminating shadows<br />
beautiful collapse<br />
Scott Shamblee<br />
A Ghost in the Darkness<br />
His golden shadow<br />
Is ever swiftly sweeping,<br />
creeping silently.<br />
Tracy Ray<br />
33
Adolescence of a Calvinistic God<br />
Bled on bed of dead roses<br />
My mighty warrior king<br />
I can’t crow, I can’t sing<br />
Honey bee buzz, scorpion sting<br />
The Dogs of War cut off my thumbs<br />
Plucked the poppy, gall got me numb<br />
Cut my fingers to the nubs<br />
Did in my toes so I can’t walk<br />
Tore out my eyes one for one<br />
Like an angel without a soul<br />
Striped my tongue right from my mouth<br />
Like a fish from a bowl<br />
Harden her brain so she won’t see<br />
So I can be justified to break her<br />
Flown sky to sky under this fermented firmament<br />
As Lightening lights up cross dark man’s faces<br />
Sold to me this worthy stallion races.<br />
Hanging in gardens by the rivers of Babylon<br />
There on the willows laid weeping harps<br />
Smashed her fetuses’ skulls against the rocks.<br />
Ben Snyder<br />
But here between Death and Dream<br />
All is she and she is always with me<br />
And I know what you’re wondering<br />
How does he still speak to me<br />
Tongues are dried daisies<br />
And fat men die lazy<br />
But family name is a specter<br />
No one can conjecture<br />
But oh in those ancient of Days<br />
When you rode bareback on watery unicorns<br />
You gave me bangles made of thorns<br />
Then the Lord said to my Lord<br />
Tie their hair together dipped in gasoline.<br />
Naked in Tobacco fields, peeling white wine<br />
When I met you, you was nothing<br />
But a babe, a newborn child<br />
Made you from mud,<br />
Dress you in yellow belly sundresses,<br />
Put a ring in your nostrils empress<br />
Like a mulatto Pocahontas princess.<br />
What you did to me<br />
Makes me hate your face.<br />
Like cracked porcelain plates on cement.<br />
Scales, Unbalanced bridges, busted teeth.<br />
Blood of Innocence<br />
Spiraled vision,<br />
Clouds of confusion overhead.<br />
Dread the eternal eclipse;<br />
Drips the blood of the innocent.<br />
Sent running through hands of ice,<br />
A sacrifice to melt the frozen land.<br />
Expands and collapses the solid stone<br />
That's thrown in the depthless lake.<br />
Quakes, the plates of sand<br />
Demanding calmness of all.<br />
Calls the man in black...<br />
"Sack, for the corpse in here."<br />
A tear from his eye is shed,<br />
For the dead; the innocent.<br />
Chris Quinn<br />
I will mold her mind to hate me<br />
Then raise my fist to her cheek<br />
34
Against the Rational<br />
Like the crawling baby, stopping to taste<br />
the dog’s food or pick the flower<br />
off the quilt, we want to<br />
experience the thing without having<br />
to be mindful, comprehend, or translate.<br />
We want to know the butterfly from its wing,<br />
Ein Junge Adreissert Sein Spielzing<br />
Listen up mine underlingly subjects!<br />
It is I, your prophet who directs:<br />
Perk up your little toy ears and listen<br />
Make sure you notice my glory glisten.<br />
It is time for change around here<br />
But it’s for the better, so don’t fear.<br />
Some of you are going to have to go;<br />
You should be glad to be in the know.<br />
So quickly file off to your chambers<br />
(oh but guilt; they’re necessary dangers).<br />
Now for those of you who are left:<br />
Neither shed tears nor feel bereft.<br />
Your friends are being used as wisely as you<br />
So don’t think it vain--that’s simply not true!<br />
It’s all for the good of the sum, you see--<br />
You and they shall make playroom history.<br />
But you are much different from all of them;<br />
You’re much superior; made from a greater stem.<br />
So it is for you, and you alone<br />
To whom my best new toy is shown:<br />
Toys on the shelf, toys in the garbage can,<br />
I introduce to you my Superman!<br />
Jared James<br />
the needle from its eye, snow by its crystal,<br />
happiness through tempest or flash or fever.<br />
Like visionary Rimbaud, who reasonably<br />
deranged his senses, we want each other’s<br />
center unmixed with collateral or<br />
accessory, unmediated.<br />
The Existential Epistle<br />
--Blake meets Kierkegaard.<br />
Sandra Eisdafer<br />
The existential epistle<br />
Hangs on clouded thistles.<br />
The weeds of those that are born<br />
Hang like nooses of strewn rose thorns.<br />
The plague of death lingers on,<br />
In order to carry us back home.<br />
Ben Currin<br />
35
The Whole Hog<br />
Quite out of place, a well-dressed<br />
gentleman sits alone at a bar. The place is<br />
dark, musty, and to be honest in need of a<br />
good cleaning. A few regulars shoot pool in<br />
the far back corner of the room but otherwise<br />
the place is empty. The bartender<br />
busies himself but remains attentive as the<br />
gentleman nervously tells of his recent marital<br />
infidelity. True to good form, the bartender<br />
attempts to remain neutral and only<br />
offers minimal comments to the gentleman’s<br />
story.<br />
“Is that right Hmm, now aint that<br />
something” The bartender finishes drying<br />
the glasses and hangs his towel on a hook<br />
on the edge of the bar.<br />
A gritty fellow, half-toothed and haggard,<br />
sidles up next to the gentleman and<br />
orders himself a beer. He aims one ear at<br />
their conversation as the gentleman continues<br />
rattling on. The old fellow’s brow wrinkles<br />
and relaxes with each new detail of the<br />
gentleman’s unfolding tale. Having until<br />
now expressed nothing more than a mild<br />
curiosity toward their musiongs, the old fellow<br />
begins to display a rather thoughtful<br />
look and a wide, knowing grin spreads over<br />
his face.<br />
“Well son, I can tell you, shore as I’m<br />
a livin’, if she’s actin’ right spicious an’ all,<br />
she’s bound to know sumpthin’. You’d be a<br />
sight better off if you go on an’ tell ‘er.<br />
about it.get it out in the open an’ all”<br />
“Is that right, old fellow And just<br />
how am I supposed to do that ‘Honey I’m<br />
home. Oh, just fine. How about yours<br />
That’s great, dear. By the way, I wanted to<br />
let you know that I slept with your friend,<br />
Judy, last weekend.’ Sure, that’s it. My<br />
dilemma is over. I can’t begin to thank you<br />
enough for your incredible insight and<br />
advice.”<br />
“Make fun if you want. But I’m<br />
telling’ ya’ that it’d go a sight easier on ya’<br />
if ya’ go on an’…”<br />
“And I’m telling you that I’m not asking<br />
for your advice. Barkeep, could I get<br />
another, a double please.”<br />
“Look here mister, don’t go getting’<br />
your feathers all ruffled up. Matter a fact,<br />
let’s just don’t talk about that no more. No<br />
sense carry’n on about sumpthin’ if ya’ don’t<br />
want to.”<br />
The bartender places the drink on the<br />
bar. The gentleman sighs heavily amid a<br />
brief quietness that is interrupted only by<br />
the occasional crack of pool balls.<br />
“So”, the old fellow chimes in, “did ya<br />
hear about what happened to ol’ man<br />
Ferguson last week”<br />
“No, as a matter of fact I didn’t.<br />
However, I got the feeling that I’m about to<br />
find out”<br />
“Well, as you well know, bein’ early<br />
Fall and all, that it’s time for the punkins to<br />
start comin’ outta the fields. So ol’ man<br />
Ferguson takes his stake-bed truck out to<br />
town to sell. Well, they loaded that truck<br />
with them punkins till the tires was a fixin’<br />
to pop and ol’ Freguson headed on back<br />
towards town with ‘em. I’d been out at<br />
Ben’s pond for a little fishin’ an’ was comin’<br />
by ‘bout that time an’ I seen the whole<br />
thing. Well, he aint no more than got out on<br />
the road good and was getting’ up some<br />
speed and all a suddent this bit ol’ hawg just<br />
run right out in front his truck and sorta just<br />
stoond there in the road. ‘Fore he knowed<br />
what hit him, ol’ Ferguson swerved a hard<br />
left and that truckload o’ punkins just tipped<br />
right over on top o’ that big hawg. That<br />
truck slid a little ways an’ them punkins<br />
36
was just busted all over the road and the<br />
ones what won’t busted went rollin’ an’<br />
bouncin’ here an’ therer. And a layin’ there<br />
in the road amongst all them busted punkins<br />
was that ol’ hawg an’ he was just squashed.<br />
Man, I’m telling you it was mess. Well, Ben<br />
heard the ruckus an’ he come a runnin.<br />
‘Bout the time he got to the truck, ol’<br />
Ferguson was climbin’ out an he was in a<br />
awful sort an’ madder’n fire.”<br />
“Bartender, another double please.<br />
And quickly!”<br />
“Well ol’ Ferguson lit into Ben like<br />
there won’t no tomorrow. Couldn’t see how<br />
any man couldn’t keep his own hawgs in<br />
pen. An’ better yet, he was sure gonna’ pay<br />
him back for that en-tire load o’ punkins.<br />
‘That aint my dang hawg,’ says Ben, ‘an my<br />
pen’s tight as a tick. Just checked on ‘em<br />
right before you got here for that load o’<br />
punkins and ever one of ‘em was right there<br />
in the pen.’ Ol’ man Ferguson was might y<br />
upset an’ he was getting ready to light in<br />
again an’ he was lookin’ down at that hawg.<br />
Well, just about that time, one of that ol’<br />
hawg’s legs went to twitchin’, Right gentle<br />
like, at first, but then they all got to<br />
twitchin’ an’ that hawg got to jerkin’ an’ a<br />
floppin all about might fierce like. Looked<br />
‘bout like an ol’ channel cat you done<br />
throwed up on the bank, he was cuttin’ a<br />
right good rusty.”<br />
“What, for heaven’s sake, is a<br />
‘rusty’”<br />
“Then, shore as I’m a livin’, that ol’<br />
hawg done an jumped up on all fours. He’s<br />
