Cultural Identity Politics in the (Post-)Transitional Societies
Cultural Identity Politics in the (Post-)Transitional Societies
Cultural Identity Politics in the (Post-)Transitional Societies
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<strong>Cultural</strong> <strong>Identity</strong> <strong>Politics</strong> <strong>in</strong> <strong>the</strong> (<strong>Post</strong>-)<strong>Transitional</strong> <strong>Societies</strong><br />
socialization practices. They are a jo<strong>in</strong>t venture of national political and cultural elites<br />
neglect<strong>in</strong>g <strong>the</strong> real <strong>in</strong>terest of communities. As <strong>in</strong> <strong>the</strong> case of Macedonia where political<br />
elites wish to prove cont<strong>in</strong>uity with ancient Macedonia, an atmosphere was created <strong>in</strong><br />
which local city elites show <strong>the</strong>ir will<strong>in</strong>gness to share common efforts <strong>in</strong> creat<strong>in</strong>g a “lost”<br />
collective cultural memory as part of a newly constructed national identity.<br />
In periods of nation-build<strong>in</strong>g, <strong>in</strong>vent<strong>in</strong>g <strong>the</strong> traditions demands high symbolic, cultural<br />
but also f<strong>in</strong>ancial <strong>in</strong>vestment. The national elites prefer to take history events and leaders<br />
from far away (Alexander <strong>the</strong> Great, or Skenderbeg <strong>in</strong> Skopje) re-appropriat<strong>in</strong>g <strong>the</strong>m for<br />
today’s use (Croatia is an exception <strong>in</strong> this sense).<br />
National identity (memory) policies through monument policies aim to achieve<br />
cont<strong>in</strong>uity of <strong>the</strong> present with a past, symbolic representation of <strong>the</strong> country’s identity or<br />
collective narrative, mediation of <strong>the</strong> values and <strong>the</strong> ethos of collective cultural identity,<br />
but also to control social behaviour. Thus, cultural policies were “asked” to contribute by<br />
def<strong>in</strong><strong>in</strong>g key “formative” events <strong>in</strong> <strong>the</strong> construction of <strong>the</strong> community and to f<strong>in</strong>d ways<br />
for <strong>the</strong>ir memorialization.<br />
The new European cultural policy “standards” demand that multicultural society has<br />
to develop new policies of memories and, consequently, new monument policies, policies<br />
which are not divisive, but <strong>in</strong>form communities, foster<strong>in</strong>g and stabiliz<strong>in</strong>g <strong>in</strong>tercultural<br />
dialogue. These policies have not yet been implemented <strong>in</strong> Sou<strong>the</strong>astern Europe.<br />
However, some new trends <strong>in</strong> monument policies are appear<strong>in</strong>g: preparations are <strong>in</strong><br />
process to build monuments to <strong>the</strong> com<strong>in</strong>g of <strong>the</strong> Slovak community to Sou<strong>the</strong>astern<br />
Europe or to <strong>the</strong> exodus of <strong>the</strong> German population. These monuments should not<br />
be constructed to divide, but to mutually <strong>in</strong>form communities and to start shar<strong>in</strong>g<br />
group histories as common histories. Still, a monument which aimed to be a “bridg<strong>in</strong>g<br />
monument” (to <strong>the</strong> forgotten German m<strong>in</strong>ority <strong>in</strong> Vršac, Serbia), provoked new<br />
divisions, as <strong>the</strong> Jewish m<strong>in</strong>ority considered <strong>the</strong> statements l<strong>in</strong>ked to <strong>the</strong> erection of<br />
<strong>the</strong> monument as <strong>in</strong>appropriate (“life <strong>in</strong> Vršac was calm and mutual relations good till<br />
1945”, <strong>the</strong> statement which ignored <strong>the</strong> genocide of <strong>the</strong> Jewish population <strong>in</strong> 1942).<br />
This shows that <strong>the</strong>re is still a need for “jo<strong>in</strong>t histories”, and that <strong>the</strong> responsibility of <strong>the</strong><br />
EU should be to debate neglected issues such as <strong>the</strong> exodus of <strong>the</strong> Slavic Macedonian<br />
population dur<strong>in</strong>g <strong>the</strong> Greek civil war (politics of oblivion <strong>in</strong> Greece) which still<br />
nourishes Macedonian nationalism.<br />
The fact that <strong>the</strong>re are no monuments and memorials devoted to <strong>the</strong> Roma<br />
communities who suffered genocide <strong>in</strong> <strong>the</strong> Second World War shows double standards<br />
throughout Sou<strong>the</strong>astern Europe (and Europe) about policies of memorializ<strong>in</strong>g.<br />
Democratic cultural policies should develop platforms for enabl<strong>in</strong>g private memories<br />
to enter <strong>the</strong> public sphere, especially those com<strong>in</strong>g from marg<strong>in</strong>al groups <strong>in</strong> societies.<br />
This research has shown that to a formalism of ritual language (Connerton, 2002:<br />
83), corresponds a formalism of visual language for monument use (expressions).<br />
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