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People Features Performances - Dance Europe

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<strong>People</strong><br />

10 Alban Lendorf<br />

DEBORAH WEISS interviews the Royal<br />

Danish Ballet’s new principal dancer<br />

28 Matthew Hart<br />

DIARMAID O’MEARA talks to the<br />

choreographer about his Sleeping<br />

Beauty for children<br />

34 Miki Orihara<br />

TRINA MANNINO meets the dancer<br />

celebrating her 25th year with Martha<br />

Graham’s <strong>Dance</strong> Company<br />

<strong>Features</strong><br />

52 Richard Bonynge and Fille<br />

The eminent conductor discusses the different<br />

scores used for La Fille mal gardée<br />

with MIKE DIXON<br />

55 Summer Schools and Courses<br />

A guide to this year’s summer schools, courses<br />

and classes throughout <strong>Europe</strong> and beyond<br />

6 Entre Nous<br />

9 Letters<br />

61 Auditions<br />

78 Diary<br />

86 <strong>People</strong><br />

Contents<br />

<strong>Performances</strong><br />

16 David Dawson’s Giselle<br />

EMMA MANNING considers a radical reimagining<br />

of the 19th century classic in Slovenia<br />

20 Eifman Ballet<br />

MAGGIE FOYER and AMANDA JENNINGS<br />

sum up Anna Karenina and Onegin in London<br />

24 C(h)oeurs<br />

JESÚS R. GAMO appraises Alain Platel’s politically<br />

charged work at the Teatro Real in Madrid<br />

26 Robbins and Ek<br />

FRANÇOIS FARGUE considers two diverse ballets<br />

at the Paris Opéra<br />

32 Sweets Violets and Carbon Life<br />

DEBORAH WEISS on new ballets by Liam Scarlett<br />

and Wayne McGregor<br />

36 Sylphide in Stuttgart<br />

DWAYNE HOLLIDAY finds Peter Schaufuss’<br />

production engaging<br />

40 Beyond Ballets Russes<br />

DEBORAH WEISS and MAGGIE FOYER applaud<br />

a brilliant season by English National Ballet<br />

<br />

Front cover: English National Ballet - Ksenia Ovsyanick as the Firebird in George Williamson’s Firebird. Photo: <strong>Dance</strong> <strong>Europe</strong><br />

Contents page: Alban Lendorf - photo: Costin Radu; Dmitri Gruzdyev and Elena Glurdjidze in L’Après-midi d’un faune - photo: <strong>Dance</strong> <strong>Europe</strong><br />

DANCE EUROPE May 2012 3


DANCE EUROPE<br />

Founded in 1995 ISSN: 1359-9798<br />

P.O. Box 12661, London E5 9TZ,UK<br />

Tel: +44 (0)20 8985 7767<br />

www.danceeurope.net<br />

http://dropbox.yousendit.com/<strong>Dance</strong><strong>Europe</strong><br />

Editor Emma Manning Kauldhar<br />

edit@danceeurope.net<br />

Tel: +44 (0)20 8533 7815<br />

Advertising Manager Naresh Kauldhar<br />

ads@danceeurope.net<br />

Tel: +44 (0)20 7682 1733<br />

mobile: +44 (0)7981 945320<br />

skype: nareshdanceeurope<br />

Paris Advertising NETA<br />

1, rue jean carasso, 95870 Bezons<br />

natasha_stg@yahoo.fr<br />

Tel: +33 (0)1 39 61 37 70<br />

Fax: +33 (0)1 39 61 3843<br />

Performance Diary Editor Deborah Weiss<br />

diary@danceeurope.net<br />

Editorial Consultant Clare Taylor<br />

Administrator Katie Harrington<br />

katie@danceeurope.net<br />

<strong>Dance</strong> Critics and Writers<br />

Lee Bamford, Alessandro Bizzotto, Clàudia Brufau<br />

Bonet, Lucía Chilibroste, Michelle Cuneo, Julia<br />

Davies, Mike Dixon, François Fargue, Maggie<br />

Foyer, Jesús R. Gamo, Dwayne Holliday, Patrick<br />

Hurde, Donald Hutera, Amanda Jennings, Alison<br />

Kent, Tim Martin, Ali Mahbouba, Trina Mannino,<br />

Bruce Michelson,Yuki Nagano, Diarmaid O’Meara,<br />

Matthew Paluch, Catherine Pawlick, Carlos Pons<br />

Guerra, Marina Radina, Phillip S. Rosemond, Olivia<br />

Sabee, Jenifer Sarver, Oli Speers, Toba Singer, Gary<br />

Smith, Angela Vadori, Deborah Weiss, Viki Westall.<br />

Japanese Translator Yuki Nagano<br />

DANZA EUROPA<br />

Founded in 2009 ISSN 2041-8841<br />

www.danzaeuropa.net<br />

Spanish Translators<br />

Carlos Pons Guerra, Jesús R. Gamo,<br />

Fernando Balsera Pita<br />

Spanish Advertising<br />

publicidad@danzaeuropa.net<br />

<strong>Dance</strong> <strong>Europe</strong> was founded in November 1995. It is published<br />

