1JZGauQ
1JZGauQ
1JZGauQ
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
AN ARCHAEOLOGY OF THE IRON CURTAIN<br />
has come to symbolise the demise of this ideology. Walking in ruins also<br />
awakens a sense of curiosity within us. Edensor describes the feeling as:<br />
“movement in ruins becomes strangely reminiscent of childhood sensory<br />
immersion and of the pleasurable negotiation of space largely denied to<br />
adults” (Edensor 2005a:838). As I walk through the abandoned border<br />
guard stations I am spurred on by my curiosity and sense of adventure and I<br />
move through the rooms and the corridors eager to find out what is hiding<br />
behind the next corner. Is this how one should react when investigating<br />
Cold War remains Should I not be more taken back by the severity of<br />
place But this is exactly the paradox that is with me through many of the<br />
visits along the former Iron Curtain. My knowledge of these places’ history<br />
and a hindsight perspective tells me that I should experience the serious<br />
reality behind the Cold War metaphor but what I mostly come across is the<br />
traces of the mundane and the everyday. Things that are easy to relate to as<br />
part of the ordinariness of life, we sleep, we eat, we have obligations and we<br />
try and entertain ourselves. The military remains we often hear about such<br />
as bunkers and fortifications, airfields, graves, nuclear research sites and<br />
missile bases are important to the understanding of war, but so are the<br />
smaller sites, the places of the everyday activities for a large part of those<br />
who participated within the war. These sites will provide an understanding<br />
of the many different angles and perspectives a war or a conflict can be<br />
experienced through.<br />
I could be criticised for producing a too ‘nice’ portrait of the Iron<br />
Curtain, that the severity and cold bloodedness of this monument and of<br />
the Cold War is understated to give way to the everyday stories of a more<br />
harmless character. But it is not a conscious decision from my side to angle<br />
the stories in this way. Instead this is the result of the material that I have<br />
encountered. I have no doubt that if I had used different sources and different<br />
focus that the picture would have been different. If I, for example,<br />
had based my research mainly on personal stories including people from all<br />
over the former Czechoslovakia or even the former Eastern Bloc in general<br />
or of those that had crossed over or have relatives and friends that have<br />
tried to cross over the border the picture of the Iron Curtain would have<br />
been a different one. But I wanted to start at the sites and at the materials<br />
and work from there to see what stories that emanated from these. This<br />
showed a slightly different side of the Iron Curtain than what we know from<br />
history writing. From the archives a few stories and pictures gave a glimpse<br />
of the horrors that these militarised borders could entail. Mostly, however,<br />
the sources provided a more mundane picture. This demonstrates the<br />
198