The ballad - Index of
The ballad - Index of The ballad - Index of
The Ballad of National Biography, are equally mythical heroes. A great deal of antiquarian labour has exhumed half a dozen people, all named Robert or Robin Hood, living within a period of forty years of the fourteenth century ; but, so far from any one of these having been the original outlaw, it is probable that some of them assumed the name of the popular hero when they " went to the greenwood." Mr. E. K. Chambers has pointed out to me that in the reign of Henry V. a Sussex poacher assumed the name of Friar Tuck. The earliest mention of Robin Hood that has been discovered is as the subject of ballads. And admirable, indeed, the Robin Hood ballads are, even such as we have left. Robin Hood and the Monk, Robin Hood and the Potter, Robin Hood and Guy of Gisborne, 1 suffice to show the excellence of the ballad-stuff that was current in the fifteenth century not to mention the Gest : of Robyn Hode, of which more anon. As I have hinted, the popularity of Robin continued into the days of the broadsides, and terrible was the fall of him, in the hands of the hack-writers whose wares were sold at a penny in the streets of Restoration London. Yet the number and variety of these broadsides go to prove the hold he had on the heart of the people whose ancestors had begotten him. 1 Fourth Series, 96, 113, 58
The Ballad The Gest of Robyn Hode 1 is not a single ballad, but several ballads rhapsodised into a short epic ; the interweaving of the various tales is cleverly done, though not so artistically that we cannot see the seams here and there. The very title warns us that it is not a ballad ; gest (gesta) meant " a chronicle of " exploits when the title was given to this conglomeration, although it was soon corrupted, and " merry " became its epithet " " before gest became " jest." Its joyous spirit cannot be communicated by description. It must be read through all its 456 verses ; the language is that of the fifteenth century, and presents far less difficulty to the ordinary reader than most ordinary readers believe. The whole is divided " into eight fyttes," which are grouped according to subject-matter thus the : first, second, and fourth fyttes are concerned with Robin's delivery of a knight from his indebtedness to the Abbot of St. Mary Abbey at York ; the third, fifth, and sixth show how Little John embroils Robin with the Sheriff of Nottingham, who treacherously attempts to capture Robin, but is twice defeated and finally killed ; and the seventh and eighth fyttes introduce the widely popular motifs of the king in disguise meeting a subject, and the outlaw's visit to the king's Court. This takes us to verse 450, where we could have wished the Gest had ended ; but the last six verses 1 Fourth Series, I. 59
- Page 11 and 12: inclusion of the Ballad as a subjec
- Page 13 and 14: The Ballad It is naturally objectio
- Page 15 and 16: The Ballad the early style of his a
- Page 17 and 18: The Ballad is cepted principles ind
- Page 19 and 20: ^ Ballad -^ itA tion and repetition
- Page 21 and 22: The Ballad tage. The zoologist Rich
- Page 23 and 24: The Ballad November 16, 1906, wrote
- Page 25 and 26: The Ballad bodily movements, especi
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- Page 31 and 32: The Ballad The refrain is another p
- Page 33 and 34: The Ballad structure. In The Cruel
- Page 35 and 36: The Ballad form never had a refrain
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- Page 39 and 40: The Ballad rights in a " west-count
- Page 41 and 42: Reliques ; The Ballad there were ma
- Page 43 and 44: The Ballad ence " it his bookbinder
- Page 45 and 46: The Ballad senting them in concentr
- Page 47 and 48: The Ballad priests of Mars in the e
- Page 49 and 50: The Ballad not of themselves satisf
- Page 51 and 52: The Ballad and Christy cannot. Old
- Page 53 and 54: The Ballad Here is a thunderclap of
- Page 55 and 56: The Ballad " Queen of Elfin's Nouri
- Page 57 and 58: The Ballad ever that may be, hardly
- Page 59 and 60: The Ballad between the father and t
- Page 61: The Ballad comparatively early time
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- Page 67: EDITED BY F. SIDGWICK POPULAR BALLA
- Page 71: Sidgwiek, Frank The ballad. PLEASE
<strong>The</strong> Ballad<br />
<strong>The</strong> Gest <strong>of</strong> Robyn Hode 1 is not a single <strong>ballad</strong>,<br />
but several <strong>ballad</strong>s rhapsodised into a short epic ;<br />
the interweaving <strong>of</strong> the various tales is cleverly<br />
done, though not so artistically that we cannot see<br />
the seams here and there. <strong>The</strong> very title warns<br />
us that it is not a <strong>ballad</strong> ; gest (gesta) meant " a<br />
chronicle <strong>of</strong><br />
"<br />
exploits<br />
when the title was given<br />
to this conglomeration, although<br />
it was soon corrupted,<br />
and " merry " became its epithet<br />
" " before<br />
gest became<br />
"<br />
jest."<br />
Its joyous spirit cannot<br />
be communicated by description. It must be<br />
read through all its 456 verses ;<br />
the language<br />
is<br />
that <strong>of</strong> the fifteenth century, and presents far<br />
less difficulty<br />
to the ordinary reader than most<br />
ordinary readers believe. <strong>The</strong> whole is divided<br />
"<br />
into eight fyttes," which are grouped according<br />
to subject-matter thus the : first, second, and<br />
fourth fyttes are concerned with Robin's delivery<br />
<strong>of</strong> a knight from his indebtedness to the<br />
Abbot <strong>of</strong> St.<br />
Mary Abbey at York ;<br />
the third,<br />
fifth, and sixth show how Little John embroils<br />
Robin with the Sheriff <strong>of</strong> Nottingham, who<br />
treacherously attempts to capture Robin, but is<br />
twice defeated and finally<br />
killed ;<br />
and the seventh<br />
and eighth fyttes introduce the widely popular<br />
motifs <strong>of</strong> the king in disguise meeting a subject,<br />
and the outlaw's visit to the king's Court. This<br />
takes us to verse 450, where we could have wished<br />
the Gest had ended ;<br />
but the last six verses<br />
1<br />
Fourth Series, I.<br />
59