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A POSTCAPITALIST PARADIGM: THE COMMON GOOD OF ...

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and acquire meaning. 149 While the young woman lives in the human dimension<br />

of nature, her father moves between these two spheres of life.<br />

The young hunter enjoys this relationship through the generous gesture<br />

of sharing his food with the young woman and respect for her father. It<br />

is important to draw attention here to this act of reciprocity, which we<br />

will return to below. This symbiosis becomes more complex if attention<br />

is paid to the “kinship network” established between the ukuy ants, the<br />

machakuy runa, the young wife and her daughter: the girl establishes a<br />

profound link between the human and nature, in its diversity of life<br />

forms, incompatible among themselves from a viewpoint outside the<br />

universe represented in the tale.<br />

This coexistence, which seems solid to begin with, ends abruptly in<br />

tragedy. The young hunter, on severing the life of the machakuy (runa),<br />

causes a rupture in the process of becoming that guarantees the harmonic<br />

culture-nature continuum. The tragedy is that this happens without<br />

there being a deliberately destructive intention. On the contrary, the<br />

destruction of the ants’ house to get his wife back constitutes a singular<br />

event that prompts reflection on the general relationship between organisms<br />

and their mutual environments and, in particular, on gender relations,<br />

paying more specific attention to the value of the feminine voice<br />

within a social order in which the masculine monologue reigns. In the<br />

context of the story, the ability to discern and heed the feminine voice<br />

is put to the test; it is a condition for maintaining a harmonic relationship<br />

in a social world which includes and extends the social sphere with the<br />

non-human. Ignoring her voice leads to rupture. The hunter’s forgetting<br />

of the warning issued by his wife before he goes out hunting cannot be<br />

understood in any other way. But even more serious is his destruction<br />

of the ants’ house without heeding his wife’s outcries. It can be inferred<br />

from the story that the young hunter loves his wife and wants her back,<br />

but his deafness and the centrality of his ego end up destroying not only<br />

149 On the relationship between the law and narrative, see Robert Cover’s suggestive<br />

article, “Nomos and Narrative”, in Narrative, Violence, and the Law. Martha<br />

Minow, Michel Ryan and Austin Sarat, eds. (Ann Arbor: The University of Michigan<br />

Press, 1995).<br />

299

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