standin’ there right wobbly like an’ a lookin’<br />
around at all us like we was space aileens or<br />
sumphin’. An’ we was all lookin’ back at<br />
him right quare, too, ‘cause we all done figured<br />
he was dead already.<br />
“An’ right about then, he took to a<br />
powerful kickin fit. Man, he was carry’n on<br />
good like on of them buckin’ rodeo broncs.<br />
He was kickin’ an’ a stompin’ them busted<br />
punkins an’ pieces was flyin’ all whichaways.<br />
Well, then that big ol’ hawg done an’<br />
popped a whellie and when his front half<br />
come down he went to diggin’ it. They was<br />
just dirt and punkin flyin’ at us and that<br />
hawg was getting’ on outta here I tell ya’. I<br />
seen some pigs run in my time but that ‘en<br />
done set the record. An’ where you reckon<br />
he run to”<br />
“Home, I suppose. Maybe he just<br />
wanted to run into the woods and die in<br />
peace. Who knows Who really cares<br />
“Well that ol’ hawg split a bee line<br />
straight for Ben’s hawg pen. We watched<br />
him as he cut right back into that pen just<br />
right where he musta’ come out from. Well,<br />
byt hat time, there won’t no getting’ out for<br />
Ben. Yeah, took ol’ Ben Johnson for a big ol’<br />
chuck to pay back for all them busted up<br />
punkins. Yessir, shore did.”<br />
Staring at the old guy as if HE were<br />
the alien, the gentleman could hold back no<br />
longer, “just what the hell are you talking<br />
about”<br />
“Oh, just seems to me if he’d just<br />
owned up to that hawg bein’ his from the<br />
git-go, maybe he could have worked out a<br />
deal with ol’ man Feguson. That’s all.”<br />
“That’s all”<br />
“That’s the whole hawg, aint it”<br />
Thomas Holbrook<br />
37
HONORABLE MENTION<br />
STUDENT POETRY CONTEST<br />
"Wood Would be a Finer Flesh"<br />
We age more quickly than this tree<br />
That in a year will sprout its leaves<br />
And so adorn its branch a day,<br />
When they will fall down and decay.<br />
Its fruit will ripen in an hour,<br />
Then, in a minute, rot and sour.<br />
But, in a second, we’ll be dead,<br />
With cold, gray stones to mark our heads.<br />
So ladies come, we’ll fly away<br />
While winds may blow and branches sway.<br />
Nick Tillman<br />
38
Gardening<br />
Violets blooming,<br />
Birds sing from top tree branches,<br />
Life begins again.<br />
Jamie Bunn<br />
I waited as long as I could –<br />
Planting pansies and leaving impatience –<br />
Zinnias at Thanksgiving my goal.<br />
But the season snuck in<br />
Quietly under cover of lessening light –<br />
Leaves blazing and temperatures dropping,<br />
Coating my lawn with crystals of ice.<br />
Angel trumpets sounding no more<br />
Frozen sadly in place<br />
Til morning turned them mushy and dull.<br />
Remove the vestige of the year –<br />
Leaves to rake and beds to tidy.<br />
Put the beds to bed.<br />
But before I pull the cover of mulch<br />
I will reach into the earth<br />
And gently place the harbingers of spring<br />
That will burst forth into glorious color.<br />
When trees are bare and grasses brown<br />
The vibrant yellows and pinks<br />
Will echo the smoldering shades of gold and red.<br />
With ivory roots that reach in the depths of loamy richness<br />
Where papery skin will grow firm and verdant<br />
With the treasures of a new season.<br />
39<br />
Angela Sox
The Smallest of Places<br />
I<br />
“Some of the biggest things in life are found<br />
in the smallest of places,” my grandmother<br />
used to tell me. I’m starting to believe her<br />
more and more each day. My grandma told<br />
me a lot of things when I was growing up<br />
but that one has stayed with me.<br />
Every Saturday morning, my grandma would<br />
get up early to fix us pancakes. Grandpa and<br />
I would gulp ours down as quickly as we<br />
could and head out the side door. “Did you<br />
even taste ‘em” Grandma would call just<br />
before the clap of the screen door behind us.<br />
As soon as the animals were fed, Grandpa<br />
and I would load ourselves into his ’54 Ford<br />
pickup and make our way to Mr. Pettigrew’s<br />
farm.<br />
Grandpa and Mr. Pettigrew had known each<br />
other “all their lives” as they told it. Every<br />
year, they would put on their old military<br />
hats and march together in the Veteran’s<br />
Day parade. There used to be more of them<br />
marching – lots more they told me – but for<br />
the last few years it was only Grandpa and<br />
Mr. Pettigrew. They could have been brothers<br />
but Mr. Pettigrew’s skin was dark brown<br />
and Grandpa’s wasn’t. “Doesn’t matter a bit<br />
the color of a man’s skin,” grandpa used to<br />
say, “It’s what’s inside that counts.” He<br />
would pat his chest for emphasis. “Grandma<br />
must have been telling him some things<br />
too”, I figured.<br />
After much straining, the old Ford would<br />
cough and spit and then rumble to life. With<br />
the smell of exhaust fumes filling the truck,<br />
Grandpa would wrestle the old column-shift<br />
into submission and we would be on our way.<br />
The dirt road to Mr. Pettigrew’s was very<br />
bumpy. As the truck struggled to keep<br />
rolling, scraps of wood and old tractor parts<br />
would dance on the oak planks of the bed.<br />
You could count on the old Ford’s sturdy<br />
tires to find every rock and hole in the road.<br />
In the side mirror, I could see the bumper<br />
waving in the cloud of dust. With great<br />
effort, the rusty thing would hang on well<br />
enough to follow us every time. Through a<br />
hole in the floorboard, I could see the gravel<br />
of the road fly by beneath us in a blur. In<br />
summer we always had the windows down.<br />
“It’s our only air conditioning and we’re<br />
gonna use it, by God!” Grandpa would<br />
declare with a pumped fist. My hair would<br />
tickle my face as the wind whipped it about.<br />
I would try to hang my arm out the window<br />
like Grandpa did but the bugs would sting<br />
and I’d always have to pull it back in.<br />
On one side of the road there was an<br />
apple orchard. The carefully placed trees<br />
would whiz by in rhythmic succession as we<br />
rolled along. Whitetails would often gather<br />
in the orchard for a free meal before the day<br />
got too hot. Grandpa and I would try and<br />
count them before they dashed back into the<br />
thicket. On the other side there was an old<br />
junkyard. Rows and rows of old cars zigzagged<br />
across the field; some stacked one on<br />
top of another like packed cordwood. As I<br />
gazed across the rusty hulks, sun devils<br />
would dance on every roof and hint at the<br />
scorching heat the day would bring.<br />
The old Ford would slow as we came<br />
to the turn-off to Mr. Pettigrew’s farm. The<br />
rusted-out skeletons of farm equipment lay<br />
scattered about, left exactly where they had<br />
died. Their usefulness long since gone, their<br />
remains now only stood as reminders of the<br />
vitality and life the farm once had.<br />
At one time, Mr. And Mrs. Pettigrew ran a<br />
small store. Nothing fancy at all but most of<br />
40
the necessities of the day could be found<br />
there. After Mr. Pettigrew came back from<br />
The War, their house had burned down and<br />
they had moved into the back part of the<br />
store. Their welcome sign still advertised<br />
gas at 39 cents a gallon and I could just<br />
make out the footprint of a long-gone gas<br />
pump. Bleached pink, another sign offered a<br />
Coke, ice-cold and for only 5 cents!<br />
II<br />
We pull into the yard and Mrs. Pettigrew<br />
looks up from her sweeping long enough to<br />
wave to us. “How you men today” Mrs.<br />
Pettigrew asks. “Virgil’s out back like<br />
usual.” We make our way around to the<br />
back, dodging sleeping dogs and reminders<br />
that the chickens have already combed the<br />
yard this morning on bug patrol. Mr.<br />
Pettigrew sits on the back steps in his trademark<br />
red flannel shirt and worn jeans, tossing<br />
grain to the old hens that scuttle around<br />
his feet. His tired eyes and wrinkled brow<br />
reflect the many hard years he has seen. His<br />
long, slender fingers disappear into a rusty<br />
shortening can and withdraw a few kernels<br />
of corn. With a flick of his wrist, the grains<br />
scatter and the girls hustle about to get<br />
their share.<br />
Just beyond where the house used to stand,<br />
there is a woodlot. To the casual observer,<br />
the small stand of trees may not look like<br />
much, but to a poor child with a vivid imagination<br />
– and not much else – it could be a<br />
gateway to a whole new world. Mostly pine<br />
and poplar, with a smattering of sweet gum<br />
and dogwoods, the lot seems quiet and<br />
serene. Daydreaming about my past adventures<br />
in those woods, I stare out toward the<br />
lot.<br />
Like soldiers standing guard, a row of old<br />
fence posts protects the lot from the<br />
encroaching emptiness of the adjoining field.<br />
Sun-bleached and tired, they struggle to<br />
hold themselves upright in the summer heat.<br />
An old oak, stately and wise, reaches out his<br />
branches to give the closer ones a little<br />
shade. Some, however, were not strong<br />
enough to withstand the heat and years and<br />
have fallen to the earth.<br />
I glance back toward Grandpa and Mr.<br />
Pettigrew, who are now engaged in a friendly<br />
debate on the merits of homegrown feed<br />
versus store-bought. With a quick nod,<br />
Grandpa gives me the signal and I sprint for<br />
the woodlot. As it draws closer, my excitement<br />
and anticipation of what awaits me<br />
there pushes me to run even harder. Now<br />
winded, I realize that the summer heat is<br />
