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International Training Programme in Narrative Therapy

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<strong>International</strong> <strong>Tra<strong>in</strong><strong>in</strong>g</strong> <strong>Programme</strong><br />

<strong>in</strong> <strong>Narrative</strong> <strong>Therapy</strong><br />

A collaboration between<br />

<strong>Narrative</strong> Practices, Adelaide, Australia,<br />

The <strong>Narrative</strong> Teach<strong>in</strong>g Partnership/Centre for <strong>Narrative</strong> Practice, UK,<br />

Art Fisher, Canada & Allan Holmgren, DISPUK, Denmark<br />

3 blocks of 2 weeks of <strong>in</strong>tensive tra<strong>in</strong><strong>in</strong>g <strong>in</strong> therapeutic practice based<br />

on narrative and poststructuralist ideas.<br />

Weeks 7 - 8, (15 th to 19 th & 22 nd to 26 th of February) 2010,<br />

In Adelaide, Australia:<br />

Maggie Carey, Shona Russell & Rob Hall<br />

Weeks 33- 34 (16 th to 20 th & 23 to 27 th of August) 2010,<br />

In Manchester, UK:<br />

Sarah Walther, Amanda Redstone, Mark Hayward & Hugh Fox<br />

Weeks 11-12 (14th to 18th & 21st to 25th of March) 2011<br />

In DISPUK, Snekkersten, Denmark:<br />

Art Fisher & Allan Holmgren<br />

Work<strong>in</strong>g hours: 9am-12 noon & 2-5pm<br />

D I S P U K · The Danish Institute of Supervision, Development of Staff, Education and Consultation · Snekkersten Stationsvej 13 · 3070 Snekkersten<br />

Phone: +45 49 22 51 61 · Fax: +45 49 26 61 56 · E-mail: dispuk@dispuk.dk · www.dispuk.dk


About this <strong>in</strong>ternational tra<strong>in</strong><strong>in</strong>g programme <strong>in</strong> <strong>Narrative</strong> <strong>Therapy</strong><br />

In establish<strong>in</strong>g the <strong>Narrative</strong> Practices Adelaide <strong>in</strong> 2008, Michael White had expressed a<br />

wish to collaborate with other centres of teach<strong>in</strong>g and practice around the world and his<br />

Associates Maggie, Shona and Rob see this course as an active way <strong>in</strong> which this<br />

<strong>in</strong>tention can be carried forward. It is the <strong>in</strong>tention of this course to cont<strong>in</strong>ue Michael<br />

White’s creative, orig<strong>in</strong>al and highly <strong>in</strong>fluential therapeutic work, follow<strong>in</strong>g his death <strong>in</strong> April<br />

2008.<br />

TEACHING BLOCK ONE<br />

Maggie and Shona have been <strong>in</strong>volved <strong>in</strong> the teach<strong>in</strong>g of narrative therapy and<br />

community work for many years, both <strong>in</strong> Australia and <strong>in</strong>ternationally. They have a great<br />

deal of experience <strong>in</strong> the facilitation of <strong>in</strong>ternational courses <strong>in</strong> narrative therapy and have<br />

been <strong>in</strong>volved <strong>in</strong> provid<strong>in</strong>g tra<strong>in</strong><strong>in</strong>g <strong>in</strong> this way s<strong>in</strong>ce 2002. They both have an active<br />

therapy and supervision practice and have been us<strong>in</strong>g the narrative approach <strong>in</strong> their<br />

therapeutic and community-based work s<strong>in</strong>ce the early 1990’s.<br />

The focus of Rob’s tra<strong>in</strong><strong>in</strong>g relates to his extensive practice <strong>in</strong> the area of gender violence<br />

and abuse, <strong>in</strong>vit<strong>in</strong>g men to take responsibility for the violence with which they engage.<br />

