The ballad - Index of
The ballad - Index of
The ballad - Index of
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<strong>The</strong> Ballad<br />
poems, known to be by that one author, and in<br />
the state in which they left his brain, can by a<br />
deductive process work out a system <strong>of</strong> the poet's<br />
characteristic methods <strong>of</strong> expression, and say<br />
" this is Milton's style." <strong>The</strong> <strong>ballad</strong>-scholar, on<br />
with a number <strong>of</strong><br />
the other hand, has to grapple<br />
poems, each extant in several versions, but uniform<br />
in certain characters as aforesaid, and<br />
attempt to apply an inductive method. Now,<br />
without pausing at present to enquire how likely<br />
it is that he will be able to find an individual<br />
author for poems <strong>of</strong> no fixed content, which yet<br />
are obviously the favourites <strong>of</strong> many nations and<br />
many ages, let us consider a problem that forms<br />
a kind <strong>of</strong> half-way house between these two extremes.<br />
Imagine a literary scholar selecting for<br />
study one <strong>of</strong> the many poets who flourished when<br />
England was a nest <strong>of</strong> singing birds say John<br />
Donne, who has been so selected more than once.<br />
No connoisseur will deny that a number <strong>of</strong> poems<br />
are by Donne and no one else but the " com-<br />
;<br />
monplace books " <strong>of</strong> his time are full <strong>of</strong> verses<br />
" attributed<br />
" to Donne, and here can be no<br />
such absolute knowledge <strong>of</strong> their authenticity.<br />
At this point the scholar's inductive function<br />
begins it is his business to ;<br />
apply to these " doubtful<br />
" poems the touchstone <strong>of</strong> Donne's style,<br />
which he has formed by deduction from the<br />
authentic works. That is the test <strong>of</strong> his scholarship.<br />
A good scholar knows that one poem<br />
10<br />
is in