fast becoming unbearable. I turn and follow<br />
a path to the interior of the lot.<br />
As the path winds deeper and deeper, the air<br />
becomes noticeably cooler. I begin to catch<br />
glimpses of forest life. A group of sparrows<br />
darts by, chased by a noisy jay. Squirrels<br />
chatter and perform acrobatic acts high in<br />
the canopy of the trees. From out of<br />
nowhere, a stream meanders close to the<br />
path. I kneel down and place my hand in a<br />
small pool. Trickling over rocks and branches,<br />
the water is cool and crystal clear. Only a<br />
few steps later, it disappears. As I move<br />
along, the stream will rise from the ground<br />
beside me as if to gasp a breath of air and<br />
then dive back down into the earth.<br />
Deeper in the forest, two paths converge and<br />
shake hands at a well-worn intersection –<br />
my favorite resting spot. I lie down at the<br />
base of a tree and lean back. Furry tufts of<br />
moss cushion my back and cradle my head. I<br />
close my eyes and a new forest reveals<br />
itself. The squirrels’ chattering becomes a<br />
symphony, each with its own distinct sound.<br />
41
Leaves rustle as the acrobats bound from<br />
limb to limb. The stream gurgles nearby and<br />
now other birds have joined in the jay’s call.<br />
In this peaceful place, the worries of a<br />
young boy’s world begin to melt away. As I<br />
unwind, cooling off under the canopy of<br />
trees, the oppressive heat of the world outside<br />
is soon forgotten and my mind turns to<br />
days of adventure in this woodlot – my<br />
island of adventure.<br />
On one day, my castle of pine branches<br />
would come under siege from invading<br />
marauders. Out to steal my fortunes and my<br />
daughter, the enemy would attack from all<br />
sides and at full force. Fending them off long<br />
enough to make an escape, we would rush to<br />
safety within the deep forest cover. Escorted<br />
by loyal knights perched atop giant steeds,<br />
we run well into the night. Steam rises from<br />
the horses’ backs and bellows from their<br />
flared nostrils with every breath. Overcome<br />
with exhaustion, we rest on beds of leaves<br />
deep within the forest.<br />
On another day, I’m flying over France in a<br />
troop carrier. I can hardly hear the jumpmaster’s<br />
orders over the deafening drone of the<br />
plane’s engines. I jump from the plane just<br />
like Grandpa and Mr. Pettigrew did, my<br />
parachute opens and I drift gently down,<br />
straight into the face of the enemy. We hit<br />
the ground shooting. The troops gather for a<br />
final assault and easily overrun the enemy’s<br />
position. A marching band escorts the war<br />
heroes back to the house and we feast on<br />
Mrs. Pettigrew’s homemade cookies.<br />
My carefree adventures in that small<br />
woodlot are long behind me now. My<br />
Grandma and Grandpa have also passed on.<br />
The memories of my journeys and my<br />
Grandma’s words, however, have not faded<br />
with time’s passing. And this old farm stood;<br />
the hot summer sun cooking all that was<br />
scorched long ago. A seeming failure to<br />
some, but in the eyes of a young boy it was<br />
an oasis – a place where a boy could make<br />
memories to last a lifetime. It goes to show<br />
you that my grandma was right: the biggest<br />
things in life can be found in the smallest of<br />
places.<br />
Thomas Holbrook<br />
42
Uncertain<br />
One more day gone,<br />
Ten thousand thoughts passed.<br />
Not sure where it all leads,<br />
Hearing no voice, seeing no signs.<br />
Thoughts run<br />
But in no particular direction.<br />
A prayer for more time,<br />
A request for the sun to stop,<br />
A desire for the moment to linger.<br />
A glimpse of an answer, but fathoms away,<br />
Short-lived, it quickly fades.<br />
Fighting this battle with an unknown end,<br />
Requiring a faith that can see no victory.<br />
Heather Cox<br />
Unbound Chains<br />
Occupied<br />
The working watchman<br />
Witnessed every visitor<br />
But the rising sun.<br />
Miriam Easterling<br />
Open the door, and take a peek inside;<br />
if you believe you are truly ready.<br />
You cannot fool a fool, or try to hide,<br />
the dry salt of tears on lips unsteady.<br />
Quivering brows, like a sail with slight wind.<br />
Daring to hope but afraid to let go,<br />
walking a dusty hallway with no end.<br />
On a mildewed fall breeze, memories blow—<br />
by, on faded, empty yearbook pages.<br />
A life buried, a credential the tomb.<br />
A job with popularity wages<br />
where the tainted ladder leads from the womb.<br />
Life after death, the decayed promised land,<br />
lies beyond the door, opposite we stand.<br />
Dawn Henderson<br />
43
HONORABLE MENTION<br />
STATEWIDE POETRY CONTEST<br />
What We Can and Cannot Do, Or Be<br />
This morning I heard Jascha Heifitz<br />
double-stopping through the Brahms in D Major.<br />
Such god-like sounds can make anyone<br />
believe. Such virtuosic scales! What<br />
arpeggios! I cannot hum the theme<br />
for you because my tin ear can only<br />
love, not reproduce. Nor could I<br />
build a bridge, but the sight of<br />
the great steel wings that span the<br />
East River or the Seine or the Mississippi<br />
make me want to know every civil<br />
engineer alive. And each time I see<br />
the prayerful hands that Dürer<br />
cut from wood and engraved on<br />
sixteenth-century paper without<br />
benefit of a computer, I give<br />
thanks despite not being able<br />
to draw my own child with any<br />
verisimilitude. And though my neighbors’<br />
hollyhocks and anemones and bearded iris<br />
outshow my wispy penstemon and marigolds<br />
all summer, I and my black thumb<br />
are pleased to fill a small vase each day.<br />
I know, too, as I write this poem<br />
that it won’t become what I’d hoped,<br />
yet I was only sixteen when<br />
"Ode on a Grecian Urn" put me<br />
me into a deep swoon, and I learned<br />
then—finally and for the first time—<br />
what it meant to fall in love.<br />
Sandra Eisdafer<br />
44
Tidings of Comfort and Joy<br />
The animals made noises when she screamed,<br />
One part of this divine night unforeseen,<br />
Led to this place by some uncertain grace,<br />
Now dirt, and sweat, and hair clung to her face.<br />
The smell was almost more than she could stand;<br />
She clenched her teeth and her husband’s hand,<br />
Wishing for this moment to quickly pass,<br />
More pain and screams, her body could not last,<br />
Then one more forceful moan led to delight<br />
And peace, and rest, an almost silent night.<br />
Tracy Ray<br />
Joyful Mystery #2<br />
The Visitation of Mary to Elizabeth as recorded in Lk. 1:39-56<br />
Her baby leapt at words not clearly heard,<br />
And she wakes crying in the darkened room<br />
To recognize the Church and holy Word,<br />
To praise the promised fruit and blessed womb.<br />
But here my meditation is not done.<br />
My eye quite plainly sees her rough-hewn bed,<br />
But yet the Virgin’s voice remains unknown;<br />
And benedicta tu…. is never said.<br />
The eyes confuse and ev’rything is masked.<br />
The silence makes the vision faded, pale.<br />
A single sense can never meet the task.<br />
The beads more wood than mystery reveal.<br />
Liven the scene, send forth the Virgin’s call,<br />
To make the sign the sign and thing in all.<br />
Nick Tillman<br />
45
The Beginnings of Whatever is to be<br />
She sat in the breezeway of her<br />
apartment complex, watching the patterns<br />
of smoke rising and twirling and dancing<br />
in the current of the night air. The rays<br />
from the street light shone just enough to<br />
make the smoke seem to glow. At some<br />
moments it appeared as if it were being<br />
sucked out of the tunnel, and at other it<br />
appeared to dance witchingly over her<br />
head, glimmering in and out of the rays of<br />
light. She put her cigarette up to her lips<br />
and focused in on the red flare at its tip.<br />
She sat comfortably aware of the way the<br />
light generated by the flame made her face<br />
appear almost iridescent. The complex<br />
was mostly still, yet she sat with her arms<br />
crossed within reach of the door.<br />
A shadow emerged from around the<br />
corner, “Please don’t walk this way,” she<br />
thought. A man emerged from the shadows<br />
and strolled down the breezeway in<br />
her direction. He was an average looking<br />
man, but she thought his shoes appeared<br />
too big for his feet. “Please don’t speak to<br />
me, “ she thought. The man did not hesitate<br />
in his pace when he walked by, but he<br />
looked at the cigarette dangling between<br />
her fingers and said, “You know that causes<br />
cancer” She cut her eyes at him and<br />
said, “Thanks, you just saved my life.”<br />
His legs continued moving him past until<br />
she couldn’t see his face, but she could<br />
almost see his expression through the<br />
back of his head.<br />
The man’s comment sent her into a<br />
whirl of thoughts, an analytical flaw she<br />
liked to call “mind-spinny-syndrome.”<br />
“Why can’t people mind their own damn<br />
business” she commented to herself. “I<br />
just wanna be able to sit here and smoke<br />
my cigarette without people making random<br />
smart-ass comments.” She began to<br />
wonder how she looked to the man. What<br />
he thought of her. She often contemplated<br />
people’s perception of her. She didn’t<br />
want to seem uptight and rigid. “Why do I<br />
always have to do that” she questioned<br />
herself. She didn’t like the way this line<br />
of thinking was headed, so she stood up<br />
and trudged towards her door.<br />
It couldn’t be seen in the dark, but<br />
