International Training Programme in Narrative Therapy
International Training Programme in Narrative Therapy
International Training Programme in Narrative Therapy
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<strong>International</strong> <strong>Tra<strong>in</strong><strong>in</strong>g</strong> <strong>Programme</strong><br />
<strong>in</strong> <strong>Narrative</strong> <strong>Therapy</strong><br />
A collaboration between<br />
<strong>Narrative</strong> Practices, Adelaide, Australia,<br />
The <strong>Narrative</strong> Teach<strong>in</strong>g Partnership/Centre for <strong>Narrative</strong> Practice, UK,<br />
Art Fisher, Canada & Allan Holmgren, DISPUK, Denmark<br />
3 blocks of 2 weeks of <strong>in</strong>tensive tra<strong>in</strong><strong>in</strong>g <strong>in</strong> therapeutic practice based<br />
on narrative and poststructuralist ideas.<br />
Weeks 7 - 8, (15 th to 19 th & 22 nd to 26 th of February) 2010,<br />
In Adelaide, Australia:<br />
Maggie Carey, Shona Russell & Rob Hall<br />
Weeks 33- 34 (16 th to 20 th & 23 to 27 th of August) 2010,<br />
In Manchester, UK:<br />
Sarah Walther, Amanda Redstone, Mark Hayward & Hugh Fox<br />
Weeks 11-12 (14th to 18th & 21st to 25th of March) 2011<br />
In DISPUK, Snekkersten, Denmark:<br />
Art Fisher & Allan Holmgren<br />
Work<strong>in</strong>g hours: 9am-12 noon & 2-5pm<br />
D I S P U K · The Danish Institute of Supervision, Development of Staff, Education and Consultation · Snekkersten Stationsvej 13 · 3070 Snekkersten<br />
Phone: +45 49 22 51 61 · Fax: +45 49 26 61 56 · E-mail: dispuk@dispuk.dk · www.dispuk.dk
About this <strong>in</strong>ternational tra<strong>in</strong><strong>in</strong>g programme <strong>in</strong> <strong>Narrative</strong> <strong>Therapy</strong><br />
In establish<strong>in</strong>g the <strong>Narrative</strong> Practices Adelaide <strong>in</strong> 2008, Michael White had expressed a<br />
wish to collaborate with other centres of teach<strong>in</strong>g and practice around the world and his<br />
Associates Maggie, Shona and Rob see this course as an active way <strong>in</strong> which this<br />
<strong>in</strong>tention can be carried forward. It is the <strong>in</strong>tention of this course to cont<strong>in</strong>ue Michael<br />
White’s creative, orig<strong>in</strong>al and highly <strong>in</strong>fluential therapeutic work, follow<strong>in</strong>g his death <strong>in</strong> April<br />
2008.<br />
TEACHING BLOCK ONE<br />
Maggie and Shona have been <strong>in</strong>volved <strong>in</strong> the teach<strong>in</strong>g of narrative therapy and<br />
community work for many years, both <strong>in</strong> Australia and <strong>in</strong>ternationally. They have a great<br />
deal of experience <strong>in</strong> the facilitation of <strong>in</strong>ternational courses <strong>in</strong> narrative therapy and have<br />
been <strong>in</strong>volved <strong>in</strong> provid<strong>in</strong>g tra<strong>in</strong><strong>in</strong>g <strong>in</strong> this way s<strong>in</strong>ce 2002. They both have an active<br />
therapy and supervision practice and have been us<strong>in</strong>g the narrative approach <strong>in</strong> their<br />
therapeutic and community-based work s<strong>in</strong>ce the early 1990’s.<br />
The focus of Rob’s tra<strong>in</strong><strong>in</strong>g relates to his extensive practice <strong>in</strong> the area of gender violence<br />
and abuse, <strong>in</strong>vit<strong>in</strong>g men to take responsibility for the violence with which they engage.<br />
The <strong>in</strong>itial teach<strong>in</strong>g block (the first two weeks) <strong>in</strong> Adelaide will be an <strong>in</strong>troduction to the<br />
narrative approach that will offer a foundation for the development of practice skills, with a<br />
particular focus on Michael White's 'maps' of narrative practice. This <strong>in</strong>troduction will be<br />
