The ballad - Index of
The ballad - Index of The ballad - Index of
The Ballad King Herod, 1 suggest that the folk have taken this form of revenge for the exclusion of such legends from the canon ; the origins of all three are to be found in the Apocryphal Gospels. I have no space to touch upon all the ballads which hover between legend and history ; but one peculiar instance may be studied, perhaps, so as to throw out a few hints of the difficulties encountered by any student who confronts the psychology of record-makers. The ballad of Mary Hamilton 2 tells how she, one of the queen's " four Maries," murdered the child she had borne to " the highest Stewart of a','' and was hanged in Edinburgh for the crime. A large number of versions are known, but they nearly all agree in assigning the incident to the court of Mary Stuart, and in naming the four Maries Seaton, Beaton, Carmichael, and Hamilton. As a matter of history, when Mary Stuart was sent to France in 1548 she had as attendants ladies named " Mary of four sundry honourable houses, to wit, Fleming, Livingstone, Seton, and Beaton of Creich " : they were still with the Queen in 1564. Moreover, history records that in 1563-4 a French woman of Mary Stuart's chamber was seduced by the Queen's apothecary, and bore a child which was murdered by common consent 1 Second Series, 133, 129, and 125. 2 Third Series, 44. 54
The Ballad between the father and the mother. Its cries, however, had been heard ; search was made, and both parents were " damned to be hanged upon the public street of Edinburgh." That story is obviously not on all fours with the ballad, which makes Darnley and an unheard-of Mary Hamilton the culprits, and says nothing of a French woman nor of the Queen's apothecary. Another similar story is derived from the Court of Peter the Great. Here the murdering mother was actually named Mary Hamilton her seducer was ; one Orloff, an aide-de-camp to the Czar ; but some accounts say that she had previously been mistress to Peter himself. She dressed herself in white (as the ballad relates), hoping to touch the Czar's heart, but she was executed, after a year's imprisonment, on March 14, 1719. Orloff was imprisoned, too, but released. What is one to decide in a case of this sort Professor Child himself changed his mind ; at first believing the Russian story to be the original, and commenting " it is remarkable that one of the very latest of the Scottish popular ballads should be one of the very best " ; afterwards concluding, at the instigation of Andrew Lang, that it was more improbable that the eighteenth century could have produced such a ballad, than that a Russian Court scandal of 1718 should correspond, in important and unimportant details, with a Scottish ballad already extant. We must 55
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<strong>The</strong> Ballad<br />
between the father and the mother. Its cries,<br />
however, had been heard ;<br />
search was made, and<br />
both parents were " damned to be hanged upon<br />
the public street <strong>of</strong> Edinburgh." That story<br />
is<br />
obviously not on all fours with the <strong>ballad</strong>, which<br />
makes Darnley and an unheard-<strong>of</strong> Mary Hamilton<br />
the culprits, and says nothing <strong>of</strong> a French<br />
woman nor <strong>of</strong> the Queen's apothecary. Another<br />
similar story<br />
is derived from the Court <strong>of</strong> Peter<br />
the Great. Here the murdering mother was<br />
actually named Mary Hamilton her seducer was<br />
;<br />
one Orl<strong>of</strong>f, an aide-de-camp to the Czar ;<br />
but<br />
some accounts say that she had previously been<br />
mistress to Peter himself. She dressed herself in<br />
white (as the <strong>ballad</strong> relates), hoping to touch the<br />
Czar's heart, but she was executed, after a year's<br />
imprisonment, on March 14, 1719. Orl<strong>of</strong>f was<br />
imprisoned, too, but released.<br />
What is one to decide in a case <strong>of</strong> this sort <br />
Pr<strong>of</strong>essor Child himself changed his mind ;<br />
at<br />
first believing the Russian story to be the original,<br />
and commenting<br />
" it is remarkable that one <strong>of</strong><br />
the very latest <strong>of</strong> the Scottish popular <strong>ballad</strong>s<br />
should be one <strong>of</strong> the very best " ;<br />
afterwards<br />
concluding, at the instigation <strong>of</strong> Andrew Lang,<br />
that it was more improbable that the eighteenth<br />
century could have produced such a <strong>ballad</strong>, than<br />
that a Russian Court scandal <strong>of</strong> 1718 should correspond,<br />
in important and unimportant details,<br />
with a Scottish <strong>ballad</strong> already extant. We must<br />
55