The <strong>in</strong>itial teach<strong>in</strong>g block (the first two weeks) <strong>in</strong> Adelaide will be an <strong>in</strong>troduction to the<br />

narrative approach that will offer a foundation for the development of practice skills, with a<br />

particular focus on Michael White's 'maps' of narrative practice. This <strong>in</strong>troduction will be<br />

underp<strong>in</strong>ned by exploration and discussion of some of the ideas and pr<strong>in</strong>ciples that <strong>in</strong>form<br />

the various practices.<br />

Check out the web-site from <strong>Narrative</strong> Practice Adelaide: www.narrativepractices.com.au<br />

TEACHING BLOCK TWO<br />

Amanda, Mark, Hugh and Sarah have enjoyed teach<strong>in</strong>g narrative practices <strong>in</strong> many<br />

different countries and contexts and are at the forefront of narrative teach<strong>in</strong>g and practice<br />

<strong>in</strong> the UK. They all work <strong>in</strong> the National Health Service, a publicly funded health provider,<br />

as well as provid<strong>in</strong>g teach<strong>in</strong>g and consultation privately.<br />

The second teach<strong>in</strong>g block <strong>in</strong> Manchester will review the micro maps and explore how a<br />

consideration of the practices of modern power <strong>in</strong>vites the development of conversational<br />

pathways which make issues of context visible. The block will then explore more advanced<br />

aspects of narrative therapy <strong>in</strong>clud<strong>in</strong>g: the ‘absent but implicit’; conversations which<br />

address experiences of personal failure. and responses to trauma. This block will also offer<br />

opportunities for participants to consider how these ideas are relevant to their own work<br />

contexts, <strong>in</strong>clud<strong>in</strong>g supervision practices.<br />

Check out the website: www.narrativetra<strong>in</strong><strong>in</strong>g.co.uk<br />

Page 2 of 2


TEACHING BLOCK THREE<br />

In the first week of the third teach<strong>in</strong>g block <strong>in</strong> Denmark Art Fisher will be responsible for<br />

the teach<strong>in</strong>g and tra<strong>in</strong><strong>in</strong>g. Art is the director of Alternatives Institute <strong>in</strong> eastern Canada and<br />

has an <strong>in</strong>tensive background <strong>in</strong> anti-violence work, social justice activism, political visual<br />

art and philosophy. He is known <strong>in</strong>ternationally for critically attend<strong>in</strong>g to the ideas (e.g.,<br />

Derrida, Foucault) that have <strong>in</strong>formed Michael White’s teach<strong>in</strong>g and for creat<strong>in</strong>g <strong>in</strong>novative<br />

developments <strong>in</strong> narrative practice. Through mak<strong>in</strong>g mean<strong>in</strong>g of narrative therapy <strong>in</strong><br />

relation to larger social narratives of romance and justice, Art unpacks complexities and<br />

contradictions of narrative practice. His work offers developments of narrative attend<strong>in</strong>g to<br />

these complexities and contradictions (e.g., externalization of ideas, collaborative visual<br />

map and document mak<strong>in</strong>g, exploration of “the absent but implicit” <strong>in</strong> the context of<br />

“respond<strong>in</strong>g to violence”…). Art is particularly <strong>in</strong>terested <strong>in</strong> explor<strong>in</strong>g replication of violence<br />

with<strong>in</strong> both popular and alternative (e.g., narrative) work respond<strong>in</strong>g to violence, explor<strong>in</strong>g<br />

practice developments <strong>in</strong> this context, and attend<strong>in</strong>g to the politics of hope and possibility<br />

with<strong>in</strong> alternative practices.<br />

Check out the website: www.alternatives<strong>in</strong>stitute.com<br />

The second week of teach<strong>in</strong>g block three will be with Allan Holmgren, who has worked<br />

with Michael White and with narrative ideas and practice regularly s<strong>in</strong>ce 1987. He has a<br />

background <strong>in</strong> psychology. He is especially <strong>in</strong>terested <strong>in</strong> the new developments <strong>in</strong><br />

narrative therapy that have been <strong>in</strong>spired by poststructuralist ideas. Both from Michel<br />

Foucault who speaks about the care of the self and the processes of subjectification, from<br />

