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L.E.P. - Ozone Magazine

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here, we were more about the organizations<br />

in the streets. Rap hit hard around here<br />

like everywhere else in the country, but in<br />

Chicago, we don’t have any major labels,<br />

so people just have to get their buzz up and<br />

perfect their craft. We’ve got the momentum,<br />

and we’re pushing down the door<br />

and creating opportunities out here. The<br />

Chicago story needs to be heard and that’s<br />

what we’re here doing.<br />

There definitely seems to be a distinct connection<br />

between the culture of Chicago and<br />

the South.<br />

Count: Well, Chicago has a little bit more<br />

of an edge to it then down South does.<br />

People up here are a little less friendly than<br />

cats down South, but there are definitely a<br />

lot of similarities. The South is as gangsta<br />

as it gets, and so is the Chi. But Chicago<br />

has a lot of different musical styles, and<br />

some music from the Chi is really similar to<br />

Southern music. The Bogus Boys get love<br />

everywhere we go, whether it’s the East<br />

Coast, West Coast, or Down South.<br />

What type of fans come to your shows<br />

Count: Our fanbase is diverse. We keep<br />

it in the streets, but the females do what<br />

they do, too. We gear some of our music<br />

to the females. We got some songs for the<br />

guys, and some for the lil’ juvies, ‘cause<br />

they be out in the streets, too. Basically, we<br />

make music based on the last 6 months of<br />

our lives, so what’s currently going on the<br />

world, you gon’ hear in our music. We make<br />

music for the streets, for our hood. I wish I<br />

could tell you something different, but we<br />

ain’t in the corporate buildings downtown,<br />

so I can’t tell you about that. I’m in the<br />

streets every day. We’re in the streets right<br />

now while I’m talking to you.<br />

As Chicago artists, what attracted you guys<br />

to Bike Week in Myrtle Beach<br />

We just wanna be a part of whatever’s<br />

going on. That’s how we’re getting our<br />

music and our movement out there. We go<br />

everywhere that’s poppin’.<br />

What it is about L.E.P and The Bogus Boys<br />

that makes y’all different from the legions of<br />

other independent rap groups<br />

Our story. We’re different. Our streets is<br />

different—they’re more structured. You<br />

need to hear about our political prisoners.<br />

We structured these organizations, and had<br />

these neighborhoods under control where<br />

it wasn’t all wild out here like it is now. They<br />

took the structure out of the streets when<br />

they locked up our chiefs and our leaders.<br />

It wasn’t all this random killing before<br />

then. We got a serious story to tell; this is a<br />

Chicago thing, and plus we’ve got some really<br />

good music. We’ve got cool production,<br />

nice features, and it’s real professional. It’s<br />

on point, and it’s industry ready.<br />

Big Rugg: We don’t advocate violence, we<br />

only talk about what we see. We put out<br />

120,000 copies of our mixtapes last year,<br />

we got 60,000 out in the streets right now.<br />

We’ve done the Raw Report, The Source,<br />

and a couple of other small magazines. Our<br />

grind is so ugly. We’ve got our wrapped<br />

vans, a hundred miles moving. A label is<br />

gon’ really have to come get it with us, and<br />

put they money where they mouth is.<br />

Not too long ago, you released a Yung Berg<br />

diss. Where did that come from<br />

E: Yung Berg used to be on our label.<br />

He tells everybody that DMX signed him,<br />

but actually we were in a meeting in New<br />

York with DMX. I wasn’t gonna go with the<br />

deal they were trying to offer us, because<br />

we weren’t getting enough from the label.<br />

[Yung Berg’s] dad lied and said he had left<br />

his bag in the meeting room; he went back<br />

in and got DMX’s number. Once we got<br />

back to Chicago we didn’t hear from Berg<br />

again. Then we found out he had went<br />

back up there and signed a deal with DMX.<br />

Shorty feels he’s in a good situation right<br />

now, but we’ll see where his career is when<br />

the real gangstas come through. We’re in<br />

his video, but we still dissing him. He knows<br />

he can’t come to the city without letting us<br />

in his video.<br />

So do you still have animosity with him<br />

E: Until he straightens it out with Moonie I<br />

ain’t got nothing to say to him. I put $50,000<br />

dollars into him for he and his daddy to be<br />

where they are. Yung Berg wanted to be on<br />

so bad, he would cross his mother or father<br />

to get in the game.<br />

Okay, so getting back to L.E.P., tell me<br />

about your current label situation<br />

Moonie: We’re independent now. Infared<br />

is our label. We were with Sony, but when<br />

Larro got killed, the label kinda got scared.<br />

We got off the label and started pushing the<br />

music ourselves. We’ve had a few labels<br />

call us offering 360 deals. We don’t want a<br />

360 deal. We’ve been good by ourselves,<br />

why would we get into a situation where<br />

somebody can control our music<br />

Website: www.myspace.com/bogusboyslep<br />

18 | OZONE

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