underp<strong>in</strong>ned by exploration and discussion of some of the ideas and pr<strong>in</strong>ciples that <strong>in</strong>form<br />
the various practices.<br />
Check out the web-site from <strong>Narrative</strong> Practice Adelaide: www.narrativepractices.com.au<br />
TEACHING BLOCK TWO<br />
Amanda, Mark, Hugh and Sarah have enjoyed teach<strong>in</strong>g narrative practices <strong>in</strong> many<br />
different countries and contexts and are at the forefront of narrative teach<strong>in</strong>g and practice<br />
<strong>in</strong> the UK. They all work <strong>in</strong> the National Health Service, a publicly funded health provider,<br />
as well as provid<strong>in</strong>g teach<strong>in</strong>g and consultation privately.<br />
The second teach<strong>in</strong>g block <strong>in</strong> Manchester will review the micro maps and explore how a<br />
consideration of the practices of modern power <strong>in</strong>vites the development of conversational<br />
pathways which make issues of context visible. The block will then explore more advanced<br />
aspects of narrative therapy <strong>in</strong>clud<strong>in</strong>g: the ‘absent but implicit’; conversations which<br />
address experiences of personal failure. and responses to trauma. This block will also offer<br />
opportunities for participants to consider how these ideas are relevant to their own work<br />
contexts, <strong>in</strong>clud<strong>in</strong>g supervision practices.<br />
Check out the website: www.narrativetra<strong>in</strong><strong>in</strong>g.co.uk<br />
Page 2 of 2
TEACHING BLOCK THREE<br />
In the first week of the third teach<strong>in</strong>g block <strong>in</strong> Denmark Art Fisher will be responsible for<br />
the teach<strong>in</strong>g and tra<strong>in</strong><strong>in</strong>g. Art is the director of Alternatives Institute <strong>in</strong> eastern Canada and<br />
has an <strong>in</strong>tensive background <strong>in</strong> anti-violence work, social justice activism, political visual<br />
art and philosophy. He is known <strong>in</strong>ternationally for critically attend<strong>in</strong>g to the ideas (e.g.,<br />
Derrida, Foucault) that have <strong>in</strong>formed Michael White’s teach<strong>in</strong>g and for creat<strong>in</strong>g <strong>in</strong>novative<br />
developments <strong>in</strong> narrative practice. Through mak<strong>in</strong>g mean<strong>in</strong>g of narrative therapy <strong>in</strong><br />
relation to larger social narratives of romance and justice, Art unpacks complexities and<br />
contradictions of narrative practice. His work offers developments of narrative attend<strong>in</strong>g to<br />
these complexities and contradictions (e.g., externalization of ideas, collaborative visual<br />
map and document mak<strong>in</strong>g, exploration of “the absent but implicit” <strong>in</strong> the context of<br />
“respond<strong>in</strong>g to violence”…). Art is particularly <strong>in</strong>terested <strong>in</strong> explor<strong>in</strong>g replication of violence<br />
with<strong>in</strong> both popular and alternative (e.g., narrative) work respond<strong>in</strong>g to violence, explor<strong>in</strong>g<br />
practice developments <strong>in</strong> this context, and attend<strong>in</strong>g to the politics of hope and possibility<br />
with<strong>in</strong> alternative practices.<br />
Check out the website: www.alternatives<strong>in</strong>stitute.com<br />
The second week of teach<strong>in</strong>g block three will be with Allan Holmgren, who has worked<br />
with Michael White and with narrative ideas and practice regularly s<strong>in</strong>ce 1987. He has a<br />
background <strong>in</strong> psychology. He is especially <strong>in</strong>terested <strong>in</strong> the new developments <strong>in</strong><br />
narrative therapy that have been <strong>in</strong>spired by poststructuralist ideas. Both from Michel<br />
Foucault who speaks about the care of the self and the processes of subjectification, from<br />
