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Series Stars... - Festival de télévision de Monte-Carlo

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Enter: TV Xchanges<br />

Justin Bodle,<br />

CEO and<br />

Chairman<br />

of Power<br />

Aviva Silver,<br />

Head of<br />

Unit - MEDIA<br />

Programme<br />

and Media<br />

Literacy,<br />

European<br />

Commission<br />

Charles Floyd<br />

Johnson,<br />

Executive<br />

Producer, NCIS<br />

In 2009, the <strong>Monte</strong> <strong>Carlo</strong> TV <strong>Festival</strong> introduced the TV<br />

Xchanges Programme in or<strong>de</strong>r to offer visiting film and TV<br />

executives a platform where i<strong>de</strong>as about the most important<br />

and relevant topics of the day can be shared and exchanged.<br />

Silver Lining For Fiction<br />

Wednesday afternoon’s TV Xchanges round table discussion<br />

about Fiction Funding features Aviva Silver, Head of Unit - MEDIA<br />

Programme and Media Literacy, European Commission: “Currently<br />

around €12 million or 10% of our yearly budget goes to fiction, but<br />

that may well change as we are currently examining the impact on<br />

the sector of the multimedia revolution, and we may well end-up<br />

shifting the focus of funding towards drama,” she says.<br />

The MEDIA Programme currently partly funds 1500-2000 audiovisual<br />

projects per year through some 25 calls for proposals: “There is<br />

more interesting news for fiction producers in that the MEDIA<br />

International programme, which was only for cinema productions,<br />

is being replaced by MEDIA Mundus starting next year. The €15<br />

million is also available to TV broadcasters as well as producers,”<br />

Silver says. “The aim of the programme is to encourage international<br />

cultural diversity through greater co-operation on audiovisual<br />

projects.”<br />

The rapidly changing nature of the TV industry is triggering new<br />

research at MEDIA: “We are certainly going to be looking at TV and<br />

its place in the audiovisual scene,” Silver says. “There have been a<br />

lot of changes and it’s not easy to see where it’s going, but it’s clear<br />

that the audience wants to be more involved. The epoch of the<br />

passive spectator is over.”<br />

While it might seem that documentaries are growing in popularity,<br />

there is a fundamental commercial difference between that genre<br />

and fiction: “Yes documentaries are popular but not as much as one<br />

might imagine,” she says. “And then there is the problem that they<br />

lack a secondary market, which is not the case with fiction.” GS<br />

New Business Mo<strong>de</strong>ls<br />

For A Brave New Digital<br />

World<br />

In the opening <strong>de</strong>bate of the TV Xchanges<br />

programme today ay 9.30 in the Salle Van<br />

Dongen, Justin Bodle, CEO and Chairman of<br />

UK production house Power, Christian Charret,<br />

Presi<strong>de</strong>nt, Geteve, Martin Moszcowicz,<br />

Member of the Board at Constantin Film,<br />

Takis Candilis, SVP Audiovisual Production,<br />

Laga<strong>de</strong>re and <strong>Carlo</strong> Bixio, Presi<strong>de</strong>nt,<br />

Publispei, will be discussing New Business<br />

Mo<strong>de</strong>ls For TV Drama Production.<br />

“We need to look beyond the business<br />

mo<strong>de</strong>ls of today. We are looking at returning<br />

full circle to the syndication business of old in<br />

the US. I am fed up with Television being the<br />

poor sister to a film industry that production<br />

keeps in work, every day, in its absence,<br />

Bodle says.”<br />

Following that, in his keynote speech today at<br />

11.30 in the Salle Van Dongen, Charles Floyd<br />

Johnson, Executive Producer, NCIS, will be<br />

discussing the nature of the ever-changing<br />

television landscape. “I’ll be talking about<br />

the high <strong>de</strong>finition and digital revolutions, the<br />

importance of social media, the relevance of<br />

new technologies and also introducing some<br />

i<strong>de</strong>as about new business mo<strong>de</strong>ls,” he says. GS<br />

28

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