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The ballad - Index of

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<strong>The</strong> Ballad<br />

poems, known to be by that one author, and in<br />

the state in which they left his brain, can by a<br />

deductive process work out a system <strong>of</strong> the poet's<br />

characteristic methods <strong>of</strong> expression, and say<br />

" this is Milton's style." <strong>The</strong> <strong>ballad</strong>-scholar, on<br />

with a number <strong>of</strong><br />

the other hand, has to grapple<br />

poems, each extant in several versions, but uniform<br />

in certain characters as aforesaid, and<br />

attempt to apply an inductive method. Now,<br />

without pausing at present to enquire how likely<br />

it is that he will be able to find an individual<br />

author for poems <strong>of</strong> no fixed content, which yet<br />

are obviously the favourites <strong>of</strong> many nations and<br />

many ages, let us consider a problem that forms<br />

a kind <strong>of</strong> half-way house between these two extremes.<br />

Imagine a literary scholar selecting for<br />

study one <strong>of</strong> the many poets who flourished when<br />

England was a nest <strong>of</strong> singing birds say John<br />

Donne, who has been so selected more than once.<br />

No connoisseur will deny that a number <strong>of</strong> poems<br />

are by Donne and no one else but the " com-<br />

;<br />

monplace books " <strong>of</strong> his time are full <strong>of</strong> verses<br />

" attributed<br />

" to Donne, and here can be no<br />

such absolute knowledge <strong>of</strong> their authenticity.<br />

At this point the scholar's inductive function<br />

begins it is his business to ;<br />

apply to these " doubtful<br />

" poems the touchstone <strong>of</strong> Donne's style,<br />

which he has formed by deduction from the<br />

authentic works. That is the test <strong>of</strong> his scholarship.<br />

A good scholar knows that one poem<br />

10<br />

is in

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