Gilles Deleuze who speaks about the rhizome, l<strong>in</strong>es of flight and uses geological<br />
metaphors <strong>in</strong> understand<strong>in</strong>g and describ<strong>in</strong>g identity, and from Derrida who <strong>in</strong>troduces the<br />
concept of conflictuality – another way of speak<strong>in</strong>g about the “absent but implicit”. Dur<strong>in</strong>g<br />
“Allan’s week” he will <strong>in</strong>terview families and persons <strong>in</strong> the morn<strong>in</strong>g sessions and his<br />
practice will be discussed <strong>in</strong> the afternoons.<br />
Allan has worked with persons who have been labelled with severe psychiatric diagnosis<br />
s<strong>in</strong>ce 1976. Allan is the founder and director of DISPUK, one of the largest tra<strong>in</strong><strong>in</strong>g centres<br />
of narrative therapy <strong>in</strong> Scand<strong>in</strong>avia. DISPUK was founded <strong>in</strong> 1990. Allan is also adjunct<br />
professor at Copenhagen Bus<strong>in</strong>ess School where he teaches <strong>in</strong> leadership, coach<strong>in</strong>g and<br />
organisational development..<br />
Check out DISPUK’s website: www.dispuk.dk<br />
What to achieve and ga<strong>in</strong> from this tra<strong>in</strong><strong>in</strong>g programme<br />
Professionals who follow this tra<strong>in</strong><strong>in</strong>g programme will:<br />
• develop their skills for do<strong>in</strong>g therapy <strong>in</strong> an ethical respectful way<br />
• be exposed to a variety of ways that narrative therapy can be useful <strong>in</strong> psychiatric<br />
sett<strong>in</strong>gs, both <strong>in</strong>patient and outpatient services, <strong>in</strong> all services work<strong>in</strong>g with children,<br />
adolescents, couples and families (schools, social services, <strong>in</strong>stitutions, counsell<strong>in</strong>g,<br />
etc.)<br />
• extend their creativity<br />
• achieve a thorough theoretical understand<strong>in</strong>g of the pr<strong>in</strong>cipals and ideas that narrative<br />
therapy builds upon<br />
• nurture their skills <strong>in</strong> writ<strong>in</strong>g about theoretical ideas related to praxis<br />
• develop friendships and connections to professionals from all over the world<br />
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Structure and formal tasks<br />
Each participant is required to write two essays (1-3 pages each) to be sent to the<br />
teach<strong>in</strong>g centre three weeks before each teach<strong>in</strong>g block. The <strong>in</strong>tention is for the essays to<br />
make connections between concepts, theoretical ideas, practices and the work that the<br />
participants are do<strong>in</strong>g.<br />
After each teach<strong>in</strong>g block each participant is required to write a paper of 10 pages<br />
reflect<strong>in</strong>g on specific aspects of the teach<strong>in</strong>g block and relat<strong>in</strong>g these to their own work<br />
context. These papers must be completed no later than four weeks after the end of the<br />
teach<strong>in</strong>g block. The teachers will read these papers and give a written response.<br />
Follow<strong>in</strong>g completion of all three teach<strong>in</strong>g blocks and the f<strong>in</strong>al paper, participants will<br />
receive an <strong>International</strong> Diploma <strong>in</strong> <strong>Narrative</strong> and Poststructuralist <strong>Therapy</strong>.<br />
The participants will be organised <strong>in</strong> small study groups (4-6 persons <strong>in</strong> each group) that<br />
should aim to meet for at least three full days between each teach<strong>in</strong>g block<br />
Participants:<br />
Therapists who work <strong>in</strong> different agencies engaged <strong>in</strong> therapy, counsell<strong>in</strong>g,<br />
consult<strong>in</strong>g and coach<strong>in</strong>g. M<strong>in</strong>imum 18 and maximum 36 participants.<br />
