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3: THE MATERIALITY OF THE BERLIN WALL<br />

with me now studying both the exhibit and the effect it has on these teenagers,<br />

their jolly chitter-chatter quietens down and they start looking around more as<br />

individuals than a group. At the exit they stop for a moment, make sure they<br />

are all there. “You know we’ve read all about this stuff but now I can really feel<br />

it!” says one of the boys in the group to his friend.<br />

Figure 13: Checkpoint Charlie in<br />

2009 with Haus am Checkpoint<br />

Charlie and a replica of the 1960s<br />

border checkpoint in the<br />

background and an image of an<br />

American soldier staring into<br />

former East Berlin in the<br />

foreground. Photo: Anna<br />

McWilliams.<br />

Back to nothing<br />

After days spent in the city centre where memorials and recreated wall<br />

heritage have informed me almost every step of the way I find myself back<br />

in the nothingness, the voids where the wall has been ripped out of the<br />

ground but yet not been replaced. This is the situation in several areas<br />

outside the centre. In many areas, even close to the centre of town, large<br />

areas of the death strip have not yet been developed but run like a<br />

wilderness straight through the townscape. During the Cold War these<br />

areas were kept under total control, as was the vegetation within it. This has<br />

kept larger vegetation such as trees at bay but the complete lack of attention<br />

65

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