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A POSTCAPITALIST PARADIGM: THE COMMON GOOD OF ...

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then he goes off. The young hunter, returning home, comes across an<br />

enormous snake sleeping on the road, which – without thinking – he<br />

hits with a branch until he realises that chicha is coming from one of its<br />

wounds. When he gets home, his wife notices a strange attitude in her<br />

husband and intuits that something has happened with her father; she<br />

takes her daughter in her arms and runs into the jungle. There she finds<br />

the lifeless body of her father, the machakuy runa. Sobbing, she takes<br />

him to the ukuy ants’ house. Soon her husband arrives and demolishes<br />

the ants’ house in an attempt to take her home, although his wife repeatedly<br />

implores him not to do it because they are her family. The<br />

young hunter, who loves his wife very much, persists in demolishing<br />

the ants’ house as he tries to get her back, but does not achieve his aim:<br />

his wife turns into a ukuy ant and disappears, together with his daughter,<br />

into the depths of the labyrinth that is the ants’ house. The hunter returns<br />

home, inconsolable, without his wife and without his daughter.<br />

What might this story have to tell us about the collective imagination of<br />

the Amazon peoples in a historical time marked by the advent of oil exploration<br />

and growing environmental concerns?<br />

Without attempting a detailed interpretation, it can be taken as a possible<br />

way into understanding a different collective way of life. Thus, the<br />

first thing that stands out is a symbiosis between spheres that the West<br />

defines as nature and the social world; that is, not only in the sense that<br />

nature is where social life is reproduced but that it is a continuum that<br />

includes nature as an integral part of social life.<br />

In effect, the young creature who appears on the road is an ant (ukuy)<br />

who becomes a woman in order to live with the young hunter. 148 The<br />

relationship that unfolds in the human sphere lasts by virtue of respect<br />

for the norms of the relationship with nature. In this sense, the story<br />

also embodies a normative universe, not just in the sense of a simple<br />

system of rules, but fundamentally as the world in which the rules live<br />

148 Here we make use of the concept of becoming without further elaboration; for a<br />

theorisation of this concept it is important to refer to Deleuze y Guatari. Mil Mesetas<br />

(Valencia: Pre-Textos, 2002).<br />

298

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