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Cultural Identity Politics in the (Post-)Transitional Societies

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<strong>Cultural</strong> <strong>Identity</strong> <strong>Politics</strong> <strong>in</strong> <strong>the</strong> (<strong>Post</strong>-)<strong>Transitional</strong> <strong>Societies</strong><br />

national <strong>the</strong>atre” (Skušek-Močnik, 1980: 26). As we tried to demonstrate <strong>in</strong> this paper,<br />

<strong>the</strong> concept of national <strong>the</strong>atre and <strong>the</strong> construction of cultural identity related to that<br />

concept, could have different ideological presuppositions: from <strong>the</strong> “nationaliz<strong>in</strong>g”<br />

of culture (Less<strong>in</strong>g’s option) to <strong>the</strong> “culturalization” of <strong>the</strong> nation (Schiller’s option).<br />

However, no matter which option prevails, <strong>the</strong> paradox of <strong>the</strong> national <strong>the</strong>atre rema<strong>in</strong>s<br />

active – and it holds true also for Slovenia and o<strong>the</strong>r newly established nation states of<br />

<strong>the</strong> former SFRY.<br />

References<br />

Carlson, Marv<strong>in</strong> (2008) “National Theatres: Then and Now”, <strong>in</strong> Wilmer, S. E. (ed.) National<br />

Theatres <strong>in</strong> a Chang<strong>in</strong>g Europe, New York: Palgrave Macmillan, pp. 21-33.<br />

Kalan, Filip (1962) “Dokumenti <strong>in</strong> izbrana poglavja iz evropske gledališke zgodov<strong>in</strong>e 2: O gledališki<br />

vedi v Jugoslaviji” (manuscript), Ljubljana: Akademija za igralsko umetnost.<br />

Kreft, Lev (1999) “Dober glas gledališča”, Maska, Vol. VIII, No. 5-6/1999, pp. 30-31.<br />

Kruger, Loren (2008) “The National Stage and <strong>the</strong> Naturalized House: (Trans)National<br />

Legitimation <strong>in</strong> Modern Europe”, <strong>in</strong> Wilmer, S. E. (ed.) National Theatres <strong>in</strong> a Chang<strong>in</strong>g<br />

Europe, New York: Palgrave Macmillan, pp. 34-48.<br />

Less<strong>in</strong>g, G. Ephraim (1950) Hamburška dramaturgija, Zagreb: Zora.<br />

Lukan, Blaž (1998) “Statistični uvod v slovensko dramatiko”, <strong>in</strong> Dramaturške figure, Ljubljana:<br />

Maska, pp. 63-69.<br />

Lukan, Blaž (1999) “Rekapitualacija slovenskega gledališča v devetdesetih”. Maska, Vol. VIII, No.<br />

5-6/1999, pp. 14-18.<br />

McConachie, Bruce (2008) “Towards a History of National Theatres <strong>in</strong> Europe”, <strong>in</strong> Wilmer, S. E.<br />

(ed.) National Theatres <strong>in</strong> a Chang<strong>in</strong>g Europe, New York: Palgrave Macmillan, pp. 49-60.<br />

Orel, Barbara (1999) “Novi modeli.kom: zunaj<strong>in</strong>stitucionalna produkcija v devetdesetih”,<br />

Maska, Vol. VIII, No. 5-6/1999, pp. 22-26.<br />

Pušić, Barbara (1997) “Med prevratništvom <strong>in</strong> apologijo – nacionalna gledališča skozi čas”, <strong>in</strong><br />

Dokumenti Slovenskega gledališkega muzeja, Vol. 33 (1997), No. 68-69, pp. 59-114.<br />

Pušić, Barbara (2004) “Nationalism, Tradition, and Transition <strong>in</strong> Theatre Historiography <strong>in</strong><br />

Slovenia”, <strong>in</strong> Wilmer, S. E. (ed.) Writ<strong>in</strong>g and Rewrit<strong>in</strong>g National Theatre Histories, Iowa<br />

City: University of Iowa Press, pp. 65-87.<br />

Schiller, Friedrich (2005) “Oder kot moralna ustanova” (Die Schaubühne als e<strong>in</strong>e moralische<br />

Anstalt betrachtet, 1784), <strong>in</strong> Spisi o etiki <strong>in</strong> estetiki, Ljubljana: Krt<strong>in</strong>a, pp. 99-108.<br />

Skušek-Močnik, Zoja (1980) Gledališče kot oblika spektakelske funkcije, Ljubljana: DDU Univerzum.<br />

Sušec Michieli, Barbara (2008a) “The Disappear<strong>in</strong>g Balkans: National Theatres and Geopolitics”,<br />

<strong>in</strong> Wilmer, S. E. (ed.) National Theatres <strong>in</strong> a Chang<strong>in</strong>g Europe, New York: Palgrave<br />

Macmillan, pp. 196-203.<br />

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