Gilles Deleuze who speaks about the rhizome, l<strong>in</strong>es of flight and uses geological<br />

metaphors <strong>in</strong> understand<strong>in</strong>g and describ<strong>in</strong>g identity, and from Derrida who <strong>in</strong>troduces the<br />

concept of conflictuality – another way of speak<strong>in</strong>g about the “absent but implicit”. Dur<strong>in</strong>g<br />

“Allan’s week” he will <strong>in</strong>terview families and persons <strong>in</strong> the morn<strong>in</strong>g sessions and his<br />

practice will be discussed <strong>in</strong> the afternoons.<br />

Allan has worked with persons who have been labelled with severe psychiatric diagnosis<br />

s<strong>in</strong>ce 1976. Allan is the founder and director of DISPUK, one of the largest tra<strong>in</strong><strong>in</strong>g centres<br />

of narrative therapy <strong>in</strong> Scand<strong>in</strong>avia. DISPUK was founded <strong>in</strong> 1990. Allan is also adjunct<br />

professor at Copenhagen Bus<strong>in</strong>ess School where he teaches <strong>in</strong> leadership, coach<strong>in</strong>g and<br />

organisational development..<br />

Check out DISPUK’s website: www.dispuk.dk<br />

What to achieve and ga<strong>in</strong> from this tra<strong>in</strong><strong>in</strong>g programme<br />

Professionals who follow this tra<strong>in</strong><strong>in</strong>g programme will:<br />

• develop their skills for do<strong>in</strong>g therapy <strong>in</strong> an ethical respectful way<br />

• be exposed to a variety of ways that narrative therapy can be useful <strong>in</strong> psychiatric<br />

sett<strong>in</strong>gs, both <strong>in</strong>patient and outpatient services, <strong>in</strong> all services work<strong>in</strong>g with children,<br />

adolescents, couples and families (schools, social services, <strong>in</strong>stitutions, counsell<strong>in</strong>g,<br />

etc.)<br />

• extend their creativity<br />

• achieve a thorough theoretical understand<strong>in</strong>g of the pr<strong>in</strong>cipals and ideas that narrative<br />

therapy builds upon<br />

• nurture their skills <strong>in</strong> writ<strong>in</strong>g about theoretical ideas related to praxis<br />

• develop friendships and connections to professionals from all over the world<br />

Page 3 of 3


Structure and formal tasks<br />

Each participant is required to write two essays (1-3 pages each) to be sent to the<br />

teach<strong>in</strong>g centre three weeks before each teach<strong>in</strong>g block. The <strong>in</strong>tention is for the essays to<br />

make connections between concepts, theoretical ideas, practices and the work that the<br />

participants are do<strong>in</strong>g.<br />

After each teach<strong>in</strong>g block each participant is required to write a paper of 10 pages<br />

reflect<strong>in</strong>g on specific aspects of the teach<strong>in</strong>g block and relat<strong>in</strong>g these to their own work<br />

context. These papers must be completed no later than four weeks after the end of the<br />

teach<strong>in</strong>g block. The teachers will read these papers and give a written response.<br />

Follow<strong>in</strong>g completion of all three teach<strong>in</strong>g blocks and the f<strong>in</strong>al paper, participants will<br />

receive an <strong>International</strong> Diploma <strong>in</strong> <strong>Narrative</strong> and Poststructuralist <strong>Therapy</strong>.<br />

The participants will be organised <strong>in</strong> small study groups (4-6 persons <strong>in</strong> each group) that<br />

should aim to meet for at least three full days between each teach<strong>in</strong>g block<br />

Participants:<br />

Therapists who work <strong>in</strong> different agencies engaged <strong>in</strong> therapy, counsell<strong>in</strong>g,<br />

consult<strong>in</strong>g and coach<strong>in</strong>g. M<strong>in</strong>imum 18 and maximum 36 participants.<br />

Price for participation:<br />

1.250 € pr week / 2.500 € for each teach<strong>in</strong>g block. Lunch is not <strong>in</strong>cluded.<br />