Ellie Mills had shockingly green eyes and<br />
unruly chestnut curls that lingered around<br />
her shoulders. Her face was quite pretty,<br />
and her cheeks would always reveal when<br />
she was happy by turning into soft pink<br />
roses. She was of typical height and<br />
stature, and nothing about her countenance<br />
particularly stood out. Except for<br />
her hands. They were abnormally small<br />
for her body, almost like the hands of a<br />
child.<br />
Inside of her apartment was an<br />
extravagant display of the works of various<br />
painters and photographers. They<br />
ranged from renaissance paintings to the<br />
pictures she framed from her little brother’s<br />
trip to Disney World. Ellie surrounded<br />
herself with color. None of her furniture<br />
exactly matched, but in its randomness, it<br />
all seemed to flow together like a collage.<br />
Her eyes centered in on the kitchen table,<br />
where there was a clump of clay waiting<br />
to be transformed into something significant.<br />
She dreaded what she had to do, but<br />
she moved towards the table. She stood<br />
gawking at the clay with an air of defiance.<br />
As she mentally prepared herself to<br />
sit down and get started, she jumped a little<br />
and grabbed her chest at the sound of<br />
the doorbell. Without waiting for the<br />
usual “come in,” Leah Johnson, ordinary<br />
looking and outspoken, strolled into the<br />
apartment nonchalantly. Leah’s stringy<br />
blond hair was slightly damp from the<br />
shower, and she wore green sweat pants, a<br />
white tee-shirt, and pink flip-flops.<br />
“You gave me a heart attack,” Ellie<br />
exaggerated.<br />
“Sorry. Wanna go smoke a cigarette”<br />
“Yeah, wait a minute, I just came in.<br />
46
Close the door, you’re letting in the bugs.”<br />
Leah rolled her eyes and pulled the<br />
door shut.<br />
“Haven’t you heard of the West Nile<br />
virus”<br />
“Oh, God, is that the latest item on<br />
Ellie’s list of things to worry about”<br />
Leah plopped on the couch.<br />
“Did you know that you might not<br />
even get any symptoms You just get bit,<br />
and a week later you’re dead.”<br />
“So anyway.” rolling her eyes,<br />
“What are you up to”<br />
“Getting started on that sculpture<br />
for Sullivan’s class.”<br />
“You still haven’t done that yet”<br />
“Well I’ve been thinking about what<br />
to do.”<br />
“Do a dog for God’s sake, Who<br />
cares Just make something.”<br />
“It’s not that easy Leah.”<br />
“Yes it is. You should have kept the<br />
monkey you made first. It was cute.”<br />
“I hated that stupid monkey.”<br />
“Well it was better than that lump<br />
of clay you got sittin’ in there now.” She<br />
gestured toward the kitchen table.<br />
Ellie turned her attention toward<br />
the clay. She began to visualize what it<br />
looked like. Her mind began to twist the<br />
clay, until it appeared to be the face of a<br />
Mongol. It had the grin of the devil, and<br />
the eyes of a tiger waiting to pounce.<br />
“Ellie.” No response.<br />
“Ellie.” Leah got up and waved her<br />
hand in front of Ellie’s face, disrupting her<br />
enchanted gaze. “Earth to Ellie!”<br />
She snapped out of it. “Yeah” Her<br />
lips curved upward into a slightly embarrassed<br />
smile. Her self-conscious chuckle<br />
slipped out of her lips. Again began the<br />
“mind-spinny-syndrome.” “I hate when I<br />
do that. Harharhar,” she murmured the<br />
despised embarrassed laughter to herself.<br />
“Shut up, brain.”<br />
Noticing the annoyance on Ellie’s<br />
face, Leah insisted that they go outside<br />
and smoke a cigarette. They stepped out<br />
and Ellie resumed her position in the<br />
white lawn chair beside the door. Leah<br />
stood leaning on the cool bricks of the<br />
breezeway.<br />
“You’re gonna catch a cold with<br />
that wet hair,” said Ellie admonishingly.<br />
Leah yet again rolled her eyes.<br />
“It’s September hun.”<br />
“But still.”<br />
“Don’t worry about it.” Leah lit a<br />
cigarette.<br />
Ellie pulled out her pack and withdrew<br />
one of the beloved “cancer sticks,”<br />
as her mother liked to call them. She<br />
frowned at the thought of her mother’s<br />
persistent reprimands. “Ellie, get your act<br />
together; Ellie, you need to quit smoking;<br />
Ellie, bla bla bla.” “And she wonders why<br />
I never call home,” she thought.<br />
She put the cigarette to her lips and<br />
flicked her lighter. “Ah, sweet nicotine,<br />
seep into my veins,” she said. Her arms<br />
relaxed and fell dramatically to her sides.<br />
“Damn girl, you needed that one,<br />
didn’t you” Leah laughed and shook her<br />
head.<br />
“Oh yeah,” Ellie said with a grin.<br />
They smoked in silence for a<br />
moment, and then Leah began her frivolous<br />
ramblings about how big of a jerk her<br />
boyfriend was. After a minute of listening<br />
without interest, Ellie’s mind drifted somewhere<br />
else. She began to picture what<br />
she could possibly make out of the clay.<br />
She imagined butterflies, flowers and<br />
other miscellaneous images of idealism,<br />
but knew that her hands were incapable of<br />
creating these things. The image of the<br />
Mongol crept in again, and she shivered a<br />
little. “Why in the world would I see<br />
something evil like that in a pile of clay<br />
What’s wrong with me” The self-criticisms<br />
persisted until finally she stomped<br />
out her cigarette and explained to Leah<br />
that she had to go in and work on her<br />
sculpture, and that she would see her<br />
47
tomorrow. Leah gave her a hug and left.<br />
Ellie returned to the kitchen table.<br />
She hadn’t been able to sit and eat there<br />
for a week because of the clay monstrosity.<br />
She sunk her tiny fingers into the clay,<br />
and squeezed it. “There, I made a sculpture<br />
of squished clay,” she thought. The<br />
other voice, the voice of an annoying little<br />
imp poking you with a stick manifested<br />
itself again. “La la la I can’t hear you,”<br />
she sang in her head to drown out the imp.<br />
She laughed out loud at the thought of<br />
what she was doing.<br />
The ring of the telephone halted her<br />
laughter. At first annoyed by the intrusion,<br />
she realized she was glad for the<br />
interruption, and reached across the table<br />
for the cordless phone.<br />
“Hello”<br />
“Hey, how’s it going” It was the<br />
voice of her little brother. She suddenly<br />
realized that yesterday was his tenth<br />
birthday, and felt guilty for not remembering.<br />
She tried to repair the damage.<br />
“Hey, happy birthday!” she said.<br />
“Thanks,” he said. “Where’s my<br />
present”<br />
“Oh I’ll bring it when I come home<br />
next time,” wincing to herself. She knew<br />
that she had to play it cool so she<br />
wouldn’t hurt his feelings.<br />
As she talked, she continued<br />
squishing the clay between her fingers,<br />
molding and unmolding, stretching it and<br />
balling it up and squeezing it some more.<br />
“Well what are you doing” she<br />
asked.<br />
“Playing with my legos.”<br />
“Oh cool, what are you building”<br />
“I don’t know, just something,” he<br />
said.<br />
She continued talking to him, listening<br />
as he told her about school, his<br />
teacher, recess today, on and on. She contemplated<br />
on how simple his life must be.<br />
No worries, just 2+2=4 and then running<br />
around on the playground. She was<br />
always such a worrier. She’d cry if she<br />
spilled her Kool-Aid, for crying out loud.<br />
“Well mom says I have to go now.<br />
She said call her tomorrow.”<br />
“Okay, I will. Be good.”<br />
“I will, bye.” He hung up the<br />
phone.<br />
Ellie pushed the off button on her<br />
phone and rested it on the table. She<br />
looked back at the wad of clay, and as she<br />
reached to continue squishing it, she realized<br />
that a monkey stared back at her. A<br />
monkey with its hand on its chin.<br />
“A thinking monkey,” she thought.<br />
“Perfect.” She smirked at the irony of the<br />
situation, rolled her eyes, and went outside<br />
for a smoke.<br />
Jamie Peterson<br />
48
Strawberry Magdalene<br />
Bury me in pillows, and toss your hair<br />
Sometimes the rules seems so unfair<br />
Please don’t forget to blow out the candle.<br />
Incense altered, my mind’s been battered.<br />
And everything you’ve meant to me<br />
Nothing I can say, I’ll ever repeat<br />
Now my strawberry Magdalene.<br />
The king is dead in the back the truck,<br />
One time’s arrow fate found its luck.<br />
The wax has dripped onto the carpet,<br />
Your flame melts my words into meaning.<br />
So who I am, am I the one<br />
Perfume between your two towers,<br />
Pink blaze of thistle flowers<br />
In your fragile fingers, lowers.<br />
Those longs weeks apart, driving the night.<br />
The Highway blackness saturates my wings<br />
Like Oil slick beaches in a sea gulls mind,<br />
The letter can’t write and the spirit can’t sing.<br />
Of all the arrows in this war,<br />
It was the coward’s frightful single blow,<br />
Threw down his father’s bloody sword,<br />
Pulled back his bow, then let it go.<br />
Ben Snyder<br />
Wilting rose petals<br />
curled and shamed from lost glory,<br />
litter lovers’ bed.<br />
Jamie Peterson<br />
Love<br />
Bright lights forever<br />
Or just passing, sporadic<br />
twinkles in the dark.<br />
Jamie Fisher<br />
49
Carolina Winter Memory<br />
Awakening to pine trees in the silent morning<br />
tall above the stinging ice on the windowpane<br />
of our blue bedroom<br />
big sting means heavy coat<br />
light sting means jeans jacket<br />
My brother’s rusty chevy truck belching steam<br />
out into the gravel driveway<br />
