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The ballad - Index of

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II<br />

BALLADS belong to the people, and therefore belong<br />

also most strictly to one another as, indeed,<br />

do human beings. A man is a member <strong>of</strong> a<br />

number <strong>of</strong> concentric communities ;<br />

his family,<br />

his village, his county, his native land, his race,<br />

the world. Inverting the order, a <strong>ballad</strong> <strong>of</strong><br />

universal vogue may have an occidental genus, a<br />

British species, English and Scottish variants, and<br />

local adaptations ;<br />

and it always has one particular<br />

version which is the best one's own.<br />

But to the eye, or rather to the ear, it is as<br />

different from an artistic lyric<br />

as a man from a<br />

bird. From what has been said above it is clear,<br />

I hope, that if the poetry <strong>of</strong> art is, as Wordsworth<br />

" said, emotion recollected in tranquillity,"<br />

the poetry <strong>of</strong> the folk is emotion crystallised<br />

in<br />

a crowd.<br />

We have now to leave the outer rings, and concentrate<br />

as far as possible upon the English and<br />

Scottish <strong>ballad</strong>s still ; putting in at every turn<br />

the caveat, that the stuff <strong>of</strong> these can be called<br />

" ours<br />

" with no greater degree <strong>of</strong> justification<br />

than Somersetshire can claim sole proprietary<br />

34

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