Price for participation:<br />
1.250 € pr week / 2.500 € for each teach<strong>in</strong>g block. Lunch is not <strong>in</strong>cluded.<br />
Participants have to pay for their own teach<strong>in</strong>g materials and books.<br />
Each teach<strong>in</strong>g centre will separately send an <strong>in</strong>voice to the participants. Please<br />
note that ALL <strong>in</strong>voices from the three tra<strong>in</strong><strong>in</strong>g centres (a total of € 7.500) have to<br />
be paid no later than 4 weeks before the commencement of the first teach<strong>in</strong>g<br />
block. Participants who for some reason drop out of the programme WILL NOT<br />
GET ANY MONEY BACK.<br />
Application for participation <strong>in</strong> the tra<strong>in</strong><strong>in</strong>g programme<br />
Please send details of your background, all the practical details with name, addresses,<br />
phone numbers, e-mails etc and a photo, your connections to and experiences with<br />
narrative therapy and your current work context no later than the 1 st of December,<br />
2009 to DISPUK, Snekkersten Stationsvej 13, 3070 Snekkersten, Denmark<br />
dispuk@dispuk.dk<br />
Page 4 of 4
Teach<strong>in</strong>g venue Adelaide, Australia: NADA, Mary Street, H<strong>in</strong>dmarsh.<br />
Accommodation possibilities <strong>in</strong> Adelaide: There are many possibilities for apartments,<br />
hotels and hostels. We recommend the Angas Regent Apartments group offer<strong>in</strong>g two and<br />
three bedroom apartments <strong>in</strong> the centre of Adelaide; or East Park Lodge, a very pleasant<br />
hostel, or search the web for someth<strong>in</strong>g that suits. The teach<strong>in</strong>g venue is on the Western<br />
edge of the city and is a short taxi ride or bus trip from the centre. The Adelaide Festival of<br />
Arts and the Fr<strong>in</strong>ge Festival will be happen<strong>in</strong>g dur<strong>in</strong>g this block so there will be plenty of<br />
life and enterta<strong>in</strong>ment <strong>in</strong> and around the city. This can put some pressure on<br />
accommodation so you might want to make early reservations.<br />
Teach<strong>in</strong>g venue: Manchester, UK<br />
Accommodation options <strong>in</strong> Manchester: Manchester is a thriv<strong>in</strong>g city, with many<br />
restaurants, music and arts venues represent<strong>in</strong>g the cultural diversity of the community,<br />
yet located with<strong>in</strong> easy reach of beautiful countryside and the neighbour<strong>in</strong>g cities of Leeds<br />
and Liverpool. Manchester is close to a busy <strong>in</strong>ternational airport served by a large<br />
number of airl<strong>in</strong>es, <strong>in</strong>clud<strong>in</strong>g budget air companies. There is a range of accommodation<br />
options and the course hosts will email participants a list of suggestions.<br />
Teach<strong>in</strong>g venue Snekkersten, Denmark: DISPUK, Snekkersten Stationsvej 13. There<br />
are a nice little Bed & Breakfast nearby (500m), two small 2-3 star hotels <strong>in</strong> Els<strong>in</strong>ore close<br />
to the railway station with 3 m<strong>in</strong>utes by tra<strong>in</strong> to Snekkersten (Hotel Hamlet and Hotel<br />
Skandia), a more luxurious 5 star hotel nearby (500m): Comwell Hotel; and Danhostel,<br />
which is an <strong>in</strong>expensive youth hostel <strong>in</strong> Els<strong>in</strong>ore beautifully situated directly to the sea<br />
(appr. ½ hour walk<strong>in</strong>g distance to the railway station <strong>in</strong> Els<strong>in</strong>ore). DISPUK is only 2<br />
m<strong>in</strong>utes from the railway station. It takes 40 m<strong>in</strong>utes to go by tra<strong>in</strong> from Copenhagen to<br />
Snekkersten.<br />
Page 5 of 5
Maggie Carey Shona Russel Rob Hall<br />
Hugh Fox Sarah Walters Amanda Redstone<br />
Mark Hayward Art Fisher Allan Holmgren<br />
Page 6 of 6