where forever seemed to arrive<br />
before that inline 6 cylinder<br />
was warm enough to drive<br />
Bears take a long nap<br />
Snow drifts pile in mounds and heaps,<br />
All life needs to rest.<br />
Jamie Bunn<br />
Ice in the muddy Yadkin River<br />
or Big Elkin Creek<br />
sliding sluggishly along lonesome banks<br />
before cashing in for change<br />
and moving downstream<br />
Snow’d lanes on Highway 77, driving home<br />
for Christmas to Ma’s eggnog and ripple shots<br />
of Bacardi to ensure yourself<br />
against the cold, empty Christmas night<br />
Everywhere white haze on cowpaths<br />
repainting streets, trees, power-lines<br />
and rooftops with smoking chimneys<br />
telling old stories of warm oak fires inside<br />
above the silence of deer grazing<br />
on dry corn feed<br />
under the apple trees<br />
in the valley behind out place<br />
The Tops<br />
The Tops of mountains<br />
Shadow in Valleys enclosed<br />
By snow capped summits<br />
James Meadows<br />
and the pine trees whisper night songs<br />
in the wind, with no telling<br />
where they’re going<br />
or the snowstar dreams they’ve seen.<br />
Neil Myers<br />
50
The Ride Home (Telling Fragments)<br />
Crisp snowy mountains<br />
shelter roots of tall green pines.<br />
Wolves howling echo.<br />
Jamie Peterson<br />
1<br />
Each light along the way<br />
was steeped in a fog its own.<br />
The moon was the bottom of an empty cup.<br />
You read its dim deposited leaves<br />
and said "Cold" like an answer.<br />
2<br />
The wind wastes itself endlessly,<br />
as ribbon and ribbons lose themselves,<br />
twist into infinite endlesses.<br />
Though we think the wind is absolute<br />
the doldrums occupy, still preoccupy us.<br />
3<br />
The winter night breathes in, breathes out.<br />
I feel its swell and press -<br />
the cool impermeable skin of night.<br />
G.S. Morris<br />
The sun shines so bright,<br />
All living things reproduce,<br />
Store now for cold morns.<br />
Jamie Bunn<br />
51
HONORABLE MENTION<br />
STUDENT POETRY CONTEST<br />
Father James<br />
Joyous Verse<br />
If blind, I could still see the world<br />
Through languid eyes,<br />
Barring a nickel or a dime,<br />
Internal, external, half divine<br />
Sense or a scene, at least,<br />
Not without the Bard (in good company)<br />
Finished again to wake from sleep dreams,<br />
A poor trait of our tests and paradigms.<br />
(You) List these like they chose the night,<br />
But not without tension wrought by harmony<br />
Nor a brisk pace through time and space<br />
With a face as cold as Greek tragedy<br />
Could one yield such power of the mind, or a pen.<br />
And yet a power I risk not, for I see<br />
That it would be to declare<br />
On a Culture (steeped in)<br />
Dead! All! Us! And you<br />
Or them perhaps Him (as a hero) yet unfurled.<br />
Daniel Parsons<br />
52
The Rime of a Devout and Holy Friar<br />
Come from the table Mariner.<br />
Yea hearken to my tale.<br />
But so that we may not be heard,<br />
Let’s to my hidden cell.<br />
Eight years I’d spent in fervent prayer<br />
And penance for my sins.<br />
That night I knelt with special care<br />
Before my altar when<br />
Powerful pounding at the port<br />
Disrupting Evensong;<br />
A subtle assault on our fort<br />
By Stranger knocking strong.<br />
I opened up the heavy door,<br />
And he began to speak.<br />
He said he was a pilgrim poor<br />
Who wished a place to sleep.<br />
We brought him to the common room<br />
To wash his muddied feet.<br />
Beneath the dirt, appeared two wounds<br />
A sight that made me weep.<br />
Those feet I knew and Stranger’s name,<br />
He was our saintly head.<br />
I thought perhaps my answer came<br />
To prayers eight years been said.<br />
His eyes still brightly showed the flames<br />
That framed the seraph’s wings.<br />
He to us all that bore his name<br />
Divulged the secret things.<br />
O Mariner your eyes like his<br />
Burn free with godly fire.<br />
And he, as thee, by Nature’s kiss,<br />
To Heaven did aspire.<br />
I tell you this so you will know<br />
’Twas he that grace on thee bestowed.<br />
And he to thee sent snakes to bless,<br />
So you could find eternal rest.<br />
Nick Tillman<br />
Black and White<br />
Ink five seven five.<br />
Black and white speaks eternal.<br />
Poetry lives on.<br />
Quasi-ku<br />
False haiku abounds<br />
Unnatural, rhyming sounds<br />
Disapproval resounds<br />
Tentacle Mask<br />
Joshua Shelton<br />
Lisa Haddock<br />
That which is at once a salve<br />
as well as branding cinder,<br />
can from kind and gentle hearts<br />
their skeletons surrender.<br />
Beautiful at first it seems<br />
with pledges of devotion,<br />
soon discloses its true face<br />
devoid of all emotion.<br />
Tentacles twist ‘round and ‘round<br />
with no hope of retreating,<br />
wrap around the battered hearts<br />
and stop their labored beating.<br />
Thomas Holbrook<br />
53
Mayre’s Height<br />
Intense fire directed<br />
against uncountable ants<br />
on the plain below.<br />
A blue tide sweeping—<br />
Receding;<br />
Wasting to untidy debris.<br />
Fredricksburg<br />
December, 1862<br />
Charles Toptin<br />
Ants<br />
The stream of ants that I watched<br />
sweep around the tall baseboard<br />
last night had slowed to a<br />
trickle by morning.<br />
I strained my eyes against<br />
the blurry smear of sleep,<br />
could only spot two of the<br />
tiny creatures, miles apart<br />
in the dusty waste scape<br />
until a third clamped onto<br />
the soft of my foot,<br />
perhaps their martyred hero.<br />
I cannot but wonder what dried in the living cord<br />
that stretched from kitchen to dining room crevice,<br />
that escape to the vast outside.<br />
I noted the white bundles pressed to their backs,<br />
but could not discern between food and children.<br />
I imagine it was some towering insects, standing<br />
tall as pylons, herding them into dark tunnels of slavery<br />
that wiped them clean away,<br />
or was it me, stooped over my broom, in the murky light<br />
Matthew Sganga<br />
54
Every Time the Door is Opened<br />
My sister moved back with my parents;<br />
went to work serving eggs<br />
sunny-side up before daybreak,<br />
so the neighborhood do-gooder<br />
hauled my three nieces<br />
to Vacation Bible School and,<br />
for a short time after that,<br />
to church and Sunday School—<br />
every Sunday—<br />
them spit-shined and polished<br />
as well as Mama’s half-blind eyes<br />
could make them,<br />
the nickels Daddy doled out,<br />
clutched in their tight and sweaty fists,<br />
and spilling forth from their mouths<br />
like pearls before swine,<br />
the story of the dollars<br />
Mama and Daddy had hidden<br />
underneath their mattresses;<br />
and in their innocence, my nieces<br />
mulitiplied those dollars like fishes;<br />
spilled forth—every Sunday—more stories,<br />
picked and prodded for, and they fabricated<br />
what they thought she wanted to hear—<br />
every Sunday—<br />
until the welfare lady came,<br />
cut off Mama and Daddy’s check;<br />
said someone had tipped her off<br />
that they weren’t needy.<br />
Nancy King<br />
The Second Winter After My Father’s Death<br />
Seven large red-tailed hawks<br />
perch on naked limbs outside my window.<br />
One lifts to arc across the sky,<br />
its wings scarring winter blue.<br />
My four-month-old daughter chirps<br />
from her seat on the counter,<br />
her legs are constant motion,<br />
they kick off the blanket nested around her.<br />
She watches my face as I scan the sky,<br />
her emerald eyes rise to mine.<br />
The airborn hawk settles on a branch,<br />
its silhouette hunched like the back of an old man.<br />
The baby moans her discontent<br />
with our sedentary lives. To end<br />
her cacophony of noises I wave<br />
a rattle and her fingers curl around it.<br />
We move to the couch.<br />
I place her on my knees.<br />
She wriggles her body,<br />
cycles her legs and flutters her hands.<br />
She tries out different expressions, tugs<br />
on an ear and pouts her lower lip.<br />
I wipe bubbles of drool from her mouth<br />
as she grunts and shrieks and laughs.<br />
I search for the hawks<br />
but the trees are bare,<br />
except for a few brown and wrinkled leaves,<br />
remains of a long ago summer.<br />
My daughter, tired of lying around,<br />
reaches for my hand, converses in coos.<br />
She can’t yet crawl, but I believe<br />
she’s ready to fly.<br />
Anne Campanella<br />
55
WINNER<br />
STUDENT PROSE CONTEST<br />
Shelman’s Pier<br />
Kerrson sat gazing wistfully at the<br />
approaching clouds. The colors of the<br />
night sky were a splendid montage of<br />
beauty, which masked the severe weather<br />
threatening the coast front. The remaining<br />
local residents scurried along the<br />
roadways and sidewalks trying to secure<br />
their property and themselves before the<br />
storm ensued. Their woeful expressions<br />
amused Kerrsen as she sat, immersed in<br />
serenity on Shelman’s Pier. She would<br />
not flee. To her, the imminent progress<br />
was a splendid game. She watched each<br />
cloud taking its own checkerboard leap<br />
across the night sky as if to pronounce<br />
impending defeat for the South Carolina<br />
coastal front. Kerrsen thought to herself<br />
about how easily the coast had given up<br />
and now she alone was left to face the<br />
relentless clouds.<br />
“It will be a test of my strength,”<br />
she announced rather loudly. The feebleness<br />
of her own voice amid the wind and<br />
crashing waves surprised her.<br />
“You will be a worthy adversary<br />
but I have strength beyond measure<br />
somewhere, I know I do, and I will defeat<br />
you. I will conquer all else that faces<br />