11 times a year in London and distributed worldwide<br />

by: UK - Comag Specialist Division, London; Austria<br />

- Morawa & Co. Ltd; Australia/New Zealand - Gordon &<br />

Gotch; Canada - LMPI; Croatia - ANGCRO; Germany -<br />

We Saarbach GmbH; Iceland - Innkaupasam band Boksala;<br />

South Africa - Magscene (Pty); Sweden - Svenska Interpress<br />

AB; Poland - Ingland Co. Ltd; Croatia, Slovenial - Levant<br />

Dist; Portugal - International News; Trieste - EST; Finland -<br />

Rautakirja Oy; Poland - Ingland Co. Ltd; Sweden - Sevenska<br />

Interpress; U.S.A. - SEMAJ INC/IPD/; Spain - SGEL;<br />

Belgium - AMP; Hungary - Libropress 2000; Taiwan - Multi-<br />

Arts Enterprise; Singapore - Borders/STP; Japan - Yohan ;<br />

Malaysia - STP; Italy - Intercontinental (FE) and in France by<br />

the publisher +44 20 8985 7767. Individual subscriptions,<br />

single and back issues, library and institution subscriptions<br />

and English and Spanish digital versions available online at<br />

www.danceeurope.net.<br />

Freelance contributions are welcomed especially from writers<br />

who have worked as professional dancers. New writers<br />

should, in the first instance, submit a short review or article<br />

accompanied by a CV. Photos sent by email or via our<br />

dropbox need to be 300 dpi and should be clearly captioned<br />

in Photoshop File Info.<br />

The content of <strong>Dance</strong> <strong>Europe</strong> and Danza Europa is copyrighted<br />

and may not be freely reproduced in any medium whatsoever,<br />

including on the internet. The scanning and posting of<br />

articles published in <strong>Dance</strong> <strong>Europe</strong> and Danza Europa is strictly<br />

forbidden and constitutes a breach of copyright.<br />

© <strong>Dance</strong> <strong>Europe</strong> 2012<br />

Festivals<br />

38 <strong>Dance</strong> Umbrella in Johannesburg<br />

MAGGIE FOYER appreciates a plethora of works<br />

influenced by diverse traditions and roots<br />

48 Mariinsky Festival<br />

CATHERINE PAWLICK reports on a feast<br />

of dancing in St Petersburg<br />

37 Book Review<br />

The Ballet called Swan Lake<br />

AMANDA JENNINGS reviews the 1952 book by<br />

Cyril W. Beaumont republished by <strong>Dance</strong> Books<br />

Reviews<br />

65 Martha Graham <strong>Dance</strong> Company<br />

Lamentation Variations/Deaths and<br />

Entrances/Chronicle<br />

The Royal Ballet<br />

Alice’s Adventures in Wonderland<br />

TanzTheater München<br />

Augenblick, verweile<br />

Staatsballett Berlin<br />

Schneewittchen (Snow White)<br />

ENB2 - English National Ballet School<br />

My First Sleeping Beauty<br />

Béjart Ballet Lausanne<br />

Aria/Dionysus (suite)/Boléro<br />

Birmingham Royal Ballet<br />

Daphnis and Chloë/The Two Pigeons<br />

Coppélia<br />

DV8 Can We Talk About This<br />

English Youth Ballet<br />

Swan Lake<br />

English National Ballet<br />

Tate Choreographic Project<br />

Wayne McGregor FAR<br />

Nederlands Dans Theater 2<br />

Cacti/Passe-partout/Gods and Dogs<br />

Ballet Contemporain d’Alger Nya<br />

Jordi Cortés In heaven<br />

Kanagawa Arts Theatre<br />

The Crane Maiden<br />

Ultima Vez Oedipus/Bet Noir<br />

Paul Taylor <strong>Dance</strong> Company<br />

Arabesque/Three Dubious Memories/<br />

Cloven Kingdom<br />

77 Japanese page<br />

5 月 号 の 主 な 記 事 :<br />

バレエ・リュスを 超 えて<br />

Photos: Abe Akihito, Natasha Razina, E.Kauldhar/<strong>Dance</strong> <strong>Europe</strong><br />

DANCE EUROPE May 2012 5

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