eugenesis-text
eugenesis-text
eugenesis-text
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Rewind sat with his arms on the windowsill and stared outside. Whenever he looked across Autobot<br />
City’s sun-bruised vistas he was reminded how unlucky he was to work in Recycling, halfway between<br />
street level and the underground bunkers.<br />
The street outside was lined with poplars, planted by Hound to mark the passing of a year in which<br />
the Decepticons had kept well away. They’d not launched any sort of attack on Earth since December<br />
2011, making this winter the quietest on record.<br />
He pulled away from the dust and sunlight and wheeled his chair towards the ATI screen. He didn’t<br />
know why Blaster had installed the ‘revolutionary’ ATI system in the Recycling Room, but his superior<br />
officer was always droning on about the Comms Level needing an extension. Perhaps he’d put Hound’s<br />
miracle machine in here to make a point.<br />
Automatic Tracking and Identification: ‘It will change the way we live our lives,’ Ultra Magnus had<br />
gushed, and Rewind knew it was true - he’d only been on scanning duty for three days and he was the<br />
most bored he had ever been. For all the City Commander’s hyperbole (he always was too friendly with<br />
Hound), the machine was basically a satellite-linked tagging system capable of pinpointing Autobots<br />
programmed with a certain biocode. So it could count heads, crunch statistics and transmit messages - big<br />
frikkin’ deal. Magnus only liked it because it made his job easier. He didn’t have to sit indoors watching<br />
LCDs and pining for the sun.<br />
Rewind decided he would rather be back on Level 14, updating the Earth archives and trying to<br />
discern the identity of the two ‘giant iron men’ who had appeared sporadically throughout the last few<br />
thousand years. Real work, not this grunt stuff. In the corner of the room, the recycling unit juddered<br />
noisily to life, bounced off its base clamps and shuffled from wall to wall.<br />
Balancing his ankles on the lip of the ATI keyboard, he noticed that the recycling hatch was wide<br />
open. He balled a slab of waste metal, narrowed his optics, and threw it across the room. It dropped into<br />
the recyc unit perfectly, adding another chord to the symphony of crunching metal. Flushed with success,<br />
he selected another slab and repeated the process.<br />
Bang on target.<br />
After nineteen consecutive successes he decided to disarm his auto-targeting system and rely solely on<br />
good old-fashioned spatial co-ordination. Scrunching up an audaciously small wedge of steel, he leant<br />
forward, took careful aim, and threw ball twenty.<br />
It missed by ten metres.<br />
He retrieved the rubbish and returned to his seat for a second attempt, thankful that Eject wasn’t<br />
around to see his failure. This time the ball bounced off the rim of the recyc unit, skated across the<br />
windowsill and landed hard on the ATI’s touch-sensitive keypads. His optics widened as the monitor<br />
became jumbled with fresh commands:<br />
SCANNING…<br />
WIDE RADIUS SWEEP INITIATED<br />
‘No, no, no – closedown.’ He jabbed escape and looked for a killswitch. The ATI was designed to<br />
keep track of Transformers within Autobot City – what the hell was a ‘wide radius sweep’ A column of<br />
shifting digits filled the left side of the monitor and a topographical representation of North America filled<br />
the right. Images raced by and the map became more specific.<br />
Once the onscreen environment had dropped to eye-level, it froze. Fresh detail emboldened the<br />
wire-frames and sketch-prints, adding colour and contrast.<br />
EX/000001<br />
EX/000002<br />
EX/000003