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A POSTCAPITALIST PARADIGM: THE COMMON GOOD OF ...

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his home but the close relationship between the human order and nature<br />

embodied in his wife and her kinship network integrating the human<br />

and non-human worlds. Love boils over, forgets its transitory nature and<br />

becomes an act of destruction and self-destruction.<br />

In this interpretation, a central concept for visualising the dissolution of<br />

borders between the human and the non-human is, as already indicated,<br />

that of becoming which, in Deleuzian code relating to material bodies,<br />

is defined by reference to the ways in which these can become other.<br />

We know that we are playing with problematic concepts that have precision<br />

within a cultural history and complex intellectual tradition. Thus a<br />

deeper comprehension of the knowledge entailed in the story should<br />

ponder an alternative epistemology that puts the categories culture-nature,<br />

human-non-human under suspicion, and explores the ways in<br />

which the locus of the runa (machakuy-runa) is understood, lived and<br />

imagined with regard to its vital surroundings. However, the nature of<br />

the present work does not permit such an exercise. But I would like to<br />

point out that a normative universe can be perceived in the body of the<br />

story, the rupture of which triggers the tragic outcome of the events.<br />

With which, it can be flagged up that cultural entities do not exist without<br />

institutional forms and normative universes, and that their prescriptions<br />

do not exist outside the narratives that locate and give them<br />

meaning. Bearing this schematic approach to the tale in mind, we will<br />

go on to explore forms of reciprocity within Andean tradition and from<br />

them the process of epistemological invention of the sumak kawsay. It<br />

is important to remain aware of two aspects: first, the reciprocal act that<br />

leads to the founding of a family, a broad and complex system of kinship<br />

between the hunter and the young woman which underlies their way<br />

of life; and second, that the story, far from depicting a romantic vision<br />

of the Kichwa world, ends in tragedy, demonstrating the fragility of the<br />

relationships represented therein.<br />

minka/minkanakuy as the foundation of sumak kawsay<br />

Houtart does a good job of describing the depth and implications of the<br />

global crisis of capitalism. His text summarises some of the many critical<br />

voices that prove the unfeasibility of intra-systemic solutions and devel-<br />

300

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