me,” Kerrsen yelled across the ocean to<br />
the clouds. She was now standing, gripping<br />
the wooden railing as though it were<br />
the only thing keeping her from lurching<br />
forward to battle the clouds in some sort<br />
of medieval joust.<br />
The waves crashed heavily into the<br />
pier rocking its very foundation and the<br />
mist sprayed Kerrsen as if to warn her<br />
that it was only the beginning. She<br />
would not concede to his force or any<br />
force. Too much had happened for her to<br />
give up now.<br />
“I will be victorious!” Her eyes<br />
narrowed in defiance as she thought<br />
about the previous year. Her thoughts<br />
drifted to the classroom and first episode.<br />
She had not eaten for quite a few days<br />
due to the nausea she felt probably<br />
resulting from the flu. When she has<br />
passed out, she was not surprised.<br />
Everyone else had been so worried, handling<br />
her like some sort of valuable<br />
porcelain doll. The image amused her. A<br />
porcelain doll, she laughed to herself, as<br />
she pictured the tan doll with dark brown<br />
hair and green eyes that would look like<br />
her.<br />
The wind crashed into her face,<br />
her hair suddenly veiling her sight.<br />
Reaching with her right hand to tame the<br />
brown tangled mess, she became painfully<br />
aware of the ashen color of her skin.<br />
Spreading out her five fingers in the front<br />
of her face, Kerrsen studied the pale<br />
grayish color. Maybe she had become<br />
more like a porcelain doll than she realized.<br />
No! She would not accept the<br />
thought.<br />
“This is only a result of this dreadful<br />
damp weather,” she reasoned. The<br />
waves crashed against the pier again and<br />
the spray covered her face in little<br />
droplets. This time, however, Kerrsen<br />
was unable to determine if the moisture<br />
on her face derived from the spray of the<br />
ocean or her own tears. Sitting down,<br />
she gazed at the waves crashing beneath<br />
her. Following the waves retreat to the<br />
coastline, she came face to face with her<br />
opponent once again.<br />
The clouds moved slowly, but<br />
relentlessly towards the coast. Brenda<br />
56
Granger peered through the window of<br />
her small ocean front condo. She<br />
watched as the wind blew the small covered<br />
table outside on her porch. Two<br />
chairs had already succumbed to its<br />
power and now rested near the beginning<br />
of Shelman’s Pier.<br />
“That is almost 500 yards away,”<br />
Brenda Granger thought, “How very<br />
strong this storm will be!” The thought<br />
excited her. Mrs. Granger wanted the<br />
storm to be the worst that had ever hit<br />
the coast as the forecaster had predicted.<br />
“Horace,” she sighed longingly,<br />
“you would have loved this. The name<br />
you hated will now be remembered forever.”<br />
The wedding picture on the mantel<br />
across the room caught her attention.<br />
How happy they looked, like they had<br />
their whole lives ahead of them. Who<br />
would have known that it would only be 9<br />
months before she would be left here all<br />
alone Not after today, she would be with<br />
him again, she was sure of it.<br />
“Hurricane Horace will soon be<br />
reaching the coastal areas of Georgia and<br />
South Carolina.” The forecaster had stated<br />
on Tuesday. She had been in the<br />
kitchen fixing some lunch when she<br />
heard the name. It had startled her,<br />
causing her to drop the pot of spaghetti<br />
on the floor. In that moment, she was<br />
certain of its meaning. Her beloved<br />
Horace was returning and this time she<br />
would go with him.<br />
A plastic chair crashed against the<br />
side of the deck drawing her attention<br />
back out the window to the shore. The<br />
chair blew off the deck in the direction of<br />
the pier. Out of the corner of her eye, she<br />
noticed a figure towards the higher end<br />
of the pier.<br />
“Some poor dog probably left by his<br />
owner in the rush.” She thought and<br />
briefly debated walking out there to help<br />
it off the pier. Distracting her, the wind<br />
whipped the cloth top off the table.<br />
“I must go get ready. He will be<br />
here soon,” she said as she giggled like a<br />
schoolgirl. “If the dog is still out there<br />
when I return, then I will go help it, but<br />
now there is no time to waste.”<br />
The waves crashed harder against<br />
the coastline and seemed to devour the<br />
shore. Shelman’s Pier at its highest<br />
point was now only about ten feet about<br />
the waves. Kerrsen was certain it was<br />
the perfect place to withstand the storm.<br />
Shelman’s Pier was notorious because it,<br />
alone, had survived every treat to its<br />
existence for over 50 years now.<br />
“We are so much alike,” Kerrsen<br />
spoke to the wooden slabs beneath her,<br />
“neither one of us needs anyone or anything<br />
and nothing will ever deter us!”<br />
Her husband and friends had wanted<br />
her to turn to them for support after<br />
the first diagnosis but she had refused<br />
their condolences. The diagnosis was<br />
false, even after the second and third<br />
opinions; she would still not accept it.<br />
How weak they all were to her, especially<br />
Brandon. He was supposed to be her<br />
“other half” and he already given in.<br />
How could he do that How could he<br />
believe the doctors over her Didn’t she<br />
know her own body better than anyone<br />
How furious she was with him! Her eyes<br />
narrowed at the memory of his words.<br />
“Kerrsen, you cannot ignore this,<br />
you just can’t,” he had pleaded with her,<br />
“I can’t and I won’t. So, just stop lying<br />
to yourself!”<br />
“Lying! Ha!” She thought, her eyes<br />
widening in disbelief. That was the last<br />
straw for her. She did not need him. It<br />
was over. He could finish Law School on<br />
his own. It had been their dream together<br />
but now she no longer wanted to have<br />
anything to do with them.<br />
“Them,” the very word was ugly to<br />
her now. That’s exactly what her profes-<br />
57
sors, friends, and her husband were to<br />
her now: “them”, completely separated<br />
from her. She wanted it that way.<br />
Kerrsen had resigned herself to the fact<br />
that she did now need anyone.<br />
Down the shoreline, Brenda<br />
Granger was stepping into the dress she<br />
had bought for her honeymoon. She<br />
remembered the way Horace’s mouth had<br />
dropped when he first saw her across the<br />
room. The reaction was exactly what she<br />
had wanted.<br />
“He will be so thrilled to see it<br />
again,” she thought gazing into the mirror<br />
preparing to put on her make up. She<br />
wondered if she could even remember<br />
how to do it since it had been so long.<br />
Once Horace died she lost the desire to<br />
dress up. He was all that mattered to her<br />
and had always been. Not many people<br />
marry their childhood sweetheart but she<br />
had known she would from the moment<br />
she laid eyes on him. He was her life.<br />
With him, any love inside of her had died.<br />
No longer could she feel any emotion for<br />
anyone. When he was gone, all she had<br />
left was just her own self and she could<br />
not even care about that. He meant the<br />
world to her. It was completely natural<br />
being with him.<br />
“Natural,” she reasoned, “yes, that<br />
explains it exactly and the past seven 7<br />
months have been completely unnatural.”<br />
Looking in the mirror, she applied<br />
the black mascara to her lashes. The<br />
last time she had worn mascara was so<br />
long ago. The events of the day came<br />
flooding back to her.<br />
Nancy had answered the phone at<br />
work.<br />
“Brenda,” she had called across<br />
the waiting room, “your hubby is on line<br />
1.”<br />
“He probably wants to take me to<br />
dinner,” she had replied with a wink.<br />
When she picked up the phone, though,<br />
the voice on the other end was not<br />
Horace’s.<br />
“Brenda, this is Deputy Rueben,”<br />
came the voice of Horace’s former college<br />
roommate and longtime friend. The seriousness<br />
of his voice had frightened her.<br />
“Brenda, you know I hate to be the<br />
one to have to make this phone call but I<br />
thought you would want to hear…”<br />
“Hear what What What are you<br />
trying to tell me” Her tone was very<br />
abrupt.<br />
“Well, honey, there was a bad<br />
wreck on 301 and Horace was involved,”<br />
there was an awkward pause then he continued,<br />
“and ummm well, gosh honey, the<br />
paramedics did the best they could but it<br />
was too late. He went almost instantly.<br />
Oh Brenda, I am so sorry. If there is anything<br />
I…”<br />
She had not heard him finish. The<br />
phone slipped through her fingers, banging<br />
against the counter doors. Covering<br />
her face with her hands she slid to the<br />
floor. She remembered seeing the<br />
smudges of black mascara on her fingers.<br />
Looking in the mirror again she<br />
observed a solitary tear roll down her<br />
face leaving a faint black trace.<br />
Grabbing a tissue, she wiped the tear<br />
from her face. She need not cry. Horace<br />
would be there soon.<br />
Applying a last stroke of lipstick,<br />
she stood up and walked towards the window.<br />
The dog was still there.<br />
“Looks like I have to do one more<br />
good deed before I go, Horace,” she said<br />
as she stepped out the door into the wind,<br />
glancing back at the cottage she knew<br />
would soon be gone.<br />
The wind was slapping into the<br />
wooden pier supports with such force that<br />
the thud echoed over the water. The<br />
