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5 SUNDAY<br />

APRIL 2009<br />

Claudio Cornini,<br />

Tetsuya Ishikawa<br />

and David Smith<br />

The Credit Crunch,<br />

Who is to Blame<br />

822<br />

2pm / Garden Marquee, Christ Church / £7.00<br />

Until recently the British economy appeared sound<br />

and prosperous. But, thanks to the Credit Crunch<br />

and the dramatic crisis in the banking system, we<br />

are now facing the biggest peacetime economic<br />

decline since the 1930s. Who is to blame – the<br />

banks, the regulators, or we the public Debating<br />

this issue will be David Smith, Economics Editor<br />

of The Sunday Times, and author of Free Lunch’,<br />

Claudio Cornini, former Chairman of ABN AMRO<br />

private banking in Italy, now Director of Cornhill &<br />

Harvest, and associate lecturer in Finance at Padua<br />

University, and Tetsuya Ishikawa, whose new book,<br />

How I Caused the Credit Crunch, is a fascinating<br />

insider’s fictionalised account of working at the<br />

cutting edge of the global economy.<br />

Ed Vaizey, Iain Dale<br />

and Peter Hitchens<br />

What is the Big<br />

Conservative Idea<br />

825<br />

4pm / Garden Marquee, Christ Church / £7.50<br />

Summer 2008: A double-digit lead in the polls. Victory<br />

in the London Mayoral election and the Crewe and<br />

Nantwich by-election. Big wins in the local elections.<br />

A government on the back foot, if not on the ropes.<br />

Things may have changed a little since, but the<br />

Conservative Party will go into the next General<br />

Election with a real chance of forming the government.<br />

So what is it that sets them apart from Labour (and<br />

the Lib Dems) What would they do in power What,<br />

in short, is the big Conservative idea Join Ed Vaizey<br />

MP (Conservative), Iain Dale (Conservative blogger),<br />

Peter Hitchens (Mail on Sunday).<br />

Harry Sidebottom &<br />

Robyn Young<br />

Truth in Historical Fiction<br />

– Does it Matter<br />

803<br />

4pm / McKenna Room, Christ Church / £7.50<br />

How important is it that historical fiction is based on<br />

true historical fact Does it really matter if the author<br />

uses a poetic licence to colour the facts a little in order<br />

to give us a good read<br />

Is it enough to set the scene reasonably accurately<br />

and then add a few frills to make it more dramatic, or<br />

do readers feel short changed if they discover that the<br />

writer has taken historical licence<br />

These are some of the questions that Harry Sidebottom<br />

(Warrior of Rome) and Robyn Young (Requiem) will<br />

address when they meet at the Festival to ask if an<br />

imaginative fictional story with a compelling narrative<br />

is more important than accurate historical facts<br />

Sponsored by Blackwell<br />

Modernism on Sea:<br />

An Artistic Journey<br />

Around the British Coast<br />

Lara Feigel, Fred Gray,<br />

Alexandra Harris,<br />

Frances Spalding<br />

806<br />

4pm / Blue Boar Marquee, Christ Church / £7.50<br />

The English seaside has inspired a rich tradition of<br />

art. Join Lara Feigel and Alexandra Harris, the editors<br />

of a new book on the modernist coast for a cultural<br />

journey around England’s edges. Fred Gray and<br />

Frances Spalding also join the discussion. The tour<br />

starts in Margate, where T.S. Eliot spent long hours<br />

sitting in a blustery shelter as he wrote The Waste<br />

Land. It includes a visit to Paul Nash’s surrealist<br />

Swanage and John Piper’s windy Dungeness, with<br />

discoveries of a beachcomber’s horde of cultural<br />

curiosities along the way, all illustrated with slides<br />

and readings from seaside literature.<br />

Supported by<br />

110

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