The ballad - Index of
The ballad - Index of The ballad - Index of
The Ballad Both these songs are obviously danced ; both are ceremonial. The Maori one is plainly antiphonal, and the Roman one, too, has the appearance of being shared between the priests and the people. Observe, moreover, the verbal repetitions. It must not be thought that such chants are in any way uncommon ; many the same characteristics are known. others exhibiting Keeping in mind these marks of antiquity in popular song, let us look for them in our ballads. There can be little doubt but that Child was right in placing at the beginning of his collection the " riddle " ballads : riddles are at least as old as Samson and the Sphinx, and it would be foolish to pretend that their is popularity exhausted. In the riddle-ballads, naturally enough, the ceremonial element of the choral song has passed into an element of pastime but it is interesting to see how long the dance survived. A ; few years ago Mr. Baring Gould recorded a version of The 1 Elfin Knight, which used to be sung in North Cornwall between a young man who went outside the room and a girl who remained inside, with a chorus of lads and lasses. Many " drawing-room " games, of course, retain this feature ; in particular we may mention " forfeits," which, while riddles are intellectual challenges, are usually tests of strength, endurance or dexterity. Question and answer, however, have Second Series, 170. 44
The Ballad not of themselves satisfied the folk, which demands that the battle of wits be attached to some kind of story. Hence we get tales and ballads, from all quarters of the globe, in which somebody's success or failure is made to depend on the quality of his or her replies to riddles. In The Elfin Knight the girl baffles her would-be victor by a series of impracticable requests. The position is reversed in the ballad called Captain Wedderburn* lyrical variants of which are still sung in nurseries : " I had four sisters over the sea, Peri meri dixi, domine" etc. wherein the riddles are very ancient and very popular. These lyrical forms, which are, so to speak, the ballad with the story or situation eliminated, may well represent an earlier stage ; a fifteenth-century version of the above lyric is known. Another favourite, perhaps best known as King John and the Abbot of Canterbury^ after Percy's version, has become thoroughly anglicised, yet bears marks of kinship with widespread riddle-tales, reaching as far as the Orient. The motif of a romantic conclusion dependent upon the outcome of a battle of riddles leads us to the ballads of elopements, willing or unwilling ; and thence through a series of complica- 1 Second Series, 162. 3 Second Series, 173. 45
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<strong>The</strong> Ballad<br />
Both these songs are obviously danced ;<br />
both<br />
are ceremonial. <strong>The</strong> Maori one is plainly antiphonal,<br />
and the Roman one, too, has the appearance<br />
<strong>of</strong> being shared between the priests and the<br />
people. Observe, moreover, the verbal repetitions.<br />
It must not be thought that such chants<br />
are in any way uncommon ; many<br />
the same characteristics are known.<br />
others exhibiting<br />
Keeping in mind these marks <strong>of</strong> antiquity in<br />
popular song, let us look for them in our <strong>ballad</strong>s.<br />
<strong>The</strong>re can be little doubt but that Child was<br />
right in placing at the beginning <strong>of</strong> his collection<br />
the " riddle " <strong>ballad</strong>s : riddles are at least as old<br />
as Samson and the Sphinx, and it would be<br />
foolish to pretend that their is<br />
popularity exhausted.<br />
In the riddle-<strong>ballad</strong>s, naturally enough,<br />
the ceremonial element <strong>of</strong> the choral song has<br />
passed into an element <strong>of</strong> pastime but it is interesting<br />
to see how long the dance survived. A<br />
;<br />
few years ago Mr. Baring Gould recorded a version<br />
<strong>of</strong> <strong>The</strong> 1 Elfin Knight, which used to be sung<br />
in North Cornwall between a young man who<br />
went outside the room and a girl<br />
who remained<br />
inside, with a chorus <strong>of</strong> lads and lasses.<br />
Many<br />
" drawing-room<br />
"<br />
games, <strong>of</strong> course, retain this<br />
feature ;<br />
in particular we may mention " forfeits,"<br />
which, while riddles are intellectual challenges,<br />
are usually tests <strong>of</strong> strength, endurance or<br />
dexterity.<br />
Question and answer, however, have<br />
Second Series, 170.<br />
44