waves hounded the shore with explosive<br />
might and the ground seemed to shake<br />
with the impact. Though no thunder was<br />
58
present, the sounds of the wind and<br />
waves alone seemed to rock the oceanfront<br />
with an engulfing roar.<br />
“Excuse me,” the voice cut through<br />
Kerrsen’s thoughts dragging her back to<br />
the pier where she sat now completely<br />
soaked. She turned to see a woman<br />
dressed in a floor length black evening<br />
gown. The image surprised her and for<br />
just a moment she assumed she was in<br />
fact hallucinating.<br />
“You cannot stay out here,” the<br />
woman warned Kerrsen.<br />
“What are you still doing out her<br />
then,” Kerrsen responded rather snidely.<br />
She almost laughed as she answered.<br />
Something was obviously wrong with this<br />
woman. What kind of person wears an<br />
evening gown in the middle of a hurricane<br />
Brenda Granger stared at the<br />
young woman in front of her. Why was<br />
she trying to help her All she wanted to<br />
do was return to her home and wait for<br />
Horace. She needed him, and only him.<br />
However, she found herself continuing to<br />
urge the woman to leave the pier.<br />
“Please, at least come to my house<br />
and dry yourself off. You will catch your<br />
death out her like that.”<br />
Kerrsen’s response was short and<br />
bitter, “Please just go away and let me<br />
be.”<br />
The storm was becoming unbearable<br />
now. The wind howled and the rain<br />
poured. Mrs. Granger was certain her<br />
makeup was smeared down her face. She<br />
was upset at the thought of how she must<br />
look now but she could not leave this girl<br />
out here. Through the rain she noticed a<br />
small diamond and wedding band on the<br />
girl’s finger. How lucky she must be to<br />
have a husband. Soon she too would<br />
have her husband again.<br />
“Your husband must be very worried,”<br />
she said to the girl, “and you probably<br />
need to call him. If you come back<br />
to my house, you can call him, if the lines<br />
are still up, and let him know where you<br />
are and that you are fine.”<br />
“I am not calling him,” Kerrsen<br />
had to yell at the woman now because the<br />
wind and rain had become so overbearing.<br />
Worried, Kerrsen thought, he probably<br />
was worried. He was so weak.<br />
“If you will just come to my house<br />
for just a moment and at least dry off,”<br />
Mrs. Granger was now becoming frustrated<br />
with the girl’s stubborn attitude, “I<br />
promise I will let you alone after that.<br />
You may go do whatever you want to.”<br />
Kerrsen did not want to leave the<br />
pier but she had to get rid of this woman.<br />
She nodded her head reluctantly and<br />
stood. The rain and wind stung her face.<br />
She followed the woman off the pier and<br />
down the shore to a small well kept cottage.<br />
The inside looked untouched<br />
except for a few things scattered haphazardly<br />
across the living room. A pair of<br />
men’s dress shoes was on the floor by the<br />
door and a pipe sat in the ashtray on the<br />
coffee table. A well-pressed man’s dress<br />
shirt hung from the door near the hallway.<br />
“Where is your husband” Kerrsen<br />
called to the woman who had now disappeared<br />
down the hall.<br />
“I could ask you the same question,”<br />
the woman responded appearing in<br />
the hallway with a towel. She handed it<br />
to Kerrsen, and then walked over to the<br />
mantel. She chose a frame from the display.<br />
Horace looked so handsome in this<br />
one and she knew this is how he would<br />
look today. She walked back over to<br />
where Kerrsen sat and handed her the<br />
picture.<br />
“That is my husband, Horace,” she<br />
smiled proudly, “He died in a car wreck<br />
but he will be coming back to me.<br />
Tonight, he will, I know he will.”<br />
“I am sorry,” Kerrsen did not know<br />
what else to say. The woman’s state-<br />
59
ments frightened her.<br />
Mrs. Granger walked across the<br />
room and sat down next to Kerrsen on<br />
the couch. Kerrsen returned the picture<br />
to her. She took it in her hands and<br />
hugged it to her chest.<br />
“No need for sorry,” she replied,<br />
“What about your husband”<br />
“He is back at our house. I left<br />
him. He would not be strong and I could<br />
not stand his weakness.” She did not<br />
know why she was sharing so much with<br />
this stranger. “I…I…well…they, the doctors,<br />
diagnosed me with leukemia about<br />
six months ago. They said nothing could<br />
be done but they were wrong. He<br />
believed them. How could he do that to<br />
me”<br />
Mrs. Granger slipped her arm<br />
around Kerrsen’s shoulders and hugged<br />
her close.<br />
“I do not need anyone,” Kerrsen<br />
stated pulling away.<br />
She stood up and crossed the room<br />
to the window. Outside was now completely<br />
dark and she could only make out<br />
the silhouettes of trees bending in the<br />
wind. The rain pelted the window so violently,<br />
she felt as though any moment the<br />
glass would surely shatter into pieces. It<br />
was time for her to face the storm.<br />
Mrs. Granger rose from the couch<br />
and strolled to the mantel. There, she lit<br />
a solitary candle.<br />
Turning towards Kerrsen, she<br />
reached for the towel that was now<br />
draped across Kerrsen’s shoulders. The<br />
contact startled Kerrsen. Taking the<br />
towel into the kitchen, Mrs. Granger<br />
placed it on the sink and then returned to<br />
the living room.<br />
“Horace and I met when we were<br />
both five. It was in kindergarten,” she<br />
said easing back down onto the couch.<br />
She gathered her dress in her hands, running<br />
the material between her index finger<br />
and thumb.<br />
“He was my best friend and<br />
boyfriend from that point on. Believe it<br />
or not, I never dated anyone else. He<br />
went to college and as soon as he graduated<br />
we were married,” her eyes twinkled<br />
as she spoke.<br />
Kerrsen now stood facing her. The<br />
look on Mrs. Granger’s face puzzled<br />
Kerrsen. Her eyes shown with happiness<br />
but such an utter sadness seemed to<br />
linger there somewhere below the surface.<br />
At that moment, there was a loud<br />
crack behind Kerrsen. Startled, she<br />
turned to see what had made such a<br />
noise, but the power went out and she<br />
could see nothing, but the reflection of<br />
the flickering candle behind her on the<br />
mantel.<br />
“My husband,” she started, “was<br />
an undergrad at Clemson when I first met<br />
him. He was so intelligent and driven. It<br />
was love at first sight.”<br />
Kerrsen could not believe now she<br />
had forgotten the way she felt when she<br />
first met Brandon. How she had loved<br />
him. The thought made her sad suddenly.<br />
Sighing, she walked away from the window<br />
and slumped down on the couch<br />
beside Mrs. Granger.<br />
“I just can’t be with him now. He<br />
is not who I thought he was,” she<br />
shrugged staring at her feet. Her white<br />
tennis shoes were probably filthy now be<br />
she could not tell in the dark.<br />
“Horace was exactly who I thought<br />
he was. He was everything I could ever<br />
want. He was the only person who was<br />
there for me no matter what. I loved him<br />
so very much and when he died so did all<br />
the love inside of me. All I feel now is<br />
numb, utterly and completely numb,” her<br />
voice cracked as she spoke.<br />
“You cannot give up on your life,”<br />
Kerrsen said reaching over to clasp Mrs.<br />
Granger’s hands in hers, “Somewhere<br />
inside of you there is still love. You just<br />
have to allow yourself to accept the truth<br />
60
and let go.”<br />
As Kerrsen spoke, the words<br />
stung. She felt a deep persistent ache<br />
inside of her. She could no longer fight<br />
the pain. She dropped to her knees on<br />
the floor and began to sob. Mrs. Granger<br />
knelt beside her and wrapped her arms<br />
around her, rocking her gently as she<br />
spoke.<br />
“Horace and I had an amazing<br />
love. I still feel him here. I guess he<br />
will always be with me.” As she spoke<br />
the tears begain to roll down her face,<br />
“He loved me like no one else ever could.<br />
I fear I will never know that kind of love.<br />
I needed him. I do need him. I…I…I…”<br />
her voice trailed off.<br />
She had now commenced to sobbing,<br />
her arms still wrapped around<br />
Kerrsen. As they sat on the floor, they<br />
held tight to each other. The sounds of<br />
sadness echoed throughout the room.<br />
The wind outside clanged again the windowpanes.<br />
The waves crashed loudly<br />
against the shore but inside the cottage<br />
no attention was paid to the storm.<br />
The candle burnt out and darkness<br />
cloaked the room but neither woman<br />
noticed. Hours passed like seconds without<br />
notice. Only the storm dared intrude<br />
on the silence. As the night continued,<br />
both women settle on the floor. Neither<br />
spoke, nor even occasionally made eye<br />
contact, too immersed in thought to<br />
notice the other. The rain tapered off and<br />
the wind only sporadically howled at the<br />
windows.<br />
Rays of sunlight began to penetrate<br />
the darkened cottage, illuminating<br />
the two women. Brenda looked up at the<br />
sunlight. Silently, she whispered the<br />
word, “Goodbye.”<br />
“I think the storm has passed,” she<br />
said, now staring across the room at the<br />
shirt hanging from the coat closet doorknob.<br />
She had ironed it the night before<br />
Horace had died. He had not chosen to<br />
wear it and had hung it there.<br />
“The phone might work now, if you<br />