Participants have to pay for their own teach<strong>in</strong>g materials and books.<br />

Each teach<strong>in</strong>g centre will separately send an <strong>in</strong>voice to the participants. Please<br />

note that ALL <strong>in</strong>voices from the three tra<strong>in</strong><strong>in</strong>g centres (a total of € 7.500) have to<br />

be paid no later than 4 weeks before the commencement of the first teach<strong>in</strong>g<br />

block. Participants who for some reason drop out of the programme WILL NOT<br />

GET ANY MONEY BACK.<br />

Application for participation <strong>in</strong> the tra<strong>in</strong><strong>in</strong>g programme<br />

Please send details of your background, all the practical details with name, addresses,<br />

phone numbers, e-mails etc and a photo, your connections to and experiences with<br />

narrative therapy and your current work context no later than the 1 st of December,<br />

2009 to DISPUK, Snekkersten Stationsvej 13, 3070 Snekkersten, Denmark<br />

dispuk@dispuk.dk<br />

Page 4 of 4


Teach<strong>in</strong>g venue Adelaide, Australia: NADA, Mary Street, H<strong>in</strong>dmarsh.<br />

Accommodation possibilities <strong>in</strong> Adelaide: There are many possibilities for apartments,<br />

hotels and hostels. We recommend the Angas Regent Apartments group offer<strong>in</strong>g two and<br />

three bedroom apartments <strong>in</strong> the centre of Adelaide; or East Park Lodge, a very pleasant<br />

hostel, or search the web for someth<strong>in</strong>g that suits. The teach<strong>in</strong>g venue is on the Western<br />

edge of the city and is a short taxi ride or bus trip from the centre. The Adelaide Festival of<br />

Arts and the Fr<strong>in</strong>ge Festival will be happen<strong>in</strong>g dur<strong>in</strong>g this block so there will be plenty of<br />

life and enterta<strong>in</strong>ment <strong>in</strong> and around the city. This can put some pressure on<br />

accommodation so you might want to make early reservations.<br />

Teach<strong>in</strong>g venue: Manchester, UK<br />

Accommodation options <strong>in</strong> Manchester: Manchester is a thriv<strong>in</strong>g city, with many<br />

restaurants, music and arts venues represent<strong>in</strong>g the cultural diversity of the community,<br />

yet located with<strong>in</strong> easy reach of beautiful countryside and the neighbour<strong>in</strong>g cities of Leeds<br />

and Liverpool. Manchester is close to a busy <strong>in</strong>ternational airport served by a large<br />

number of airl<strong>in</strong>es, <strong>in</strong>clud<strong>in</strong>g budget air companies. There is a range of accommodation<br />

options and the course hosts will email participants a list of suggestions.<br />

Teach<strong>in</strong>g venue Snekkersten, Denmark: DISPUK, Snekkersten Stationsvej 13. There<br />

are a nice little Bed & Breakfast nearby (500m), two small 2-3 star hotels <strong>in</strong> Els<strong>in</strong>ore close<br />

to the railway station with 3 m<strong>in</strong>utes by tra<strong>in</strong> to Snekkersten (Hotel Hamlet and Hotel<br />

Skandia), a more luxurious 5 star hotel nearby (500m): Comwell Hotel; and Danhostel,<br />

which is an <strong>in</strong>expensive youth hostel <strong>in</strong> Els<strong>in</strong>ore beautifully situated directly to the sea<br />

(appr. ½ hour walk<strong>in</strong>g distance to the railway station <strong>in</strong> Els<strong>in</strong>ore). DISPUK is only 2<br />

m<strong>in</strong>utes from the railway station. It takes 40 m<strong>in</strong>utes to go by tra<strong>in</strong> from Copenhagen to<br />

Snekkersten.<br />

Page 5 of 5


Maggie Carey Shona Russel Rob Hall<br />

Hugh Fox Sarah Walters Amanda Redstone<br />

Mark Hayward Art Fisher Allan Holmgren<br />

Page 6 of 6

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