L.E.P. - Ozone Magazine
L.E.P. - Ozone Magazine
L.E.P. - Ozone Magazine
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here, we were more about the organizations<br />
in the streets. Rap hit hard around here<br />
like everywhere else in the country, but in<br />
Chicago, we don’t have any major labels,<br />
so people just have to get their buzz up and<br />
perfect their craft. We’ve got the momentum,<br />
and we’re pushing down the door<br />
and creating opportunities out here. The<br />
Chicago story needs to be heard and that’s<br />
what we’re here doing.<br />
There definitely seems to be a distinct connection<br />
between the culture of Chicago and<br />
the South.<br />
Count: Well, Chicago has a little bit more<br />
of an edge to it then down South does.<br />
People up here are a little less friendly than<br />
cats down South, but there are definitely a<br />
lot of similarities. The South is as gangsta<br />
as it gets, and so is the Chi. But Chicago<br />
has a lot of different musical styles, and<br />
some music from the Chi is really similar to<br />
Southern music. The Bogus Boys get love<br />
everywhere we go, whether it’s the East<br />
Coast, West Coast, or Down South.<br />
What type of fans come to your shows<br />
Count: Our fanbase is diverse. We keep<br />
it in the streets, but the females do what<br />
they do, too. We gear some of our music<br />
to the females. We got some songs for the<br />
guys, and some for the lil’ juvies, ‘cause<br />
they be out in the streets, too. Basically, we<br />
make music based on the last 6 months of<br />
our lives, so what’s currently going on the<br />
world, you gon’ hear in our music. We make<br />
music for the streets, for our hood. I wish I<br />
could tell you something different, but we<br />
ain’t in the corporate buildings downtown,<br />
so I can’t tell you about that. I’m in the<br />
streets every day. We’re in the streets right<br />
now while I’m talking to you.<br />
As Chicago artists, what attracted you guys<br />
to Bike Week in Myrtle Beach<br />
We just wanna be a part of whatever’s<br />
going on. That’s how we’re getting our<br />
music and our movement out there. We go<br />
everywhere that’s poppin’.<br />
What it is about L.E.P and The Bogus Boys<br />
that makes y’all different from the legions of<br />
other independent rap groups<br />
Our story. We’re different. Our streets is<br />
different—they’re more structured. You<br />
need to hear about our political prisoners.<br />
We structured these organizations, and had<br />
these neighborhoods under control where<br />
it wasn’t all wild out here like it is now. They<br />
took the structure out of the streets when<br />
they locked up our chiefs and our leaders.<br />
It wasn’t all this random killing before<br />
then. We got a serious story to tell; this is a<br />
Chicago thing, and plus we’ve got some really<br />
good music. We’ve got cool production,<br />
nice features, and it’s real professional. It’s<br />
on point, and it’s industry ready.<br />
Big Rugg: We don’t advocate violence, we<br />
only talk about what we see. We put out<br />
120,000 copies of our mixtapes last year,<br />
we got 60,000 out in the streets right now.<br />
We’ve done the Raw Report, The Source,<br />
and a couple of other small magazines. Our<br />
grind is so ugly. We’ve got our wrapped<br />
vans, a hundred miles moving. A label is<br />
gon’ really have to come get it with us, and<br />
put they money where they mouth is.<br />
Not too long ago, you released a Yung Berg<br />
diss. Where did that come from<br />
E: Yung Berg used to be on our label.<br />
He tells everybody that DMX signed him,<br />
but actually we were in a meeting in New<br />
York with DMX. I wasn’t gonna go with the<br />
deal they were trying to offer us, because<br />
we weren’t getting enough from the label.<br />
[Yung Berg’s] dad lied and said he had left<br />
his bag in the meeting room; he went back<br />
in and got DMX’s number. Once we got<br />
back to Chicago we didn’t hear from Berg<br />
again. Then we found out he had went<br />
back up there and signed a deal with DMX.<br />
Shorty feels he’s in a good situation right<br />
now, but we’ll see where his career is when<br />
the real gangstas come through. We’re in<br />
his video, but we still dissing him. He knows<br />
he can’t come to the city without letting us<br />
in his video.<br />
So do you still have animosity with him<br />
E: Until he straightens it out with Moonie I<br />
ain’t got nothing to say to him. I put $50,000<br />
dollars into him for he and his daddy to be<br />
where they are. Yung Berg wanted to be on<br />
so bad, he would cross his mother or father<br />
to get in the game.<br />
Okay, so getting back to L.E.P., tell me<br />
about your current label situation<br />
Moonie: We’re independent now. Infared<br />
is our label. We were with Sony, but when<br />
Larro got killed, the label kinda got scared.<br />
We got off the label and started pushing the<br />
music ourselves. We’ve had a few labels<br />
call us offering 360 deals. We don’t want a<br />
360 deal. We’ve been good by ourselves,<br />
why would we get into a situation where<br />
somebody can control our music<br />
Website: www.myspace.com/bogusboyslep<br />
18 | OZONE