want to use it,” she said to Kerrsen as<br />
she rose from where she knelt. Grasping<br />
the shirt in her hands, she took it off the<br />
doorknob and placed it on the couch, near<br />
the ashtray and pipe. Then, she went<br />
over to the door and picked up the shoes<br />
near the door and positioned them beside<br />
the shirt.<br />
Kerrsen watched her from where<br />
she still sat on the floor. Brenda folded<br />
the shirt and then sat down on the couch.<br />
She placed the folded shirt on her lap and<br />
began to smooth it over with the palms of<br />
her hands.<br />
Kerrsen, watching Brenda, rose<br />
from the floor. Wiping away the tears,<br />
she strolled across the room to the phone<br />
located on the table beside the window.<br />
Picking it up, she stared down at the<br />
numbers on the phone and ran her fingers<br />
across the buttons. Placing it back on<br />
the hook, she brushed her hair from her<br />
face and directed her attention out the<br />
window. The clouds were now gone and<br />
the sky was clear blue. The waves rolled<br />
peacefully onto the shore. And down the<br />
beach, she could see the pieces of wood<br />
and debris now floating in the water<br />
where Shelman’s Pier no longer stood.<br />
Jamie Fisher<br />
61
The Miraculous Parchment<br />
"The cloak that I left at Troas with Carpus, when thou comest, bring with thee, and the<br />
books, but especially the parchments." 2 Tim. 4:13<br />
Was it the skin of some sacrificial lamb<br />
that made the medium of the gospel,<br />
or just of some plain heifer or homely sheep<br />
The apostle must have pressed the precious pages to his chest<br />
without thinking of animal skin or human<br />
unless, in prayer, of the transmuted skin of the lacerated Christ,<br />
perhaps praying for one last miracle.<br />
It is not recorded in any book or held in any tradition<br />
how, after the blade had struck its block, the women<br />
took away the apostle’s body, how they reverently set aside the bloody cloak,<br />
how they undressed him and were astonished.<br />
They had seen on the sanctified shroud the Master’s pure pacific face,<br />
his beatified hands; they had touched the unearthly pigment.<br />
Their literacy was the literacy of women: face, hand, touch.<br />
Though they could not see past the symbols, here was another face of the Master<br />
in the neat amanuensis’ pen and some in the apostle’s own large hand,<br />
and all in the same unearthly pigment.<br />
Again they touched, and read what they could in that way.<br />
The Master’s broken body was the church’s nourishment;<br />
and so, in its way, was the apostle’s.<br />
He gave his mind and soul to the Word; in death the Word had his body too.<br />
G.S. Morris<br />
The Consecration of the Poetic Life<br />
Not of chastity<br />
Probably of poverty<br />
Mostly of obedience<br />
To Pope, Bishop, and all the saints gone before<br />
until time is done.<br />
Nick Tillman<br />
62
Contributor’s Notes<br />
Heidi Arnold teaches communication classes and considers writing a rewarding experience. She is from Reidsville,<br />
North Carolina.<br />
Doris Browder Blough, is a South Carolina native, currently residing in Rock Hill, South Carolina. She collects family<br />
stories and began writing poetry in 1989.<br />
Jamie Bunn looks forward to graduating from <strong>Campbell</strong> in May. She was inspired by the creative writing class to<br />
churn out haikus at a mind-bending speed.<br />
Ann Campanella, is a former magazine and newspaper editor who now enjoys writing poetry, fiction, and creative nonfiction.<br />
She has won numerous awards for her work and has been often published in literary magazines. Outrunning<br />
the Rain, her poetry collection, will be released soon.<br />
Heather Cox and Lisa Haddock have been a part of The Lyricist staff for two years, and their primary responsibility is<br />
keeping Nick Tillman in line. They are not bitter about being underappreciated. They were not allowed separate contributor’s<br />
notes for fear of coup d’etat.<br />
Ben Currin is a religion major at <strong>Campbell</strong>. He enjoys taking English classes and writing because he feels that<br />
religion and English go hand in hand.<br />
Matt Doyle sent materials to The Lyricist in absentia. He is a former member of The Lyricist staff whose most noteworthy<br />
contributions were a product of his random bits of intelligence.<br />
Miriam Easterling, a senior double major in French and Mass Communications, has had several close encounters with<br />
Bostonian lawyer wannabes. She likes to keep The Lyricist office tidy.<br />
Sandra Eisdorfer has worked as an editor in the university press world—for Duke, the UNC Press, and for Oxford—<br />
and has published essays and poems in Borderlands: Texas Poetry Review, Sin Fronteras: Writers Without Borders, and<br />
Whole Notes.<br />
Jamie Fisher graduated as a government/history major from <strong>Campbell</strong> <strong>University</strong> in 2002. She now enjoys teaching at<br />
several grade levels.<br />
Colleen H. Furr, a retired Language Arts teacher, currently resides in an apartment complex for retirees in Charlotte.<br />
Her work has previously been published in The Lyricist, as well as The Charlotte Poetry Review and other North Carolina<br />
literary magazines.<br />
Dawn Henderson is an English major at <strong>Campbell</strong> <strong>University</strong> who likes to play sports but shouldn’t.<br />
Thomas Holbrook is a senior English major at <strong>Campbell</strong> and a carpenter…He has probably inhaled too much sawdust<br />
from chemically treated wood products.<br />
Anthony Hopkins is a mass communication student at <strong>Campbell</strong> <strong>University</strong>.<br />
Jared James is a silent lyrical assassin who believes that words are more powerful than a gat any day of the week. He<br />
would like to give props to God and Mama.<br />
Phyllis Jarvinen is a psychologist working with young children in Cullowhee, North Carolina.<br />
Nancy King lives in Jacksonville, North Carolina, and has been published in Pembroke, Wellspring, GSU, Skylark, Main<br />
Street Rag, and Bay Leaves.<br />
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Genevieve Kissack, was born and educated in France and currently resides in Charlotte, North Carolina. Her poetry<br />
has been published in The Lyricist and other literary journals.<br />
James Nelson Meadows, Jr. is a long-time Wake County resident and poet who previously spent two years in the<br />
Army Reserves.<br />
Bonnie Michael is a poet and freelance writer who lives in Winston-Salem, North Carolina. Her poetry has won local,<br />
state, and national awards. She has been published in Good Housekeeping, as well as literary magazines such as<br />
Appalachian Heritage, The Lyricist, Colonnades, and The Arts Journal.<br />
G.S. Morris actually doesn’t exist. It is just a name we have given to the being that writes anything that mysteriously<br />
appears on the wall in fiery letters.<br />
Neil Myers is an American poet who submitted the poems published this year while living in New Zealand.<br />
Daniel Parsons wants anyone who is interested in going to a James Joyce seminar this summer in Arizona to contact<br />
him at Dedalus05@aol.com. He is such a whore.<br />
Jamie Peterson is a sophomore at <strong>Campbell</strong> and a <strong>Campbell</strong> Times editor. She thrilled us all when she decided to take<br />
the creative plunge and try her hand at poetry and prose.<br />
Chris Quinn is a student at <strong>Campbell</strong> <strong>University</strong>.<br />
Tasha Romero is an English major and staff member of The Lyricist. We are planning a boycott of Sally’s Beauty<br />
Supply for making her work so much. Everyone knows what those chemicals do to a poetic mind.<br />
Tracy Ray matters.<br />
Matthew Sganga lives in Monroe, North Carolina, with his six-year-old daughter Chloe. He presently works as a chef<br />
in a restaurant named “Sante.”<br />
Scott Shamblee thinks he is a student at <strong>Campbell</strong> <strong>University</strong>.<br />
Joshua Shelton is an English major at <strong>Campbell</strong> with a minor in world domination. Based on his poetry, we can<br />
expect to see him taking over the world soon. He’s an alliterative ace, and notoriously known for penning rhymes<br />
when he should be doing more productive work.<br />
Maureen A. Sherbondy is a wife and mother from Raleigh, North Carolina who has had work published in journals<br />
such as Princeton Arts Review, Dry Creek Review, and Cold Mountain Review.<br />
Ben Snyder, an English major who graduated from <strong>Campbell</strong> in 2002, enjoys unexplained phenomena such as losing<br />
socks in the dryer and is believed to have been created by the government in some conspiracy to infiltrate the literary<br />
academia.<br />
Angela Lea Sox hails from Alamance County and now lives in Gaston County. She is a teacher at Central Piedmont<br />
Community College in Charlotte.<br />
Nick Tillman is our bold and fearless leader, casting aside the ignorant with his mighty wand of elitism. He sits atop<br />
his lofty throne of antidisestablishmentarianism, borne on the backs of his beatnik poet slaves. ALL HAIL!<br />
Charles Toptin resides in Davidson County and enjoys writing poems about the South.<br />
Stella Whitlock, a wife, mother, and grandmother, has taught English for thirty-nine years at the elementary, secondary,<br />
and college levels. An avid reader and writer, she loves to travel and explore different cultures. Currently, she<br />
teaches writing part-time at Methodist College in Fayetteville, North Carolina.<br />
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